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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #994CE2CE it is the complementary color #66B31DCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #994CE2CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #994CE2CE shade: #9E4CDDCE, #AF5EF0CE, #C070FFCE, #D182FFCE and #E294FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #994CE2CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #994CE2CE shade: #994CE2CE, #883ACFCE, #7728BCCE, #6616A9CE and #550496CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #994CE2CE shade: #984BE2, #C14BE2, #E24BDA, #E24BB1 and #E24B89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #994CE2CE shade: #984BE2, #704BE2 and #4B4BE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #994CE2CE shade matches the following richer shades: #984BE2 and #993AF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #994CE2CE shade: #984BE2, #985CD1, #986DC0, #977EAF and #978F9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #994CE2CE shade: #4B50E2, #6E4BE2, #964BE2, #BF4BE2 and #E24BDD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #994CE2CE shade: #6F1FBC, #8428DC, #984BE2, #AD6FE8 and #C192ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #994CE2CE shade: #994CE2, #E24B78 and #4BE25A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #994CE2CE shade: #994CE2, #E2964B and #4BE296

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #994CE2CE shade: #994CE2, #E24B78, #96E24B and #4BE2B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #994CE2CE shade: #994CE2, #E24B4B, #96E24B and #4BE2E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 54 / 0 / 9

HEX #994CE2CE

RGBA 153 76 226 0.81

HSLA 270.8, 0.72%, 0.59%, 0.81

LABA 48.8, 59.02, -63.93, 0.81

 

Complementary color

CMYK 35 / 0 / 68 / 24

HEX #66B31DCE

RGBA 102 179 29 0.81

HSLA 90.8, 0.72%, 0.41%, 0.81

LABA 65.87, -46.72, 61.81, 0.81

 

CMYK 23 / 53 / 0 / 11

HEX #9E4CDDCE

RGBA 158 76 221 0.81

HSLA 273.93, 0.68%, 0.58%, 0.81

LABA 49.08, 58.92, -60.61, 0.81

 

CMYK 22 / 49 / 0 / 5

HEX #AF5EF0CE

RGBA 175 94 240 0.81

HSLA 273.29, 0.83%, 0.65%, 0.81

LABA 55.49, 58.27, -60.88, 0.81

 

CMYK 20 / 45 / 0 / 0

HEX #C070FFCE

RGBA 192 112 255 0.81

HSLA 273.57, 1%, 0.72%, 0.81

LABA 61.67, 56.6, -59.19, 0.81

 

CMYK 15 / 40 / 0 / 0

HEX #D182FFCE

RGBA 209 130 255 0.81

HSLA 277.92, 1%, 0.75%, 0.81

LABA 67.08, 51.68, -50.47, 0.81

 

CMYK 9 / 34 / 0 / 0

HEX #E294FFCE

RGBA 226 148 255 0.81

HSLA 283.74, 1%, 0.79%, 0.81

LABA 72.61, 47, -41.67, 0.81

 

CMYK 26 / 54 / 0 / 9

HEX #994CE2CE

RGBA 153 76 226 0.81

HSLA 270.8, 0.72%, 0.59%, 0.81

LABA 48.8, 59.02, -63.93, 0.81

 

CMYK 28 / 58 / 0 / 15

HEX #883ACFCE

RGBA 136 58 207 0.81

HSLA 271.41, 0.61%, 0.52%, 0.81

LABA 42.41, 59.5, -63.53, 0.81

 

CMYK 30 / 64 / 0 / 21

HEX #7728BCCE

RGBA 119 40 188 0.81

HSLA 272.03, 0.65%, 0.45%, 0.81

LABA 36.12, 59.49, -62.78, 0.81

 

CMYK 32 / 70 / 0 / 27

HEX #6616A9CE

RGBA 102 22 169 0.81

HSLA 272.65, 0.77%, 0.37%, 0.81

LABA 30.07, 58.57, -61.46, 0.81

 

CMYK 35 / 79 / 0 / 33

HEX #550496CE

RGBA 85 4 150 0.81

HSLA 273.29, 0.95%, 0.3%, 0.81

LABA 24.39, 56.28, -59.31, 0.81

 

CMYK 33 / 67 / 0 / 11

HEX #984BE2

RGB 152 75 226

HSL 270.6, 0.72%, 0.59%

LAB 48.51, 59.29, -64.41

 

CMYK 15 / 67 / 0 / 11

HEX #C14BE2

RGB 193 75 226

HSL 286.89, 0.72%, 0.59%

LAB 53.88, 67.9, -55.48

 

CMYK 0 / 67 / 4 / 11

HEX #E24BDA

RGB 226 75 218

HSL 303.18, 0.72%, 0.59%

LAB 58.29, 73.88, -43.66

 

CMYK 0 / 67 / 22 / 11

HEX #E24BB1

RGB 226 75 177

HSL 319.47, 0.72%, 0.59%

LAB 56.46, 67.95, -23.04

 

CMYK 0 / 67 / 39 / 11

HEX #E24B89

RGB 226 75 137

HSL 335.36, 0.72%, 0.59%

LAB 55.08, 63.24, -1.66

 

CMYK 33 / 67 / 0 / 11

HEX #984BE2

RGB 152 75 226

HSL 270.6, 0.72%, 0.59%

LAB 48.51, 59.29, -64.41

 

CMYK 50 / 67 / 0 / 11

HEX #704BE2

RGB 112 75 226

HSL 254.7, 0.72%, 0.59%

LAB 44.19, 51.82, -71.63

 

CMYK 67 / 67 / 0 / 11

HEX #4B4BE2

RGB 75 75 226

HSL 240, 0.72%, 0.59%

LAB 41.25, 46.35, -76.55

 

CMYK 33 / 67 / 0 / 11

HEX #984BE2

RGB 152 75 226

HSL 270.6, 0.72%, 0.59%

LAB 48.51, 59.29, -64.41

 

CMYK 37 / 76 / 0 / 5

HEX #993AF3

RGB 153 58 243

HSL 270.81, 0.89%, 0.59%

LAB 47.33, 70.58, -75.91

 

CMYK 33 / 67 / 0 / 11

HEX #984BE2

RGB 152 75 226

HSL 270.6, 0.72%, 0.59%

LAB 48.51, 59.29, -64.41

 

CMYK 27 / 56 / 0 / 18

HEX #985CD1

RGB 152 92 209

HSL 270.77, 0.56%, 0.59%

LAB 50.61, 46.71, -51.36

 

CMYK 21 / 43 / 0 / 25

HEX #986DC0

RGB 152 109 192

HSL 271.08, 0.4%, 0.59%

LAB 53.4, 33.27, -37.2

 

CMYK 14 / 28 / 0 / 31

HEX #977EAF

RGB 151 126 175

HSL 270.61, 0.23%, 0.59%

LAB 56.68, 19.26, -22.36

 

CMYK 4 / 9 / 0 / 38

HEX #978F9E

RGB 151 143 158

HSL 272, 0.07%, 0.59%

LAB 60.51, 5.88, -6.86

 

CMYK 67 / 65 / 0 / 11

HEX #4B50E2

RGB 75 80 226

HSL 238.01, 0.72%, 0.59%

LAB 42.34, 43.4, -74.75

 

CMYK 51 / 67 / 0 / 11

HEX #6E4BE2

RGB 110 75 226

HSL 253.91, 0.72%, 0.59%

LAB 44, 51.48, -71.94

 

CMYK 34 / 67 / 0 / 11

HEX #964BE2

RGB 150 75 226

HSL 269.8, 0.72%, 0.59%

LAB 48.27, 58.89, -64.81

 

CMYK 15 / 67 / 0 / 11

HEX #BF4BE2

RGB 191 75 226

HSL 286.09, 0.72%, 0.59%

LAB 53.6, 67.47, -55.95

 

CMYK 0 / 67 / 2 / 11

HEX #E24BDD

RGB 226 75 221

HSL 301.99, 0.72%, 0.59%

LAB 58.43, 74.35, -45.12

 

CMYK 41 / 84 / 0 / 26

HEX #6F1FBC

RGB 111 31 188

HSL 270.57, 0.72%, 0.43%

LAB 33.96, 61.42, -66.36

 

CMYK 40 / 82 / 0 / 14

HEX #8428DC

RGB 132 40 220

HSL 270.67, 0.72%, 0.51%

LAB 40.56, 68.66, -74.05

 

CMYK 33 / 67 / 0 / 11

HEX #984BE2

RGB 152 75 226

HSL 270.6, 0.72%, 0.59%

LAB 48.51, 59.29, -64.41

 

CMYK 25 / 52 / 0 / 9

HEX #AD6FE8

RGB 173 111 232

HSL 270.74, 0.72%, 0.67%

LAB 58.11, 47.22, -52.24

 

CMYK 19 / 38 / 0 / 7

HEX #C192ED

RGB 193 146 237

HSL 270.99, 0.72%, 0.75%

LAB 68.03, 34.76, -39.24

 

CMYK 32 / 66 / 0 / 11

HEX #994CE2

RGB 153 76 226

HSL 270.8, 0.72%, 0.59%

LAB 48.8, 59.02, -63.93

 

CMYK 0 / 67 / 47 / 11

HEX #E24B78

RGB 226 75 120

HSL 342.12, 0.72%, 0.59%

LAB 54.61, 61.6, 7.76

 

CMYK 67 / 0 / 60 / 11

HEX #4BE25A

RGB 75 226 90

HSL 125.96, 0.72%, 0.59%

LAB 79.97, -66.03, 53.86

 

CMYK 32 / 66 / 0 / 11

HEX #994CE2

RGB 153 76 226

HSL 270.8, 0.72%, 0.59%

LAB 48.8, 59.02, -63.93

 

CMYK 0 / 34 / 67 / 11

HEX #E2964B

RGB 226 150 75

HSL 29.8, 0.72%, 0.59%

LAB 68.38, 21.73, 50.15

 

CMYK 67 / 0 / 34 / 11

HEX #4BE296

RGB 75 226 150

HSL 149.8, 0.72%, 0.59%

LAB 80.79, -56.77, 25.83

 

CMYK 32 / 66 / 0 / 11

HEX #994CE2

RGB 153 76 226

HSL 270.8, 0.72%, 0.59%

LAB 48.8, 59.02, -63.93

 

CMYK 0 / 67 / 47 / 11

HEX #E24B78

RGB 226 75 120

HSL 342.12, 0.72%, 0.59%

LAB 54.61, 61.6, 7.76

 

CMYK 34 / 0 / 67 / 11

HEX #96E24B

RGB 150 226 75

HSL 90.2, 0.72%, 0.59%

LAB 82.59, -47.01, 63.69

 

CMYK 67 / 0 / 20 / 11

HEX #4BE2B5

RGB 75 226 181

HSL 162.12, 0.72%, 0.59%

LAB 81.41, -50.14, 10.51

 

CMYK 32 / 66 / 0 / 11

HEX #994CE2

RGB 153 76 226

HSL 270.8, 0.72%, 0.59%

LAB 48.8, 59.02, -63.93

 

CMYK 0 / 67 / 67 / 11

HEX #E24B4B

RGB 226 75 75

HSL 0, 0.72%, 0.59%

LAB 53.72, 58.39, 33.1

 

CMYK 34 / 0 / 67 / 11

HEX #96E24B

RGB 150 226 75

HSL 90.2, 0.72%, 0.59%

LAB 82.59, -47.01, 63.69

 

CMYK 67 / 0 / 0 / 11

HEX #4BE2E2

RGB 75 226 226

HSL 180, 0.72%, 0.59%

LAB 82.58, -38.65, -11.61

 

Description

Color code: HEX #994CE2CE | qconv.com Color code: HEX #994CE2CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 76 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 76 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 54 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 54% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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