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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #994C2ACE it is the complementary color #66B3D5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #994C2ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #994C2ACE shade: #9E4C25CE, #AF5E38CE, #C0704BCE, #D1825ECE and #E29471CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #994C2ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #994C2ACE shade: #994C2ACE, #883A17CE, #772804CE, #661600CE and #550400CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #994C2ACE shade: #984C2A, #982E2A and #982A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #994C2ACE shade: #984C2A, #98692A, #98872A, #8B982A and #6E982A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #994C2ACE shade matches the following richer shades: #984C2A, #A8451A and #B73F0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #994C2ACE shade: #984C2A, #885239, #795849, #695E59 and #596468

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #994C2ACE shade: #982A43, #982D2A, #984B2A, #98682A and #98862A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #994C2ACE shade: #572B18, #783B21, #984C2A, #B95C33 and #CD7048

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #994C2ACE shade: #994C2A, #61982A and #2A3598

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #994C2ACE shade: #994C2A, #2A984B and #4B2A98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #994C2ACE shade: #994C2A, #61982A, #2A7798 and #612A98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #994C2ACE shade: #994C2A, #40982A, #2A7798 and #822A98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 59 / 32

HEX #994C2ACE

RGBA 153 76 42 0.81

HSLA 18.38, 0.57%, 0.38%, 0.81

LABA 41.39, 29.51, 34.3, 0.81

 

Complementary color

CMYK 42 / 13 / 0 / 13

HEX #66B3D5CE

RGBA 102 179 213 0.81

HSLA 198.38, 0.57%, 0.62%, 0.81

LABA 69.38, -14.43, -24.48, 0.81

 

CMYK 0 / 42 / 62 / 31

HEX #9E4C25CE

RGBA 158 76 37 0.81

HSLA 19.34, 0.62%, 0.38%, 0.81

LABA 42.11, 31.34, 37.96, 0.81

 

CMYK 0 / 37 / 55 / 25

HEX #AF5E38CE

RGBA 175 94 56 0.81

HSLA 19.16, 0.52%, 0.45%, 0.81

LABA 48.77, 29.66, 35.9, 0.81

 

CMYK 0 / 34 / 49 / 20

HEX #C0704BCE

RGBA 192 112 75 0.81

HSLA 18.97, 0.48%, 0.52%, 0.81

LABA 55.38, 28.16, 33.95, 0.81

 

CMYK 0 / 31 / 45 / 15

HEX #D1825ECE

RGBA 209 130 94 0.81

HSLA 18.78, 0.56%, 0.59%, 0.81

LABA 61.94, 26.82, 32.17, 0.81

 

CMYK 0 / 28 / 41 / 9

HEX #E29471CE

RGBA 226 148 113 0.81

HSLA 18.58, 0.66%, 0.66%, 0.81

LABA 68.42, 25.64, 30.56, 0.81

 

CMYK 0 / 41 / 59 / 32

HEX #994C2ACE

RGBA 153 76 42 0.81

HSLA 18.38, 0.57%, 0.38%, 0.81

LABA 41.39, 29.51, 34.3, 0.81

 

CMYK 0 / 46 / 67 / 38

HEX #883A17CE

RGBA 136 58 23 0.81

HSLA 18.58, 0.71%, 0.31%, 0.81

LABA 34.65, 31.28, 36.43, 0.81

 

CMYK 0 / 54 / 78 / 43

HEX #772804CE

RGBA 119 40 4 0.81

HSLA 18.78, 0.93%, 0.24%, 0.81

LABA 27.98, 33.06, 37.87, 0.81

 

CMYK 0 / 64 / 81 / 49

HEX #661600CE

RGBA 102 22 0 0.81

HSLA 12.94, 1%, 0.2%, 0.81

LABA 21.57, 34.51, 32.16, 0.81

 

CMYK 0 / 77 / 81 / 54

HEX #550400CE

RGBA 85 4 0 0.81

HSLA 2.82, 1%, 0.17%, 0.81

LABA 15.58, 34.69, 24.15, 0.81

 

CMYK 0 / 50 / 72 / 40

HEX #984C2A

RGB 152 76 42

HSL 18.55, 0.57%, 0.38%

LAB 41.23, 29.1, 34.09

 

CMYK 0 / 70 / 72 / 40

HEX #982E2A

RGB 152 46 42

HSL 2.18, 0.57%, 0.38%

LAB 35.59, 43.83, 27.67

 

CMYK 0 / 72 / 72 / 40

HEX #982A2A

RGB 152 42 42

HSL 0, 0.57%, 0.38%

LAB 35, 45.45, 26.97

 

CMYK 0 / 50 / 72 / 40

HEX #984C2A

RGB 152 76 42

HSL 18.55, 0.57%, 0.38%

LAB 41.23, 29.1, 34.09

 

CMYK 0 / 31 / 72 / 40

HEX #98692A

RGB 152 105 42

HSL 34.36, 0.57%, 0.38%

LAB 48.19, 12.65, 41.58

 

CMYK 0 / 11 / 72 / 40

HEX #98872A

RGB 152 135 42

HSL 50.73, 0.57%, 0.38%

LAB 56.26, -4.32, 49.79

 

CMYK 9 / 0 / 72 / 40

HEX #8B982A

RGB 139 152 42

HSL 67.09, 0.57%, 0.38%

LAB 59.99, -19.19, 53.09

 

CMYK 28 / 0 / 72 / 40

HEX #6E982A

RGB 110 152 42

HSL 82.91, 0.57%, 0.38%

LAB 57.98, -31.34, 50.42

 

CMYK 0 / 50 / 72 / 40

HEX #984C2A

RGB 152 76 42

HSL 18.55, 0.57%, 0.38%

LAB 41.23, 29.1, 34.09

 

CMYK 0 / 59 / 85 / 34

HEX #A8451A

RGB 168 69 26

HSL 18.17, 0.73%, 0.38%

LAB 42.24, 38.54, 43.97

 

CMYK 0 / 66 / 95 / 28

HEX #B73F0A

RGB 183 63 10

HSL 18.38, 0.9%, 0.38%

LAB 43.72, 46.59, 52.06

 

CMYK 0 / 50 / 72 / 40

HEX #984C2A

RGB 152 76 42

HSL 18.55, 0.57%, 0.38%

LAB 41.23, 29.1, 34.09

 

CMYK 0 / 40 / 58 / 47

HEX #885239

RGB 136 82 57

HSL 18.99, 0.41%, 0.38%

LAB 40.51, 19.89, 24.1

 

CMYK 0 / 27 / 40 / 53

HEX #795849

RGB 121 88 73

HSL 18.75, 0.25%, 0.38%

LAB 40.45, 11.47, 14.04

 

CMYK 0 / 10 / 15 / 59

HEX #695E59

RGB 105 94 89

HSL 18.75, 0.08%, 0.38%

LAB 40.78, 3.48, 4.47

 

CMYK 14 / 4 / 0 / 59

HEX #596468

RGB 89 100 104

HSL 196, 0.08%, 0.38%

LAB 41.59, -3.29, -3.7

 

CMYK 0 / 72 / 56 / 40

HEX #982A43

RGB 152 42 67

HSL 346.36, 0.57%, 0.38%

LAB 35.47, 47.07, 11.73

 

CMYK 0 / 70 / 72 / 40

HEX #982D2A

RGB 152 45 42

HSL 1.64, 0.57%, 0.38%

LAB 35.44, 44.25, 27.49

 

CMYK 0 / 51 / 72 / 40

HEX #984B2A

RGB 152 75 42

HSL 18, 0.57%, 0.38%

LAB 41.02, 29.64, 33.84

 

CMYK 0 / 32 / 72 / 40

HEX #98682A

RGB 152 104 42

HSL 33.82, 0.57%, 0.38%

LAB 47.93, 13.23, 41.31

 

CMYK 0 / 12 / 72 / 40

HEX #98862A

RGB 152 134 42

HSL 50.18, 0.57%, 0.38%

LAB 55.98, -3.77, 49.51

 

CMYK 0 / 51 / 72 / 66

HEX #572B18

RGB 87 43 24

HSL 18.1, 0.57%, 0.22%

LAB 23.07, 18.44, 21.18

 

CMYK 0 / 51 / 73 / 53

HEX #783B21

RGB 120 59 33

HSL 17.93, 0.57%, 0.3%

LAB 32.33, 24.42, 27.8

 

CMYK 0 / 50 / 72 / 40

HEX #984C2A

RGB 152 76 42

HSL 18.55, 0.57%, 0.38%

LAB 41.23, 29.1, 34.09

 

CMYK 0 / 50 / 72 / 27

HEX #B95C33

RGB 185 92 51

HSL 18.36, 0.57%, 0.46%

LAB 49.75, 34.52, 40.06

 

CMYK 0 / 45 / 65 / 20

HEX #CD7048

RGB 205 112 72

HSL 18.05, 0.57%, 0.54%

LAB 57.11, 33.22, 38.07

 

CMYK 0 / 50 / 73 / 40

HEX #994C2A

RGB 153 76 42

HSL 18.38, 0.57%, 0.38%

LAB 41.39, 29.51, 34.3

 

CMYK 36 / 0 / 72 / 40

HEX #61982A

RGB 97 152 42

HSL 90, 0.57%, 0.38%

LAB 57.24, -36.32, 49.43

 

CMYK 72 / 65 / 0 / 40

HEX #2A3598

RGB 42 53 152

HSL 234, 0.57%, 0.38%

LAB 27.59, 30.29, -55.44

 

CMYK 0 / 50 / 73 / 40

HEX #994C2A

RGB 153 76 42

HSL 18.38, 0.57%, 0.38%

LAB 41.39, 29.51, 34.3

 

CMYK 72 / 0 / 51 / 40

HEX #2A984B

RGB 42 152 75

HSL 138, 0.57%, 0.38%

LAB 55.54, -47.79, 31.7

 

CMYK 51 / 72 / 0 / 40

HEX #4B2A98

RGB 75 42 152

HSL 258, 0.57%, 0.38%

LAB 27.9, 41.99, -54.83

 

CMYK 0 / 50 / 73 / 40

HEX #994C2A

RGB 153 76 42

HSL 18.38, 0.57%, 0.38%

LAB 41.39, 29.51, 34.3

 

CMYK 36 / 0 / 72 / 40

HEX #61982A

RGB 97 152 42

HSL 90, 0.57%, 0.38%

LAB 57.24, -36.32, 49.43

 

CMYK 72 / 22 / 0 / 40

HEX #2A7798

RGB 42 119 152

HSL 198, 0.57%, 0.38%

LAB 46.91, -12.12, -24.62

 

CMYK 36 / 72 / 0 / 40

HEX #612A98

RGB 97 42 152

HSL 270, 0.57%, 0.38%

LAB 30.55, 46.09, -50.38

 

CMYK 0 / 50 / 73 / 40

HEX #994C2A

RGB 153 76 42

HSL 18.38, 0.57%, 0.38%

LAB 41.39, 29.51, 34.3

 

CMYK 58 / 0 / 72 / 40

HEX #40982A

RGB 64 152 42

HSL 108, 0.57%, 0.38%

LAB 55.8, -46.94, 47.51

 

CMYK 72 / 22 / 0 / 40

HEX #2A7798

RGB 42 119 152

HSL 198, 0.57%, 0.38%

LAB 46.91, -12.12, -24.62

 

CMYK 14 / 72 / 0 / 40

HEX #822A98

RGB 130 42 152

HSL 288, 0.57%, 0.38%

LAB 35.34, 53.06, -42.42

 

Description

Color code: HEX #994C2ACE | qconv.com Color code: HEX #994C2ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 76 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 76 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 59 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 59% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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