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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #994B18CE it is the complementary color #66B4E7CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #994B18CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #994B18CE shade: #9E4B13CE, #AF5D26CE, #C06F39CE, #D1814CCE and #E2935FCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #994B18CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #994B18CE shade: #994B18CE, #883905CE, #772700CE, #661500CE and #550300CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #994B18CE shade: #9A4C18, #9A2818 and #9A1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #994B18CE shade: #9A4C18, #9A6F18, #9A9218, #809A18 and #5D9A18

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #994B18CE shade matches the following richer shades: #9A4C18 and #A9490A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #994B18CE shade: #9A4C18, #8C4F27, #7E5235, #6F5543 and #615852

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #994B18CE shade: #9A182C, #9A2718, #9A4A18, #9A6D18 and #9A9018

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #994B18CE shade: #53290D, #773A13, #9A4C18, #BE5D1E and #DD6F28

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #994B18CE shade: #994B18, #4E9A18 and #181A9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #994B18CE shade: #994B18, #189A4A and #4A189A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #994B18CE shade: #994B18, #4E9A18, #18689A and #64189A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #994B18CE shade: #994B18, #279A18, #18689A and #8B189A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 68 / 32

HEX #994B18CE

RGBA 153 75 24 0.81

HSLA 23.72, 0.73%, 0.35%, 0.81

LABA 41.01, 29.3, 42.83, 0.81

 

Complementary color

CMYK 45 / 18 / 0 / 8

HEX #66B4E7CE

RGBA 102 180 231 0.81

HSLA 203.72, 0.73%, 0.65%, 0.81

LABA 70.34, -9.65, -32.84, 0.81

 

CMYK 0 / 43 / 71 / 31

HEX #9E4B13CE

RGBA 158 75 19 0.81

HSLA 24.17, 0.79%, 0.35%, 0.81

LABA 41.76, 31.25, 45.81, 0.81

 

CMYK 0 / 38 / 63 / 25

HEX #AF5D26CE

RGBA 175 93 38 0.81

HSLA 24.09, 0.64%, 0.42%, 0.81

LABA 48.36, 29.3, 44.63, 0.81

 

CMYK 0 / 34 / 57 / 20

HEX #C06F39CE

RGBA 192 111 57 0.81

HSLA 24, 0.54%, 0.49%, 0.81

LABA 54.94, 27.56, 42.95, 0.81

 

CMYK 0 / 31 / 52 / 15

HEX #D1814CCE

RGBA 209 129 76 0.81

HSLA 23.91, 0.59%, 0.56%, 0.81

LABA 61.46, 26.02, 41.21, 0.81

 

CMYK 0 / 28 / 47 / 9

HEX #E2935FCE

RGBA 226 147 95 0.81

HSLA 23.82, 0.69%, 0.63%, 0.81

LABA 67.92, 24.67, 39.54, 0.81

 

CMYK 0 / 41 / 68 / 32

HEX #994B18CE

RGBA 153 75 24 0.81

HSLA 23.72, 0.73%, 0.35%, 0.81

LABA 41.01, 29.3, 42.83, 0.81

 

CMYK 0 / 47 / 78 / 38

HEX #883905CE

RGBA 136 57 5 0.81

HSLA 23.82, 0.93%, 0.28%, 0.81

LABA 34.34, 31.35, 43.46, 0.81

 

CMYK 0 / 54 / 81 / 43

HEX #772700CE

RGBA 119 39 0 0.81

HSLA 19.66, 1%, 0.23%, 0.81

LABA 27.77, 33.45, 39.33, 0.81

 

CMYK 0 / 64 / 81 / 49

HEX #661500CE

RGBA 102 21 0 0.81

HSLA 12.35, 1%, 0.2%, 0.81

LABA 21.44, 34.89, 32.01, 0.81

 

CMYK 0 / 78 / 81 / 54

HEX #550300CE

RGBA 85 3 0 0.81

HSLA 2.12, 1%, 0.17%, 0.81

LABA 15.47, 35.01, 24.01, 0.81

 

CMYK 0 / 51 / 84 / 40

HEX #9A4C18

RGB 154 76 24

HSL 24, 0.73%, 0.35%

LAB 41.38, 29.17, 43.22

 

CMYK 0 / 74 / 84 / 40

HEX #9A2818

RGB 154 40 24

HSL 7.38, 0.73%, 0.35%

LAB 34.91, 46.18, 37.35

 

CMYK 0 / 84 / 84 / 40

HEX #9A1818

RGB 154 24 24

HSL 0, 0.73%, 0.35%

LAB 33.11, 51.22, 35.68

 

CMYK 0 / 51 / 84 / 40

HEX #9A4C18

RGB 154 76 24

HSL 24, 0.73%, 0.35%

LAB 41.38, 29.17, 43.22

 

CMYK 0 / 28 / 84 / 40

HEX #9A6F18

RGB 154 111 24

HSL 40.15, 0.73%, 0.35%

LAB 49.86, 9.36, 50.66

 

CMYK 0 / 5 / 84 / 40

HEX #9A9218

RGB 154 146 24

HSL 56.31, 0.73%, 0.35%

LAB 59.43, -10.11, 58.82

 

CMYK 17 / 0 / 84 / 40

HEX #809A18

RGB 128 154 24

HSL 72, 0.73%, 0.35%

LAB 59.68, -25.74, 58.21

 

CMYK 40 / 0 / 84 / 40

HEX #5D9A18

RGB 93 154 24

HSL 88.15, 0.73%, 0.35%

LAB 57.56, -39.66, 55.54

 

CMYK 0 / 51 / 84 / 40

HEX #9A4C18

RGB 154 76 24

HSL 24, 0.73%, 0.35%

LAB 41.38, 29.17, 43.22

 

CMYK 0 / 57 / 94 / 34

HEX #A9490A

RGB 169 73 10

HSL 23.77, 0.89%, 0.35%

LAB 43.1, 36.6, 50.49

 

CMYK 0 / 51 / 84 / 40

HEX #9A4C18

RGB 154 76 24

HSL 24, 0.73%, 0.35%

LAB 41.38, 29.17, 43.22

 

CMYK 0 / 44 / 72 / 45

HEX #8C4F27

RGB 140 79 39

HSL 23.76, 0.56%, 0.35%

LAB 40.1, 22.09, 33.96

 

CMYK 0 / 35 / 58 / 51

HEX #7E5235

RGB 126 82 53

HSL 23.84, 0.41%, 0.35%

LAB 39.12, 15.09, 24.42

 

CMYK 0 / 23 / 40 / 56

HEX #6F5543

RGB 111 85 67

HSL 24.55, 0.25%, 0.35%

LAB 38.34, 8.07, 14.64

 

CMYK 0 / 9 / 15 / 62

HEX #615852

RGB 97 88 82

HSL 24, 0.08%, 0.35%

LAB 38.07, 2.51, 4.8

 

CMYK 0 / 84 / 71 / 40

HEX #9A182C

RGB 154 24 44

HSL 350.77, 0.73%, 0.35%

LAB 33.36, 51.97, 23.86

 

CMYK 0 / 75 / 84 / 40

HEX #9A2718

RGB 154 39 24

HSL 6.92, 0.73%, 0.35%

LAB 34.78, 46.55, 37.23

 

CMYK 0 / 52 / 84 / 40

HEX #9A4A18

RGB 154 74 24

HSL 23.08, 0.73%, 0.35%

LAB 40.95, 30.26, 42.84

 

CMYK 0 / 29 / 84 / 40

HEX #9A6D18

RGB 154 109 24

HSL 39.23, 0.73%, 0.35%

LAB 49.34, 10.5, 50.21

 

CMYK 0 / 6 / 84 / 40

HEX #9A9018

RGB 154 144 24

HSL 55.38, 0.73%, 0.35%

LAB 58.87, -9.03, 58.35

 

CMYK 0 / 51 / 84 / 67

HEX #53290D

RGB 83 41 13

HSL 24, 0.73%, 0.19%

LAB 21.78, 17.15, 25.91

 

CMYK 0 / 51 / 84 / 53

HEX #773A13

RGB 119 58 19

HSL 23.4, 0.72%, 0.27%

LAB 31.8, 23.88, 34.68

 

CMYK 0 / 51 / 84 / 40

HEX #9A4C18

RGB 154 76 24

HSL 24, 0.73%, 0.35%

LAB 41.38, 29.17, 43.22

 

CMYK 0 / 51 / 84 / 25

HEX #BE5D1E

RGB 190 93 30

HSL 23.63, 0.73%, 0.43%

LAB 50.53, 35.2, 50.93

 

CMYK 0 / 50 / 82 / 13

HEX #DD6F28

RGB 221 111 40

HSL 23.54, 0.73%, 0.51%

LAB 58.88, 38.64, 56.04

 

CMYK 0 / 51 / 84 / 40

HEX #994B18

RGB 153 75 24

HSL 23.72, 0.73%, 0.35%

LAB 41.01, 29.3, 42.83

 

CMYK 49 / 0 / 84 / 40

HEX #4E9A18

RGB 78 154 24

HSL 95.08, 0.73%, 0.35%

LAB 56.88, -44.75, 54.67

 

CMYK 84 / 83 / 0 / 40

HEX #181A9A

RGB 24 26 154

HSL 239.08, 0.73%, 0.35%

LAB 21.08, 45.47, -67.44

 

CMYK 0 / 51 / 84 / 40

HEX #994B18

RGB 153 75 24

HSL 23.72, 0.73%, 0.35%

LAB 41.01, 29.3, 42.83

 

CMYK 84 / 0 / 52 / 40

HEX #189A4A

RGB 24 154 74

HSL 143.08, 0.73%, 0.35%

LAB 55.89, -51.13, 32.58

 

CMYK 52 / 84 / 0 / 40

HEX #4A189A

RGB 74 24 154

HSL 263.08, 0.73%, 0.35%

LAB 25.08, 50.68, -60.68

 

CMYK 0 / 51 / 84 / 40

HEX #994B18

RGB 153 75 24

HSL 23.72, 0.73%, 0.35%

LAB 41.01, 29.3, 42.83

 

CMYK 49 / 0 / 84 / 40

HEX #4E9A18

RGB 78 154 24

HSL 95.08, 0.73%, 0.35%

LAB 56.88, -44.75, 54.67

 

CMYK 84 / 32 / 0 / 40

HEX #18689A

RGB 24 104 154

HSL 203.08, 0.73%, 0.35%

LAB 41.89, -4.68, -33.69

 

CMYK 35 / 84 / 0 / 40

HEX #64189A

RGB 100 24 154

HSL 275.08, 0.73%, 0.35%

LAB 28.63, 54.31, -54.72

 

CMYK 0 / 51 / 84 / 40

HEX #994B18

RGB 153 75 24

HSL 23.72, 0.73%, 0.35%

LAB 41.01, 29.3, 42.83

 

CMYK 75 / 0 / 84 / 40

HEX #279A18

RGB 39 154 24

HSL 113.08, 0.73%, 0.35%

LAB 55.69, -54.37, 53.16

 

CMYK 84 / 32 / 0 / 40

HEX #18689A

RGB 24 104 154

HSL 203.08, 0.73%, 0.35%

LAB 41.89, -4.68, -33.69

 

CMYK 10 / 84 / 0 / 40

HEX #8B189A

RGB 139 24 154

HSL 293.08, 0.73%, 0.35%

LAB 34.95, 61.01, -44.17

 

Description

Color code: HEX #994B18CE | qconv.com Color code: HEX #994B18CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 75 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 75 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 68 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 68% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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