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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #994459 it is the complementary color #66BBA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #994459. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #994459 shade: #9E4454, #AF5667, #C0687A, #D17A8D and #E28CA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #994459. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #994459 shade: #994459, #883246, #772033, #660E20 and #55000D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #994459 shade: #974459 and #974444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #994459 shade: #974459, #97446F, #974486, #934497 and #7C4497

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #994459 shade matches the following richer shades: #974459, #A93250, #BB2147 and #CD0F3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #994459 shade: #974459, #865662, #74676B, #627973 and #508B7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #994459 shade: #974485, #97446F, #974459, #974544 and #975C44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #994459 shade: #5E2A37, #7B3748, #974459, #B2536A and #BE6F83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #994459 shade: #994459, #979344 and #447A97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #994459 shade: #994459, #599744 and #445997

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #994459 shade: #994459, #979344, #449782 and #444897

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #994459 shade: #994459, #829744, #449782 and #594497

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 42 / 40

HEX #994459

RGB 153 68 89

HSL 345.18, 0.38%, 0.43%

LAB 40.62, 37.71, 5.04

 

Complementary color

CMYK 45 / 0 / 11 / 27

HEX #66BBA6

RGB 102 187 166

HSL 165.18, 0.38%, 0.57%

LAB 70.26, -30.87, 2.64

 

CMYK 0 / 57 / 47 / 38

HEX #9E4454

RGB 158 68 84

HSL 349.33, 0.4%, 0.44%

LAB 41.29, 38.97, 9.21

 

CMYK 0 / 51 / 41 / 31

HEX #AF5667

RGB 175 86 103

HSL 348.54, 0.36%, 0.51%

LAB 47.94, 38.01, 7.35

 

CMYK 0 / 46 / 36 / 25

HEX #C0687A

RGB 192 104 122

HSL 347.73, 0.41%, 0.58%

LAB 54.57, 37.03, 5.81

 

CMYK 0 / 42 / 33 / 18

HEX #D17A8D

RGB 209 122 141

HSL 346.9, 0.49%, 0.65%

LAB 61.13, 36.08, 4.5

 

CMYK 0 / 38 / 29 / 11

HEX #E28CA0

RGB 226 140 160

HSL 346.05, 0.6%, 0.72%

LAB 67.62, 35.19, 3.36

 

CMYK 0 / 56 / 42 / 40

HEX #994459

RGB 153 68 89

HSL 345.18, 0.38%, 0.43%

LAB 40.62, 37.71, 5.04

 

CMYK 0 / 63 / 49 / 47

HEX #883246

RGB 136 50 70

HSL 346.05, 0.46%, 0.36%

LAB 33.89, 38.52, 7.16

 

CMYK 0 / 73 / 57 / 53

HEX #772033

RGB 119 32 51

HSL 346.9, 0.58%, 0.3%

LAB 27.28, 38.97, 9.99

 

CMYK 0 / 86 / 69 / 60

HEX #660E20

RGB 102 14 32

HSL 347.73, 0.76%, 0.23%

LAB 20.99, 38.49, 13.97

 

CMYK 0 / 100 / 85 / 67

HEX #55000D

RGB 85 0 13

HSL 350.82, 1%, 0.17%

LAB 15.28, 36.44, 18.36

 

CMYK 0 / 55 / 41 / 41

HEX #974459

RGB 151 68 89

HSL 344.82, 0.38%, 0.43%

LAB 40.3, 36.98, 4.55

 

CMYK 0 / 55 / 55 / 41

HEX #974444

RGB 151 68 68

HSL 0, 0.38%, 0.43%

LAB 39.8, 34.83, 16.93

 

CMYK 0 / 55 / 41 / 41

HEX #974459

RGB 151 68 89

HSL 344.82, 0.38%, 0.43%

LAB 40.3, 36.98, 4.55

 

CMYK 0 / 55 / 26 / 41

HEX #97446F

RGB 151 68 111

HSL 328.92, 0.38%, 0.43%

LAB 40.99, 39.85, -8.14

 

CMYK 0 / 55 / 11 / 41

HEX #974486

RGB 151 68 134

HSL 312.29, 0.38%, 0.43%

LAB 41.9, 43.47, -20.9

 

CMYK 3 / 55 / 0 / 41

HEX #934497

RGB 147 68 151

HSL 297.11, 0.38%, 0.43%

LAB 42.11, 45.35, -30.91

 

CMYK 18 / 55 / 0 / 41

HEX #7C4497

RGB 124 68 151

HSL 280.48, 0.38%, 0.43%

LAB 38.99, 38.85, -36.04

 

CMYK 0 / 55 / 41 / 41

HEX #974459

RGB 151 68 89

HSL 344.82, 0.38%, 0.43%

LAB 40.3, 36.98, 4.55

 

CMYK 0 / 70 / 53 / 34

HEX #A93250

RGB 169 50 80

HSL 344.87, 0.54%, 0.43%

LAB 40.07, 50.4, 10.3

 

CMYK 0 / 82 / 62 / 27

HEX #BB2147

RGB 187 33 71

HSL 345.19, 0.7%, 0.43%

LAB 41.39, 60.45, 18.33

 

CMYK 0 / 93 / 70 / 20

HEX #CD0F3E

RGB 205 15 62

HSL 345.16, 0.86%, 0.43%

LAB 43.75, 67.92, 27.71

 

CMYK 0 / 55 / 41 / 41

HEX #974459

RGB 151 68 89

HSL 344.82, 0.38%, 0.43%

LAB 40.3, 36.98, 4.55

 

CMYK 0 / 36 / 27 / 47

HEX #865662

RGB 134 86 98

HSL 345, 0.22%, 0.43%

LAB 42.16, 21.67, 1.35

 

CMYK 0 / 11 / 8 / 55

HEX #74676B

RGB 116 103 107

HSL 341.54, 0.06%, 0.43%

LAB 44.91, 5.9, -0.37

 

CMYK 19 / 0 / 5 / 53

HEX #627973

RGB 98 121 115

HSL 164.35, 0.11%, 0.43%

LAB 48.9, -9.71, 0.5

 

CMYK 42 / 0 / 11 / 45

HEX #508B7C

RGB 80 139 124

HSL 164.75, 0.27%, 0.43%

LAB 53.63, -23.02, 2

 

CMYK 0 / 55 / 12 / 41

HEX #974485

RGB 151 68 133

HSL 313.01, 0.38%, 0.43%

LAB 41.86, 43.3, -20.35

 

CMYK 0 / 55 / 26 / 41

HEX #97446F

RGB 151 68 111

HSL 328.92, 0.38%, 0.43%

LAB 40.99, 39.85, -8.14

 

CMYK 0 / 55 / 41 / 41

HEX #974459

RGB 151 68 89

HSL 344.82, 0.38%, 0.43%

LAB 40.3, 36.98, 4.55

 

CMYK 0 / 54 / 55 / 41

HEX #974544

RGB 151 69 68

HSL 0.72, 0.38%, 0.43%

LAB 40, 34.3, 17.2

 

CMYK 0 / 39 / 55 / 41

HEX #975C44

RGB 151 92 68

HSL 17.35, 0.38%, 0.43%

LAB 45.15, 21.58, 23.94

 

CMYK 0 / 55 / 41 / 63

HEX #5E2A37

RGB 94 42 55

HSL 345, 0.38%, 0.27%

LAB 24.68, 25.23, 2.97

 

CMYK 0 / 55 / 41 / 52

HEX #7B3748

RGB 123 55 72

HSL 345, 0.38%, 0.35%

LAB 32.73, 31.44, 3.9

 

CMYK 0 / 55 / 41 / 41

HEX #974459

RGB 151 68 89

HSL 344.82, 0.38%, 0.43%

LAB 40.3, 36.98, 4.55

 

CMYK 0 / 53 / 40 / 30

HEX #B2536A

RGB 178 83 106

HSL 345.47, 0.38%, 0.51%

LAB 47.87, 40.97, 5.49

 

CMYK 0 / 42 / 31 / 25

HEX #BE6F83

RGB 190 111 131

HSL 344.81, 0.38%, 0.59%

LAB 56.04, 33.71, 2.63

 

CMYK 0 / 56 / 42 / 40

HEX #994459

RGB 153 68 89

HSL 345.18, 0.38%, 0.43%

LAB 40.62, 37.71, 5.04

 

CMYK 0 / 3 / 55 / 41

HEX #979344

RGB 151 147 68

HSL 57.11, 0.38%, 0.43%

LAB 59.77, -9.5, 41.71

 

CMYK 55 / 19 / 0 / 41

HEX #447A97

RGB 68 122 151

HSL 200.96, 0.38%, 0.43%

LAB 48.74, -9.27, -21.14

 

CMYK 0 / 56 / 42 / 40

HEX #994459

RGB 153 68 89

HSL 345.18, 0.38%, 0.43%

LAB 40.62, 37.71, 5.04

 

CMYK 41 / 0 / 55 / 41

HEX #599744

RGB 89 151 68

HSL 104.82, 0.38%, 0.43%

LAB 56.76, -36.21, 37.12

 

CMYK 55 / 41 / 0 / 41

HEX #445997

RGB 68 89 151

HSL 224.82, 0.38%, 0.43%

LAB 38.91, 10.91, -36.49

 

CMYK 0 / 56 / 42 / 40

HEX #994459

RGB 153 68 89

HSL 345.18, 0.38%, 0.43%

LAB 40.62, 37.71, 5.04

 

CMYK 0 / 3 / 55 / 41

HEX #979344

RGB 151 147 68

HSL 57.11, 0.38%, 0.43%

LAB 59.77, -9.5, 41.71

 

CMYK 55 / 0 / 14 / 41

HEX #449782

RGB 68 151 130

HSL 164.82, 0.38%, 0.43%

LAB 57.05, -30.53, 3.45

 

CMYK 55 / 52 / 0 / 41

HEX #444897

RGB 68 72 151

HSL 237.11, 0.38%, 0.43%

LAB 34.19, 21.96, -44.04

 

CMYK 0 / 56 / 42 / 40

HEX #994459

RGB 153 68 89

HSL 345.18, 0.38%, 0.43%

LAB 40.62, 37.71, 5.04

 

CMYK 14 / 0 / 55 / 41

HEX #829744

RGB 130 151 68

HSL 75.18, 0.38%, 0.43%

LAB 59.25, -20.56, 40.68

 

CMYK 55 / 0 / 14 / 41

HEX #449782

RGB 68 151 130

HSL 164.82, 0.38%, 0.43%

LAB 57.05, -30.53, 3.45

 

CMYK 41 / 55 / 0 / 41

HEX #594497

RGB 89 68 151

HSL 255.18, 0.38%, 0.43%

LAB 34.99, 29.46, -42.66

 

Description

Color code: HEX #994459 | qconv.com Color code: HEX #994459 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 68 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 68 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 42 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 42% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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