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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #993EED it is the complementary color #66C112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #993EED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #993EED shade: #9E3EE8, #AF50FB, #C062FF, #D174FF and #E286FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #993EED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #993EED shade: #993EED, #882CDA, #771AC7, #6608B4 and #5500A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #993EED shade: #9A40ED, #C940ED, #ED40E3, #ED40B4 and #ED4085

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #993EED shade: #9A40ED, #6B40ED and #4040ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #993EED shade matches the following richer shades: #9A40ED and #9B2FFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #993EED shade: #9A40ED, #9951DC, #9962CB, #9872BA and #9783AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #993EED shade: #4043ED, #6B40ED, #9940ED, #C840ED and #ED40E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #993EED shade: #7113C8, #861AEA, #9A40ED, #AE65F1 and #C28BF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #993EED shade: #993EED, #ED4071 and #40ED54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #993EED shade: #993EED, #ED9940 and #40ED99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #993EED shade: #993EED, #ED4071, #94ED40 and #40EDBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #993EED shade: #993EED, #ED4340, #94ED40 and #40EAED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 74 / 0 / 7

HEX #993EED

RGB 153 62 237

HSL 271.2, 0.83%, 0.59%

LAB 47.41, 67.68, -72.41

 

Complementary color

CMYK 47 / 0 / 91 / 24

HEX #66C112

RGB 102 193 18

HSL 91.2, 0.83%, 0.41%

LAB 70.18, -52.58, 67.76

 

CMYK 32 / 73 / 0 / 9

HEX #9E3EE8

RGB 158 62 232

HSL 273.88, 0.79%, 0.58%

LAB 47.68, 67.43, -69.12

 

CMYK 30 / 68 / 0 / 2

HEX #AF50FB

RGB 175 80 251

HSL 273.33, 0.96%, 0.65%

LAB 53.83, 67.22, -69.68

 

CMYK 25 / 62 / 0 / 0

HEX #C062FF

RGB 192 98 255

HSL 275.92, 1%, 0.69%

LAB 59.12, 63.44, -63.26

 

CMYK 18 / 55 / 0 / 0

HEX #D174FF

RGB 209 116 255

HSL 280.14, 1%, 0.73%

LAB 64.38, 58.76, -54.76

 

CMYK 11 / 47 / 0 / 0

HEX #E286FF

RGB 226 134 255

HSL 285.62, 1%, 0.76%

LAB 69.78, 54.2, -46.09

 

CMYK 35 / 74 / 0 / 7

HEX #993EED

RGB 153 62 237

HSL 271.2, 0.83%, 0.59%

LAB 47.41, 67.68, -72.41

 

CMYK 38 / 80 / 0 / 15

HEX #882CDA

RGB 136 44 218

HSL 271.72, 0.7%, 0.51%

LAB 41.37, 67.46, -71.55

 

CMYK 40 / 87 / 0 / 22

HEX #771AC7

RGB 119 26 199

HSL 272.25, 0.77%, 0.44%

LAB 35.57, 66.38, -70.15

 

CMYK 43 / 96 / 0 / 29

HEX #6608B4

RGB 102 8 180

HSL 272.79, 0.91%, 0.37%

LAB 30.14, 63.94, -67.94

 

CMYK 47 / 100 / 0 / 37

HEX #5500A1

RGB 85 0 161

HSL 271.68, 1%, 0.32%

LAB 25.27, 59.54, -64.59

 

CMYK 35 / 73 / 0 / 7

HEX #9A40ED

RGB 154 64 237

HSL 271.21, 0.83%, 0.59%

LAB 47.82, 67.04, -71.73

 

CMYK 15 / 73 / 0 / 7

HEX #C940ED

RGB 201 64 237

HSL 287.51, 0.83%, 0.59%

LAB 54.24, 75.68, -61.04

 

CMYK 0 / 73 / 4 / 7

HEX #ED40E3

RGB 237 64 227

HSL 303.47, 0.83%, 0.59%

LAB 59.17, 81.27, -47.22

 

CMYK 0 / 73 / 24 / 7

HEX #ED40B4

RGB 237 64 180

HSL 319.77, 0.83%, 0.59%

LAB 57.04, 74.85, -23.73

 

CMYK 0 / 73 / 44 / 7

HEX #ED4085

RGB 237 64 133

HSL 336.07, 0.83%, 0.59%

LAB 55.45, 69.81, 1.47

 

CMYK 35 / 73 / 0 / 7

HEX #9A40ED

RGB 154 64 237

HSL 271.21, 0.83%, 0.59%

LAB 47.82, 67.04, -71.73

 

CMYK 55 / 73 / 0 / 7

HEX #6B40ED

RGB 107 64 237

HSL 254.91, 0.83%, 0.59%

LAB 42.62, 59.72, -80.44

 

CMYK 73 / 73 / 0 / 7

HEX #4040ED

RGB 64 64 237

HSL 240, 0.83%, 0.59%

LAB 39.36, 54.92, -85.92

 

CMYK 35 / 73 / 0 / 7

HEX #9A40ED

RGB 154 64 237

HSL 271.21, 0.83%, 0.59%

LAB 47.82, 67.04, -71.73

 

CMYK 39 / 81 / 0 / 0

HEX #9B2FFE

RGB 155 47 254

HSL 271.3, 0.99%, 0.59%

LAB 47.18, 77.03, -82.3

 

CMYK 35 / 73 / 0 / 7

HEX #9A40ED

RGB 154 64 237

HSL 271.21, 0.83%, 0.59%

LAB 47.82, 67.04, -71.73

 

CMYK 30 / 63 / 0 / 14

HEX #9951DC

RGB 153 81 220

HSL 271.08, 0.67%, 0.59%

LAB 49.28, 55.21, -59.75

 

CMYK 25 / 52 / 0 / 20

HEX #9962CB

RGB 153 98 203

HSL 271.43, 0.5%, 0.59%

LAB 51.63, 42.29, -46.29

 

CMYK 18 / 39 / 0 / 27

HEX #9872BA

RGB 152 114 186

HSL 271.67, 0.34%, 0.59%

LAB 54.3, 29.01, -32.36

 

CMYK 11 / 23 / 0 / 33

HEX #9783AA

RGB 151 131 170

HSL 270.77, 0.19%, 0.59%

LAB 57.76, 15.27, -17.84

 

CMYK 73 / 72 / 0 / 7

HEX #4043ED

RGB 64 67 237

HSL 238.96, 0.83%, 0.59%

LAB 39.95, 53.28, -84.96

 

CMYK 55 / 73 / 0 / 7

HEX #6B40ED

RGB 107 64 237

HSL 254.91, 0.83%, 0.59%

LAB 42.62, 59.72, -80.44

 

CMYK 35 / 73 / 0 / 7

HEX #9940ED

RGB 153 64 237

HSL 270.87, 0.83%, 0.59%

LAB 47.69, 66.86, -71.94

 

CMYK 16 / 73 / 0 / 7

HEX #C840ED

RGB 200 64 237

HSL 287.17, 0.83%, 0.59%

LAB 54.09, 75.49, -61.28

 

CMYK 0 / 73 / 3 / 7

HEX #ED40E5

RGB 237 64 229

HSL 302.77, 0.83%, 0.59%

LAB 59.28, 81.57, -48.18

 

CMYK 44 / 91 / 0 / 22

HEX #7113C8

RGB 113 19 200

HSL 271.16, 0.83%, 0.43%

LAB 34.29, 67.52, -72.87

 

CMYK 43 / 89 / 0 / 8

HEX #861AEA

RGB 134 26 234

HSL 271.15, 0.83%, 0.51%

LAB 40.81, 75.7, -81.6

 

CMYK 35 / 73 / 0 / 7

HEX #9A40ED

RGB 154 64 237

HSL 271.21, 0.83%, 0.59%

LAB 47.82, 67.04, -71.73

 

CMYK 28 / 58 / 0 / 5

HEX #AE65F1

RGB 174 101 241

HSL 271.29, 0.83%, 0.67%

LAB 56.74, 54.77, -59.44

 

CMYK 20 / 43 / 0 / 4

HEX #C28BF4

RGB 194 139 244

HSL 271.43, 0.83%, 0.75%

LAB 66.87, 40.43, -44.88

 

CMYK 35 / 74 / 0 / 7

HEX #993EED

RGB 153 62 237

HSL 271.2, 0.83%, 0.59%

LAB 47.41, 67.68, -72.41

 

CMYK 0 / 73 / 52 / 7

HEX #ED4071

RGB 237 64 113

HSL 343.01, 0.83%, 0.59%

LAB 54.93, 68.14, 12.65

 

CMYK 73 / 0 / 65 / 7

HEX #40ED54

RGB 64 237 84

HSL 126.94, 0.83%, 0.59%

LAB 83.07, -72.1, 59.8

 

CMYK 35 / 74 / 0 / 7

HEX #993EED

RGB 153 62 237

HSL 271.2, 0.83%, 0.59%

LAB 47.41, 67.68, -72.41

 

CMYK 0 / 35 / 73 / 7

HEX #ED9940

RGB 237 153 64

HSL 30.87, 0.83%, 0.59%

LAB 70.29, 24.14, 57.63

 

CMYK 73 / 0 / 35 / 7

HEX #40ED99

RGB 64 237 153

HSL 150.87, 0.83%, 0.59%

LAB 83.94, -61.97, 28.52

 

CMYK 35 / 74 / 0 / 7

HEX #993EED

RGB 153 62 237

HSL 271.2, 0.83%, 0.59%

LAB 47.41, 67.68, -72.41

 

CMYK 0 / 73 / 52 / 7

HEX #ED4071

RGB 237 64 113

HSL 343.01, 0.83%, 0.59%

LAB 54.93, 68.14, 12.65

 

CMYK 38 / 0 / 73 / 7

HEX #94ED40

RGB 148 237 64

HSL 90.87, 0.83%, 0.59%

LAB 85.62, -52.94, 70.69

 

CMYK 73 / 0 / 21 / 7

HEX #40EDBC

RGB 64 237 188

HSL 163.01, 0.83%, 0.59%

LAB 84.63, -54.51, 11.38

 

CMYK 35 / 74 / 0 / 7

HEX #993EED

RGB 153 62 237

HSL 271.2, 0.83%, 0.59%

LAB 47.41, 67.68, -72.41

 

CMYK 0 / 72 / 73 / 7

HEX #ED4340

RGB 237 67 64

HSL 1.04, 0.83%, 0.59%

LAB 54.44, 64.27, 40.65

 

CMYK 38 / 0 / 73 / 7

HEX #94ED40

RGB 148 237 64

HSL 90.87, 0.83%, 0.59%

LAB 85.62, -52.94, 70.69

 

CMYK 73 / 1 / 0 / 7

HEX #40EAED

RGB 64 234 237

HSL 181.04, 0.83%, 0.59%

LAB 85.02, -40.55, -13.8

 

Description

Color code: HEX #993EED | qconv.com Color code: HEX #993EED | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 62 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 62 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 74 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 74% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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