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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9936F4 it is the complementary color #66C90B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9936F4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9936F4 shade: #9E36EF, #AF48FF, #C05AFF, #D16CFF and #E27EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9936F4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9936F4 shade: #9936F4, #8824E1, #7712CE, #6600BB and #5500A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9936F4 shade: #9834F4, #CC34F4, #F434E9, #F434B5 and #F43481

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9936F4 shade: #9834F4, #6434F4 and #3434F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9936F4 shade matches the following richer shades: #9834F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9936F4 shade: #9834F4, #9745E3, #9656D2, #9667C0 and #9579AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9936F4 shade: #3437F4, #6434F4, #9734F4, #CB34F4 and #F434EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9936F4 shade: #6F0BCB, #840DF2, #9834F4, #AC5BF6 and #C082F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9936F4 shade: #9936F4, #F4346A and #34F44A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9936F4 shade: #9936F4, #F49734 and #34F497

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9936F4 shade: #9936F4, #F4346A, #91F434 and #34F4BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9936F4 shade: #9936F4, #F43734, #91F434 and #34F1F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 78 / 0 / 4

HEX #9936F4

RGB 153 54 244

HSL 271.26, 0.9%, 0.58%

LAB 46.9, 72.26, -77.17

 

Complementary color

CMYK 49 / 0 / 95 / 21

HEX #66C90B

RGB 102 201 11

HSL 91.26, 0.9%, 0.42%

LAB 72.64, -55.74, 70.71

 

CMYK 34 / 77 / 0 / 6

HEX #9E36EF

RGB 158 54 239

HSL 273.73, 0.85%, 0.57%

LAB 47.16, 71.94, -73.91

 

CMYK 31 / 72 / 0 / 0

HEX #AF48FF

RGB 175 72 255

HSL 273.77, 1%, 0.64%

LAB 52.92, 71.44, -73.39

 

CMYK 25 / 65 / 0 / 0

HEX #C05AFF

RGB 192 90 255

HSL 277.09, 1%, 0.68%

LAB 57.79, 67.1, -65.41

 

CMYK 18 / 58 / 0 / 0

HEX #D16CFF

RGB 209 108 255

HSL 281.22, 1%, 0.71%

LAB 62.93, 62.63, -57.06

 

CMYK 11 / 51 / 0 / 0

HEX #E27EFF

RGB 226 126 255

HSL 286.51, 1%, 0.75%

LAB 68.25, 58.2, -48.5

 

CMYK 37 / 78 / 0 / 4

HEX #9936F4

RGB 153 54 244

HSL 271.26, 0.9%, 0.58%

LAB 46.9, 72.26, -77.17

 

CMYK 40 / 84 / 0 / 12

HEX #8824E1

RGB 136 36 225

HSL 271.75, 0.76%, 0.51%

LAB 41.11, 71.51, -75.98

 

CMYK 42 / 91 / 0 / 19

HEX #7712CE

RGB 119 18 206

HSL 272.23, 0.84%, 0.44%

LAB 35.62, 69.68, -74.14

 

CMYK 45 / 100 / 0 / 27

HEX #6600BB

RGB 102 0 187

HSL 272.73, 1%, 0.37%

LAB 30.43, 66.72, -71.62

 

CMYK 49 / 100 / 0 / 34

HEX #5500A8

RGB 85 0 168

HSL 270.36, 1%, 0.33%

LAB 26.04, 61.1, -67.58

 

CMYK 38 / 79 / 0 / 4

HEX #9834F4

RGB 152 52 244

HSL 271.25, 0.9%, 0.58%

LAB 46.53, 72.81, -77.78

 

CMYK 16 / 79 / 0 / 4

HEX #CC34F4

RGB 204 52 244

HSL 287.5, 0.9%, 0.58%

LAB 53.84, 81.18, -65.57

 

CMYK 0 / 79 / 5 / 4

HEX #F434E9

RGB 244 52 233

HSL 303.44, 0.9%, 0.58%

LAB 59.5, 86.74, -50

 

CMYK 0 / 79 / 26 / 4

HEX #F434B5

RGB 244 52 181

HSL 319.69, 0.9%, 0.58%

LAB 57.1, 79.96, -24.12

 

CMYK 0 / 79 / 47 / 4

HEX #F43481

RGB 244 52 129

HSL 335.94, 0.9%, 0.58%

LAB 55.35, 74.78, 3.88

 

CMYK 38 / 79 / 0 / 4

HEX #9834F4

RGB 152 52 244

HSL 271.25, 0.9%, 0.58%

LAB 46.53, 72.81, -77.78

 

CMYK 59 / 79 / 0 / 4

HEX #6434F4

RGB 100 52 244

HSL 255, 0.9%, 0.58%

LAB 40.73, 66.2, -87.52

 

CMYK 79 / 79 / 0 / 4

HEX #3434F4

RGB 52 52 244

HSL 240, 0.9%, 0.58%

LAB 37.33, 62.34, -93.26

 

CMYK 38 / 79 / 0 / 4

HEX #9834F4

RGB 152 52 244

HSL 271.25, 0.9%, 0.58%

LAB 46.53, 72.81, -77.78

 

CMYK 38 / 79 / 0 / 4

HEX #9834F4

RGB 152 52 244

HSL 271.25, 0.9%, 0.58%

LAB 46.53, 72.81, -77.78

 

CMYK 33 / 70 / 0 / 11

HEX #9745E3

RGB 151 69 227

HSL 271.14, 0.74%, 0.58%

LAB 47.47, 62.08, -66.66

 

CMYK 29 / 59 / 0 / 18

HEX #9656D2

RGB 150 86 210

HSL 270.97, 0.58%, 0.58%

LAB 49.24, 49.63, -54.13

 

CMYK 22 / 46 / 0 / 25

HEX #9667C0

RGB 150 103 192

HSL 271.69, 0.41%, 0.58%

LAB 51.83, 36.1, -39.7

 

CMYK 15 / 31 / 0 / 31

HEX #9579AF

RGB 149 121 175

HSL 271.11, 0.25%, 0.58%

LAB 55.24, 21.51, -24.6

 

CMYK 79 / 77 / 0 / 4

HEX #3437F4

RGB 52 55 244

HSL 239.06, 0.9%, 0.58%

LAB 37.83, 60.89, -92.43

 

CMYK 59 / 79 / 0 / 4

HEX #6434F4

RGB 100 52 244

HSL 255, 0.9%, 0.58%

LAB 40.73, 66.2, -87.52

 

CMYK 38 / 79 / 0 / 4

HEX #9734F4

RGB 151 52 244

HSL 270.94, 0.9%, 0.58%

LAB 46.4, 72.67, -78

 

CMYK 17 / 79 / 0 / 4

HEX #CB34F4

RGB 203 52 244

HSL 287.19, 0.9%, 0.58%

LAB 53.69, 81.01, -65.82

 

CMYK 0 / 79 / 4 / 4

HEX #F434EB

RGB 244 52 235

HSL 302.81, 0.9%, 0.58%

LAB 59.61, 87.03, -50.96

 

CMYK 45 / 95 / 0 / 20

HEX #6F0BCB

RGB 111 11 203

HSL 271.25, 0.9%, 0.42%

LAB 33.84, 69.38, -75.37

 

CMYK 45 / 95 / 0 / 5

HEX #840DF2

RGB 132 13 242

HSL 271.18, 0.9%, 0.5%

LAB 40.58, 79.39, -86.52

 

CMYK 38 / 79 / 0 / 4

HEX #9834F4

RGB 152 52 244

HSL 271.25, 0.9%, 0.58%

LAB 46.53, 72.81, -77.78

 

CMYK 30 / 63 / 0 / 4

HEX #AC5BF6

RGB 172 91 246

HSL 271.35, 0.9%, 0.66%

LAB 54.98, 60.43, -65.07

 

CMYK 23 / 48 / 0 / 3

HEX #C082F8

RGB 192 130 248

HSL 271.53, 0.89%, 0.74%

LAB 64.92, 45.64, -50.17

 

CMYK 37 / 78 / 0 / 4

HEX #9936F4

RGB 153 54 244

HSL 271.26, 0.9%, 0.58%

LAB 46.9, 72.26, -77.17

 

CMYK 0 / 79 / 57 / 4

HEX #F4346A

RGB 244 52 106

HSL 343.13, 0.9%, 0.58%

LAB 54.79, 73.07, 16.84

 

CMYK 79 / 0 / 70 / 4

HEX #34F44A

RGB 52 244 74

HSL 126.88, 0.9%, 0.58%

LAB 84.96, -76.77, 65.62

 

CMYK 37 / 78 / 0 / 4

HEX #9936F4

RGB 153 54 244

HSL 271.26, 0.9%, 0.58%

LAB 46.9, 72.26, -77.17

 

CMYK 0 / 38 / 79 / 4

HEX #F49734

RGB 244 151 52

HSL 30.94, 0.9%, 0.58%

LAB 70.6, 27.61, 63.18

 

CMYK 79 / 0 / 38 / 4

HEX #34F497

RGB 52 244 151

HSL 150.94, 0.9%, 0.58%

LAB 85.84, -66.3, 32.03

 

CMYK 37 / 78 / 0 / 4

HEX #9936F4

RGB 153 54 244

HSL 271.26, 0.9%, 0.58%

LAB 46.9, 72.26, -77.17

 

CMYK 0 / 79 / 57 / 4

HEX #F4346A

RGB 244 52 106

HSL 343.13, 0.9%, 0.58%

LAB 54.79, 73.07, 16.84

 

CMYK 41 / 0 / 79 / 4

HEX #91F434

RGB 145 244 52

HSL 90.94, 0.9%, 0.58%

LAB 87.47, -57.31, 76.04

 

CMYK 79 / 0 / 22 / 4

HEX #34F4BE

RGB 52 244 190

HSL 163.13, 0.9%, 0.58%

LAB 86.58, -58.13, 13.08

 

CMYK 37 / 78 / 0 / 4

HEX #9936F4

RGB 153 54 244

HSL 271.26, 0.9%, 0.58%

LAB 46.9, 72.26, -77.17

 

CMYK 0 / 77 / 79 / 4

HEX #F43734

RGB 244 55 52

HSL 0.94, 0.9%, 0.58%

LAB 54.25, 69.66, 47.35

 

CMYK 41 / 0 / 79 / 4

HEX #91F434

RGB 145 244 52

HSL 90.94, 0.9%, 0.58%

LAB 87.47, -57.31, 76.04

 

CMYK 79 / 1 / 0 / 4

HEX #34F1F4

RGB 52 241 244

HSL 180.94, 0.9%, 0.58%

LAB 87.08, -42.85, -14.41

 

Description

Color code: HEX #9936F4 | qconv.com Color code: HEX #9936F4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 54 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 54 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 78 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 78% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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