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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9934AF it is the complementary color #66CB50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9934AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9934AF shade: #9E34AA, #AF46BD, #C058D0, #D16AE3 and #E27CF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9934AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9934AF shade: #9934AF, #88229C, #771089, #660076 and #550063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9934AF shade: #9B35B1, #B135A5, #B13584, #B13563 and #B13541

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9934AF shade: #9B35B1, #7935B1, #5835B1, #3635B1 and #3535B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9934AF shade matches the following richer shades: #9B35B1, #A622C3 and #B210D6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9934AF shade: #9B35B1, #8F479E, #835A8C, #776C79 and #6B7F66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9934AF shade: #5835B1, #7935B1, #9A35B1, #B135A6 and #B13585

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9934AF shade: #632271, #7F2B91, #9B35B1, #B147C8 and #BE67D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9934AF shade: #9934AF, #B13735 and #35B168

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9934AF shade: #9934AF, #B19A35 and #35B19A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9934AF shade: #9934AF, #B13735, #4CB135 and #35AFB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9934AF shade: #9934AF, #B15C35, #4CB135 and #3589B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 70 / 0 / 31

HEX #9934AF

RGB 153 52 175

HSL 289.27, 0.54%, 0.45%

LAB 41.73, 58.65, -45.8

 

Complementary color

CMYK 50 / 0 / 61 / 20

HEX #66CB50

RGB 102 203 80

HSL 109.27, 0.54%, 0.55%

LAB 73.62, -52.48, 51.22

 

CMYK 7 / 69 / 0 / 33

HEX #9E34AA

RGB 158 52 170

HSL 293.9, 0.53%, 0.44%

LAB 42.2, 58.84, -42.03

 

CMYK 7 / 63 / 0 / 26

HEX #AF46BD

RGB 175 70 189

HSL 292.94, 0.47%, 0.51%

LAB 48.47, 58.92, -43.07

 

CMYK 8 / 58 / 0 / 18

HEX #C058D0

RGB 192 88 208

HSL 292, 0.56%, 0.58%

LAB 54.8, 58.62, -43.81

 

CMYK 8 / 53 / 0 / 11

HEX #D16AE3

RGB 209 106 227

HSL 291.07, 0.68%, 0.65%

LAB 61.14, 58.1, -44.38

 

CMYK 8 / 50 / 0 / 4

HEX #E27CF6

RGB 226 124 246

HSL 290.16, 0.87%, 0.73%

LAB 67.46, 57.46, -44.82

 

CMYK 13 / 70 / 0 / 31

HEX #9934AF

RGB 153 52 175

HSL 289.27, 0.54%, 0.45%

LAB 41.73, 58.65, -45.8

 

CMYK 13 / 78 / 0 / 39

HEX #88229C

RGB 136 34 156

HSL 290.16, 0.64%, 0.37%

LAB 35.55, 57.97, -44.45

 

CMYK 13 / 88 / 0 / 46

HEX #771089

RGB 119 16 137

HSL 291.07, 0.79%, 0.3%

LAB 29.66, 56.15, -42.42

 

CMYK 14 / 100 / 0 / 54

HEX #660076

RGB 102 0 118

HSL 291.86, 1%, 0.23%

LAB 24.11, 52.89, -39.54

 

CMYK 14 / 100 / 0 / 61

HEX #550063

RGB 85 0 99

HSL 291.52, 1%, 0.19%

LAB 19.36, 46.66, -35.02

 

CMYK 12 / 70 / 0 / 31

HEX #9B35B1

RGB 155 53 177

HSL 289.35, 0.54%, 0.45%

LAB 42.29, 59.08, -46.06

 

CMYK 0 / 70 / 7 / 31

HEX #B135A5

RGB 177 53 165

HSL 305.81, 0.54%, 0.45%

LAB 45.1, 62.05, -34.27

 

CMYK 0 / 70 / 25 / 31

HEX #B13584

RGB 177 53 132

HSL 321.77, 0.54%, 0.45%

LAB 43.59, 57.26, -16.72

 

CMYK 0 / 70 / 44 / 31

HEX #B13563

RGB 177 53 99

HSL 337.74, 0.54%, 0.45%

LAB 42.45, 53.44, 1.96

 

CMYK 0 / 70 / 63 / 31

HEX #B13541

RGB 177 53 65

HSL 354.19, 0.54%, 0.45%

LAB 41.65, 50.67, 22.05

 

CMYK 12 / 70 / 0 / 31

HEX #9B35B1

RGB 155 53 177

HSL 289.35, 0.54%, 0.45%

LAB 42.29, 59.08, -46.06

 

CMYK 32 / 70 / 0 / 31

HEX #7935B1

RGB 121 53 177

HSL 272.9, 0.54%, 0.45%

LAB 37.45, 51.82, -54.1

 

CMYK 50 / 70 / 0 / 31

HEX #5835B1

RGB 88 53 177

HSL 256.94, 0.54%, 0.45%

LAB 33.55, 45.56, -60.62

 

CMYK 69 / 70 / 0 / 31

HEX #3635B1

RGB 54 53 177

HSL 240.48, 0.54%, 0.45%

LAB 30.65, 40.57, -65.48

 

CMYK 70 / 70 / 0 / 31

HEX #3535B1

RGB 53 53 177

HSL 240, 0.54%, 0.45%

LAB 30.59, 40.45, -65.59

 

CMYK 12 / 70 / 0 / 31

HEX #9B35B1

RGB 155 53 177

HSL 289.35, 0.54%, 0.45%

LAB 42.29, 59.08, -46.06

 

CMYK 15 / 83 / 0 / 24

HEX #A622C3

RGB 166 34 195

HSL 289.19, 0.7%, 0.45%

LAB 43.05, 70.67, -55.32

 

CMYK 17 / 93 / 0 / 16

HEX #B210D6

RGB 178 16 214

HSL 289.09, 0.86%, 0.45%

LAB 45.21, 79.17, -62.73

 

CMYK 12 / 70 / 0 / 31

HEX #9B35B1

RGB 155 53 177

HSL 289.35, 0.54%, 0.45%

LAB 42.29, 59.08, -46.06

 

CMYK 9 / 55 / 0 / 38

HEX #8F479E

RGB 143 71 158

HSL 289.66, 0.38%, 0.45%

LAB 42.48, 44.08, -34.56

 

CMYK 6 / 36 / 0 / 45

HEX #835A8C

RGB 131 90 140

HSL 289.2, 0.22%, 0.45%

LAB 44.28, 25.98, -21.07

 

CMYK 2 / 11 / 0 / 53

HEX #776C79

RGB 119 108 121

HSL 290.77, 0.06%, 0.45%

LAB 47.01, 6.88, -5.65

 

CMYK 16 / 0 / 20 / 50

HEX #6B7F66

RGB 107 127 102

HSL 108, 0.11%, 0.45%

LAB 50.99, -12.4, 11.21

 

CMYK 50 / 70 / 0 / 31

HEX #5835B1

RGB 88 53 177

HSL 256.94, 0.54%, 0.45%

LAB 33.55, 45.56, -60.62

 

CMYK 32 / 70 / 0 / 31

HEX #7935B1

RGB 121 53 177

HSL 272.9, 0.54%, 0.45%

LAB 37.45, 51.82, -54.1

 

CMYK 13 / 70 / 0 / 31

HEX #9A35B1

RGB 154 53 177

HSL 288.87, 0.54%, 0.45%

LAB 42.14, 58.86, -46.31

 

CMYK 0 / 70 / 6 / 31

HEX #B135A6

RGB 177 53 166

HSL 305.32, 0.54%, 0.45%

LAB 45.15, 62.21, -34.79

 

CMYK 0 / 70 / 25 / 31

HEX #B13585

RGB 177 53 133

HSL 321.29, 0.54%, 0.45%

LAB 43.63, 57.39, -17.26

 

CMYK 12 / 70 / 0 / 56

HEX #632271

RGB 99 34 113

HSL 289.37, 0.54%, 0.29%

LAB 26.7, 41.25, -32.19

 

CMYK 12 / 70 / 0 / 43

HEX #7F2B91

RGB 127 43 145

HSL 289.41, 0.54%, 0.37%

LAB 34.57, 50.59, -39.41

 

CMYK 12 / 70 / 0 / 31

HEX #9B35B1

RGB 155 53 177

HSL 289.35, 0.54%, 0.45%

LAB 42.29, 59.08, -46.06

 

CMYK 12 / 65 / 0 / 22

HEX #B147C8

RGB 177 71 200

HSL 289.3, 0.54%, 0.53%

LAB 49.52, 61.03, -47.74

 

CMYK 9 / 51 / 0 / 18

HEX #BE67D1

RGB 190 103 209

HSL 289.25, 0.54%, 0.61%

LAB 57.32, 50.99, -40.43

 

CMYK 13 / 70 / 0 / 31

HEX #9934AF

RGB 153 52 175

HSL 289.27, 0.54%, 0.45%

LAB 41.73, 58.65, -45.8

 

CMYK 0 / 69 / 70 / 31

HEX #B13735

RGB 177 55 53

HSL 0.97, 0.54%, 0.45%

LAB 41.75, 49.18, 29.46

 

CMYK 70 / 0 / 41 / 31

HEX #35B168

RGB 53 177 104

HSL 144.68, 0.54%, 0.45%

LAB 64.32, -50.37, 27.78

 

CMYK 13 / 70 / 0 / 31

HEX #9934AF

RGB 153 52 175

HSL 289.27, 0.54%, 0.45%

LAB 41.73, 58.65, -45.8

 

CMYK 0 / 13 / 70 / 31

HEX #B19A35

RGB 177 154 53

HSL 48.87, 0.54%, 0.45%

LAB 63.93, -2.85, 53.75

 

CMYK 70 / 0 / 13 / 31

HEX #35B19A

RGB 53 177 154

HSL 168.87, 0.54%, 0.45%

LAB 65.38, -39.11, 1.99

 

CMYK 13 / 70 / 0 / 31

HEX #9934AF

RGB 153 52 175

HSL 289.27, 0.54%, 0.45%

LAB 41.73, 58.65, -45.8

 

CMYK 0 / 69 / 70 / 31

HEX #B13735

RGB 177 55 53

HSL 0.97, 0.54%, 0.45%

LAB 41.75, 49.18, 29.46

 

CMYK 57 / 0 / 70 / 31

HEX #4CB135

RGB 76 177 53

HSL 108.87, 0.54%, 0.45%

LAB 64.35, -52.24, 52.19

 

CMYK 70 / 1 / 0 / 31

HEX #35AFB1

RGB 53 175 177

HSL 180.97, 0.54%, 0.45%

LAB 65.43, -31.77, -10.72

 

CMYK 13 / 70 / 0 / 31

HEX #9934AF

RGB 153 52 175

HSL 289.27, 0.54%, 0.45%

LAB 41.73, 58.65, -45.8

 

CMYK 0 / 48 / 70 / 31

HEX #B15C35

RGB 177 92 53

HSL 18.87, 0.54%, 0.45%

LAB 48.58, 31.39, 37.38

 

CMYK 57 / 0 / 70 / 31

HEX #4CB135

RGB 76 177 53

HSL 108.87, 0.54%, 0.45%

LAB 64.35, -52.24, 52.19

 

CMYK 70 / 23 / 0 / 31

HEX #3589B1

RGB 53 137 177

HSL 199.35, 0.54%, 0.45%

LAB 53.84, -12.05, -28.39

 

Description

Color code: HEX #9934AF | qconv.com Color code: HEX #9934AF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 52 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 52 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 70 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 70% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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