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Color name
HEX #992CAD

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #992CAD it is the complementary color #66D352. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #992CAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #992CAD shade: #9E2CA8, #AF3EBB, #C050CE, #D162E1 and #E274F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #992CAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #992CAD shade: #992CAD, #881A9A, #770887, #660074 and #550061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #992CAD shade: #9A2DAE, #AE2DA0, #AE2D7D, #AE2D5A and #AE2D37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #992CAD shade: #9A2DAE, #772DAE, #552DAE, #322DAE and #2D2DAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #992CAD shade matches the following richer shades: #9A2DAE, #A71BC0 and #B309D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #992CAD shade: #9A2DAE, #8E3F9D, #82508B, #766279 and #697467

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #992CAD shade: #542DAE, #762DAE, #992DAE, #AE2DA1 and #AE2D7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #992CAD shade: #601C6D, #7D248E, #9A2DAE, #B539CC and #C159D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #992CAD shade: #992CAD, #AE312D and #2DAE65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #992CAD shade: #992CAD, #AE992D and #2DAE99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #992CAD shade: #992CAD, #AE312D, #43AE2D and #2DAAAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #992CAD shade: #992CAD, #AE582D, #43AE2D and #2D83AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 75 / 0 / 32

HEX #992CAD

RGB 153 44 173

HSL 290.7, 0.59%, 0.43%

LAB 40.56, 61.25, -46.48

 

Complementary color

CMYK 52 / 0 / 61 / 17

HEX #66D352

RGB 102 211 82

HSL 110.7, 0.59%, 0.57%

LAB 76.08, -55.36, 53.13

 

CMYK 6 / 74 / 0 / 34

HEX #9E2CA8

RGB 158 44 168

HSL 295.16, 0.58%, 0.42%

LAB 41.05, 61.4, -42.67

 

CMYK 6 / 67 / 0 / 27

HEX #AF3EBB

RGB 175 62 187

HSL 294.24, 0.5%, 0.49%

LAB 47.17, 61.89, -43.97

 

CMYK 7 / 61 / 0 / 19

HEX #C050CE

RGB 192 80 206

HSL 293.33, 0.56%, 0.56%

LAB 53.38, 61.84, -44.92

 

CMYK 7 / 56 / 0 / 12

HEX #D162E1

RGB 209 98 225

HSL 292.44, 0.68%, 0.63%

LAB 59.64, 61.49, -45.63

 

CMYK 7 / 52 / 0 / 4

HEX #E274F4

RGB 226 116 244

HSL 291.56, 0.85%, 0.71%

LAB 65.9, 60.95, -46.17

 

CMYK 12 / 75 / 0 / 32

HEX #992CAD

RGB 153 44 173

HSL 290.7, 0.59%, 0.43%

LAB 40.56, 61.25, -46.48

 

CMYK 12 / 83 / 0 / 40

HEX #881A9A

RGB 136 26 154

HSL 291.56, 0.71%, 0.35%

LAB 34.61, 59.95, -44.75

 

CMYK 12 / 94 / 0 / 47

HEX #770887

RGB 119 8 135

HSL 292.44, 0.89%, 0.28%

LAB 29.02, 57.26, -42.2

 

CMYK 12 / 100 / 0 / 55

HEX #660074

RGB 102 0 116

HSL 292.76, 1%, 0.23%

LAB 23.95, 52.54, -38.51

 

CMYK 12 / 100 / 0 / 62

HEX #550061

RGB 85 0 97

HSL 292.58, 1%, 0.19%

LAB 19.2, 46.29, -33.95

 

CMYK 11 / 74 / 0 / 32

HEX #9A2DAE

RGB 154 45 174

HSL 290.7, 0.59%, 0.43%

LAB 40.9, 61.29, -46.52

 

CMYK 0 / 74 / 8 / 32

HEX #AE2DA0

RGB 174 45 160

HSL 306.51, 0.59%, 0.43%

LAB 43.38, 63.29, -34.03

 

CMYK 0 / 74 / 28 / 32

HEX #AE2D7D

RGB 174 45 125

HSL 322.79, 0.59%, 0.43%

LAB 41.78, 58.4, -15.24

 

CMYK 0 / 74 / 48 / 32

HEX #AE2D5A

RGB 174 45 90

HSL 339.07, 0.59%, 0.43%

LAB 40.6, 54.63, 4.86

 

CMYK 0 / 74 / 68 / 32

HEX #AE2D37

RGB 174 45 55

HSL 355.35, 0.59%, 0.43%

LAB 39.83, 52.12, 25.81

 

CMYK 11 / 74 / 0 / 32

HEX #9A2DAE

RGB 154 45 174

HSL 290.7, 0.59%, 0.43%

LAB 40.9, 61.29, -46.52

 

CMYK 32 / 74 / 0 / 32

HEX #772DAE

RGB 119 45 174

HSL 274.42, 0.59%, 0.43%

LAB 35.7, 54.29, -55.16

 

CMYK 51 / 74 / 0 / 32

HEX #552DAE

RGB 85 45 174

HSL 258.6, 0.59%, 0.43%

LAB 31.5, 48.35, -62.21

 

CMYK 71 / 74 / 0 / 32

HEX #322DAE

RGB 50 45 174

HSL 242.33, 0.59%, 0.43%

LAB 28.41, 43.79, -67.39

 

CMYK 74 / 74 / 0 / 32

HEX #2D2DAE

RGB 45 45 174

HSL 240, 0.59%, 0.43%

LAB 28.09, 43.3, -67.93

 

CMYK 11 / 74 / 0 / 32

HEX #9A2DAE

RGB 154 45 174

HSL 290.7, 0.59%, 0.43%

LAB 40.9, 61.29, -46.52

 

CMYK 13 / 86 / 0 / 25

HEX #A71BC0

RGB 167 27 192

HSL 290.91, 0.75%, 0.43%

LAB 42.47, 71.9, -54.49

 

CMYK 15 / 96 / 0 / 18

HEX #B309D2

RGB 179 9 210

HSL 290.75, 0.92%, 0.43%

LAB 44.85, 79.37, -61.01

 

CMYK 11 / 74 / 0 / 32

HEX #9A2DAE

RGB 154 45 174

HSL 290.7, 0.59%, 0.43%

LAB 40.9, 61.29, -46.52

 

CMYK 10 / 60 / 0 / 38

HEX #8E3F9D

RGB 142 63 157

HSL 290.43, 0.43%, 0.43%

LAB 40.8, 47.62, -36.63

 

CMYK 6 / 42 / 0 / 45

HEX #82508B

RGB 130 80 139

HSL 290.85, 0.27%, 0.43%

LAB 41.76, 31.26, -24.37

 

CMYK 2 / 19 / 0 / 53

HEX #766279

RGB 118 98 121

HSL 292.17, 0.11%, 0.43%

LAB 44.19, 12.51, -9.88

 

CMYK 9 / 0 / 11 / 55

HEX #697467

RGB 105 116 103

HSL 110.77, 0.06%, 0.43%

LAB 47.59, -6.81, 5.78

 

CMYK 52 / 74 / 0 / 32

HEX #542DAE

RGB 84 45 174

HSL 258.14, 0.59%, 0.43%

LAB 31.39, 48.2, -62.39

 

CMYK 32 / 74 / 0 / 32

HEX #762DAE

RGB 118 45 174

HSL 273.95, 0.59%, 0.43%

LAB 35.57, 54.1, -55.39

 

CMYK 12 / 74 / 0 / 32

HEX #992DAE

RGB 153 45 174

HSL 290.23, 0.59%, 0.43%

LAB 40.74, 61.08, -46.78

 

CMYK 0 / 74 / 7 / 32

HEX #AE2DA1

RGB 174 45 161

HSL 306.05, 0.59%, 0.43%

LAB 43.43, 63.45, -34.54

 

CMYK 0 / 74 / 27 / 32

HEX #AE2D7F

RGB 174 45 127

HSL 321.86, 0.59%, 0.43%

LAB 41.86, 58.65, -16.35

 

CMYK 12 / 74 / 0 / 57

HEX #601C6D

RGB 96 28 109

HSL 290.37, 0.59%, 0.27%

LAB 25.02, 42.31, -32.34

 

CMYK 12 / 75 / 0 / 44

HEX #7D248E

RGB 125 36 142

HSL 290.38, 0.6%, 0.35%

LAB 33.08, 52.32, -39.96

 

CMYK 11 / 74 / 0 / 32

HEX #9A2DAE

RGB 154 45 174

HSL 290.7, 0.59%, 0.43%

LAB 40.9, 61.29, -46.52

 

CMYK 11 / 72 / 0 / 20

HEX #B539CC

RGB 181 57 204

HSL 290.61, 0.59%, 0.51%

LAB 48.4, 68.14, -51.81

 

CMYK 9 / 58 / 0 / 17

HEX #C159D4

RGB 193 89 212

HSL 290.73, 0.59%, 0.59%

LAB 55.31, 59.16, -45.27

 

CMYK 12 / 75 / 0 / 32

HEX #992CAD

RGB 153 44 173

HSL 290.7, 0.59%, 0.43%

LAB 40.56, 61.25, -46.48

 

CMYK 0 / 72 / 74 / 32

HEX #AE312D

RGB 174 49 45

HSL 1.86, 0.59%, 0.43%

LAB 40.22, 50.16, 32.29

 

CMYK 74 / 0 / 42 / 32

HEX #2DAE65

RGB 45 174 101

HSL 146.05, 0.59%, 0.43%

LAB 63.15, -51.06, 27.8

 

CMYK 12 / 75 / 0 / 32

HEX #992CAD

RGB 153 44 173

HSL 290.7, 0.59%, 0.43%

LAB 40.56, 61.25, -46.48

 

CMYK 0 / 12 / 74 / 32

HEX #AE992D

RGB 174 153 45

HSL 50.23, 0.59%, 0.43%

LAB 63.32, -4.05, 56.23

 

CMYK 74 / 0 / 12 / 32

HEX #2DAE99

RGB 45 174 153

HSL 170.23, 0.59%, 0.43%

LAB 64.27, -39.13, 0.9

 

CMYK 12 / 75 / 0 / 32

HEX #992CAD

RGB 153 44 173

HSL 290.7, 0.59%, 0.43%

LAB 40.56, 61.25, -46.48

 

CMYK 0 / 72 / 74 / 32

HEX #AE312D

RGB 174 49 45

HSL 1.86, 0.59%, 0.43%

LAB 40.22, 50.16, 32.29

 

CMYK 61 / 0 / 74 / 32

HEX #43AE2D

RGB 67 174 45

HSL 109.77, 0.59%, 0.43%

LAB 63.06, -54.03, 53.78

 

CMYK 74 / 2 / 0 / 32

HEX #2DAAAE

RGB 45 170 174

HSL 181.86, 0.59%, 0.43%

LAB 63.64, -31.27, -11.74

 

CMYK 12 / 75 / 0 / 32

HEX #992CAD

RGB 153 44 173

HSL 290.7, 0.59%, 0.43%

LAB 40.56, 61.25, -46.48

 

CMYK 0 / 49 / 74 / 32

HEX #AE582D

RGB 174 88 45

HSL 20, 0.59%, 0.43%

LAB 47.19, 31.88, 39.94

 

CMYK 61 / 0 / 74 / 32

HEX #43AE2D

RGB 67 174 45

HSL 109.77, 0.59%, 0.43%

LAB 63.06, -54.03, 53.78

 

CMYK 74 / 25 / 0 / 32

HEX #2D83AE

RGB 45 131 174

HSL 200, 0.59%, 0.43%

LAB 51.66, -10.83, -30.06

 

Description

Color code: HEX #992CAD | qconv.com Color code: HEX #992CAD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 44 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 44 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 75 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 75% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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