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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #992B3E it is the complementary color #66D4C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #992B3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #992B3E shade: #9E2B39, #AF3D4C, #C04F5F, #D16172 and #E27385

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #992B3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #992B3E shade: #992B3E, #88192B, #770718, #660005 and #550000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #992B3E shade: #972B3D and #972B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #992B3E shade: #972B3D, #972B5B, #972B78, #972B95 and #7C2B97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #992B3E shade matches the following richer shades: #972B3D, #A71B33 and #B70B29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #992B3E shade: #972B3D, #873A48, #784A52, #685A5C and #586966

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #992B3E shade: #972B78, #972B5B, #972B3F, #97342B and #97512B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #992B3E shade: #571823, #772230, #972B3D, #B7344A and #CC495F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #992B3E shade: #992B3E, #95972B and #2B6A97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #992B3E shade: #992B3E, #3F972B and #2B3F97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #992B3E shade: #992B3E, #95972B, #2B9783 and #2C2B97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #992B3E shade: #992B3E, #75972B, #2B9783 and #4D2B97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 59 / 40

HEX #992B3E

RGB 153 43 62

HSL 349.64, 0.56%, 0.38%

LAB 35.69, 46.62, 15.27

 

Complementary color

CMYK 52 / 0 / 9 / 17

HEX #66D4C1

RGB 102 212 193

HSL 169.64, 0.56%, 0.62%

LAB 78.32, -36.14, -0.24

 

CMYK 0 / 73 / 64 / 38

HEX #9E2B39

RGB 158 43 57

HSL 352.7, 0.57%, 0.39%

LAB 36.54, 47.89, 19.76

 

CMYK 0 / 65 / 57 / 31

HEX #AF3D4C

RGB 175 61 76

HSL 352.11, 0.48%, 0.46%

LAB 42.72, 47.48, 16.61

 

CMYK 0 / 59 / 51 / 25

HEX #C04F5F

RGB 192 79 95

HSL 351.5, 0.47%, 0.53%

LAB 49.04, 46.72, 14.09

 

CMYK 0 / 54 / 45 / 18

HEX #D16172

RGB 209 97 114

HSL 350.89, 0.55%, 0.6%

LAB 55.4, 45.8, 12.03

 

CMYK 0 / 49 / 41 / 11

HEX #E27385

RGB 226 115 133

HSL 350.27, 0.66%, 0.67%

LAB 61.76, 44.84, 10.3

 

CMYK 0 / 72 / 59 / 40

HEX #992B3E

RGB 153 43 62

HSL 349.64, 0.56%, 0.38%

LAB 35.69, 46.62, 15.27

 

CMYK 0 / 82 / 68 / 47

HEX #88192B

RGB 136 25 43

HSL 350.27, 0.69%, 0.32%

LAB 29.67, 46.33, 19.11

 

CMYK 0 / 94 / 80 / 53

HEX #770718

RGB 119 7 24

HSL 350.89, 0.89%, 0.25%

LAB 24.13, 44.76, 24.07

 

CMYK 0 / 100 / 95 / 60

HEX #660005

RGB 102 0 5

HSL 357.06, 1%, 0.2%

LAB 19.37, 41, 27.67

 

CMYK 0 / 100 / 100 / 67

HEX #550000

RGB 85 0 0

HSL 0, 1%, 0.17%

LAB 15.12, 36.01, 23.57

 

CMYK 0 / 72 / 60 / 41

HEX #972B3D

RGB 151 43 61

HSL 350, 0.56%, 0.38%

LAB 35.29, 45.9, 15.31

 

CMYK 0 / 72 / 72 / 41

HEX #972B2B

RGB 151 43 43

HSL 0, 0.56%, 0.38%

LAB 34.97, 44.77, 26.27

 

CMYK 0 / 72 / 60 / 41

HEX #972B3D

RGB 151 43 61

HSL 350, 0.56%, 0.38%

LAB 35.29, 45.9, 15.31

 

CMYK 0 / 72 / 40 / 41

HEX #972B5B

RGB 151 43 91

HSL 333.33, 0.56%, 0.38%

LAB 36.1, 48.67, -2.83

 

CMYK 0 / 72 / 21 / 41

HEX #972B78

RGB 151 43 120

HSL 317.22, 0.56%, 0.38%

LAB 37.23, 52.36, -19.47

 

CMYK 0 / 72 / 1 / 41

HEX #972B95

RGB 151 43 149

HSL 301.11, 0.56%, 0.38%

LAB 38.69, 56.9, -35.06

 

CMYK 18 / 72 / 0 / 41

HEX #7C2B97

RGB 124 43 151

HSL 285, 0.56%, 0.38%

LAB 34.49, 51.12, -43.22

 

CMYK 0 / 72 / 60 / 41

HEX #972B3D

RGB 151 43 61

HSL 350, 0.56%, 0.38%

LAB 35.29, 45.9, 15.31

 

CMYK 0 / 84 / 69 / 35

HEX #A71B33

RGB 167 27 51

HSL 349.71, 0.72%, 0.38%

LAB 36.44, 55.27, 23.8

 

CMYK 0 / 94 / 78 / 28

HEX #B70B29

RGB 183 11 41

HSL 349.53, 0.89%, 0.38%

LAB 38.67, 62, 33.44

 

CMYK 0 / 72 / 60 / 41

HEX #972B3D

RGB 151 43 61

HSL 350, 0.56%, 0.38%

LAB 35.29, 45.9, 15.31

 

CMYK 0 / 57 / 47 / 47

HEX #873A48

RGB 135 58 72

HSL 349.09, 0.4%, 0.38%

LAB 35.29, 34.36, 7.81

 

CMYK 0 / 38 / 32 / 53

HEX #784A52

RGB 120 74 82

HSL 349.57, 0.24%, 0.38%

LAB 36.93, 20.71, 3.5

 

CMYK 0 / 13 / 12 / 59

HEX #685A5C

RGB 104 90 92

HSL 351.43, 0.07%, 0.38%

LAB 39.63, 6.06, 0.94

 

CMYK 16 / 0 / 3 / 59

HEX #586966

RGB 88 105 102

HSL 169.41, 0.09%, 0.38%

LAB 42.97, -7.06, -0.47

 

CMYK 0 / 72 / 21 / 41

HEX #972B78

RGB 151 43 120

HSL 317.22, 0.56%, 0.38%

LAB 37.23, 52.36, -19.47

 

CMYK 0 / 72 / 40 / 41

HEX #972B5B

RGB 151 43 91

HSL 333.33, 0.56%, 0.38%

LAB 36.1, 48.67, -2.83

 

CMYK 0 / 72 / 58 / 41

HEX #972B3F

RGB 151 43 63

HSL 348.89, 0.56%, 0.38%

LAB 35.33, 46.05, 14.08

 

CMYK 0 / 66 / 72 / 41

HEX #97342B

RGB 151 52 43

HSL 5, 0.56%, 0.38%

LAB 36.38, 40.92, 27.94

 

CMYK 0 / 46 / 72 / 41

HEX #97512B

RGB 151 81 43

HSL 21.11, 0.56%, 0.38%

LAB 42.21, 25.97, 34.59

 

CMYK 0 / 72 / 60 / 66

HEX #571823

RGB 87 24 35

HSL 349.52, 0.57%, 0.22%

LAB 19.23, 29.84, 8.95

 

CMYK 0 / 71 / 60 / 53

HEX #772230

RGB 119 34 48

HSL 350.12, 0.56%, 0.3%

LAB 27.52, 37.88, 12.32

 

CMYK 0 / 72 / 60 / 41

HEX #972B3D

RGB 151 43 61

HSL 350, 0.56%, 0.38%

LAB 35.29, 45.9, 15.31

 

CMYK 0 / 72 / 60 / 28

HEX #B7344A

RGB 183 52 74

HSL 349.92, 0.56%, 0.46%

LAB 42.79, 53.56, 18.18

 

CMYK 0 / 64 / 53 / 20

HEX #CC495F

RGB 204 73 95

HSL 349.92, 0.56%, 0.54%

LAB 50.01, 53.42, 15.75

 

CMYK 0 / 72 / 59 / 40

HEX #992B3E

RGB 153 43 62

HSL 349.64, 0.56%, 0.38%

LAB 35.69, 46.62, 15.27

 

CMYK 1 / 0 / 72 / 41

HEX #95972B

RGB 149 151 43

HSL 61.11, 0.56%, 0.38%

LAB 60.51, -14.22, 53.49

 

CMYK 72 / 30 / 0 / 41

HEX #2B6A97

RGB 43 106 151

HSL 205, 0.56%, 0.38%

LAB 42.85, -4.67, -30.36

 

CMYK 0 / 72 / 59 / 40

HEX #992B3E

RGB 153 43 62

HSL 349.64, 0.56%, 0.38%

LAB 35.69, 46.62, 15.27

 

CMYK 58 / 0 / 72 / 41

HEX #3F972B

RGB 63 151 43

HSL 108.89, 0.56%, 0.38%

LAB 55.45, -46.74, 46.73

 

CMYK 72 / 58 / 0 / 41

HEX #2B3F97

RGB 43 63 151

HSL 228.89, 0.56%, 0.38%

LAB 30.16, 23.37, -50.63

 

CMYK 0 / 72 / 59 / 40

HEX #992B3E

RGB 153 43 62

HSL 349.64, 0.56%, 0.38%

LAB 35.69, 46.62, 15.27

 

CMYK 1 / 0 / 72 / 41

HEX #95972B

RGB 149 151 43

HSL 61.11, 0.56%, 0.38%

LAB 60.51, -14.22, 53.49

 

CMYK 72 / 0 / 13 / 41

HEX #2B9783

RGB 43 151 131

HSL 168.89, 0.56%, 0.38%

LAB 56.37, -34.96, 1.81

 

CMYK 71 / 72 / 0 / 41

HEX #2C2B97

RGB 44 43 151

HSL 240.56, 0.56%, 0.38%

LAB 25.25, 36.54, -58.66

 

CMYK 0 / 72 / 59 / 40

HEX #992B3E

RGB 153 43 62

HSL 349.64, 0.56%, 0.38%

LAB 35.69, 46.62, 15.27

 

CMYK 23 / 0 / 72 / 41

HEX #75972B

RGB 117 151 43

HSL 78.89, 0.56%, 0.38%

LAB 58.12, -27.97, 50.33

 

CMYK 72 / 0 / 13 / 41

HEX #2B9783

RGB 43 151 131

HSL 168.89, 0.56%, 0.38%

LAB 56.37, -34.96, 1.81

 

CMYK 49 / 72 / 0 / 41

HEX #4D2B97

RGB 77 43 151

HSL 258.89, 0.56%, 0.38%

LAB 28.22, 41.52, -53.68

 

Description

Color code: HEX #992B3E | qconv.com Color code: HEX #992B3E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 43 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 43 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 59 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 59% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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