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Color name
HEX #992A7E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #992A7E it is the complementary color #66D581. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #992A7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #992A7E shade: #9E2A79, #AF3C8C, #C04E9F, #D160B2 and #E272C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #992A7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #992A7E shade: #992A7E, #88186B, #770658, #660045 and #550032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #992A7E shade: #982A7D, #982A5F, #982A42 and #982A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #992A7E shade: #982A7D, #952A98, #772A98, #5A2A98 and #3C2A98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #992A7E shade matches the following richer shades: #982A7D, #A81A85 and #B70A8D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #992A7E shade: #982A7D, #883975, #79496D, #695965 and #59685D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #992A7E shade: #772A98, #942A98, #982A7E, #982A61 and #982A43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #992A7E shade: #571848, #782163, #982A7D, #B93398 and #CD48AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #992A7E shade: #992A7E, #985A2A and #2A9886

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #992A7E shade: #992A7E, #7E982A and #2A7E98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #992A7E shade: #992A7E, #985A2A, #2A9843 and #2A6898

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #992A7E shade: #992A7E, #987B2A, #2A9843 and #2A4798

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 18 / 40

HEX #992A7E

RGB 153 42 126

HSL 314.59, 0.57%, 0.38%

LAB 37.72, 54.12, -22.41

 

Complementary color

CMYK 52 / 0 / 39 / 16

HEX #66D581

RGB 102 213 129

HSL 134.59, 0.57%, 0.62%

LAB 77.28, -49.81, 32.07

 

CMYK 0 / 73 / 23 / 38

HEX #9E2A79

RGB 158 42 121

HSL 319.14, 0.58%, 0.39%

LAB 38.39, 54.72, -18.21

 

CMYK 0 / 66 / 20 / 31

HEX #AF3C8C

RGB 175 60 140

HSL 318.26, 0.49%, 0.46%

LAB 44.57, 55.06, -20.11

 

CMYK 0 / 59 / 17 / 25

HEX #C04E9F

RGB 192 78 159

HSL 317.37, 0.48%, 0.53%

LAB 50.87, 54.9, -21.55

 

CMYK 0 / 54 / 15 / 18

HEX #D160B2

RGB 209 96 178

HSL 316.46, 0.55%, 0.6%

LAB 57.21, 54.45, -22.69

 

CMYK 0 / 50 / 13 / 11

HEX #E272C5

RGB 226 114 197

HSL 315.54, 0.66%, 0.67%

LAB 63.54, 53.84, -23.63

 

CMYK 0 / 73 / 18 / 40

HEX #992A7E

RGB 153 42 126

HSL 314.59, 0.57%, 0.38%

LAB 37.72, 54.12, -22.41

 

CMYK 0 / 82 / 21 / 47

HEX #88186B

RGB 136 24 107

HSL 315.54, 0.7%, 0.31%

LAB 31.69, 52.93, -20.05

 

CMYK 0 / 95 / 26 / 53

HEX #770658

RGB 119 6 88

HSL 316.46, 0.9%, 0.25%

LAB 26.03, 50.34, -16.71

 

CMYK 0 / 100 / 32 / 60

HEX #660045

RGB 102 0 69

HSL 319.41, 1%, 0.2%

LAB 21.04, 45.4, -11.88

 

CMYK 0 / 100 / 41 / 67

HEX #550032

RGB 85 0 50

HSL 324.71, 1%, 0.17%

LAB 16.31, 39.18, -6.05

 

CMYK 0 / 72 / 18 / 40

HEX #982A7D

RGB 152 42 125

HSL 314.73, 0.57%, 0.38%

LAB 37.5, 53.72, -22.15

 

CMYK 0 / 72 / 38 / 40

HEX #982A5F

RGB 152 42 95

HSL 331.09, 0.57%, 0.38%

LAB 36.29, 49.8, -5.1

 

CMYK 0 / 72 / 57 / 40

HEX #982A42

RGB 152 42 66

HSL 346.91, 0.57%, 0.38%

LAB 35.45, 46.99, 12.34

 

CMYK 0 / 72 / 72 / 40

HEX #982A2A

RGB 152 42 42

HSL 0, 0.57%, 0.38%

LAB 35, 45.45, 26.97

 

CMYK 0 / 72 / 18 / 40

HEX #982A7D

RGB 152 42 125

HSL 314.73, 0.57%, 0.38%

LAB 37.5, 53.72, -22.15

 

CMYK 2 / 72 / 0 / 40

HEX #952A98

RGB 149 42 152

HSL 298.36, 0.57%, 0.38%

LAB 38.4, 57.32, -37.36

 

CMYK 22 / 72 / 0 / 40

HEX #772A98

RGB 119 42 152

HSL 282, 0.57%, 0.38%

LAB 33.66, 50.66, -45.21

 

CMYK 41 / 72 / 0 / 40

HEX #5A2A98

RGB 90 42 152

HSL 266.18, 0.57%, 0.38%

LAB 29.65, 44.73, -51.88

 

CMYK 61 / 72 / 0 / 40

HEX #3C2A98

RGB 60 42 152

HSL 249.82, 0.57%, 0.38%

LAB 26.4, 39.59, -57.34

 

CMYK 0 / 72 / 18 / 40

HEX #982A7D

RGB 152 42 125

HSL 314.73, 0.57%, 0.38%

LAB 37.5, 53.72, -22.15

 

CMYK 0 / 85 / 21 / 34

HEX #A81A85

RGB 168 26 133

HSL 314.79, 0.73%, 0.38%

LAB 39.17, 63.28, -24.29

 

CMYK 0 / 95 / 23 / 28

HEX #B70A8D

RGB 183 10 141

HSL 314.57, 0.9%, 0.38%

LAB 41.54, 69.94, -25.29

 

CMYK 0 / 72 / 18 / 40

HEX #982A7D

RGB 152 42 125

HSL 314.73, 0.57%, 0.38%

LAB 37.5, 53.72, -22.15

 

CMYK 0 / 58 / 14 / 47

HEX #883975

RGB 136 57 117

HSL 314.43, 0.41%, 0.38%

LAB 36.83, 41.46, -18.42

 

CMYK 0 / 40 / 10 / 53

HEX #79496D

RGB 121 73 109

HSL 315, 0.25%, 0.38%

LAB 37.72, 26.23, -12.25

 

CMYK 0 / 15 / 4 / 59

HEX #695965

RGB 105 89 101

HSL 315, 0.08%, 0.38%

LAB 39.73, 8.85, -4.46

 

CMYK 14 / 0 / 11 / 59

HEX #59685D

RGB 89 104 93

HSL 136, 0.08%, 0.38%

LAB 42.48, -8.08, 4.29

 

CMYK 22 / 72 / 0 / 40

HEX #772A98

RGB 119 42 152

HSL 282, 0.57%, 0.38%

LAB 33.66, 50.66, -45.21

 

CMYK 3 / 72 / 0 / 40

HEX #942A98

RGB 148 42 152

HSL 297.82, 0.57%, 0.38%

LAB 38.23, 57.09, -37.63

 

CMYK 0 / 72 / 17 / 40

HEX #982A7E

RGB 152 42 126

HSL 314.18, 0.57%, 0.38%

LAB 37.55, 53.86, -22.7

 

CMYK 0 / 72 / 36 / 40

HEX #982A61

RGB 152 42 97

HSL 330, 0.57%, 0.38%

LAB 36.36, 50.03, -6.27

 

CMYK 0 / 72 / 56 / 40

HEX #982A43

RGB 152 42 67

HSL 346.36, 0.57%, 0.38%

LAB 35.47, 47.07, 11.73

 

CMYK 0 / 72 / 17 / 66

HEX #571848

RGB 87 24 72

HSL 314.29, 0.57%, 0.22%

LAB 20.62, 34.67, -14.83

 

CMYK 0 / 73 / 18 / 53

HEX #782163

RGB 120 33 99

HSL 314.48, 0.57%, 0.3%

LAB 29.37, 44.69, -18.73

 

CMYK 0 / 72 / 18 / 40

HEX #982A7D

RGB 152 42 125

HSL 314.73, 0.57%, 0.38%

LAB 37.5, 53.72, -22.15

 

CMYK 0 / 72 / 18 / 27

HEX #B93398

RGB 185 51 152

HSL 314.78, 0.57%, 0.46%

LAB 45.56, 62.75, -25.67

 

CMYK 0 / 65 / 16 / 20

HEX #CD48AC

RGB 205 72 172

HSL 314.89, 0.57%, 0.54%

LAB 52.5, 62.92, -26.51

 

CMYK 0 / 73 / 18 / 40

HEX #992A7E

RGB 153 42 126

HSL 314.59, 0.57%, 0.38%

LAB 37.72, 54.12, -22.41

 

CMYK 0 / 41 / 72 / 40

HEX #985A2A

RGB 152 90 42

HSL 26.18, 0.57%, 0.38%

LAB 44.45, 21.26, 37.6

 

CMYK 72 / 0 / 12 / 40

HEX #2A9886

RGB 42 152 134

HSL 170.18, 0.57%, 0.38%

LAB 56.75, -34.74, 0.65

 

CMYK 0 / 73 / 18 / 40

HEX #992A7E

RGB 153 42 126

HSL 314.59, 0.57%, 0.38%

LAB 37.72, 54.12, -22.41

 

CMYK 17 / 0 / 72 / 40

HEX #7E982A

RGB 126 152 42

HSL 74.18, 0.57%, 0.38%

LAB 59.03, -24.77, 51.82

 

CMYK 72 / 17 / 0 / 40

HEX #2A7E98

RGB 42 126 152

HSL 194.18, 0.57%, 0.38%

LAB 49.11, -16.05, -21.24

 

CMYK 0 / 73 / 18 / 40

HEX #992A7E

RGB 153 42 126

HSL 314.59, 0.57%, 0.38%

LAB 37.72, 54.12, -22.41

 

CMYK 0 / 41 / 72 / 40

HEX #985A2A

RGB 152 90 42

HSL 26.18, 0.57%, 0.38%

LAB 44.45, 21.26, 37.6

 

CMYK 72 / 0 / 56 / 40

HEX #2A9843

RGB 42 152 67

HSL 133.64, 0.57%, 0.38%

LAB 55.44, -49, 35.65

 

CMYK 72 / 32 / 0 / 40

HEX #2A6898

RGB 42 104 152

HSL 206.18, 0.57%, 0.38%

LAB 42.25, -3.24, -31.91

 

CMYK 0 / 73 / 18 / 40

HEX #992A7E

RGB 153 42 126

HSL 314.59, 0.57%, 0.38%

LAB 37.72, 54.12, -22.41

 

CMYK 0 / 19 / 72 / 40

HEX #987B2A

RGB 152 123 42

HSL 44.18, 0.57%, 0.38%

LAB 52.96, 2.37, 46.48

 

CMYK 72 / 0 / 56 / 40

HEX #2A9843

RGB 42 152 67

HSL 133.64, 0.57%, 0.38%

LAB 55.44, -49, 35.65

 

CMYK 72 / 53 / 0 / 40

HEX #2A4798

RGB 42 71 152

HSL 224.18, 0.57%, 0.38%

LAB 32.4, 18.2, -47.61

 

Description

Color code: HEX #992A7E | qconv.com Color code: HEX #992A7E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 42 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 42 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 18 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 18% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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