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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9929C8 it is the complementary color #66D637. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9929C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9929C8 shade: #9E29C3, #AF3BD6, #C04DE9, #D15FFC and #E271FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9929C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9929C8 shade: #9929C8, #8817B5, #7705A2, #66008F and #55007C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9929C8 shade: #9829C7, #C329C7, #C729A0, #C72976 and #C7294B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9929C8 shade: #9829C7, #6E29C7, #4329C7 and #2929C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9929C8 shade matches the following richer shades: #9829C7, #A015DA and #A802EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9929C8 shade: #9829C7, #903CB4, #8850A0, #80638D and #787679

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9929C8 shade: #4329C7, #6D29C7, #9729C7, #C229C7 and #C729A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9929C8 shade: #641B82, #7E22A5, #9829C7, #AB41D8 and #BA63DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9929C8 shade: #9929C8, #C72939 and #29C758

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9929C8 shade: #9929C8, #C79729 and #29C797

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9929C8 shade: #9929C8, #C72939, #58C729 and #29C7B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9929C8 shade: #9929C8, #C74829, #58C729 and #29A7C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 80 / 0 / 22

HEX #9929C8

RGB 153 41 200

HSL 282.26, 0.66%, 0.47%

LAB 42.04, 67.39, -59.95

 

Complementary color

CMYK 52 / 0 / 74 / 16

HEX #66D637

RGB 102 214 55

HSL 102.26, 0.66%, 0.53%

LAB 76.8, -58.74, 64.36

 

CMYK 19 / 79 / 0 / 24

HEX #9E29C3

RGB 158 41 195

HSL 285.58, 0.65%, 0.46%

LAB 42.45, 67.31, -56.34

 

CMYK 18 / 72 / 0 / 16

HEX #AF3BD6

RGB 175 59 214

HSL 284.9, 0.65%, 0.54%

LAB 48.38, 68.07, -57.63

 

CMYK 18 / 67 / 0 / 9

HEX #C04DE9

RGB 192 77 233

HSL 284.23, 0.78%, 0.61%

LAB 54.45, 68.22, -58.52

 

CMYK 17 / 62 / 0 / 1

HEX #D15FFC

RGB 209 95 252

HSL 283.57, 0.96%, 0.68%

LAB 60.58, 67.98, -59.16

 

CMYK 11 / 56 / 0 / 0

HEX #E271FF

RGB 226 113 255

HSL 287.75, 1%, 0.72%

LAB 65.9, 64.43, -52.21

 

CMYK 24 / 80 / 0 / 22

HEX #9929C8

RGB 153 41 200

HSL 282.26, 0.66%, 0.47%

LAB 42.04, 67.39, -59.95

 

CMYK 25 / 87 / 0 / 29

HEX #8817B5

RGB 136 23 181

HSL 282.91, 0.77%, 0.4%

LAB 36.33, 65.74, -58.19

 

CMYK 27 / 97 / 0 / 36

HEX #7705A2

RGB 119 5 162

HSL 283.57, 0.94%, 0.33%

LAB 30.97, 62.75, -55.65

 

CMYK 29 / 100 / 0 / 44

HEX #66008F

RGB 102 0 143

HSL 282.8, 1%, 0.28%

LAB 26.18, 57.62, -51.93

 

CMYK 31 / 100 / 0 / 51

HEX #55007C

RGB 85 0 124

HSL 281.13, 1%, 0.24%

LAB 21.53, 51.59, -47.71

 

CMYK 24 / 79 / 0 / 22

HEX #9829C7

RGB 152 41 199

HSL 282.15, 0.66%, 0.47%

LAB 41.82, 67.02, -59.74

 

CMYK 2 / 79 / 0 / 22

HEX #C329C7

RGB 195 41 199

HSL 298.48, 0.66%, 0.47%

LAB 48.65, 74.9, -48.4

 

CMYK 0 / 79 / 20 / 22

HEX #C729A0

RGB 199 41 160

HSL 314.81, 0.66%, 0.47%

LAB 47.32, 70.09, -27.54

 

CMYK 0 / 79 / 41 / 22

HEX #C72976

RGB 199 41 118

HSL 330.76, 0.66%, 0.47%

LAB 45.68, 65.29, -4.59

 

CMYK 0 / 79 / 62 / 22

HEX #C7294B

RGB 199 41 75

HSL 347.09, 0.66%, 0.47%

LAB 44.57, 61.89, 20.47

 

CMYK 24 / 79 / 0 / 22

HEX #9829C7

RGB 152 41 199

HSL 282.15, 0.66%, 0.47%

LAB 41.82, 67.02, -59.74

 

CMYK 45 / 79 / 0 / 22

HEX #6E29C7

RGB 110 41 199

HSL 266.2, 0.66%, 0.47%

LAB 36.03, 60.35, -69.43

 

CMYK 66 / 79 / 0 / 22

HEX #4329C7

RGB 67 41 199

HSL 249.87, 0.66%, 0.47%

LAB 31.58, 55.23, -76.91

 

CMYK 79 / 79 / 0 / 22

HEX #2929C7

RGB 41 41 199

HSL 240, 0.66%, 0.47%

LAB 29.86, 53.26, -79.81

 

CMYK 24 / 79 / 0 / 22

HEX #9829C7

RGB 152 41 199

HSL 282.15, 0.66%, 0.47%

LAB 41.82, 67.02, -59.74

 

CMYK 27 / 90 / 0 / 15

HEX #A015DA

RGB 160 21 218

HSL 282.34, 0.82%, 0.47%

LAB 42.87, 76.62, -68.95

 

CMYK 29 / 99 / 0 / 7

HEX #A802EE

RGB 168 2 238

HSL 282.2, 0.98%, 0.47%

LAB 45, 83.46, -76.81

 

CMYK 24 / 79 / 0 / 22

HEX #9829C7

RGB 152 41 199

HSL 282.15, 0.66%, 0.47%

LAB 41.82, 67.02, -59.74

 

CMYK 20 / 67 / 0 / 29

HEX #903CB4

RGB 144 60 180

HSL 282, 0.5%, 0.47%

LAB 41.93, 54.26, -48.49

 

CMYK 15 / 50 / 0 / 37

HEX #8850A0

RGB 136 80 160

HSL 282, 0.33%, 0.47%

LAB 43.52, 37.67, -34.18

 

CMYK 9 / 30 / 0 / 45

HEX #80638D

RGB 128 99 141

HSL 281.43, 0.18%, 0.47%

LAB 46.23, 19.83, -18.71

 

CMYK 1 / 2 / 0 / 53

HEX #787679

RGB 120 118 121

HSL 280, 0.01%, 0.47%

LAB 49.89, 1.37, -1.38

 

CMYK 66 / 79 / 0 / 22

HEX #4329C7

RGB 67 41 199

HSL 249.87, 0.66%, 0.47%

LAB 31.58, 55.23, -76.91

 

CMYK 45 / 79 / 0 / 22

HEX #6D29C7

RGB 109 41 199

HSL 265.82, 0.66%, 0.47%

LAB 35.91, 60.21, -69.63

 

CMYK 24 / 79 / 0 / 22

HEX #9729C7

RGB 151 41 199

HSL 281.77, 0.66%, 0.47%

LAB 41.67, 66.85, -59.99

 

CMYK 3 / 79 / 0 / 22

HEX #C229C7

RGB 194 41 199

HSL 298.1, 0.66%, 0.47%

LAB 48.48, 74.71, -48.67

 

CMYK 0 / 79 / 19 / 22

HEX #C729A2

RGB 199 41 162

HSL 314.05, 0.66%, 0.47%

LAB 47.41, 70.35, -28.59

 

CMYK 23 / 79 / 0 / 49

HEX #641B82

RGB 100 27 130

HSL 282.52, 0.66%, 0.31%

LAB 27.03, 47.99, -42.44

 

CMYK 24 / 79 / 0 / 35

HEX #7E22A5

RGB 126 34 165

HSL 282.14, 0.66%, 0.39%

LAB 34.59, 57.82, -51.52

 

CMYK 24 / 79 / 0 / 22

HEX #9829C7

RGB 152 41 199

HSL 282.15, 0.66%, 0.47%

LAB 41.82, 67.02, -59.74

 

CMYK 21 / 70 / 0 / 15

HEX #AB41D8

RGB 171 65 216

HSL 282.12, 0.66%, 0.55%

LAB 48.76, 65.35, -58.2

 

CMYK 17 / 56 / 0 / 13

HEX #BA63DF

RGB 186 99 223

HSL 282.1, 0.66%, 0.63%

LAB 56.77, 54.77, -49.23

 

CMYK 24 / 80 / 0 / 22

HEX #9929C8

RGB 153 41 200

HSL 282.26, 0.66%, 0.47%

LAB 42.04, 67.39, -59.95

 

CMYK 0 / 79 / 71 / 22

HEX #C72939

RGB 199 41 57

HSL 353.92, 0.66%, 0.47%

LAB 44.27, 60.95, 31.09

 

CMYK 79 / 0 / 56 / 22

HEX #29C758

RGB 41 199 88

HSL 137.85, 0.66%, 0.47%

LAB 70.89, -62.49, 43.99

 

CMYK 24 / 80 / 0 / 22

HEX #9929C8

RGB 153 41 200

HSL 282.26, 0.66%, 0.47%

LAB 42.04, 67.39, -59.95

 

CMYK 0 / 24 / 79 / 22

HEX #C79729

RGB 199 151 41

HSL 41.77, 0.66%, 0.47%

LAB 65.31, 7.99, 60.45

 

CMYK 79 / 0 / 24 / 22

HEX #29C797

RGB 41 199 151

HSL 161.77, 0.66%, 0.47%

LAB 71.93, -50.63, 12.97

 

CMYK 24 / 80 / 0 / 22

HEX #9929C8

RGB 153 41 200

HSL 282.26, 0.66%, 0.47%

LAB 42.04, 67.39, -59.95

 

CMYK 0 / 79 / 71 / 22

HEX #C72939

RGB 199 41 57

HSL 353.92, 0.66%, 0.47%

LAB 44.27, 60.95, 31.09

 

CMYK 56 / 0 / 79 / 22

HEX #58C729

RGB 88 199 41

HSL 102.15, 0.66%, 0.47%

LAB 71.61, -57.92, 63.6

 

CMYK 79 / 0 / 8 / 22

HEX #29C7B7

RGB 41 199 183

HSL 173.92, 0.66%, 0.47%

LAB 72.72, -42.41, -3.23

 

CMYK 24 / 80 / 0 / 22

HEX #9929C8

RGB 153 41 200

HSL 282.26, 0.66%, 0.47%

LAB 42.04, 67.39, -59.95

 

CMYK 0 / 64 / 79 / 22

HEX #C74829

RGB 199 72 41

HSL 11.77, 0.66%, 0.47%

LAB 48.18, 49.06, 44.27

 

CMYK 56 / 0 / 79 / 22

HEX #58C729

RGB 88 199 41

HSL 102.15, 0.66%, 0.47%

LAB 71.61, -57.92, 63.6

 

CMYK 79 / 16 / 0 / 22

HEX #29A7C7

RGB 41 167 199

HSL 192.15, 0.66%, 0.47%

LAB 63.53, -22.28, -25.86

 

Description

Color code: HEX #9929C8 | qconv.com Color code: HEX #9929C8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 41 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 41 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 80 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 80% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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