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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #992816 it is the complementary color #66D7E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #992816. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #992816 shade: #9E2811, #AF3A24, #C04C37, #D15E4A and #E2705D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #992816. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #992816 shade: #992816, #881603, #770400, #660000 and #550000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #992816 shade: #982816 and #981616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #992816 shade: #982816, #984B16, #986E16, #989116 and #7C9816

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #992816 shade matches the following richer shades: #982816 and #A61D08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #992816 shade: #982816, #8A3224, #7C3C32, #6E4640 and #60504E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #992816 shade: #98164A, #981627, #982716, #984A16 and #986C16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #992816 shade: #50150B, #741E11, #982816, #BC311B and #DF3B21

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #992816 shade: #992816, #6C9816 and #163898

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #992816 shade: #992816, #169827 and #271698

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #992816 shade: #992816, #6C9816, #168698 and #411698

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #992816 shade: #992816, #459816, #168698 and #681698

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 86 / 40

HEX #992816

RGB 153 40 22

HSL 8.24, 0.75%, 0.34%

LAB 34.7, 45.79, 38.11

 

Complementary color

CMYK 56 / 8 / 0 / 9

HEX #66D7E9

RGB 102 215 233

HSL 188.24, 0.75%, 0.66%

LAB 80.35, -27.1, -18.61

 

CMYK 0 / 75 / 89 / 38

HEX #9E2811

RGB 158 40 17

HSL 9.79, 0.81%, 0.34%

LAB 35.65, 47.34, 41.69

 

CMYK 0 / 67 / 79 / 31

HEX #AF3A24

RGB 175 58 36

HSL 9.5, 0.66%, 0.41%

LAB 41.64, 46.51, 38.91

 

CMYK 0 / 60 / 71 / 25

HEX #C04C37

RGB 192 76 55

HSL 9.2, 0.55%, 0.48%

LAB 47.82, 45.34, 36.05

 

CMYK 0 / 55 / 65 / 18

HEX #D15E4A

RGB 209 94 74

HSL 8.89, 0.59%, 0.55%

LAB 54.09, 44.04, 33.48

 

CMYK 0 / 50 / 59 / 11

HEX #E2705D

RGB 226 112 93

HSL 8.57, 0.7%, 0.63%

LAB 60.38, 42.75, 31.22

 

CMYK 0 / 74 / 86 / 40

HEX #992816

RGB 153 40 22

HSL 8.24, 0.75%, 0.34%

LAB 34.7, 45.79, 38.11

 

CMYK 0 / 84 / 98 / 47

HEX #881603

RGB 136 22 3

HSL 8.57, 0.96%, 0.27%

LAB 28.94, 45.88, 40.49

 

CMYK 0 / 97 / 100 / 53

HEX #770400

RGB 119 4 0

HSL 2.02, 1%, 0.23%

LAB 23.7, 44.77, 35.56

 

CMYK 0 / 100 / 100 / 60

HEX #660000

RGB 102 0 0

HSL 0, 1%, 0.2%

LAB 19.33, 40.88, 29.66

 

CMYK 0 / 100 / 100 / 67

HEX #550000

RGB 85 0 0

HSL 0, 1%, 0.17%

LAB 15.12, 36.01, 23.57

 

CMYK 0 / 74 / 86 / 40

HEX #982816

RGB 152 40 22

HSL 8.31, 0.75%, 0.34%

LAB 34.5, 45.46, 37.86

 

CMYK 0 / 86 / 86 / 40

HEX #981616

RGB 152 22 22

HSL 0, 0.75%, 0.34%

LAB 32.5, 51.07, 36.05

 

CMYK 0 / 74 / 86 / 40

HEX #982816

RGB 152 40 22

HSL 8.31, 0.75%, 0.34%

LAB 34.5, 45.46, 37.86

 

CMYK 0 / 51 / 86 / 40

HEX #984B16

RGB 152 75 22

HSL 24.46, 0.75%, 0.34%

LAB 40.84, 28.81, 43.47

 

CMYK 0 / 28 / 86 / 40

HEX #986E16

RGB 152 110 22

HSL 40.62, 0.75%, 0.34%

LAB 49.36, 8.94, 50.79

 

CMYK 0 / 5 / 86 / 40

HEX #989116

RGB 152 145 22

HSL 56.77, 0.75%, 0.34%

LAB 58.96, -10.54, 58.87

 

CMYK 18 / 0 / 86 / 40

HEX #7C9816

RGB 124 152 22

HSL 72.92, 0.75%, 0.34%

LAB 58.79, -26.54, 57.83

 

CMYK 0 / 74 / 86 / 40

HEX #982816

RGB 152 40 22

HSL 8.31, 0.75%, 0.34%

LAB 34.5, 45.46, 37.86

 

CMYK 0 / 83 / 95 / 35

HEX #A61D08

RGB 166 29 8

HSL 7.97, 0.91%, 0.34%

LAB 35.99, 53.18, 46.23

 

CMYK 0 / 74 / 86 / 40

HEX #982816

RGB 152 40 22

HSL 8.31, 0.75%, 0.34%

LAB 34.5, 45.46, 37.86

 

CMYK 0 / 64 / 74 / 46

HEX #8A3224

RGB 138 50 36

HSL 8.24, 0.59%, 0.34%

LAB 33.59, 36.67, 28.29

 

CMYK 0 / 52 / 60 / 51

HEX #7C3C32

RGB 124 60 50

HSL 8.11, 0.43%, 0.34%

LAB 33.45, 26.79, 19

 

CMYK 0 / 36 / 42 / 57

HEX #6E4640

RGB 110 70 64

HSL 7.83, 0.26%, 0.34%

LAB 34.12, 16.39, 10.71

 

CMYK 0 / 17 / 19 / 62

HEX #60504E

RGB 96 80 78

HSL 6.67, 0.1%, 0.34%

LAB 35.55, 6.29, 3.65

 

CMYK 0 / 86 / 51 / 40

HEX #98164A

RGB 152 22 74

HSL 336, 0.75%, 0.34%

LAB 33.44, 53.88, 4.33

 

CMYK 0 / 86 / 74 / 40

HEX #981627

RGB 152 22 39

HSL 352.15, 0.75%, 0.34%

LAB 32.69, 51.66, 26.14

 

CMYK 0 / 74 / 86 / 40

HEX #982716

RGB 152 39 22

HSL 7.85, 0.75%, 0.34%

LAB 34.36, 45.83, 37.74

 

CMYK 0 / 51 / 86 / 40

HEX #984A16

RGB 152 74 22

HSL 24, 0.75%, 0.34%

LAB 40.62, 29.35, 43.28

 

CMYK 0 / 29 / 86 / 40

HEX #986C16

RGB 152 108 22

HSL 39.69, 0.75%, 0.34%

LAB 48.83, 10.09, 50.34

 

CMYK 0 / 74 / 86 / 69

HEX #50150B

RGB 80 21 11

HSL 8.7, 0.76%, 0.18%

LAB 16.83, 27, 20.97

 

CMYK 0 / 74 / 85 / 55

HEX #741E11

RGB 116 30 17

HSL 7.88, 0.74%, 0.26%

LAB 25.81, 36.77, 29.86

 

CMYK 0 / 74 / 86 / 40

HEX #982816

RGB 152 40 22

HSL 8.31, 0.75%, 0.34%

LAB 34.5, 45.46, 37.86

 

CMYK 0 / 74 / 86 / 26

HEX #BC311B

RGB 188 49 27

HSL 8.2, 0.75%, 0.42%

LAB 42.71, 54.08, 45.32

 

CMYK 0 / 74 / 85 / 13

HEX #DF3B21

RGB 223 59 33

HSL 8.21, 0.75%, 0.5%

LAB 50.6, 61.74, 51.9

 

CMYK 0 / 74 / 86 / 40

HEX #992816

RGB 153 40 22

HSL 8.24, 0.75%, 0.34%

LAB 34.7, 45.79, 38.11

 

CMYK 29 / 0 / 86 / 40

HEX #6C9816

RGB 108 152 22

HSL 80.31, 0.75%, 0.34%

LAB 57.75, -33.14, 56.54

 

CMYK 86 / 63 / 0 / 40

HEX #163898

RGB 22 56 152

HSL 224.31, 0.75%, 0.34%

LAB 27.48, 26.21, -55.66

 

CMYK 0 / 74 / 86 / 40

HEX #992816

RGB 153 40 22

HSL 8.24, 0.75%, 0.34%

LAB 34.7, 45.79, 38.11

 

CMYK 86 / 0 / 74 / 40

HEX #169827

RGB 22 152 39

HSL 127.85, 0.75%, 0.34%

LAB 54.84, -55.03, 47.38

 

CMYK 74 / 86 / 0 / 40

HEX #271698

RGB 39 22 152

HSL 247.85, 0.75%, 0.34%

LAB 21.1, 47.55, -66.14

 

CMYK 0 / 74 / 86 / 40

HEX #992816

RGB 153 40 22

HSL 8.24, 0.75%, 0.34%

LAB 34.7, 45.79, 38.11

 

CMYK 29 / 0 / 86 / 40

HEX #6C9816

RGB 108 152 22

HSL 80.31, 0.75%, 0.34%

LAB 57.75, -33.14, 56.54

 

CMYK 86 / 12 / 0 / 40

HEX #168698

RGB 22 134 152

HSL 188.31, 0.75%, 0.34%

LAB 51.25, -22.57, -17.98

 

CMYK 57 / 86 / 0 / 40

HEX #411698

RGB 65 22 152

HSL 259.85, 0.75%, 0.34%

LAB 23.55, 49.85, -62.01

 

CMYK 0 / 74 / 86 / 40

HEX #992816

RGB 153 40 22

HSL 8.24, 0.75%, 0.34%

LAB 34.7, 45.79, 38.11

 

CMYK 55 / 0 / 86 / 40

HEX #459816

RGB 69 152 22

HSL 98.31, 0.75%, 0.34%

LAB 55.87, -46.8, 54.15

 

CMYK 86 / 12 / 0 / 40

HEX #168698

RGB 22 134 152

HSL 188.31, 0.75%, 0.34%

LAB 51.25, -22.57, -17.98

 

CMYK 32 / 86 / 0 / 40

HEX #681698

RGB 104 22 152

HSL 277.85, 0.75%, 0.34%

LAB 28.86, 55.1, -53.1

 

Description

Color code: HEX #992816 | qconv.com Color code: HEX #992816 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 40 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 40 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 86 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 86% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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