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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #992569 it is the complementary color #66DA96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #992569. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #992569 shade: #9E2564, #AF3777, #C0498A, #D15B9D and #E26DB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #992569. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #992569 shade: #992569, #881356, #770143, #660030 and #55001D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #992569 shade: #982568, #982549, #98252A and #982525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #992569 shade: #982568, #982587, #892598, #6A2598 and #4B2598

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #992569 shade matches the following richer shades: #982568, #A7166B and #B6066E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #992569 shade: #982568, #893466, #794363, #6A5360 and #5B625E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #992569 shade: #892598, #982589, #98256A, #98254B and #98252C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #992569 shade: #55153B, #771D51, #982568, #B92D7F and #D03F94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #992569 shade: #992569, #986A25 and #259898

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #992569 shade: #992569, #6A9825 and #256A98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #992569 shade: #992569, #986A25, #259853 and #255398

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #992569 shade: #992569, #988C25, #259853 and #253098

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 31 / 40

HEX #992569

RGB 153 37 105

HSL 324.83, 0.61%, 0.37%

LAB 36.21, 53.04, -11.56

 

Complementary color

CMYK 53 / 0 / 31 / 15

HEX #66DA96

RGB 102 218 150

HSL 144.83, 0.61%, 0.63%

LAB 79.14, -48.13, 23.71

 

CMYK 0 / 77 / 37 / 38

HEX #9E2564

RGB 158 37 100

HSL 328.76, 0.62%, 0.38%

LAB 36.95, 53.81, -7.17

 

CMYK 0 / 69 / 32 / 31

HEX #AF3777

RGB 175 55 119

HSL 328, 0.52%, 0.45%

LAB 43.03, 54.29, -9.63

 

CMYK 0 / 62 / 28 / 25

HEX #C0498A

RGB 192 73 138

HSL 327.23, 0.49%, 0.52%

LAB 49.26, 54.18, -11.51

 

CMYK 0 / 56 / 25 / 18

HEX #D15B9D

RGB 209 91 157

HSL 326.44, 0.56%, 0.59%

LAB 55.56, 53.74, -13.01

 

CMYK 0 / 52 / 22 / 11

HEX #E26DB0

RGB 226 109 176

HSL 325.64, 0.67%, 0.66%

LAB 61.86, 53.13, -14.24

 

CMYK 0 / 76 / 31 / 40

HEX #992569

RGB 153 37 105

HSL 324.83, 0.61%, 0.37%

LAB 36.21, 53.04, -11.56

 

CMYK 0 / 86 / 37 / 47

HEX #881356

RGB 136 19 86

HSL 325.64, 0.75%, 0.3%

LAB 30.33, 51.58, -8.5

 

CMYK 0 / 99 / 44 / 53

HEX #770143

RGB 119 1 67

HSL 326.44, 0.98%, 0.24%

LAB 24.79, 48.91, -4.46

 

CMYK 0 / 100 / 53 / 60

HEX #660030

RGB 102 0 48

HSL 331.76, 1%, 0.2%

LAB 20.2, 43.21, 1.56

 

CMYK 0 / 100 / 66 / 67

HEX #55001D

RGB 85 0 29

HSL 339.53, 1%, 0.17%

LAB 15.59, 37.28, 8.26

 

CMYK 0 / 76 / 32 / 40

HEX #982568

RGB 152 37 104

HSL 325.04, 0.61%, 0.37%

LAB 35.98, 52.65, -11.29

 

CMYK 0 / 76 / 52 / 40

HEX #982549

RGB 152 37 73

HSL 341.22, 0.61%, 0.37%

LAB 34.96, 49.41, 7.14

 

CMYK 0 / 76 / 72 / 40

HEX #98252A

RGB 152 37 42

HSL 357.39, 0.61%, 0.37%

LAB 34.33, 47.32, 26.18

 

CMYK 0 / 76 / 76 / 40

HEX #982525

RGB 152 37 37

HSL 0, 0.61%, 0.37%

LAB 34.26, 47.09, 29.17

 

CMYK 0 / 76 / 32 / 40

HEX #982568

RGB 152 37 104

HSL 325.04, 0.61%, 0.37%

LAB 35.98, 52.65, -11.29

 

CMYK 0 / 76 / 11 / 40

HEX #982587

RGB 152 37 135

HSL 308.87, 0.61%, 0.37%

LAB 37.39, 56.93, -28.53

 

CMYK 10 / 76 / 0 / 40

HEX #892598

RGB 137 37 152

HSL 292.17, 0.61%, 0.37%

LAB 35.81, 56.43, -41.61

 

CMYK 30 / 76 / 0 / 40

HEX #6A2598

RGB 106 37 152

HSL 276, 0.61%, 0.37%

LAB 31.01, 50.11, -49.59

 

CMYK 51 / 76 / 0 / 40

HEX #4B2598

RGB 75 37 152

HSL 259.83, 0.61%, 0.37%

LAB 26.98, 44.58, -56.33

 

CMYK 0 / 76 / 32 / 40

HEX #982568

RGB 152 37 104

HSL 325.04, 0.61%, 0.37%

LAB 35.98, 52.65, -11.29

 

CMYK 0 / 87 / 36 / 35

HEX #A7166B

RGB 167 22 107

HSL 324.83, 0.77%, 0.37%

LAB 37.57, 60.8, -10.5

 

CMYK 0 / 97 / 40 / 29

HEX #B6066E

RGB 182 6 110

HSL 324.55, 0.94%, 0.37%

LAB 39.92, 66.77, -8.57

 

CMYK 0 / 76 / 32 / 40

HEX #982568

RGB 152 37 104

HSL 325.04, 0.61%, 0.37%

LAB 35.98, 52.65, -11.29

 

CMYK 0 / 62 / 26 / 46

HEX #893466

RGB 137 52 102

HSL 324.71, 0.45%, 0.37%

LAB 35.47, 41.86, -11.05

 

CMYK 0 / 45 / 18 / 53

HEX #794363

RGB 121 67 99

HSL 324.44, 0.29%, 0.37%

LAB 35.95, 27.93, -8.66

 

CMYK 0 / 22 / 9 / 58

HEX #6A5360

RGB 106 83 96

HSL 326.09, 0.12%, 0.37%

LAB 38.01, 11.94, -3.89

 

CMYK 7 / 0 / 4 / 62

HEX #5B625E

RGB 91 98 94

HSL 145.71, 0.04%, 0.37%

LAB 40.84, -3.57, 1.33

 

CMYK 10 / 76 / 0 / 40

HEX #892598

RGB 137 37 152

HSL 292.17, 0.61%, 0.37%

LAB 35.81, 56.43, -41.61

 

CMYK 0 / 76 / 10 / 40

HEX #982589

RGB 152 37 137

HSL 307.83, 0.61%, 0.37%

LAB 37.49, 57.24, -29.59

 

CMYK 0 / 76 / 30 / 40

HEX #98256A

RGB 152 37 106

HSL 324, 0.61%, 0.37%

LAB 36.06, 52.9, -12.44

 

CMYK 0 / 76 / 51 / 40

HEX #98254B

RGB 152 37 75

HSL 340.17, 0.61%, 0.37%

LAB 35.02, 49.58, 5.92

 

CMYK 0 / 76 / 71 / 40

HEX #98252C

RGB 152 37 44

HSL 356.35, 0.61%, 0.37%

LAB 34.36, 47.42, 24.97

 

CMYK 0 / 75 / 31 / 67

HEX #55153B

RGB 85 21 59

HSL 324.38, 0.6%, 0.21%

LAB 19.15, 33.34, -8.13

 

CMYK 0 / 76 / 32 / 53

HEX #771D51

RGB 119 29 81

HSL 325.33, 0.61%, 0.29%

LAB 27.83, 43.38, -9.31

 

CMYK 0 / 76 / 32 / 40

HEX #982568

RGB 152 37 104

HSL 325.04, 0.61%, 0.37%

LAB 35.98, 52.65, -11.29

 

CMYK 0 / 76 / 31 / 27

HEX #B92D7F

RGB 185 45 127

HSL 324.86, 0.61%, 0.45%

LAB 43.83, 61.5, -13.16

 

CMYK 0 / 70 / 29 / 18

HEX #D03F94

RGB 208 63 148

HSL 324.83, 0.61%, 0.53%

LAB 50.81, 63.94, -14.9

 

CMYK 0 / 76 / 31 / 40

HEX #992569

RGB 153 37 105

HSL 324.83, 0.61%, 0.37%

LAB 36.21, 53.04, -11.56

 

CMYK 0 / 30 / 76 / 40

HEX #986A25

RGB 152 106 37

HSL 36, 0.61%, 0.37%

LAB 48.41, 11.82, 44.11

 

CMYK 76 / 0 / 0 / 40

HEX #259898

RGB 37 152 152

HSL 180, 0.61%, 0.37%

LAB 57.19, -30.16, -9

 

CMYK 0 / 76 / 31 / 40

HEX #992569

RGB 153 37 105

HSL 324.83, 0.61%, 0.37%

LAB 36.21, 53.04, -11.56

 

CMYK 30 / 0 / 76 / 40

HEX #6A9825

RGB 106 152 37

HSL 84, 0.61%, 0.37%

LAB 57.71, -33.22, 51.92

 

CMYK 76 / 30 / 0 / 40

HEX #256A98

RGB 37 106 152

HSL 204, 0.61%, 0.37%

LAB 42.72, -5.18, -31.18

 

CMYK 0 / 76 / 31 / 40

HEX #992569

RGB 153 37 105

HSL 324.83, 0.61%, 0.37%

LAB 36.21, 53.04, -11.56

 

CMYK 0 / 30 / 76 / 40

HEX #986A25

RGB 152 106 37

HSL 36, 0.61%, 0.37%

LAB 48.41, 11.82, 44.11

 

CMYK 76 / 0 / 45 / 40

HEX #259853

RGB 37 152 83

HSL 144, 0.61%, 0.37%

LAB 55.56, -47.22, 27.48

 

CMYK 76 / 45 / 0 / 40

HEX #255398

RGB 37 83 152

HSL 216, 0.61%, 0.37%

LAB 35.69, 9.44, -42.33

 

CMYK 0 / 76 / 31 / 40

HEX #992569

RGB 153 37 105

HSL 324.83, 0.61%, 0.37%

LAB 36.21, 53.04, -11.56

 

CMYK 0 / 8 / 76 / 40

HEX #988C25

RGB 152 140 37

HSL 53.74, 0.61%, 0.37%

LAB 57.62, -7.3, 53.05

 

CMYK 76 / 0 / 45 / 40

HEX #259853

RGB 37 152 83

HSL 144, 0.61%, 0.37%

LAB 55.56, -47.22, 27.48

 

CMYK 76 / 68 / 0 / 40

HEX #253098

RGB 37 48 152

HSL 234.26, 0.61%, 0.37%

LAB 26.08, 32.95, -57.92

 

Description

Color code: HEX #992569 | qconv.com Color code: HEX #992569 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 37 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 37 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 31 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 31% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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