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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #991B73 it is the complementary color #66E48C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #991B73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #991B73 shade: #9E1B6E, #AF2D81, #C03F94, #D151A7 and #E263BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #991B73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #991B73 shade: #991B73, #880960, #77004D, #66003A and #550027

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #991B73 shade: #981B72, #981B50, #981B2F and #981B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #991B73 shade: #981B72, #981B94, #7A1B98, #581B98 and #371B98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #991B73 shade matches the following richer shades: #981B72 and #A60C78

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #991B73 shade: #981B72, #89296C, #7B3867, #6C4661 and #5E555B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #991B73 shade: #7B1B98, #981B94, #981B72, #981B51 and #981B30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #991B73 shade: #520E3D, #751558, #981B72, #BB218C and #DA2BA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #991B73 shade: #991B73, #98591B and #1B988B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #991B73 shade: #991B73, #72981B and #1B7298

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #991B73 shade: #991B73, #98591B, #1B9840 and #1B5998

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #991B73 shade: #991B73, #987F1B, #1B9840 and #1B3498

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 25 / 40

HEX #991B73

RGB 153 27 115

HSL 318.1, 0.7%, 0.35%

LAB 35.58, 57.27, -18.84

 

Complementary color

CMYK 55 / 0 / 39 / 11

HEX #66E48C

RGB 102 228 140

HSL 138.1, 0.7%, 0.65%

LAB 81.95, -53.99, 32.62

 

CMYK 0 / 83 / 30 / 38

HEX #9E1B6E

RGB 158 27 110

HSL 321.98, 0.71%, 0.36%

LAB 36.33, 57.85, -14.46

 

CMYK 0 / 74 / 26 / 31

HEX #AF2D81

RGB 175 45 129

HSL 321.23, 0.59%, 0.43%

LAB 42.12, 59.17, -17.17

 

CMYK 0 / 67 / 23 / 25

HEX #C03F94

RGB 192 63 148

HSL 320.47, 0.51%, 0.5%

LAB 48.13, 59.63, -19.22

 

CMYK 0 / 61 / 20 / 18

HEX #D151A7

RGB 209 81 167

HSL 319.69, 0.58%, 0.57%

LAB 54.27, 59.58, -20.81

 

CMYK 0 / 56 / 18 / 11

HEX #E263BA

RGB 226 99 186

HSL 318.9, 0.69%, 0.64%

LAB 60.46, 59.23, -22.09

 

CMYK 0 / 82 / 25 / 40

HEX #991B73

RGB 153 27 115

HSL 318.1, 0.7%, 0.35%

LAB 35.58, 57.27, -18.84

 

CMYK 0 / 93 / 29 / 47

HEX #880960

RGB 136 9 96

HSL 318.9, 0.88%, 0.28%

LAB 30.09, 54.65, -15.41

 

CMYK 0 / 100 / 35 / 53

HEX #77004D

RGB 119 0 77

HSL 321.18, 1%, 0.23%

LAB 25.13, 50.16, -10.74

 

CMYK 0 / 100 / 43 / 60

HEX #66003A

RGB 102 0 58

HSL 325.88, 1%, 0.2%

LAB 20.56, 44.16, -4.96

 

CMYK 0 / 100 / 54 / 67

HEX #550027

RGB 85 0 39

HSL 332.47, 1%, 0.17%

LAB 15.89, 38.08, 1.32

 

CMYK 0 / 82 / 25 / 40

HEX #981B72

RGB 152 27 114

HSL 318.24, 0.7%, 0.35%

LAB 35.35, 56.9, -18.59

 

CMYK 0 / 82 / 47 / 40

HEX #981B50

RGB 152 27 80

HSL 334.56, 0.7%, 0.35%

LAB 34.06, 53.14, 1.3

 

CMYK 0 / 82 / 69 / 40

HEX #981B2F

RGB 152 27 47

HSL 350.4, 0.7%, 0.35%

LAB 33.27, 50.75, 21.74

 

CMYK 0 / 82 / 82 / 40

HEX #981B1B

RGB 152 27 27

HSL 0, 0.7%, 0.35%

LAB 33, 49.91, 33.74

 

CMYK 0 / 82 / 25 / 40

HEX #981B72

RGB 152 27 114

HSL 318.24, 0.7%, 0.35%

LAB 35.35, 56.9, -18.59

 

CMYK 0 / 82 / 3 / 40

HEX #981B94

RGB 152 27 148

HSL 301.92, 0.7%, 0.35%

LAB 37.11, 61.81, -36.94

 

CMYK 20 / 82 / 0 / 40

HEX #7A1B98

RGB 122 27 152

HSL 285.6, 0.7%, 0.35%

LAB 32.23, 56.7, -47.49

 

CMYK 42 / 82 / 0 / 40

HEX #581B98

RGB 88 27 152

HSL 269.28, 0.7%, 0.35%

LAB 27.09, 50.97, -56.09

 

CMYK 64 / 82 / 0 / 40

HEX #371B98

RGB 55 27 152

HSL 253.44, 0.7%, 0.35%

LAB 23.21, 46.71, -62.6

 

CMYK 0 / 82 / 25 / 40

HEX #981B72

RGB 152 27 114

HSL 318.24, 0.7%, 0.35%

LAB 35.35, 56.9, -18.59

 

CMYK 0 / 93 / 28 / 35

HEX #A60C78

RGB 166 12 120

HSL 317.92, 0.87%, 0.35%

LAB 37.35, 63.68, -19.06

 

CMYK 0 / 82 / 25 / 40

HEX #981B72

RGB 152 27 114

HSL 318.24, 0.7%, 0.35%

LAB 35.35, 56.9, -18.59

 

CMYK 0 / 70 / 21 / 46

HEX #89296C

RGB 137 41 108

HSL 318.13, 0.54%, 0.35%

LAB 33.96, 47.57, -17.16

 

CMYK 0 / 54 / 16 / 52

HEX #7B3867

RGB 123 56 103

HSL 317.91, 0.37%, 0.35%

LAB 34.02, 35.44, -14.09

 

CMYK 0 / 35 / 10 / 58

HEX #6C4661

RGB 108 70 97

HSL 317.37, 0.21%, 0.35%

LAB 34.87, 20.91, -9.2

 

CMYK 0 / 10 / 3 / 63

HEX #5E555B

RGB 94 85 91

HSL 320, 0.05%, 0.35%

LAB 37.17, 4.89, -2.15

 

CMYK 19 / 82 / 0 / 40

HEX #7B1B98

RGB 123 27 152

HSL 286.08, 0.7%, 0.35%

LAB 32.4, 56.88, -47.22

 

CMYK 0 / 82 / 3 / 40

HEX #981B94

RGB 152 27 148

HSL 301.92, 0.7%, 0.35%

LAB 37.11, 61.81, -36.94

 

CMYK 0 / 82 / 25 / 40

HEX #981B72

RGB 152 27 114

HSL 318.24, 0.7%, 0.35%

LAB 35.35, 56.9, -18.59

 

CMYK 0 / 82 / 47 / 40

HEX #981B51

RGB 152 27 81

HSL 334.08, 0.7%, 0.35%

LAB 34.09, 53.23, 0.7

 

CMYK 0 / 82 / 68 / 40

HEX #981B30

RGB 152 27 48

HSL 349.92, 0.7%, 0.35%

LAB 33.29, 50.8, 21.12

 

CMYK 0 / 83 / 26 / 68

HEX #520E3D

RGB 82 14 61

HSL 318.53, 0.71%, 0.19%

LAB 17.67, 35.48, -11.86

 

CMYK 0 / 82 / 25 / 54

HEX #751558

RGB 117 21 88

HSL 318.13, 0.7%, 0.27%

LAB 26.8, 46.46, -15.56

 

CMYK 0 / 82 / 25 / 40

HEX #981B72

RGB 152 27 114

HSL 318.24, 0.7%, 0.35%

LAB 35.35, 56.9, -18.59

 

CMYK 0 / 82 / 25 / 27

HEX #BB218C

RGB 187 33 140

HSL 318.31, 0.7%, 0.43%

LAB 43.57, 66.83, -21.47

 

CMYK 0 / 80 / 24 / 15

HEX #DA2BA5

RGB 218 43 165

HSL 318.17, 0.7%, 0.51%

LAB 51.09, 74.46, -24.39

 

CMYK 0 / 82 / 25 / 40

HEX #991B73

RGB 153 27 115

HSL 318.1, 0.7%, 0.35%

LAB 35.58, 57.27, -18.84

 

CMYK 0 / 41 / 82 / 40

HEX #98591B

RGB 152 89 27

HSL 29.76, 0.7%, 0.35%

LAB 44.09, 21.15, 44.3

 

CMYK 82 / 0 / 9 / 40

HEX #1B988B

RGB 27 152 139

HSL 173.76, 0.7%, 0.35%

LAB 56.64, -35.07, -2.4

 

CMYK 0 / 82 / 25 / 40

HEX #991B73

RGB 153 27 115

HSL 318.1, 0.7%, 0.35%

LAB 35.58, 57.27, -18.84

 

CMYK 25 / 0 / 82 / 40

HEX #72981B

RGB 114 152 27

HSL 78.24, 0.7%, 0.35%

LAB 58.14, -30.52, 55.7

 

CMYK 82 / 25 / 0 / 40

HEX #1B7298

RGB 27 114 152

HSL 198.24, 0.7%, 0.35%

LAB 44.99, -11.11, -27.64

 

CMYK 0 / 82 / 25 / 40

HEX #991B73

RGB 153 27 115

HSL 318.1, 0.7%, 0.35%

LAB 35.58, 57.27, -18.84

 

CMYK 0 / 41 / 82 / 40

HEX #98591B

RGB 152 89 27

HSL 29.76, 0.7%, 0.35%

LAB 44.09, 21.15, 44.3

 

CMYK 82 / 0 / 58 / 40

HEX #1B9840

RGB 27 152 64

HSL 137.76, 0.7%, 0.35%

LAB 55.13, -51.63, 36.71

 

CMYK 82 / 41 / 0 / 40

HEX #1B5998

RGB 27 89 152

HSL 210.24, 0.7%, 0.35%

LAB 37.2, 4.29, -39.93

 

CMYK 0 / 82 / 25 / 40

HEX #991B73

RGB 153 27 115

HSL 318.1, 0.7%, 0.35%

LAB 35.58, 57.27, -18.84

 

CMYK 0 / 16 / 82 / 40

HEX #987F1B

RGB 152 127 27

HSL 48, 0.7%, 0.35%

LAB 53.96, -0.54, 53.16

 

CMYK 82 / 0 / 58 / 40

HEX #1B9840

RGB 27 152 64

HSL 137.76, 0.7%, 0.35%

LAB 55.13, -51.63, 36.71

 

CMYK 82 / 66 / 0 / 40

HEX #1B3498

RGB 27 52 152

HSL 228, 0.7%, 0.35%

LAB 26.61, 29.34, -57.07

 

Description

Color code: HEX #991B73 | qconv.com Color code: HEX #991B73 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 27 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 27 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 25 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 25% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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