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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #991AB0 it is the complementary color #66E54F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #991AB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #991AB0 shade: #9E1AAB, #AF2CBE, #C03ED1, #D150E4 and #E262F7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #991AB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #991AB0 shade: #991AB0, #88089D, #77008A, #660077 and #550064

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #991AB0 shade: #9A1BB1, #B11BA0, #B11B77, #B11B4F and #B11B26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #991AB0 shade: #9A1BB1, #721BB1, #491BB1, #201BB1 and #1B1BB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #991AB0 shade matches the following richer shades: #9A1BB1 and #A60AC2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #991AB0 shade: #9A1BB1, #8F2BA1, #833C90, #784C80 and #6D5D6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #991AB0 shade: #481BB1, #701BB1, #981BB1, #B11BA2 and #B11B7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #991AB0 shade: #5C106A, #7B158E, #9A1BB1, #BA20D5 and #C93DE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #991AB0 shade: #991AB0, #B1201B and #1BB15C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #991AB0 shade: #991AB0, #B1981B and #1BB198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #991AB0 shade: #991AB0, #B1201B, #34B11B and #1BACB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #991AB0 shade: #991AB0, #B14D1B, #34B11B and #1B7FB1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 85 / 0 / 31

HEX #991AB0

RGB 153 26 176

HSL 290.8, 0.74%, 0.4%

LAB 38.98, 66.94, -50.8

 

Complementary color

CMYK 55 / 0 / 66 / 10

HEX #66E54F

RGB 102 229 79

HSL 110.8, 0.74%, 0.6%

LAB 81.53, -62.3, 60.4

 

CMYK 8 / 85 / 0 / 33

HEX #9E1AAB

RGB 158 26 171

HSL 294.62, 0.74%, 0.39%

LAB 39.49, 66.96, -46.95

 

CMYK 8 / 77 / 0 / 25

HEX #AF2CBE

RGB 175 44 190

HSL 293.84, 0.62%, 0.46%

LAB 45.13, 68.71, -48.98

 

CMYK 8 / 70 / 0 / 18

HEX #C03ED1

RGB 192 62 209

HSL 293.06, 0.62%, 0.53%

LAB 50.98, 69.55, -50.45

 

CMYK 8 / 65 / 0 / 11

HEX #D150E4

RGB 209 80 228

HSL 292.3, 0.73%, 0.6%

LAB 56.97, 69.8, -51.54

 

CMYK 9 / 60 / 0 / 3

HEX #E262F7

RGB 226 98 247

HSL 291.54, 0.9%, 0.68%

LAB 63.03, 69.66, -52.36

 

CMYK 13 / 85 / 0 / 31

HEX #991AB0

RGB 153 26 176

HSL 290.8, 0.74%, 0.4%

LAB 38.98, 66.94, -50.8

 

CMYK 13 / 95 / 0 / 38

HEX #88089D

RGB 136 8 157

HSL 291.54, 0.9%, 0.32%

LAB 33.65, 63.92, -48.12

 

CMYK 14 / 100 / 0 / 46

HEX #77008A

RGB 119 0 138

HSL 291.74, 1%, 0.27%

LAB 28.79, 59.12, -44.44

 

CMYK 14 / 100 / 0 / 53

HEX #660077

RGB 102 0 119

HSL 291.43, 1%, 0.23%

LAB 24.18, 53.07, -40.06

 

CMYK 15 / 100 / 0 / 61

HEX #550064

RGB 85 0 100

HSL 291, 1%, 0.2%

LAB 19.44, 46.85, -35.55

 

CMYK 13 / 85 / 0 / 31

HEX #9A1BB1

RGB 154 27 177

HSL 290.8, 0.74%, 0.4%

LAB 39.29, 67.06, -50.89

 

CMYK 0 / 85 / 10 / 31

HEX #B11BA0

RGB 177 27 160

HSL 306.8, 0.74%, 0.4%

LAB 42.26, 68.67, -35.76

 

CMYK 0 / 85 / 33 / 31

HEX #B11B77

RGB 177 27 119

HSL 323.2, 0.74%, 0.4%

LAB 40.35, 63.43, -13.65

 

CMYK 0 / 85 / 55 / 31

HEX #B11B4F

RGB 177 27 79

HSL 339.2, 0.74%, 0.4%

LAB 39.06, 59.73, 9.76

 

CMYK 0 / 85 / 79 / 31

HEX #B11B26

RGB 177 27 38

HSL 355.6, 0.74%, 0.4%

LAB 38.32, 57.55, 34.48

 

CMYK 13 / 85 / 0 / 31

HEX #9A1BB1

RGB 154 27 177

HSL 290.8, 0.74%, 0.4%

LAB 39.29, 67.06, -50.89

 

CMYK 36 / 85 / 0 / 31

HEX #721BB1

RGB 114 27 177

HSL 274.8, 0.74%, 0.4%

LAB 33, 60.6, -61.39

 

CMYK 59 / 85 / 0 / 31

HEX #491BB1

RGB 73 27 177

HSL 258.4, 0.74%, 0.4%

LAB 27.78, 55.53, -70.17

 

CMYK 82 / 85 / 0 / 31

HEX #201BB1

RGB 32 27 177

HSL 242, 0.74%, 0.4%

LAB 24.53, 52.55, -75.65

 

CMYK 85 / 85 / 0 / 31

HEX #1B1BB1

RGB 27 27 177

HSL 240, 0.74%, 0.4%

LAB 24.29, 52.34, -76.05

 

CMYK 13 / 85 / 0 / 31

HEX #9A1BB1

RGB 154 27 177

HSL 290.8, 0.74%, 0.4%

LAB 39.29, 67.06, -50.89

 

CMYK 14 / 95 / 0 / 24

HEX #A60AC2

RGB 166 10 194

HSL 290.87, 0.9%, 0.4%

LAB 41.56, 74.67, -57.14

 

CMYK 13 / 85 / 0 / 31

HEX #9A1BB1

RGB 154 27 177

HSL 290.8, 0.74%, 0.4%

LAB 39.29, 67.06, -50.89

 

CMYK 11 / 73 / 0 / 37

HEX #8F2BA1

RGB 143 43 161

HSL 290.85, 0.58%, 0.4%

LAB 38.09, 57.25, -43.34

 

CMYK 9 / 58 / 0 / 44

HEX #833C90

RGB 131 60 144

HSL 290.71, 0.41%, 0.4%

LAB 37.97, 43.51, -33.35

 

CMYK 6 / 41 / 0 / 50

HEX #784C80

RGB 120 76 128

HSL 290.77, 0.25%, 0.4%

LAB 39.11, 27.95, -21.89

 

CMYK 2 / 16 / 0 / 56

HEX #6D5D6F

RGB 109 93 111

HSL 293.33, 0.09%, 0.4%

LAB 41.58, 10.04, -7.81

 

CMYK 59 / 85 / 0 / 31

HEX #481BB1

RGB 72 27 177

HSL 258, 0.74%, 0.4%

LAB 27.67, 55.43, -70.35

 

CMYK 37 / 85 / 0 / 31

HEX #701BB1

RGB 112 27 177

HSL 274, 0.74%, 0.4%

LAB 32.71, 60.32, -61.88

 

CMYK 14 / 85 / 0 / 31

HEX #981BB1

RGB 152 27 177

HSL 290, 0.74%, 0.4%

LAB 38.96, 66.71, -51.44

 

CMYK 0 / 85 / 8 / 31

HEX #B11BA2

RGB 177 27 162

HSL 306, 0.74%, 0.4%

LAB 42.37, 68.96, -36.79

 

CMYK 0 / 85 / 31 / 31

HEX #B11B7A

RGB 177 27 122

HSL 322, 0.74%, 0.4%

LAB 40.47, 63.76, -15.33

 

CMYK 13 / 85 / 0 / 58

HEX #5C106A

RGB 92 16 106

HSL 290.67, 0.74%, 0.24%

LAB 22.61, 45.16, -34.3

 

CMYK 13 / 85 / 0 / 44

HEX #7B158E

RGB 123 21 142

HSL 290.58, 0.74%, 0.32%

LAB 31.11, 56.63, -43.14

 

CMYK 13 / 85 / 0 / 31

HEX #9A1BB1

RGB 154 27 177

HSL 290.8, 0.74%, 0.4%

LAB 39.29, 67.06, -50.89

 

CMYK 13 / 85 / 0 / 16

HEX #BA20D5

RGB 186 32 213

HSL 291.05, 0.74%, 0.48%

LAB 47.33, 77.63, -58.65

 

CMYK 11 / 73 / 0 / 11

HEX #C93DE2

RGB 201 61 226

HSL 290.91, 0.74%, 0.56%

LAB 53.22, 74.72, -56.48

 

CMYK 13 / 85 / 0 / 31

HEX #991AB0

RGB 153 26 176

HSL 290.8, 0.74%, 0.4%

LAB 38.98, 66.94, -50.8

 

CMYK 0 / 82 / 85 / 31

HEX #B1201B

RGB 177 32 27

HSL 2, 0.74%, 0.4%

LAB 38.65, 55.98, 40.92

 

CMYK 85 / 0 / 48 / 31

HEX #1BB15C

RGB 27 177 92

HSL 146, 0.74%, 0.4%

LAB 63.71, -55.9, 33.15

 

CMYK 13 / 85 / 0 / 31

HEX #991AB0

RGB 153 26 176

HSL 290.8, 0.74%, 0.4%

LAB 38.98, 66.94, -50.8

 

CMYK 0 / 14 / 85 / 31

HEX #B1981B

RGB 177 152 27

HSL 50, 0.74%, 0.4%

LAB 63.25, -2.83, 62.11

 

CMYK 85 / 0 / 14 / 31

HEX #1BB198

RGB 27 177 152

HSL 170, 0.74%, 0.4%

LAB 64.92, -42.53, 2.37

 

CMYK 13 / 85 / 0 / 31

HEX #991AB0

RGB 153 26 176

HSL 290.8, 0.74%, 0.4%

LAB 38.98, 66.94, -50.8

 

CMYK 0 / 82 / 85 / 31

HEX #B1201B

RGB 177 32 27

HSL 2, 0.74%, 0.4%

LAB 38.65, 55.98, 40.92

 

CMYK 71 / 0 / 85 / 31

HEX #34B11B

RGB 52 177 27

HSL 110, 0.74%, 0.4%

LAB 63.55, -59.34, 59.6

 

CMYK 85 / 3 / 0 / 31

HEX #1BACB1

RGB 27 172 177

HSL 182, 0.74%, 0.4%

LAB 64.09, -33, -12.77

 

CMYK 13 / 85 / 0 / 31

HEX #991AB0

RGB 153 26 176

HSL 290.8, 0.74%, 0.4%

LAB 38.98, 66.94, -50.8

 

CMYK 0 / 56 / 85 / 31

HEX #B14D1B

RGB 177 77 27

HSL 20, 0.74%, 0.4%

LAB 45.27, 38.11, 46.78

 

CMYK 71 / 0 / 85 / 31

HEX #34B11B

RGB 52 177 27

HSL 110, 0.74%, 0.4%

LAB 63.55, -59.34, 59.6

 

CMYK 85 / 28 / 0 / 31

HEX #1B7FB1

RGB 27 127 177

HSL 200, 0.74%, 0.4%

LAB 50.2, -9.4, -34.11

 

Description

Color code: HEX #991AB0 | qconv.com Color code: HEX #991AB0 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 26 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 26 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 85 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 85% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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