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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #991796 it is the complementary color #66E869. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #991796. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #991796 shade: #9E1791, #AF29A4, #C03BB7, #D14DCA and #E25FDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #991796. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #991796 shade: #991796, #880583, #770070, #66005D and #55004A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #991796 shade: #9B1798, #9B1775, #9B1751, #9B172D and #9B1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #991796 shade: #9B1798, #7B179B, #57179B, #33179B and #17179B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #991796 shade matches the following richer shades: #9B1798 and #AA09A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #991796 shade: #9B1798, #8D268A, #7E347D, #70436F and #625161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #991796 shade: #57179B, #7A179B, #9B1799, #9B1776 and #9B1753

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #991796 shade: #540C52, #771275, #9B1798, #BF1DBB and #DF26DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #991796 shade: #991796, #9B3417 and #179B69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #991796 shade: #991796, #999B17 and #17999B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #991796 shade: #991796, #9B3417, #179B19 and #177F9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #991796 shade: #991796, #9B5B17, #179B19 and #17579B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 2 / 40

HEX #991796

RGB 153 23 150

HSL 301.38, 0.74%, 0.35%

LAB 37.09, 63.25, -38.18

 

Complementary color

CMYK 56 / 0 / 55 / 9

HEX #66E869

RGB 102 232 105

HSL 121.38, 0.74%, 0.65%

LAB 82.68, -60.63, 50.5

 

CMYK 0 / 85 / 8 / 38

HEX #9E1791

RGB 158 23 145

HSL 305.78, 0.75%, 0.35%

LAB 37.71, 63.48, -34.09

 

CMYK 0 / 77 / 6 / 31

HEX #AF29A4

RGB 175 41 164

HSL 304.93, 0.62%, 0.42%

LAB 43.33, 65.36, -36.48

 

CMYK 0 / 69 / 5 / 25

HEX #C03BB7

RGB 192 59 183

HSL 304.06, 0.53%, 0.49%

LAB 49.2, 66.27, -38.26

 

CMYK 0 / 63 / 3 / 18

HEX #D14DCA

RGB 209 77 202

HSL 303.18, 0.59%, 0.56%

LAB 55.2, 66.56, -39.6

 

CMYK 0 / 58 / 2 / 11

HEX #E25FDD

RGB 226 95 221

HSL 302.29, 0.69%, 0.63%

LAB 61.28, 66.45, -40.64

 

CMYK 0 / 85 / 2 / 40

HEX #991796

RGB 153 23 150

HSL 301.38, 0.74%, 0.35%

LAB 37.09, 63.25, -38.18

 

CMYK 0 / 96 / 4 / 47

HEX #880583

RGB 136 5 131

HSL 302.29, 0.93%, 0.28%

LAB 31.76, 60.08, -35.12

 

CMYK 0 / 100 / 6 / 53

HEX #770070

RGB 119 0 112

HSL 303.53, 1%, 0.23%

LAB 26.99, 54.84, -30.87

 

CMYK 0 / 100 / 9 / 60

HEX #66005D

RGB 102 0 93

HSL 305.29, 1%, 0.2%

LAB 22.36, 48.71, -26.05

 

CMYK 0 / 100 / 13 / 67

HEX #55004A

RGB 85 0 74

HSL 307.76, 1%, 0.17%

LAB 17.58, 42.39, -21

 

CMYK 0 / 85 / 2 / 39

HEX #9B1798

RGB 155 23 152

HSL 301.36, 0.74%, 0.35%

LAB 37.57, 63.95, -38.61

 

CMYK 0 / 85 / 25 / 39

HEX #9B1775

RGB 155 23 117

HSL 317.27, 0.74%, 0.35%

LAB 35.72, 58.96, -19.86

 

CMYK 0 / 85 / 48 / 39

HEX #9B1751

RGB 155 23 81

HSL 333.64, 0.74%, 0.35%

LAB 34.35, 55.04, 1.14

 

CMYK 0 / 85 / 71 / 39

HEX #9B172D

RGB 155 23 45

HSL 350, 0.74%, 0.35%

LAB 33.5, 52.55, 23.44

 

CMYK 0 / 85 / 85 / 39

HEX #9B1717

RGB 155 23 23

HSL 0, 0.74%, 0.35%

LAB 33.23, 51.73, 36.41

 

CMYK 0 / 85 / 2 / 39

HEX #9B1798

RGB 155 23 152

HSL 301.36, 0.74%, 0.35%

LAB 37.57, 63.95, -38.61

 

CMYK 21 / 85 / 0 / 39

HEX #7B179B

RGB 123 23 155

HSL 285.45, 0.74%, 0.35%

LAB 32.24, 58.58, -49.31

 

CMYK 44 / 85 / 0 / 39

HEX #57179B

RGB 87 23 155

HSL 269.09, 0.74%, 0.35%

LAB 26.75, 52.97, -58.49

 

CMYK 67 / 85 / 0 / 39

HEX #33179B

RGB 51 23 155

HSL 252.73, 0.74%, 0.35%

LAB 22.6, 48.94, -65.48

 

CMYK 85 / 85 / 0 / 39

HEX #17179B

RGB 23 23 155

HSL 240, 0.74%, 0.35%

LAB 20.68, 47.16, -68.72

 

CMYK 0 / 85 / 2 / 39

HEX #9B1798

RGB 155 23 152

HSL 301.36, 0.74%, 0.35%

LAB 37.57, 63.95, -38.61

 

CMYK 0 / 95 / 2 / 33

HEX #AA09A6

RGB 170 9 166

HSL 301.49, 0.9%, 0.35%

LAB 40.4, 70.97, -42.39

 

CMYK 0 / 85 / 2 / 39

HEX #9B1798

RGB 155 23 152

HSL 301.36, 0.74%, 0.35%

LAB 37.57, 63.95, -38.61

 

CMYK 0 / 73 / 2 / 45

HEX #8D268A

RGB 141 38 138

HSL 301.75, 0.58%, 0.35%

LAB 35.76, 54.49, -33.07

 

CMYK 0 / 59 / 1 / 51

HEX #7E347D

RGB 126 52 125

HSL 300.81, 0.42%, 0.35%

LAB 34.75, 42.36, -26.77

 

CMYK 0 / 40 / 1 / 56

HEX #70436F

RGB 112 67 111

HSL 301.33, 0.25%, 0.35%

LAB 35.22, 26.96, -17.44

 

CMYK 0 / 17 / 1 / 62

HEX #625161

RGB 98 81 97

HSL 303.53, 0.09%, 0.35%

LAB 36.64, 10.22, -6.65

 

CMYK 44 / 85 / 0 / 39

HEX #57179B

RGB 87 23 155

HSL 269.09, 0.74%, 0.35%

LAB 26.75, 52.97, -58.49

 

CMYK 21 / 85 / 0 / 39

HEX #7A179B

RGB 122 23 155

HSL 285, 0.74%, 0.35%

LAB 32.07, 58.41, -49.58

 

CMYK 0 / 85 / 1 / 39

HEX #9B1799

RGB 155 23 153

HSL 300.91, 0.74%, 0.35%

LAB 37.63, 64.11, -39.13

 

CMYK 0 / 85 / 24 / 39

HEX #9B1776

RGB 155 23 118

HSL 316.82, 0.74%, 0.35%

LAB 35.77, 59.08, -20.41

 

CMYK 0 / 85 / 46 / 39

HEX #9B1753

RGB 155 23 83

HSL 332.73, 0.74%, 0.35%

LAB 34.41, 55.22, -0.07

 

CMYK 0 / 86 / 2 / 67

HEX #540C52

RGB 84 12 82

HSL 301.67, 0.75%, 0.19%

LAB 19.04, 40.1, -24.16

 

CMYK 0 / 85 / 2 / 53

HEX #771275

RGB 119 18 117

HSL 301.19, 0.74%, 0.27%

LAB 28.48, 52.18, -31.71

 

CMYK 0 / 85 / 2 / 39

HEX #9B1798

RGB 155 23 152

HSL 301.36, 0.74%, 0.35%

LAB 37.57, 63.95, -38.61

 

CMYK 0 / 85 / 2 / 25

HEX #BF1DBB

RGB 191 29 187

HSL 301.48, 0.74%, 0.43%

LAB 46.37, 74.95, -45.09

 

CMYK 0 / 83 / 2 / 13

HEX #DF26DA

RGB 223 38 218

HSL 301.62, 0.74%, 0.51%

LAB 54.17, 83.68, -50.22

 

CMYK 0 / 85 / 2 / 40

HEX #991796

RGB 153 23 150

HSL 301.38, 0.74%, 0.35%

LAB 37.09, 63.25, -38.18

 

CMYK 0 / 66 / 85 / 39

HEX #9B3417

RGB 155 52 23

HSL 13.18, 0.74%, 0.35%

LAB 36.9, 41.56, 39.74

 

CMYK 85 / 0 / 32 / 39

HEX #179B69

RGB 23 155 105

HSL 157.27, 0.74%, 0.35%

LAB 56.73, -45.55, 16.96

 

CMYK 0 / 85 / 2 / 40

HEX #991796

RGB 153 23 150

HSL 301.38, 0.74%, 0.35%

LAB 37.09, 63.25, -38.18

 

CMYK 1 / 0 / 85 / 39

HEX #999B17

RGB 153 155 23

HSL 60.91, 0.74%, 0.35%

LAB 61.89, -15.33, 61.11

 

CMYK 85 / 1 / 0 / 39

HEX #17999B

RGB 23 153 155

HSL 180.91, 0.74%, 0.35%

LAB 57.4, -31.05, -10.42

 

CMYK 0 / 85 / 2 / 40

HEX #991796

RGB 153 23 150

HSL 301.38, 0.74%, 0.35%

LAB 37.09, 63.25, -38.18

 

CMYK 0 / 66 / 85 / 39

HEX #9B3417

RGB 155 52 23

HSL 13.18, 0.74%, 0.35%

LAB 36.9, 41.56, 39.74

 

CMYK 85 / 0 / 84 / 39

HEX #179B19

RGB 23 155 25

HSL 120.91, 0.74%, 0.35%

LAB 55.78, -56.84, 52.88

 

CMYK 85 / 18 / 0 / 39

HEX #177F9B

RGB 23 127 155

HSL 192.73, 0.74%, 0.35%

LAB 49.16, -17.71, -22.94

 

CMYK 0 / 85 / 2 / 40

HEX #991796

RGB 153 23 150

HSL 301.38, 0.74%, 0.35%

LAB 37.09, 63.25, -38.18

 

CMYK 0 / 41 / 85 / 39

HEX #9B5B17

RGB 155 91 23

HSL 30.91, 0.74%, 0.35%

LAB 44.96, 21.22, 46.82

 

CMYK 85 / 0 / 84 / 39

HEX #179B19

RGB 23 155 25

HSL 120.91, 0.74%, 0.35%

LAB 55.78, -56.84, 52.88

 

CMYK 85 / 44 / 0 / 39

HEX #17579B

RGB 23 87 155

HSL 210.91, 0.74%, 0.35%

LAB 36.68, 6.42, -42.57

 

Description

Color code: HEX #991796 | qconv.com Color code: HEX #991796 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 23 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 23 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 2 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 2% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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