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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9908DA it is the complementary color #66F725. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9908DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9908DA shade: #9E08D5, #AF1AE8, #C02CFB, #D13EFF and #E250FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9908DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9908DA shade: #9908DA, #8800C7, #7700B4, #6600A1 and #55008E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9908DA shade: #9808D9, #D008D9, #D908A9, #D90870 and #D90838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9908DA shade: #9808D9, #6008D9, #2708D9 and #0808D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9908DA shade matches the following richer shades: #9808D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9908DA shade: #9808D9, #911AC6, #8A2CB4, #833EA2 and #7C5090

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9908DA shade: #2708D9, #5F08D9, #9608D9, #CE08D9 and #D908AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9908DA shade: #600589, #7C06B1, #9808D9, #B013F6 and #BD3BF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9908DA shade: #9908DA, #D90820 and #08D943

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9908DA shade: #9908DA, #D99608 and #08D996

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9908DA shade: #9908DA, #D90820, #4AD908 and #08D9C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9908DA shade: #9908DA, #D92E08, #4AD908 and #08B2D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 96 / 0 / 15

HEX #9908DA

RGB 153 8 218

HSL 281.43, 0.93%, 0.44%

LAB 41.23, 77.39, -71.68

 

Complementary color

CMYK 59 / 0 / 85 / 3

HEX #66F725

RGB 102 247 37

HSL 101.43, 0.93%, 0.56%

LAB 86.74, -71.07, 78.4

 

CMYK 26 / 96 / 0 / 16

HEX #9E08D5

RGB 158 8 213

HSL 283.9, 0.93%, 0.43%

LAB 41.61, 77.09, -68.16

 

CMYK 25 / 89 / 0 / 9

HEX #AF1AE8

RGB 175 26 232

HSL 283.4, 0.82%, 0.51%

LAB 46.55, 80.43, -70.84

 

CMYK 24 / 82 / 0 / 2

HEX #C02CFB

RGB 192 44 251

HSL 282.9, 0.96%, 0.58%

LAB 51.81, 82.59, -72.86

 

CMYK 18 / 76 / 0 / 0

HEX #D13EFF

RGB 209 62 255

HSL 285.7, 1%, 0.62%

LAB 56.31, 81.08, -67.68

 

CMYK 11 / 69 / 0 / 0

HEX #E250FF

RGB 226 80 255

HSL 290.06, 1%, 0.66%

LAB 60.89, 78.24, -60.18

 

CMYK 30 / 96 / 0 / 15

HEX #9908DA

RGB 153 8 218

HSL 281.43, 0.93%, 0.44%

LAB 41.23, 77.39, -71.68

 

CMYK 32 / 100 / 0 / 22

HEX #8800C7

RGB 136 0 199

HSL 281.01, 1%, 0.39%

LAB 36.66, 72.67, -68.25

 

CMYK 34 / 100 / 0 / 29

HEX #7700B4

RGB 119 0 180

HSL 279.67, 1%, 0.35%

LAB 32.3, 67.01, -64.3

 

CMYK 37 / 100 / 0 / 37

HEX #6600A1

RGB 102 0 161

HSL 278.01, 1%, 0.32%

LAB 27.84, 61.26, -60.28

 

CMYK 40 / 100 / 0 / 44

HEX #55008E

RGB 85 0 142

HSL 275.92, 1%, 0.28%

LAB 23.29, 55.39, -56.17

 

CMYK 30 / 96 / 0 / 15

HEX #9808D9

RGB 152 8 217

HSL 281.34, 0.93%, 0.44%

LAB 40.99, 77.08, -71.5

 

CMYK 4 / 96 / 0 / 15

HEX #D008D9

RGB 208 8 217

HSL 297.42, 0.93%, 0.44%

LAB 50.21, 84.97, -56.13

 

CMYK 0 / 96 / 22 / 15

HEX #D908A9

RGB 217 8 169

HSL 313.78, 0.93%, 0.44%

LAB 49.24, 80.1, -29.65

 

CMYK 0 / 96 / 48 / 15

HEX #D90870

RGB 217 8 112

HSL 330.14, 0.93%, 0.44%

LAB 47.1, 74.5, 1.59

 

CMYK 0 / 96 / 74 / 15

HEX #D90838

RGB 217 8 56

HSL 346.22, 0.93%, 0.44%

LAB 45.92, 71.3, 34.54

 

CMYK 30 / 96 / 0 / 15

HEX #9808D9

RGB 152 8 217

HSL 281.34, 0.93%, 0.44%

LAB 40.99, 77.08, -71.5

 

CMYK 56 / 96 / 0 / 15

HEX #6008D9

RGB 96 8 217

HSL 265.26, 0.93%, 0.44%

LAB 33.29, 71.65, -84.46

 

CMYK 82 / 96 / 0 / 15

HEX #2708D9

RGB 39 8 217

HSL 248.9, 0.93%, 0.44%

LAB 28.42, 69.08, -92.69

 

CMYK 96 / 96 / 0 / 15

HEX #0808D9

RGB 8 8 217

HSL 240, 0.93%, 0.44%

LAB 27.39, 68.65, -94.43

 

CMYK 30 / 96 / 0 / 15

HEX #9808D9

RGB 152 8 217

HSL 281.34, 0.93%, 0.44%

LAB 40.99, 77.08, -71.5

 

CMYK 30 / 96 / 0 / 15

HEX #9808D9

RGB 152 8 217

HSL 281.34, 0.93%, 0.44%

LAB 40.99, 77.08, -71.5

 

CMYK 27 / 87 / 0 / 22

HEX #911AC6

RGB 145 26 198

HSL 281.51, 0.77%, 0.44%

LAB 39.3, 69.73, -63.3

 

CMYK 23 / 76 / 0 / 29

HEX #8A2CB4

RGB 138 44 180

HSL 281.47, 0.61%, 0.44%

LAB 38.73, 59.62, -53.7

 

CMYK 19 / 62 / 0 / 36

HEX #833EA2

RGB 131 62 162

HSL 281.4, 0.45%, 0.44%

LAB 39.38, 46.32, -41.99

 

CMYK 14 / 44 / 0 / 44

HEX #7C5090

RGB 124 80 144

HSL 281.25, 0.29%, 0.44%

LAB 41.27, 30.44, -28.21

 

CMYK 82 / 96 / 0 / 15

HEX #2708D9

RGB 39 8 217

HSL 248.9, 0.93%, 0.44%

LAB 28.42, 69.08, -92.69

 

CMYK 56 / 96 / 0 / 15

HEX #5F08D9

RGB 95 8 217

HSL 264.98, 0.93%, 0.44%

LAB 33.17, 71.58, -84.66

 

CMYK 31 / 96 / 0 / 15

HEX #9608D9

RGB 150 8 217

HSL 280.77, 0.93%, 0.44%

LAB 40.68, 76.84, -72.02

 

CMYK 5 / 96 / 0 / 15

HEX #CE08D9

RGB 206 8 217

HSL 296.84, 0.93%, 0.44%

LAB 49.86, 84.65, -56.7

 

CMYK 0 / 96 / 21 / 15

HEX #D908AB

RGB 217 8 171

HSL 313.21, 0.93%, 0.44%

LAB 49.33, 80.33, -30.69

 

CMYK 30 / 96 / 0 / 46

HEX #600589

RGB 96 5 137

HSL 281.36, 0.93%, 0.28%

LAB 24.96, 54.63, -50.23

 

CMYK 30 / 97 / 0 / 31

HEX #7C06B1

RGB 124 6 177

HSL 281.4, 0.93%, 0.36%

LAB 33.11, 66.17, -61.14

 

CMYK 30 / 96 / 0 / 15

HEX #9808D9

RGB 152 8 217

HSL 281.34, 0.93%, 0.44%

LAB 40.99, 77.08, -71.5

 

CMYK 28 / 92 / 0 / 4

HEX #B013F6

RGB 176 19 246

HSL 281.5, 0.93%, 0.52%

LAB 47.43, 84.2, -77.29

 

CMYK 24 / 76 / 0 / 3

HEX #BD3BF8

RGB 189 59 248

HSL 281.27, 0.93%, 0.6%

LAB 52.65, 77.22, -69.84

 

CMYK 30 / 96 / 0 / 15

HEX #9908DA

RGB 153 8 218

HSL 281.43, 0.93%, 0.44%

LAB 41.23, 77.39, -71.68

 

CMYK 0 / 96 / 85 / 15

HEX #D90820

RGB 217 8 32

HSL 353.11, 0.93%, 0.44%

LAB 45.67, 70.62, 47.72

 

CMYK 96 / 0 / 69 / 15

HEX #08D943

RGB 8 217 67

HSL 136.94, 0.93%, 0.44%

LAB 76.12, -72.8, 58.83

 

CMYK 30 / 96 / 0 / 15

HEX #9908DA

RGB 153 8 218

HSL 281.43, 0.93%, 0.44%

LAB 41.23, 77.39, -71.68

 

CMYK 0 / 31 / 96 / 15

HEX #D99608

RGB 217 150 8

HSL 40.77, 0.93%, 0.44%

LAB 66.96, 15.74, 70.45

 

CMYK 96 / 0 / 31 / 15

HEX #08D996

RGB 8 217 150

HSL 160.77, 0.93%, 0.44%

LAB 77.21, -59.76, 20.81

 

CMYK 30 / 96 / 0 / 15

HEX #9908DA

RGB 153 8 218

HSL 281.43, 0.93%, 0.44%

LAB 41.23, 77.39, -71.68

 

CMYK 0 / 96 / 85 / 15

HEX #D90820

RGB 217 8 32

HSL 353.11, 0.93%, 0.44%

LAB 45.67, 70.62, 47.72

 

CMYK 66 / 0 / 96 / 15

HEX #4AD908

RGB 74 217 8

HSL 101.05, 0.93%, 0.44%

LAB 76.74, -68.31, 73.97

 

CMYK 96 / 0 / 12 / 15

HEX #08D9C0

RGB 8 217 192

HSL 172.82, 0.93%, 0.44%

LAB 78.16, -49.44, -0.13

 

CMYK 30 / 96 / 0 / 15

HEX #9908DA

RGB 153 8 218

HSL 281.43, 0.93%, 0.44%

LAB 41.23, 77.39, -71.68

 

CMYK 0 / 79 / 96 / 15

HEX #D92E08

RGB 217 46 8

HSL 10.91, 0.93%, 0.44%

LAB 47.91, 63.58, 58.35

 

CMYK 66 / 0 / 96 / 15

HEX #4AD908

RGB 74 217 8

HSL 101.05, 0.93%, 0.44%

LAB 76.74, -68.31, 73.97

 

CMYK 96 / 18 / 0 / 15

HEX #08B2D9

RGB 8 178 217

HSL 191.2, 0.93%, 0.44%

LAB 67.2, -23.8, -30.19

 

Description

Color code: HEX #9908DA | qconv.com Color code: HEX #9908DA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 8 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 8 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 96 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 96% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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