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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98FCD1 it is the complementary color #67032E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98FCD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98FCD1 shade: #9DFCCC, #AEFFDF, #BFFFF2, #D0FFFF and #E1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98FCD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98FCD1 shade: #98FCD1, #87EABE, #76D8AB, #65C698 and #54B485

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98FCD1 shade: #97FCD0, #97FCB5, #97FC9A, #AFFC97 and #CAFC97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98FCD1 shade: #97FCD0, #97FCEC, #97F1FC, #97D6FC and #97BAFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98FCD1 shade matches the following richer shades: #97FCD0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98FCD1 shade: #97FCD0, #A0F3CF, #A8EACE, #B1E2CD and #BAD9CC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98FCD1 shade: #97FC9A, #97FCB5, #97FCD0, #97FCEB and #97F2FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98FCD1 shade: #47F9AD, #6FFBBF, #97FCD0, #BFFDE2 and #E7FEF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98FCD1 shade: #98FCD1, #97AFFC and #FCA897

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98FCD1 shade: #98FCD1, #D097FC and #FCD097

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98FCD1 shade: #98FCD1, #97AFFC, #FC97C3 and #FCE497

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98FCD1 shade: #98FCD1, #9E97FC, #FC97C3 and #F5FC97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 17 / 1

HEX #98FCD1

RGB 152 252 209

HSL 154.2, 0.94%, 0.79%

LAB 92.09, -38.73, 11.46

 

Complementary color

CMYK 0 / 97 / 55 / 60

HEX #67032E

RGB 103 3 46

HSL 334.2, 0.94%, 0.21%

LAB 20.62, 42.55, 3.62

 

CMYK 38 / 0 / 19 / 1

HEX #9DFCCC

RGB 157 252 204

HSL 149.68, 0.94%, 0.8%

LAB 92.2, -38.37, 14.22

 

CMYK 32 / 0 / 13 / 0

HEX #AEFFDF

RGB 174 255 223

HSL 156.3, 1%, 0.84%

LAB 94.25, -31.24, 7.47

 

CMYK 25 / 0 / 5 / 0

HEX #BFFFF2

RGB 191 255 242

HSL 167.81, 1%, 0.87%

LAB 95.58, -22.5, -0.27

 

CMYK 18 / 0 / 0 / 0

HEX #D0FFFF

RGB 208 255 255

HSL 180, 1%, 0.91%

LAB 96.88, -14.82, -4.95

 

CMYK 12 / 0 / 0 / 0

HEX #E1FFFF

RGB 225 255 255

HSL 180, 1%, 0.94%

LAB 97.93, -9.63, -3.28

 

CMYK 40 / 0 / 17 / 1

HEX #98FCD1

RGB 152 252 209

HSL 154.2, 0.94%, 0.79%

LAB 92.09, -38.73, 11.46

 

CMYK 42 / 0 / 19 / 8

HEX #87EABE

RGB 135 234 190

HSL 153.33, 0.7%, 0.72%

LAB 85.86, -38.94, 12.37

 

CMYK 45 / 0 / 21 / 15

HEX #76D8AB

RGB 118 216 171

HSL 152.45, 0.56%, 0.65%

LAB 79.56, -39.15, 13.35

 

CMYK 49 / 0 / 23 / 22

HEX #65C698

RGB 101 198 152

HSL 151.55, 0.46%, 0.59%

LAB 73.17, -39.33, 14.39

 

CMYK 53 / 0 / 26 / 29

HEX #54B485

RGB 84 180 133

HSL 150.63, 0.39%, 0.52%

LAB 66.69, -39.46, 15.53

 

CMYK 40 / 0 / 17 / 1

HEX #97FCD0

RGB 151 252 208

HSL 153.86, 0.94%, 0.79%

LAB 92.02, -39.19, 11.88

 

CMYK 40 / 0 / 28 / 1

HEX #97FCB5

RGB 151 252 181

HSL 137.82, 0.94%, 0.79%

LAB 91.48, -44.31, 24.95

 

CMYK 40 / 0 / 39 / 1

HEX #97FC9A

RGB 151 252 154

HSL 121.78, 0.94%, 0.79%

LAB 91.02, -48.71, 37.88

 

CMYK 31 / 0 / 40 / 1

HEX #AFFC97

RGB 175 252 151

HSL 105.74, 0.94%, 0.79%

LAB 92.12, -41.74, 41

 

CMYK 20 / 0 / 40 / 1

HEX #CAFC97

RGB 202 252 151

HSL 89.7, 0.94%, 0.79%

LAB 93.63, -32.58, 43.24

 

CMYK 40 / 0 / 17 / 1

HEX #97FCD0

RGB 151 252 208

HSL 153.86, 0.94%, 0.79%

LAB 92.02, -39.19, 11.88

 

CMYK 40 / 0 / 6 / 1

HEX #97FCEC

RGB 151 252 236

HSL 170.5, 0.94%, 0.79%

LAB 92.69, -33.19, -1.64

 

CMYK 40 / 4 / 0 / 1

HEX #97F1FC

RGB 151 241 252

HSL 186.53, 0.94%, 0.79%

LAB 90.1, -24.19, -13.79

 

CMYK 40 / 15 / 0 / 1

HEX #97D6FC

RGB 151 214 252

HSL 202.57, 0.94%, 0.79%

LAB 82.75, -10.58, -24.88

 

CMYK 40 / 26 / 0 / 1

HEX #97BAFC

RGB 151 186 252

HSL 219.21, 0.94%, 0.79%

LAB 75.28, 4.42, -36.36

 

CMYK 40 / 0 / 17 / 1

HEX #97FCD0

RGB 151 252 208

HSL 153.86, 0.94%, 0.79%

LAB 92.02, -39.19, 11.88

 

CMYK 40 / 0 / 17 / 1

HEX #97FCD0

RGB 151 252 208

HSL 153.86, 0.94%, 0.79%

LAB 92.02, -39.19, 11.88

 

CMYK 34 / 0 / 15 / 5

HEX #A0F3CF

RGB 160 243 207

HSL 153.98, 0.78%, 0.79%

LAB 89.9, -32.81, 9.42

 

CMYK 28 / 0 / 12 / 8

HEX #A8EACE

RGB 168 234 206

HSL 154.55, 0.61%, 0.79%

LAB 87.79, -26.43, 6.97

 

CMYK 22 / 0 / 9 / 11

HEX #B1E2CD

RGB 177 226 205

HSL 154.29, 0.46%, 0.79%

LAB 86.08, -19.97, 5.1

 

CMYK 14 / 0 / 6 / 15

HEX #BAD9CC

RGB 186 217 204

HSL 154.84, 0.29%, 0.79%

LAB 84.19, -12.77, 2.95

 

CMYK 40 / 0 / 39 / 1

HEX #97FC9A

RGB 151 252 154

HSL 121.78, 0.94%, 0.79%

LAB 91.02, -48.71, 37.88

 

CMYK 40 / 0 / 28 / 1

HEX #97FCB5

RGB 151 252 181

HSL 137.82, 0.94%, 0.79%

LAB 91.48, -44.31, 24.95

 

CMYK 40 / 0 / 17 / 1

HEX #97FCD0

RGB 151 252 208

HSL 153.86, 0.94%, 0.79%

LAB 92.02, -39.19, 11.88

 

CMYK 40 / 0 / 7 / 1

HEX #97FCEB

RGB 151 252 235

HSL 169.9, 0.94%, 0.79%

LAB 92.66, -33.42, -1.15

 

CMYK 40 / 4 / 0 / 1

HEX #97F2FC

RGB 151 242 252

HSL 185.94, 0.94%, 0.79%

LAB 90.37, -24.67, -13.38

 

CMYK 71 / 0 / 31 / 2

HEX #47F9AD

RGB 71 249 173

HSL 154.38, 0.94%, 0.63%

LAB 88.02, -61.53, 23.89

 

CMYK 56 / 0 / 24 / 2

HEX #6FFBBF

RGB 111 251 191

HSL 154.29, 0.95%, 0.71%

LAB 89.92, -51.71, 17.46

 

CMYK 40 / 0 / 17 / 1

HEX #97FCD0

RGB 151 252 208

HSL 153.86, 0.94%, 0.79%

LAB 92.02, -39.19, 11.88

 

CMYK 25 / 0 / 11 / 1

HEX #BFFDE2

RGB 191 253 226

HSL 153.87, 0.94%, 0.87%

LAB 94.66, -24.73, 6.64

 

CMYK 9 / 0 / 4 / 0

HEX #E7FEF4

RGB 231 254 244

HSL 153.91, 0.92%, 0.95%

LAB 97.79, -9.29, 2.22

 

CMYK 40 / 0 / 17 / 1

HEX #98FCD1

RGB 152 252 209

HSL 154.2, 0.94%, 0.79%

LAB 92.09, -38.73, 11.46

 

CMYK 40 / 31 / 0 / 1

HEX #97AFFC

RGB 151 175 252

HSL 225.74, 0.94%, 0.79%

LAB 72.41, 10.54, -40.83

 

CMYK 0 / 33 / 40 / 1

HEX #FCA897

RGB 252 168 151

HSL 10.1, 0.94%, 0.79%

LAB 76.64, 28.97, 21.48

 

CMYK 40 / 0 / 17 / 1

HEX #98FCD1

RGB 152 252 209

HSL 154.2, 0.94%, 0.79%

LAB 92.09, -38.73, 11.46

 

CMYK 17 / 40 / 0 / 1

HEX #D097FC

RGB 208 151 252

HSL 273.86, 0.94%, 0.79%

LAB 71.26, 39.64, -42.27

 

CMYK 0 / 17 / 40 / 1

HEX #FCD097

RGB 252 208 151

HSL 33.86, 0.94%, 0.79%

LAB 86.03, 8.05, 34.1

 

CMYK 40 / 0 / 17 / 1

HEX #98FCD1

RGB 152 252 209

HSL 154.2, 0.94%, 0.79%

LAB 92.09, -38.73, 11.46

 

CMYK 40 / 31 / 0 / 1

HEX #97AFFC

RGB 151 175 252

HSL 225.74, 0.94%, 0.79%

LAB 72.41, 10.54, -40.83

 

CMYK 0 / 40 / 23 / 1

HEX #FC97C3

RGB 252 151 195

HSL 333.86, 0.94%, 0.79%

LAB 74.04, 43.32, -6.36

 

CMYK 0 / 10 / 40 / 1

HEX #FCE497

RGB 252 228 151

HSL 45.74, 0.94%, 0.79%

LAB 90.97, -2.19, 40.55

 

CMYK 40 / 0 / 17 / 1

HEX #98FCD1

RGB 152 252 209

HSL 154.2, 0.94%, 0.79%

LAB 92.09, -38.73, 11.46

 

CMYK 37 / 40 / 0 / 1

HEX #9E97FC

RGB 158 151 252

HSL 244.16, 0.94%, 0.79%

LAB 66.85, 25.95, -49.52

 

CMYK 0 / 40 / 23 / 1

HEX #FC97C3

RGB 252 151 195

HSL 333.86, 0.94%, 0.79%

LAB 74.04, 43.32, -6.36

 

CMYK 3 / 0 / 40 / 1

HEX #F5FC97

RGB 245 252 151

HSL 64.16, 0.94%, 0.79%

LAB 96.52, -16.78, 47.52

 

Description

Color code: HEX #98FCD1 | qconv.com Color code: HEX #98FCD1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 252 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 252 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 17 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 17% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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