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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98F865 it is the complementary color #67079A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98F865. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98F865 shade: #9DF860, #AEFF73, #BFFF86, #D0FF99 and #E1FFAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98F865. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98F865 shade: #98F865, #87E652, #76D43F, #65C22C and #54B019

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98F865 shade: #97F863, #BFF863, #E7F863, #F8E063 and #F8B863

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98F865 shade: #97F863, #6FF863, #63F880, #63F8A8 and #63F8D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98F865 shade matches the following richer shades: #97F863

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98F865 shade: #97F863, #9BEA70, #9FDD7E, #A3D08B and #A7C398

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98F865 shade: #E6F863, #BFF863, #97F863, #70F863 and #63F87E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98F865 shade: #62F414, #7CF63C, #97F863, #B1FA8B and #CBFBB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98F865 shade: #98F865, #63F8E1 and #F863D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98F865 shade: #98F865, #6397F8 and #F86397

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98F865 shade: #98F865, #63F8E1, #C463F8 and #F86379

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98F865 shade: #98F865, #63E1F8, #C463F8 and #F87963

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 59 / 3

HEX #98F865

RGB 152 248 101

HSL 99.18, 0.91%, 0.68%

LAB 89.28, -53.22, 60.42

 

Complementary color

CMYK 33 / 95 / 0 / 40

HEX #67079A

RGB 103 7 154

HSL 279.18, 0.91%, 0.32%

LAB 27.76, 58.69, -56.13

 

CMYK 37 / 0 / 61 / 3

HEX #9DF860

RGB 157 248 96

HSL 95.92, 0.92%, 0.67%

LAB 89.46, -52.07, 62.79

 

CMYK 32 / 0 / 55 / 0

HEX #AEFF73

RGB 174 255 115

HSL 94.71, 1%, 0.73%

LAB 92.47, -47.59, 58.29

 

CMYK 25 / 0 / 47 / 0

HEX #BFFF86

RGB 191 255 134

HSL 91.74, 1%, 0.76%

LAB 93.59, -39.79, 51.18

 

CMYK 18 / 0 / 40 / 0

HEX #D0FF99

RGB 208 255 153

HSL 87.65, 1%, 0.8%

LAB 94.84, -31.6, 43.89

 

CMYK 12 / 0 / 33 / 0

HEX #E1FFAC

RGB 225 255 172

HSL 81.69, 1%, 0.84%

LAB 96.21, -23.14, 36.54

 

CMYK 39 / 0 / 59 / 3

HEX #98F865

RGB 152 248 101

HSL 99.18, 0.91%, 0.68%

LAB 89.28, -53.22, 60.42

 

CMYK 41 / 0 / 64 / 10

HEX #87E652

RGB 135 230 82

HSL 98.51, 0.75%, 0.61%

LAB 83.1, -53.06, 61.26

 

CMYK 44 / 0 / 70 / 17

HEX #76D43F

RGB 118 212 63

HSL 97.85, 0.63%, 0.54%

LAB 76.86, -52.74, 61.82

 

CMYK 48 / 0 / 77 / 24

HEX #65C22C

RGB 101 194 44

HSL 97.2, 0.63%, 0.47%

LAB 70.55, -52.21, 61.85

 

CMYK 52 / 0 / 86 / 31

HEX #54B019

RGB 84 176 25

HSL 96.56, 0.75%, 0.39%

LAB 64.17, -51.37, 60.98

 

CMYK 39 / 0 / 60 / 3

HEX #97F863

RGB 151 248 99

HSL 99.06, 0.91%, 0.68%

LAB 89.21, -53.73, 61.18

 

CMYK 23 / 0 / 60 / 3

HEX #BFF863

RGB 191 248 99

HSL 82.95, 0.91%, 0.68%

LAB 91.28, -40.04, 64.07

 

CMYK 7 / 0 / 60 / 3

HEX #E7F863

RGB 231 248 99

HSL 66.85, 0.91%, 0.68%

LAB 93.89, -24.8, 67.68

 

CMYK 0 / 10 / 60 / 3

HEX #F8E063

RGB 248 224 99

HSL 50.34, 0.91%, 0.68%

LAB 89, -6.24, 62.7

 

CMYK 0 / 26 / 60 / 3

HEX #F8B863

RGB 248 184 99

HSL 34.23, 0.91%, 0.68%

LAB 79.12, 14.35, 51.49

 

CMYK 39 / 0 / 60 / 3

HEX #97F863

RGB 151 248 99

HSL 99.06, 0.91%, 0.68%

LAB 89.21, -53.73, 61.18

 

CMYK 55 / 0 / 60 / 3

HEX #6FF863

RGB 111 248 99

HSL 115.17, 0.91%, 0.68%

LAB 87.69, -64.96, 59.05

 

CMYK 60 / 0 / 48 / 3

HEX #63F880

RGB 99 248 128

HSL 131.68, 0.91%, 0.68%

LAB 87.65, -64.11, 45.81

 

CMYK 60 / 0 / 32 / 3

HEX #63F8A8

RGB 99 248 168

HSL 147.79, 0.91%, 0.68%

LAB 88.26, -57.47, 26.87

 

CMYK 60 / 0 / 16 / 3

HEX #63F8D0

RGB 99 248 208

HSL 163.89, 0.91%, 0.68%

LAB 89.08, -49.06, 7.44

 

CMYK 39 / 0 / 60 / 3

HEX #97F863

RGB 151 248 99

HSL 99.06, 0.91%, 0.68%

LAB 89.21, -53.73, 61.18

 

CMYK 39 / 0 / 60 / 3

HEX #97F863

RGB 151 248 99

HSL 99.06, 0.91%, 0.68%

LAB 89.21, -53.73, 61.18

 

CMYK 34 / 0 / 52 / 8

HEX #9BEA70

RGB 155 234 112

HSL 98.85, 0.74%, 0.68%

LAB 85.5, -45.3, 51.17

 

CMYK 28 / 0 / 43 / 13

HEX #9FDD7E

RGB 159 221 126

HSL 99.16, 0.58%, 0.68%

LAB 82.16, -36.54, 40.38

 

CMYK 22 / 0 / 33 / 18

HEX #A3D08B

RGB 163 208 139

HSL 99.13, 0.42%, 0.68%

LAB 78.9, -27.27, 29.6

 

CMYK 14 / 0 / 22 / 24

HEX #A7C398

RGB 167 195 152

HSL 99.07, 0.26%, 0.68%

LAB 75.77, -17.4, 18.54

 

CMYK 7 / 0 / 60 / 3

HEX #E6F863

RGB 230 248 99

HSL 67.25, 0.91%, 0.68%

LAB 93.82, -25.19, 67.58

 

CMYK 23 / 0 / 60 / 3

HEX #BFF863

RGB 191 248 99

HSL 82.95, 0.91%, 0.68%

LAB 91.28, -40.04, 64.07

 

CMYK 39 / 0 / 60 / 3

HEX #97F863

RGB 151 248 99

HSL 99.06, 0.91%, 0.68%

LAB 89.21, -53.73, 61.18

 

CMYK 55 / 0 / 60 / 3

HEX #70F863

RGB 112 248 99

HSL 114.77, 0.91%, 0.68%

LAB 87.72, -64.71, 59.09

 

CMYK 60 / 0 / 49 / 3

HEX #63F87E

RGB 99 248 126

HSL 130.87, 0.91%, 0.68%

LAB 87.63, -64.39, 46.73

 

CMYK 60 / 0 / 92 / 4

HEX #62F414

RGB 98 244 20

HSL 99.11, 0.91%, 0.52%

LAB 85.68, -71.51, 80.27

 

CMYK 50 / 0 / 76 / 4

HEX #7CF63C

RGB 124 246 60

HSL 99.35, 0.91%, 0.6%

LAB 87.25, -63.96, 73.21

 

CMYK 39 / 0 / 60 / 3

HEX #97F863

RGB 151 248 99

HSL 99.06, 0.91%, 0.68%

LAB 89.21, -53.73, 61.18

 

CMYK 29 / 0 / 44 / 2

HEX #B1FA8B

RGB 177 250 139

HSL 99.46, 0.92%, 0.76%

LAB 91.5, -41.76, 46.05

 

CMYK 19 / 0 / 29 / 2

HEX #CBFBB2

RGB 203 251 178

HSL 99.45, 0.9%, 0.84%

LAB 93.84, -28.11, 30.13

 

CMYK 39 / 0 / 59 / 3

HEX #98F865

RGB 152 248 101

HSL 99.18, 0.91%, 0.68%

LAB 89.28, -53.22, 60.42

 

CMYK 60 / 0 / 9 / 3

HEX #63F8E1

RGB 99 248 225

HSL 170.74, 0.91%, 0.68%

LAB 89.5, -45, -0.8

 

CMYK 0 / 60 / 15 / 3

HEX #F863D3

RGB 248 99 211

HSL 314.9, 0.91%, 0.68%

LAB 64.63, 68.94, -29.57

 

CMYK 39 / 0 / 59 / 3

HEX #98F865

RGB 152 248 101

HSL 99.18, 0.91%, 0.68%

LAB 89.28, -53.22, 60.42

 

CMYK 60 / 39 / 0 / 3

HEX #6397F8

RGB 99 151 248

HSL 219.06, 0.91%, 0.68%

LAB 62.98, 11.54, -53.69

 

CMYK 0 / 60 / 39 / 3

HEX #F86397

RGB 248 99 151

HSL 339.06, 0.91%, 0.68%

LAB 62.6, 61.45, 1.57

 

CMYK 39 / 0 / 59 / 3

HEX #98F865

RGB 152 248 101

HSL 99.18, 0.91%, 0.68%

LAB 89.28, -53.22, 60.42

 

CMYK 60 / 0 / 9 / 3

HEX #63F8E1

RGB 99 248 225

HSL 170.74, 0.91%, 0.68%

LAB 89.5, -45, -0.8

 

CMYK 21 / 60 / 0 / 3

HEX #C463F8

RGB 196 99 248

HSL 279.06, 0.91%, 0.68%

LAB 59.38, 62.39, -58.96

 

CMYK 0 / 60 / 51 / 3

HEX #F86379

RGB 248 99 121

HSL 351.14, 0.91%, 0.68%

LAB 61.88, 58.65, 17.86

 

CMYK 39 / 0 / 59 / 3

HEX #98F865

RGB 152 248 101

HSL 99.18, 0.91%, 0.68%

LAB 89.28, -53.22, 60.42

 

CMYK 60 / 9 / 0 / 3

HEX #63E1F8

RGB 99 225 248

HSL 189.26, 0.91%, 0.68%

LAB 83.59, -28.31, -21.68

 

CMYK 21 / 60 / 0 / 3

HEX #C463F8

RGB 196 99 248

HSL 279.06, 0.91%, 0.68%

LAB 59.38, 62.39, -58.96

 

CMYK 0 / 51 / 60 / 3

HEX #F87963

RGB 248 121 99

HSL 8.86, 0.91%, 0.68%

LAB 65.38, 46.83, 34.88

 

Description

Color code: HEX #98F865 | qconv.com Color code: HEX #98F865 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 248 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 248 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 59 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 59% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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