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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98F614 it is the complementary color #6709EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98F614. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98F614 shade: #9DF60F, #AEFF22, #BFFF35, #D0FF48 and #E1FF5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98F614. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98F614 shade: #98F614, #87E401, #76D200, #65C000 and #54AE00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98F614 shade: #98F613, #D5F613, #F6DA13, #F69D13 and #F66013

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98F614 shade: #98F613, #5AF613, #1DF613, #13F646 and #13F683

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98F614 shade matches the following richer shades: #98F613

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98F614 shade: #98F613, #94E327, #91CF3A, #8EBB4E and #8AA762

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98F614 shade: #F6D813, #D8F613, #9BF613, #5FF613 and #22F613

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98F614 shade: #6AB006, #81D808, #98F613, #A9F83B and #BBF962

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98F614 shade: #98F614, #13F69B and #F613F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98F614 shade: #98F614, #139BF6 and #F6139B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98F614 shade: #98F614, #13F69B, #6E13F6 and #F6136E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98F614 shade: #98F614, #13F6E0, #6E13F6 and #F6132A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 92 / 4

HEX #98F614

RGB 152 246 20

HSL 84.96, 0.93%, 0.52%

LAB 88.27, -56.81, 83.22

 

Complementary color

CMYK 56 / 96 / 0 / 8

HEX #6709EB

RGB 103 9 235

HSL 264.96, 0.93%, 0.48%

LAB 36.13, 76.05, -90.03

 

CMYK 36 / 0 / 94 / 4

HEX #9DF60F

RGB 157 246 15

HSL 83.12, 0.93%, 0.51%

LAB 88.5, -55.2, 84.05

 

CMYK 32 / 0 / 87 / 0

HEX #AEFF22

RGB 174 255 34

HSL 81.99, 1%, 0.57%

LAB 91.97, -52.54, 84.59

 

CMYK 25 / 0 / 79 / 0

HEX #BFFF35

RGB 191 255 53

HSL 79.01, 1%, 0.6%

LAB 92.95, -45.79, 81.63

 

CMYK 18 / 0 / 72 / 0

HEX #D0FF48

RGB 208 255 72

HSL 75.41, 1%, 0.64%

LAB 94.05, -38.55, 77.41

 

CMYK 12 / 0 / 64 / 0

HEX #E1FF5B

RGB 225 255 91

HSL 70.98, 1%, 0.68%

LAB 95.28, -30.93, 72.21

 

CMYK 38 / 0 / 92 / 4

HEX #98F614

RGB 152 246 20

HSL 84.96, 0.93%, 0.52%

LAB 88.27, -56.81, 83.22

 

CMYK 41 / 0 / 100 / 11

HEX #87E401

RGB 135 228 1

HSL 84.58, 0.99%, 0.45%

LAB 82.18, -55.71, 79.82

 

CMYK 44 / 0 / 100 / 18

HEX #76D200

RGB 118 210 0

HSL 86.29, 1%, 0.41%

LAB 76.04, -54.32, 74.8

 

CMYK 47 / 0 / 100 / 25

HEX #65C000

RGB 101 192 0

HSL 88.44, 1%, 0.38%

LAB 69.8, -52.85, 69.63

 

CMYK 52 / 0 / 100 / 32

HEX #54AE00

RGB 84 174 0

HSL 91.03, 1%, 0.34%

LAB 63.47, -51.27, 64.38

 

CMYK 38 / 0 / 92 / 4

HEX #98F613

RGB 152 246 19

HSL 84.85, 0.93%, 0.52%

LAB 88.27, -56.83, 83.33

 

CMYK 13 / 0 / 92 / 4

HEX #D5F613

RGB 213 246 19

HSL 68.72, 0.93%, 0.52%

LAB 91.73, -34.22, 87.54

 

CMYK 0 / 11 / 92 / 4

HEX #F6DA13

RGB 246 218 19

HSL 52.6, 0.93%, 0.52%

LAB 86.89, -7.09, 84.95

 

CMYK 0 / 36 / 92 / 4

HEX #F69D13

RGB 246 157 19

HSL 36.48, 0.93%, 0.52%

LAB 72.06, 24.53, 74

 

CMYK 0 / 61 / 92 / 4

HEX #F66013

RGB 246 96 19

HSL 20.35, 0.93%, 0.52%

LAB 59.89, 54.63, 65.54

 

CMYK 38 / 0 / 92 / 4

HEX #98F613

RGB 152 246 19

HSL 84.85, 0.93%, 0.52%

LAB 88.27, -56.83, 83.33

 

CMYK 63 / 0 / 92 / 4

HEX #5AF613

RGB 90 246 19

HSL 101.23, 0.93%, 0.52%

LAB 86.07, -73.93, 80.63

 

CMYK 88 / 0 / 92 / 4

HEX #1DF613

RGB 29 246 19

HSL 117.36, 0.93%, 0.52%

LAB 85.11, -82.34, 79.44

 

CMYK 92 / 0 / 72 / 4

HEX #13F646

RGB 19 246 70

HSL 133.48, 0.93%, 0.52%

LAB 85.25, -80.33, 67.25

 

CMYK 92 / 0 / 47 / 4

HEX #13F683

RGB 19 246 131

HSL 149.6, 0.93%, 0.52%

LAB 85.85, -72.88, 41.85

 

CMYK 38 / 0 / 92 / 4

HEX #98F613

RGB 152 246 19

HSL 84.85, 0.93%, 0.52%

LAB 88.27, -56.83, 83.33

 

CMYK 38 / 0 / 92 / 4

HEX #98F613

RGB 152 246 19

HSL 84.85, 0.93%, 0.52%

LAB 88.27, -56.83, 83.33

 

CMYK 35 / 0 / 83 / 11

HEX #94E327

RGB 148 227 39

HSL 85.21, 0.77%, 0.52%

LAB 82.58, -50.08, 75.01

 

CMYK 30 / 0 / 72 / 19

HEX #91CF3A

RGB 145 207 58

HSL 84.97, 0.61%, 0.52%

LAB 76.65, -41.81, 63.84

 

CMYK 24 / 0 / 58 / 27

HEX #8EBB4E

RGB 142 187 78

HSL 84.77, 0.44%, 0.52%

LAB 70.76, -32.41, 49.4

 

CMYK 17 / 0 / 41 / 35

HEX #8AA762

RGB 138 167 98

HSL 85.22, 0.28%, 0.52%

LAB 64.9, -22.05, 32.41

 

CMYK 0 / 12 / 92 / 4

HEX #F6D813

RGB 246 216 19

HSL 52.07, 0.93%, 0.52%

LAB 86.38, -6.09, 84.56

 

CMYK 12 / 0 / 92 / 4

HEX #D8F613

RGB 216 246 19

HSL 67.93, 0.93%, 0.52%

LAB 91.93, -33.02, 87.79

 

CMYK 37 / 0 / 92 / 4

HEX #9BF613

RGB 155 246 19

HSL 84.05, 0.93%, 0.52%

LAB 88.41, -55.82, 83.51

 

CMYK 61 / 0 / 92 / 4

HEX #5FF613

RGB 95 246 19

HSL 99.91, 0.93%, 0.52%

LAB 86.2, -72.85, 80.79

 

CMYK 86 / 0 / 92 / 4

HEX #22F613

RGB 34 246 19

HSL 116.04, 0.93%, 0.52%

LAB 85.15, -81.98, 79.49

 

CMYK 40 / 0 / 97 / 31

HEX #6AB006

RGB 106 176 6

HSL 84.71, 0.93%, 0.36%

LAB 65.06, -44.75, 65.27

 

CMYK 40 / 0 / 96 / 15

HEX #81D808

RGB 129 216 8

HSL 85.1, 0.93%, 0.44%

LAB 78.34, -52.93, 76.06

 

CMYK 38 / 0 / 92 / 4

HEX #98F613

RGB 152 246 19

HSL 84.85, 0.93%, 0.52%

LAB 88.27, -56.83, 83.33

 

CMYK 32 / 0 / 76 / 3

HEX #A9F83B

RGB 169 248 59

HSL 85.08, 0.93%, 0.6%

LAB 89.81, -50.51, 76.64

 

CMYK 25 / 0 / 61 / 2

HEX #BBF962

RGB 187 249 98

HSL 84.64, 0.93%, 0.68%

LAB 91.32, -42.01, 64.46

 

CMYK 38 / 0 / 92 / 4

HEX #98F614

RGB 152 246 20

HSL 84.96, 0.93%, 0.52%

LAB 88.27, -56.81, 83.22

 

CMYK 92 / 0 / 37 / 4

HEX #13F69B

RGB 19 246 155

HSL 155.95, 0.93%, 0.52%

LAB 86.21, -68.59, 30.47

 

CMYK 0 / 92 / 0 / 4

HEX #F613F6

RGB 246 19 246

HSL 300, 0.93%, 0.52%

LAB 58.71, 94.32, -58.51

 

CMYK 38 / 0 / 92 / 4

HEX #98F614

RGB 152 246 20

HSL 84.96, 0.93%, 0.52%

LAB 88.27, -56.81, 83.22

 

CMYK 92 / 37 / 0 / 4

HEX #139BF6

RGB 19 155 246

HSL 204.05, 0.93%, 0.52%

LAB 61.86, -0.44, -54.51

 

CMYK 0 / 92 / 37 / 4

HEX #F6139B

RGB 246 19 155

HSL 324.05, 0.93%, 0.52%

LAB 54.48, 83.47, -12.85

 

CMYK 38 / 0 / 92 / 4

HEX #98F614

RGB 152 246 20

HSL 84.96, 0.93%, 0.52%

LAB 88.27, -56.81, 83.22

 

CMYK 92 / 0 / 37 / 4

HEX #13F69B

RGB 19 246 155

HSL 155.95, 0.93%, 0.52%

LAB 86.21, -68.59, 30.47

 

CMYK 55 / 92 / 0 / 4

HEX #6E13F6

RGB 110 19 246

HSL 264.05, 0.93%, 0.52%

LAB 38.61, 77.52, -92.12

 

CMYK 0 / 92 / 55 / 4

HEX #F6136E

RGB 246 19 110

HSL 335.95, 0.93%, 0.52%

LAB 53.15, 79.89, 12.22

 

CMYK 38 / 0 / 92 / 4

HEX #98F614

RGB 152 246 20

HSL 84.96, 0.93%, 0.52%

LAB 88.27, -56.81, 83.22

 

CMYK 92 / 0 / 9 / 4

HEX #13F6E0

RGB 19 246 224

HSL 174.19, 0.93%, 0.52%

LAB 87.69, -52.47, -3.07

 

CMYK 55 / 92 / 0 / 4

HEX #6E13F6

RGB 110 19 246

HSL 264.05, 0.93%, 0.52%

LAB 38.61, 77.52, -92.12

 

CMYK 0 / 92 / 83 / 4

HEX #F6132A

RGB 246 19 42

HSL 353.92, 0.93%, 0.52%

LAB 52.09, 76.95, 50.6

 

Description

Color code: HEX #98F614 | qconv.com Color code: HEX #98F614 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 246 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 246 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 92 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 92% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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