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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98F17C it is the complementary color #670E83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98F17C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98F17C shade: #9DF177, #AEFF8A, #BFFF9D, #D0FFB0 and #E1FFC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98F17C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98F17C shade: #98F17C, #87DF69, #76CD56, #65BB43 and #54A930

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98F17C shade: #99F17E, #B9F17E, #D8F17E, #F1EC7E and #F1CD7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98F17C shade: #99F17E, #7EF181, #7EF1A0, #7EF1C0 and #7EF1DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98F17C shade matches the following richer shades: #99F17E and #93FD72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98F17C shade: #99F17E, #9FE689, #A5DA95, #ACCFA0 and #B2C3AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98F17C shade: #D8F17E, #BAF17E, #9BF17E, #7EF180 and #7EF19F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98F17C shade: #5FEA33, #7CEE58, #99F17E, #B7F5A3 and #D4F9C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98F17C shade: #98F17C, #7EF1EC and #F17EC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98F17C shade: #98F17C, #7E9BF1 and #F17E9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98F17C shade: #98F17C, #7EF1EC, #D57EF1 and #F17E84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98F17C shade: #98F17C, #7ED5F1, #D57EF1 and #F19B7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 49 / 5

HEX #98F17C

RGB 152 241 124

HSL 105.64, 0.81%, 0.72%

LAB 87.51, -47.85, 47.96

 

Complementary color

CMYK 21 / 89 / 0 / 49

HEX #670E83

RGB 103 14 131

HSL 285.64, 0.81%, 0.28%

LAB 26.26, 52.67, -44.29

 

CMYK 35 / 0 / 51 / 5

HEX #9DF177

RGB 157 241 119

HSL 101.31, 0.81%, 0.71%

LAB 87.68, -46.84, 50.58

 

CMYK 32 / 0 / 46 / 0

HEX #AEFF8A

RGB 174 255 138

HSL 101.54, 1%, 0.77%

LAB 92.73, -45.05, 48.03

 

CMYK 25 / 0 / 38 / 0

HEX #BFFF9D

RGB 191 255 157

HSL 99.18, 1%, 0.81%

LAB 93.9, -36.98, 40.53

 

CMYK 18 / 0 / 31 / 0

HEX #D0FFB0

RGB 208 255 176

HSL 95.7, 1%, 0.85%

LAB 95.19, -28.57, 33

 

CMYK 12 / 0 / 24 / 0

HEX #E1FFC3

RGB 225 255 195

HSL 90, 1%, 0.88%

LAB 96.6, -19.93, 25.53

 

CMYK 37 / 0 / 49 / 5

HEX #98F17C

RGB 152 241 124

HSL 105.64, 0.81%, 0.72%

LAB 87.51, -47.85, 47.96

 

CMYK 39 / 0 / 53 / 13

HEX #87DF69

RGB 135 223 105

HSL 104.75, 0.65%, 0.64%

LAB 81.26, -47.91, 49.12

 

CMYK 42 / 0 / 58 / 20

HEX #76CD56

RGB 118 205 86

HSL 103.87, 0.54%, 0.57%

LAB 74.94, -47.88, 50.23

 

CMYK 46 / 0 / 64 / 27

HEX #65BB43

RGB 101 187 67

HSL 103, 0.47%, 0.5%

LAB 68.54, -47.72, 51.2

 

CMYK 50 / 0 / 72 / 34

HEX #54A930

RGB 84 169 48

HSL 102.15, 0.56%, 0.43%

LAB 62.06, -47.34, 51.85

 

CMYK 37 / 0 / 48 / 5

HEX #99F17E

RGB 153 241 126

HSL 105.91, 0.8%, 0.72%

LAB 87.58, -47.29, 47.11

 

CMYK 23 / 0 / 48 / 5

HEX #B9F17E

RGB 185 241 126

HSL 89.22, 0.8%, 0.72%

LAB 89.27, -36.5, 49.57

 

CMYK 10 / 0 / 48 / 5

HEX #D8F17E

RGB 216 241 126

HSL 73.04, 0.8%, 0.72%

LAB 91.24, -25.05, 52.43

 

CMYK 0 / 2 / 48 / 5

HEX #F1EC7E

RGB 241 236 126

HSL 57.39, 0.8%, 0.72%

LAB 91.77, -12.93, 53.5

 

CMYK 0 / 15 / 48 / 5

HEX #F1CD7E

RGB 241 205 126

HSL 41.22, 0.8%, 0.72%

LAB 83.9, 2.74, 43.85

 

CMYK 37 / 0 / 48 / 5

HEX #99F17E

RGB 153 241 126

HSL 105.91, 0.8%, 0.72%

LAB 87.58, -47.29, 47.11

 

CMYK 48 / 0 / 46 / 5

HEX #7EF181

RGB 126 241 129

HSL 121.57, 0.8%, 0.72%

LAB 86.47, -54.83, 44.04

 

CMYK 48 / 0 / 34 / 5

HEX #7EF1A0

RGB 126 241 160

HSL 137.74, 0.8%, 0.72%

LAB 86.94, -50, 29.28

 

CMYK 48 / 0 / 20 / 5

HEX #7EF1C0

RGB 126 241 192

HSL 154.43, 0.8%, 0.72%

LAB 87.56, -43.9, 13.68

 

CMYK 48 / 0 / 7 / 5

HEX #7EF1DF

RGB 126 241 223

HSL 170.61, 0.8%, 0.72%

LAB 88.29, -37.01, -1.43

 

CMYK 37 / 0 / 48 / 5

HEX #99F17E

RGB 153 241 126

HSL 105.91, 0.8%, 0.72%

LAB 87.58, -47.29, 47.11

 

CMYK 42 / 0 / 55 / 1

HEX #93FD72

RGB 147 253 114

HSL 105.76, 0.97%, 0.72%

LAB 90.63, -55.45, 56.26

 

CMYK 37 / 0 / 48 / 5

HEX #99F17E

RGB 153 241 126

HSL 105.91, 0.8%, 0.72%

LAB 87.58, -47.29, 47.11

 

CMYK 31 / 0 / 40 / 10

HEX #9FE689

RGB 159 230 137

HSL 105.81, 0.65%, 0.72%

LAB 84.88, -39.13, 38.4

 

CMYK 24 / 0 / 32 / 15

HEX #A5DA95

RGB 165 218 149

HSL 106.09, 0.48%, 0.72%

LAB 82.01, -29.85, 28.6

 

CMYK 17 / 0 / 23 / 19

HEX #ACCFA0

RGB 172 207 160

HSL 104.68, 0.33%, 0.72%

LAB 79.58, -20.34, 19.61

 

CMYK 9 / 0 / 12 / 24

HEX #B2C3AC

RGB 178 195 172

HSL 104.35, 0.16%, 0.72%

LAB 76.97, -10.09, 9.59

 

CMYK 10 / 0 / 48 / 5

HEX #D8F17E

RGB 216 241 126

HSL 73.04, 0.8%, 0.72%

LAB 91.24, -25.05, 52.43

 

CMYK 23 / 0 / 48 / 5

HEX #BAF17E

RGB 186 241 126

HSL 88.7, 0.8%, 0.72%

LAB 89.33, -36.15, 49.65

 

CMYK 36 / 0 / 48 / 5

HEX #9BF17E

RGB 155 241 126

HSL 104.87, 0.8%, 0.72%

LAB 87.67, -46.66, 47.25

 

CMYK 48 / 0 / 47 / 5

HEX #7EF180

RGB 126 241 128

HSL 121.04, 0.8%, 0.72%

LAB 86.46, -54.96, 44.51

 

CMYK 48 / 0 / 34 / 5

HEX #7EF19F

RGB 126 241 159

HSL 137.22, 0.8%, 0.72%

LAB 86.92, -50.17, 29.77

 

CMYK 59 / 0 / 78 / 8

HEX #5FEA33

RGB 95 234 51

HSL 105.57, 0.81%, 0.56%

LAB 82.66, -67.75, 71.17

 

CMYK 48 / 0 / 63 / 7

HEX #7CEE58

RGB 124 238 88

HSL 105.6, 0.82%, 0.64%

LAB 85.07, -58.93, 60.84

 

CMYK 37 / 0 / 48 / 5

HEX #99F17E

RGB 153 241 126

HSL 105.91, 0.8%, 0.72%

LAB 87.58, -47.29, 47.11

 

CMYK 25 / 0 / 33 / 4

HEX #B7F5A3

RGB 183 245 163

HSL 105.37, 0.8%, 0.8%

LAB 90.79, -34.27, 33.38

 

CMYK 15 / 0 / 20 / 2

HEX #D4F9C8

RGB 212 249 200

HSL 105.31, 0.8%, 0.88%

LAB 94.28, -20.7, 19.63

 

CMYK 37 / 0 / 49 / 5

HEX #98F17C

RGB 152 241 124

HSL 105.64, 0.81%, 0.72%

LAB 87.51, -47.85, 47.96

 

CMYK 48 / 0 / 2 / 5

HEX #7EF1EC

RGB 126 241 236

HSL 177.39, 0.8%, 0.72%

LAB 88.64, -33.87, -7.71

 

CMYK 0 / 48 / 17 / 5

HEX #F17EC9

RGB 241 126 201

HSL 320.87, 0.8%, 0.72%

LAB 67.9, 53.18, -19.04

 

CMYK 37 / 0 / 49 / 5

HEX #98F17C

RGB 152 241 124

HSL 105.64, 0.81%, 0.72%

LAB 87.51, -47.85, 47.96

 

CMYK 48 / 36 / 0 / 5

HEX #7E9BF1

RGB 126 155 241

HSL 224.87, 0.8%, 0.72%

LAB 65.14, 12.68, -46.33

 

CMYK 0 / 48 / 36 / 5

HEX #F17E9B

RGB 241 126 155

HSL 344.87, 0.8%, 0.72%

LAB 66.51, 47.04, 4.82

 

CMYK 37 / 0 / 49 / 5

HEX #98F17C

RGB 152 241 124

HSL 105.64, 0.81%, 0.72%

LAB 87.51, -47.85, 47.96

 

CMYK 48 / 0 / 2 / 5

HEX #7EF1EC

RGB 126 241 236

HSL 177.39, 0.8%, 0.72%

LAB 88.64, -33.87, -7.71

 

CMYK 12 / 48 / 0 / 5

HEX #D57EF1

RGB 213 126 241

HSL 285.39, 0.8%, 0.72%

LAB 66.07, 51.95, -44.35

 

CMYK 0 / 48 / 45 / 5

HEX #F17E84

RGB 241 126 132

HSL 356.87, 0.8%, 0.72%

LAB 65.97, 44.57, 17.07

 

CMYK 37 / 0 / 49 / 5

HEX #98F17C

RGB 152 241 124

HSL 105.64, 0.81%, 0.72%

LAB 87.51, -47.85, 47.96

 

CMYK 48 / 12 / 0 / 5

HEX #7ED5F1

RGB 126 213 241

HSL 194.61, 0.8%, 0.72%

LAB 80.95, -18.94, -21.89

 

CMYK 12 / 48 / 0 / 5

HEX #D57EF1

RGB 213 126 241

HSL 285.39, 0.8%, 0.72%

LAB 66.07, 51.95, -44.35

 

CMYK 0 / 36 / 48 / 5

HEX #F19B7E

RGB 241 155 126

HSL 15.13, 0.8%, 0.72%

LAB 71.99, 29.03, 28.54

 

Description

Color code: HEX #98F17C | qconv.com Color code: HEX #98F17C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 241 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 241 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 49 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 49% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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