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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98E96F it is the complementary color #671690. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98E96F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98E96F shade: #9DE96A, #AEFB7D, #BFFF90, #D0FFA3 and #E1FFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98E96F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98E96F shade: #98E96F, #87D75C, #76C549, #65B336 and #54A123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98E96F shade: #97E86D, #B8E86D, #D9E86D, #E8D66D and #E8B56D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98E96F shade: #97E86D, #76E86D, #6DE886, #6DE8A8 and #6DE8C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98E96F shade matches the following richer shades: #97E86D and #92F660

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98E96F shade: #97E86D, #9BDB7B, #A0CD89, #A4BF96 and #A9B2A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98E96F shade: #DAE86D, #B9E86D, #98E86D, #78E86D and #6DE884

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98E96F shade: #64DD26, #7DE34A, #97E86D, #B0EE91 and #CAF3B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98E96F shade: #98E96F, #6DE8D6 and #E86DCA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98E96F shade: #98E96F, #6D98E8 and #E86D98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98E96F shade: #98E96F, #6DE8D6, #BD6DE8 and #E86D80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98E96F shade: #98E96F, #6DD6E8, #BD6DE8 and #E8806D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 52 / 9

HEX #98E96F

RGB 152 233 111

HSL 99.84, 0.73%, 0.67%

LAB 85.05, -45.98, 51.06

 

Complementary color

CMYK 28 / 85 / 0 / 44

HEX #671690

RGB 103 22 144

HSL 279.84, 0.73%, 0.33%

LAB 28.04, 53.22, -49.52

 

CMYK 33 / 0 / 55 / 9

HEX #9DE96A

RGB 157 233 106

HSL 95.91, 0.74%, 0.66%

LAB 85.24, -44.85, 53.64

 

CMYK 31 / 0 / 50 / 2

HEX #AEFB7D

RGB 174 251 125

HSL 96.67, 0.94%, 0.74%

LAB 91.45, -44.84, 52.55

 

CMYK 25 / 0 / 44 / 0

HEX #BFFF90

RGB 191 255 144

HSL 94.59, 1%, 0.78%

LAB 93.71, -38.63, 46.6

 

CMYK 18 / 0 / 36 / 0

HEX #D0FFA3

RGB 208 255 163

HSL 90.65, 1%, 0.82%

LAB 94.98, -30.34, 39.19

 

CMYK 12 / 0 / 29 / 0

HEX #E1FFB6

RGB 225 255 182

HSL 84.66, 1%, 0.86%

LAB 96.37, -21.8, 31.77

 

CMYK 35 / 0 / 52 / 9

HEX #98E96F

RGB 152 233 111

HSL 99.84, 0.73%, 0.67%

LAB 85.05, -45.98, 51.06

 

CMYK 37 / 0 / 57 / 16

HEX #87D75C

RGB 135 215 92

HSL 99.02, 0.61%, 0.6%

LAB 78.77, -45.96, 52.14

 

CMYK 40 / 0 / 63 / 23

HEX #76C549

RGB 118 197 73

HSL 98.23, 0.52%, 0.53%

LAB 72.41, -45.85, 53.09

 

CMYK 44 / 0 / 70 / 30

HEX #65B336

RGB 101 179 54

HSL 97.44, 0.54%, 0.46%

LAB 65.96, -45.58, 53.77

 

CMYK 48 / 0 / 78 / 37

HEX #54A123

RGB 84 161 35

HSL 96.67, 0.64%, 0.38%

LAB 59.43, -45.06, 53.87

 

CMYK 35 / 0 / 53 / 9

HEX #97E86D

RGB 151 232 109

HSL 99.51, 0.73%, 0.67%

LAB 84.69, -46.1, 51.54

 

CMYK 21 / 0 / 53 / 9

HEX #B8E86D

RGB 184 232 109

HSL 83.41, 0.73%, 0.67%

LAB 86.51, -34.53, 54.14

 

CMYK 6 / 0 / 53 / 9

HEX #D9E86D

RGB 217 232 109

HSL 67.32, 0.73%, 0.67%

LAB 88.72, -21.9, 57.28

 

CMYK 0 / 8 / 53 / 9

HEX #E8D66D

RGB 232 214 109

HSL 51.22, 0.73%, 0.67%

LAB 85.18, -6.98, 53.45

 

CMYK 0 / 22 / 53 / 9

HEX #E8B56D

RGB 232 181 109

HSL 35.12, 0.73%, 0.67%

LAB 76.87, 10.13, 43.47

 

CMYK 35 / 0 / 53 / 9

HEX #97E86D

RGB 151 232 109

HSL 99.51, 0.73%, 0.67%

LAB 84.69, -46.1, 51.54

 

CMYK 49 / 0 / 53 / 9

HEX #76E86D

RGB 118 232 109

HSL 115.61, 0.73%, 0.67%

LAB 83.27, -56.05, 49.5

 

CMYK 53 / 0 / 42 / 9

HEX #6DE886

RGB 109 232 134

HSL 132.2, 0.73%, 0.67%

LAB 83.28, -54.9, 37.4

 

CMYK 53 / 0 / 28 / 9

HEX #6DE8A8

RGB 109 232 168

HSL 148.78, 0.73%, 0.67%

LAB 83.86, -48.88, 20.87

 

CMYK 53 / 0 / 13 / 9

HEX #6DE8C9

RGB 109 232 201

HSL 164.88, 0.73%, 0.67%

LAB 84.58, -41.8, 4.64

 

CMYK 35 / 0 / 53 / 9

HEX #97E86D

RGB 151 232 109

HSL 99.51, 0.73%, 0.67%

LAB 84.69, -46.1, 51.54

 

CMYK 41 / 0 / 61 / 4

HEX #92F660

RGB 146 246 96

HSL 100, 0.89%, 0.67%

LAB 88.38, -54.77, 61.45

 

CMYK 35 / 0 / 53 / 9

HEX #97E86D

RGB 151 232 109

HSL 99.51, 0.73%, 0.67%

LAB 84.69, -46.1, 51.54

 

CMYK 29 / 0 / 44 / 14

HEX #9BDB7B

RGB 155 219 123

HSL 100, 0.57%, 0.67%

LAB 81.33, -37.39, 40.77

 

CMYK 22 / 0 / 33 / 20

HEX #A0CD89

RGB 160 205 137

HSL 99.71, 0.4%, 0.67%

LAB 77.84, -27.18, 29.19

 

CMYK 14 / 0 / 21 / 25

HEX #A4BF96

RGB 164 191 150

HSL 99.51, 0.24%, 0.67%

LAB 74.42, -16.77, 17.7

 

CMYK 5 / 0 / 8 / 30

HEX #A9B2A4

RGB 169 178 164

HSL 98.57, 0.08%, 0.67%

LAB 71.53, -5.77, 6.06

 

CMYK 6 / 0 / 53 / 9

HEX #DAE86D

RGB 218 232 109

HSL 66.83, 0.73%, 0.67%

LAB 88.79, -21.51, 57.38

 

CMYK 20 / 0 / 53 / 9

HEX #B9E86D

RGB 185 232 109

HSL 82.93, 0.73%, 0.67%

LAB 86.57, -34.16, 54.23

 

CMYK 34 / 0 / 53 / 9

HEX #98E86D

RGB 152 232 109

HSL 99.02, 0.73%, 0.67%

LAB 84.74, -45.77, 51.61

 

CMYK 48 / 0 / 53 / 9

HEX #78E86D

RGB 120 232 109

HSL 114.63, 0.73%, 0.67%

LAB 83.34, -55.51, 49.61

 

CMYK 53 / 0 / 43 / 9

HEX #6DE884

RGB 109 232 132

HSL 131.22, 0.73%, 0.67%

LAB 83.25, -55.21, 38.36

 

CMYK 55 / 0 / 83 / 13

HEX #64DD26

RGB 100 221 38

HSL 99.67, 0.73%, 0.51%

LAB 78.79, -62.7, 71.11

 

CMYK 45 / 0 / 67 / 11

HEX #7DE34A

RGB 125 227 74

HSL 100, 0.73%, 0.59%

LAB 81.73, -55.61, 62.82

 

CMYK 35 / 0 / 53 / 9

HEX #97E86D

RGB 151 232 109

HSL 99.51, 0.73%, 0.67%

LAB 84.69, -46.1, 51.54

 

CMYK 26 / 0 / 39 / 7

HEX #B0EE91

RGB 176 238 145

HSL 100, 0.73%, 0.75%

LAB 88.17, -35.95, 38.87

 

CMYK 17 / 0 / 26 / 5

HEX #CAF3B5

RGB 202 243 181

HSL 99.68, 0.72%, 0.83%

LAB 91.68, -24.2, 25.66

 

CMYK 35 / 0 / 52 / 9

HEX #98E96F

RGB 152 233 111

HSL 99.84, 0.73%, 0.67%

LAB 85.05, -45.98, 51.06

 

CMYK 53 / 0 / 8 / 9

HEX #6DE8D6

RGB 109 232 214

HSL 171.22, 0.73%, 0.67%

LAB 84.9, -38.7, -1.73

 

CMYK 0 / 53 / 13 / 9

HEX #E86DCA

RGB 232 109 202

HSL 314.63, 0.73%, 0.67%

LAB 63.64, 58.76, -26.22

 

CMYK 35 / 0 / 52 / 9

HEX #98E96F

RGB 152 233 111

HSL 99.84, 0.73%, 0.67%

LAB 85.05, -45.98, 51.06

 

CMYK 53 / 34 / 0 / 9

HEX #6D98E8

RGB 109 152 232

HSL 219.02, 0.73%, 0.67%

LAB 62.96, 7.87, -44.89

 

CMYK 0 / 53 / 34 / 9

HEX #E86D98

RGB 232 109 152

HSL 339.02, 0.73%, 0.67%

LAB 61.96, 51.95, -0.23

 

CMYK 35 / 0 / 52 / 9

HEX #98E96F

RGB 152 233 111

HSL 99.84, 0.73%, 0.67%

LAB 85.05, -45.98, 51.06

 

CMYK 53 / 0 / 8 / 9

HEX #6DE8D6

RGB 109 232 214

HSL 171.22, 0.73%, 0.67%

LAB 84.9, -38.7, -1.73

 

CMYK 19 / 53 / 0 / 9

HEX #BD6DE8

RGB 189 109 232

HSL 279.02, 0.73%, 0.67%

LAB 59.51, 52.38, -49.91

 

CMYK 0 / 53 / 45 / 9

HEX #E86D80

RGB 232 109 128

HSL 350.73, 0.73%, 0.67%

LAB 61.35, 49.36, 12.72

 

CMYK 35 / 0 / 52 / 9

HEX #98E96F

RGB 152 233 111

HSL 99.84, 0.73%, 0.67%

LAB 85.05, -45.98, 51.06

 

CMYK 53 / 8 / 0 / 9

HEX #6DD6E8

RGB 109 214 232

HSL 188.78, 0.73%, 0.67%

LAB 80.28, -25.52, -18.17

 

CMYK 19 / 53 / 0 / 9

HEX #BD6DE8

RGB 189 109 232

HSL 279.02, 0.73%, 0.67%

LAB 59.51, 52.38, -49.91

 

CMYK 0 / 45 / 53 / 9

HEX #E8806D

RGB 232 128 109

HSL 9.27, 0.73%, 0.67%

LAB 64.72, 38.14, 28.07

 

Description

Color code: HEX #98E96F | qconv.com Color code: HEX #98E96F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 233 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 233 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 52 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 52% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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