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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98E3AF it is the complementary color #671C50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98E3AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98E3AF shade: #9DE3AA, #AEF5BD, #BFFFD0, #D0FFE3 and #E1FFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98E3AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98E3AF shade: #98E3AF, #87D19C, #76BF89, #65AD76 and #549B63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98E3AF shade: #97E2AE, #97E29A, #A8E297, #BDE297 and #D1E297

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98E3AF shade: #97E2AE, #97E2C2, #97E2D7, #97DAE2 and #97C5E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98E3AF shade matches the following richer shades: #97E2AE, #8CEDAA and #81F8A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98E3AF shade: #97E2AE, #A2D8B2, #ACCDB6, #B7C2BB and #C2B8BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98E3AF shade: #A9E297, #97E299, #97E2AE, #97E2C2 and #97E2D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98E3AF shade: #56D17C, #77DA95, #97E2AE, #B7EBC7 and #D8F4E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98E3AF shade: #98E3AF, #97BDE2 and #E2979E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98E3AF shade: #98E3AF, #AE97E2 and #E2AE97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98E3AF shade: #98E3AF, #97BDE2, #E297CC and #E2BD97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98E3AF shade: #98E3AF, #97A6E2, #E297CC and #E2D397

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 23 / 11

HEX #98E3AF

RGB 152 227 175

HSL 138.4, 0.57%, 0.74%

LAB 84.33, -33.87, 18.17

 

Complementary color

CMYK 0 / 73 / 22 / 60

HEX #671C50

RGB 103 28 80

HSL 318.4, 0.57%, 0.26%

LAB 24.62, 38.97, -13.82

 

CMYK 31 / 0 / 25 / 11

HEX #9DE3AA

RGB 157 227 170

HSL 131.14, 0.56%, 0.75%

LAB 84.49, -33.23, 21.02

 

CMYK 29 / 0 / 23 / 4

HEX #AEF5BD

RGB 174 245 189

HSL 132.68, 0.78%, 0.82%

LAB 90.77, -32.99, 20.05

 

CMYK 25 / 0 / 18 / 0

HEX #BFFFD0

RGB 191 255 208

HSL 135.94, 1%, 0.87%

LAB 94.8, -29.02, 16.09

 

CMYK 18 / 0 / 11 / 0

HEX #D0FFE3

RGB 208 255 227

HSL 144.26, 1%, 0.91%

LAB 96.19, -20.25, 8.46

 

CMYK 12 / 0 / 4 / 0

HEX #E1FFF6

RGB 225 255 246

HSL 162, 1%, 0.94%

LAB 97.71, -11.34, 1.01

 

CMYK 33 / 0 / 23 / 11

HEX #98E3AF

RGB 152 227 175

HSL 138.4, 0.57%, 0.74%

LAB 84.33, -33.87, 18.17

 

CMYK 35 / 0 / 25 / 18

HEX #87D19C

RGB 135 209 156

HSL 137.03, 0.45%, 0.67%

LAB 77.96, -34.13, 19.17

 

CMYK 38 / 0 / 28 / 25

HEX #76BF89

RGB 118 191 137

HSL 135.62, 0.36%, 0.61%

LAB 71.5, -34.4, 20.23

 

CMYK 42 / 0 / 32 / 32

HEX #65AD76

RGB 101 173 118

HSL 134.17, 0.31%, 0.54%

LAB 64.93, -34.67, 21.38

 

CMYK 46 / 0 / 36 / 39

HEX #549B63

RGB 84 155 99

HSL 132.68, 0.3%, 0.47%

LAB 58.25, -34.91, 22.62

 

CMYK 33 / 0 / 23 / 11

HEX #97E2AE

RGB 151 226 174

HSL 138.4, 0.56%, 0.74%

LAB 83.98, -33.89, 18.19

 

CMYK 33 / 0 / 32 / 11

HEX #97E29A

RGB 151 226 154

HSL 122.4, 0.56%, 0.74%

LAB 83.6, -37.35, 28.04

 

CMYK 26 / 0 / 33 / 11

HEX #A8E297

RGB 168 226 151

HSL 106.4, 0.56%, 0.74%

LAB 84.46, -32.28, 30.88

 

CMYK 16 / 0 / 33 / 11

HEX #BDE297

RGB 189 226 151

HSL 89.6, 0.56%, 0.74%

LAB 85.73, -24.96, 32.8

 

CMYK 8 / 0 / 33 / 11

HEX #D1E297

RGB 209 226 151

HSL 73.6, 0.56%, 0.74%

LAB 87.09, -17.63, 34.84

 

CMYK 33 / 0 / 23 / 11

HEX #97E2AE

RGB 151 226 174

HSL 138.4, 0.56%, 0.74%

LAB 83.98, -33.89, 18.19

 

CMYK 33 / 0 / 14 / 11

HEX #97E2C2

RGB 151 226 194

HSL 154.4, 0.56%, 0.74%

LAB 84.42, -30.02, 8.31

 

CMYK 33 / 0 / 5 / 11

HEX #97E2D7

RGB 151 226 215

HSL 171.2, 0.56%, 0.74%

LAB 84.93, -25.53, -2.02

 

CMYK 33 / 4 / 0 / 11

HEX #97DAE2

RGB 151 218 226

HSL 186.4, 0.56%, 0.74%

LAB 83.03, -19.05, -10.66

 

CMYK 33 / 13 / 0 / 11

HEX #97C5E2

RGB 151 197 226

HSL 203.2, 0.56%, 0.74%

LAB 77.28, -8.22, -19.29

 

CMYK 33 / 0 / 23 / 11

HEX #97E2AE

RGB 151 226 174

HSL 138.4, 0.56%, 0.74%

LAB 83.98, -33.89, 18.19

 

CMYK 41 / 0 / 28 / 7

HEX #8CEDAA

RGB 140 237 170

HSL 138.56, 0.73%, 0.74%

LAB 86.53, -42.77, 23.71

 

CMYK 48 / 0 / 33 / 3

HEX #81F8A6

RGB 129 248 166

HSL 138.66, 0.89%, 0.74%

LAB 89.18, -51.09, 29.29

 

CMYK 33 / 0 / 23 / 11

HEX #97E2AE

RGB 151 226 174

HSL 138.4, 0.56%, 0.74%

LAB 83.98, -33.89, 18.19

 

CMYK 25 / 0 / 18 / 15

HEX #A2D8B2

RGB 162 216 178

HSL 137.78, 0.41%, 0.74%

LAB 81.84, -24.97, 13.17

 

CMYK 16 / 0 / 11 / 20

HEX #ACCDB6

RGB 172 205 182

HSL 138.18, 0.25%, 0.74%

LAB 79.51, -15.47, 7.8

 

CMYK 6 / 0 / 4 / 24

HEX #B7C2BB

RGB 183 194 187

HSL 141.82, 0.08%, 0.74%

LAB 77.42, -5.1, 2.2

 

CMYK 0 / 5 / 2 / 24

HEX #C2B8BF

RGB 194 184 191

HSL 318, 0.08%, 0.74%

LAB 75.77, 4.8, -2.28

 

CMYK 25 / 0 / 33 / 11

HEX #A9E297

RGB 169 226 151

HSL 105.6, 0.56%, 0.74%

LAB 84.52, -31.95, 30.97

 

CMYK 33 / 0 / 32 / 11

HEX #97E299

RGB 151 226 153

HSL 121.6, 0.56%, 0.74%

LAB 83.59, -37.51, 28.53

 

CMYK 33 / 0 / 23 / 11

HEX #97E2AE

RGB 151 226 174

HSL 138.4, 0.56%, 0.74%

LAB 83.98, -33.89, 18.19

 

CMYK 33 / 0 / 14 / 11

HEX #97E2C2

RGB 151 226 194

HSL 154.4, 0.56%, 0.74%

LAB 84.42, -30.02, 8.31

 

CMYK 33 / 0 / 5 / 11

HEX #97E2D6

RGB 151 226 214

HSL 170.4, 0.56%, 0.74%

LAB 84.91, -25.76, -1.53

 

CMYK 59 / 0 / 41 / 18

HEX #56D17C

RGB 86 209 124

HSL 138.54, 0.57%, 0.58%

LAB 75.47, -52.81, 32.16

 

CMYK 45 / 0 / 32 / 15

HEX #77DA95

RGB 119 218 149

HSL 138.18, 0.57%, 0.66%

LAB 79.75, -44.03, 25.17

 

CMYK 33 / 0 / 23 / 11

HEX #97E2AE

RGB 151 226 174

HSL 138.4, 0.56%, 0.74%

LAB 83.98, -33.89, 18.19

 

CMYK 22 / 0 / 15 / 8

HEX #B7EBC7

RGB 183 235 199

HSL 138.46, 0.57%, 0.82%

LAB 88.74, -23.62, 12.09

 

CMYK 11 / 0 / 8 / 4

HEX #D8F4E0

RGB 216 244 224

HSL 137.14, 0.56%, 0.9%

LAB 93.75, -12.81, 6.55

 

CMYK 33 / 0 / 23 / 11

HEX #98E3AF

RGB 152 227 175

HSL 138.4, 0.57%, 0.74%

LAB 84.33, -33.87, 18.17

 

CMYK 33 / 16 / 0 / 11

HEX #97BDE2

RGB 151 189 226

HSL 209.6, 0.56%, 0.74%

LAB 75.12, -3.95, -22.58

 

CMYK 0 / 33 / 30 / 11

HEX #E2979E

RGB 226 151 158

HSL 354.4, 0.56%, 0.74%

LAB 70.01, 29.08, 7.92

 

CMYK 33 / 0 / 23 / 11

HEX #98E3AF

RGB 152 227 175

HSL 138.4, 0.57%, 0.74%

LAB 84.33, -33.87, 18.17

 

CMYK 23 / 33 / 0 / 11

HEX #AE97E2

RGB 174 151 226

HSL 258.4, 0.56%, 0.74%

LAB 66.99, 23.86, -34.94

 

CMYK 0 / 23 / 33 / 11

HEX #E2AE97

RGB 226 174 151

HSL 18.4, 0.56%, 0.74%

LAB 75.25, 15.85, 19.12

 

CMYK 33 / 0 / 23 / 11

HEX #98E3AF

RGB 152 227 175

HSL 138.4, 0.57%, 0.74%

LAB 84.33, -33.87, 18.17

 

CMYK 33 / 16 / 0 / 11

HEX #97BDE2

RGB 151 189 226

HSL 209.6, 0.56%, 0.74%

LAB 75.12, -3.95, -22.58

 

CMYK 0 / 33 / 10 / 11

HEX #E297CC

RGB 226 151 204

HSL 317.6, 0.56%, 0.74%

LAB 71.32, 36, -15.7

 

CMYK 0 / 16 / 33 / 11

HEX #E2BD97

RGB 226 189 151

HSL 30.4, 0.56%, 0.74%

LAB 78.92, 7.87, 24.16

 

CMYK 33 / 0 / 23 / 11

HEX #98E3AF

RGB 152 227 175

HSL 138.4, 0.57%, 0.74%

LAB 84.33, -33.87, 18.17

 

CMYK 33 / 27 / 0 / 11

HEX #97A6E2

RGB 151 166 226

HSL 228, 0.56%, 0.74%

LAB 69, 8.71, -31.97

 

CMYK 0 / 33 / 10 / 11

HEX #E297CC

RGB 226 151 204

HSL 317.6, 0.56%, 0.74%

LAB 71.32, 36, -15.7

 

CMYK 0 / 7 / 33 / 11

HEX #E2D397

RGB 226 211 151

HSL 48, 0.56%, 0.74%

LAB 84.48, -3.6, 31.63

 

Description

Color code: HEX #98E3AF | qconv.com Color code: HEX #98E3AF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 227 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 227 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 23 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 23% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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