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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98E17B it is the complementary color #671E84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98E17B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98E17B shade: #9DE176, #AEF389, #BFFF9C, #D0FFAF and #E1FFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98E17B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98E17B shade: #98E17B, #87CF68, #76BD55, #65AB42 and #54992F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98E17B shade: #97E17A, #B3E17A, #CFE17A, #E1D77A and #E1BB7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98E17B shade: #97E17A, #7BE17A, #7AE194, #7AE1B0 and #7AE1CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98E17B shade matches the following richer shades: #97E17A, #92EE6D and #8CFB60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98E17B shade: #97E17A, #9DD487, #A3C694, #A8B9A2 and #AEACAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98E17B shade: #D0E17A, #B4E17A, #99E17A, #7DE17A and #7AE192

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98E17B shade: #63D237, #7DD958, #97E17A, #B1E89C and #CCF0BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98E17B shade: #98E17B, #7AE1D7 and #E17AC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98E17B shade: #98E17B, #7A99E1 and #E17A99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98E17B shade: #98E17B, #7AE1D7, #C27AE1 and #E17A84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98E17B shade: #98E17B, #7ACCE1, #C27AE1 and #E18F7A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 45 / 12

HEX #98E17B

RGB 152 225 123

HSL 102.94, 0.63%, 0.68%

LAB 82.89, -41.08, 42.7

 

Complementary color

CMYK 22 / 77 / 0 / 48

HEX #671E84

RGB 103 30 132

HSL 282.94, 0.63%, 0.32%

LAB 28.06, 47.89, -42.02

 

CMYK 30 / 0 / 48 / 12

HEX #9DE176

RGB 157 225 118

HSL 98.13, 0.64%, 0.67%

LAB 83.09, -40.02, 45.43

 

CMYK 28 / 0 / 44 / 5

HEX #AEF389

RGB 174 243 137

HSL 99.06, 0.82%, 0.75%

LAB 89.35, -39.92, 44.27

 

CMYK 25 / 0 / 39 / 0

HEX #BFFF9C

RGB 191 255 156

HSL 98.79, 1%, 0.81%

LAB 93.88, -37.11, 41

 

CMYK 18 / 0 / 31 / 0

HEX #D0FFAF

RGB 208 255 175

HSL 95.25, 1%, 0.84%

LAB 95.17, -28.71, 33.48

 

CMYK 12 / 0 / 24 / 0

HEX #E1FFC2

RGB 225 255 194

HSL 89.51, 1%, 0.88%

LAB 96.58, -20.08, 26.01

 

CMYK 32 / 0 / 45 / 12

HEX #98E17B

RGB 152 225 123

HSL 102.94, 0.63%, 0.68%

LAB 82.89, -41.08, 42.7

 

CMYK 35 / 0 / 50 / 19

HEX #87CF68

RGB 135 207 104

HSL 101.94, 0.52%, 0.61%

LAB 76.54, -41.18, 43.89

 

CMYK 38 / 0 / 55 / 26

HEX #76BD55

RGB 118 189 85

HSL 100.96, 0.44%, 0.54%

LAB 70.11, -41.22, 45.05

 

CMYK 41 / 0 / 61 / 33

HEX #65AB42

RGB 101 171 66

HSL 100, 0.44%, 0.46%

LAB 63.58, -41.16, 46.12

 

CMYK 45 / 0 / 69 / 40

HEX #54992F

RGB 84 153 47

HSL 99.06, 0.53%, 0.39%

LAB 56.95, -40.92, 46.94

 

CMYK 33 / 0 / 46 / 12

HEX #97E17A

RGB 151 225 122

HSL 103.11, 0.63%, 0.68%

LAB 82.83, -41.54, 43.1

 

CMYK 20 / 0 / 46 / 12

HEX #B3E17A

RGB 179 225 122

HSL 86.8, 0.63%, 0.68%

LAB 84.4, -31.77, 45.4

 

CMYK 8 / 0 / 46 / 12

HEX #CFE17A

RGB 207 225 122

HSL 70.49, 0.63%, 0.68%

LAB 86.27, -21.21, 48.12

 

CMYK 0 / 4 / 46 / 12

HEX #E1D77A

RGB 225 215 122

HSL 54.17, 0.63%, 0.68%

LAB 85, -9.16, 46.88

 

CMYK 0 / 17 / 46 / 12

HEX #E1BB7A

RGB 225 187 122

HSL 37.86, 0.63%, 0.68%

LAB 77.85, 5.3, 37.93

 

CMYK 33 / 0 / 46 / 12

HEX #97E17A

RGB 151 225 122

HSL 103.11, 0.63%, 0.68%

LAB 82.83, -41.54, 43.1

 

CMYK 45 / 0 / 46 / 12

HEX #7BE17A

RGB 123 225 122

HSL 119.42, 0.63%, 0.68%

LAB 81.55, -50.17, 41.22

 

CMYK 46 / 0 / 34 / 12

HEX #7AE194

RGB 122 225 148

HSL 135.15, 0.63%, 0.68%

LAB 81.91, -46.39, 28.62

 

CMYK 46 / 0 / 22 / 12

HEX #7AE1B0

RGB 122 225 176

HSL 151.46, 0.63%, 0.68%

LAB 82.44, -41.13, 14.8

 

CMYK 46 / 0 / 9 / 12

HEX #7AE1CC

RGB 122 225 204

HSL 167.77, 0.63%, 0.68%

LAB 83.1, -35.01, 0.96

 

CMYK 33 / 0 / 46 / 12

HEX #97E17A

RGB 151 225 122

HSL 103.11, 0.63%, 0.68%

LAB 82.83, -41.54, 43.1

 

CMYK 39 / 0 / 54 / 7

HEX #92EE6D

RGB 146 238 109

HSL 102.79, 0.79%, 0.68%

LAB 86.19, -50.22, 53.26

 

CMYK 44 / 0 / 62 / 2

HEX #8CFB60

RGB 140 251 96

HSL 102.97, 0.95%, 0.68%

LAB 89.59, -58.54, 62.72

 

CMYK 33 / 0 / 46 / 12

HEX #97E17A

RGB 151 225 122

HSL 103.11, 0.63%, 0.68%

LAB 82.83, -41.54, 43.1

 

CMYK 26 / 0 / 36 / 17

HEX #9DD487

RGB 157 212 135

HSL 102.86, 0.47%, 0.68%

LAB 79.62, -31.84, 32.54

 

CMYK 18 / 0 / 25 / 22

HEX #A3C694

RGB 163 198 148

HSL 102, 0.3%, 0.68%

LAB 76.26, -20.98, 21.31

 

CMYK 9 / 0 / 12 / 27

HEX #A8B9A2

RGB 168 185 162

HSL 104.35, 0.14%, 0.68%

LAB 73.31, -10.18, 9.69

 

CMYK 1 / 2 / 0 / 31

HEX #AEACAF

RGB 174 172 175

HSL 280, 0.02%, 0.68%

LAB 70.59, 1.28, -1.29

 

CMYK 8 / 0 / 46 / 12

HEX #D0E17A

RGB 208 225 122

HSL 69.9, 0.63%, 0.68%

LAB 86.34, -20.83, 48.22

 

CMYK 20 / 0 / 46 / 12

HEX #B4E17A

RGB 180 225 122

HSL 86.21, 0.63%, 0.68%

LAB 84.46, -31.4, 45.49

 

CMYK 32 / 0 / 46 / 12

HEX #99E17A

RGB 153 225 122

HSL 101.94, 0.63%, 0.68%

LAB 82.93, -40.87, 43.25

 

CMYK 44 / 0 / 46 / 12

HEX #7DE17A

RGB 125 225 122

HSL 118.25, 0.63%, 0.68%

LAB 81.63, -49.6, 41.34

 

CMYK 46 / 0 / 35 / 12

HEX #7AE192

RGB 122 225 146

HSL 133.98, 0.63%, 0.68%

LAB 81.87, -46.73, 29.59

 

CMYK 53 / 0 / 74 / 18

HEX #63D237

RGB 99 210 55

HSL 102.97, 0.63%, 0.52%

LAB 75.46, -58.1, 63.01

 

CMYK 42 / 0 / 59 / 15

HEX #7DD958

RGB 125 217 88

HSL 102.79, 0.63%, 0.6%

LAB 78.86, -50.4, 53.91

 

CMYK 33 / 0 / 46 / 12

HEX #97E17A

RGB 151 225 122

HSL 103.11, 0.63%, 0.68%

LAB 82.83, -41.54, 43.1

 

CMYK 24 / 0 / 33 / 9

HEX #B1E89C

RGB 177 232 156

HSL 103.42, 0.62%, 0.76%

LAB 86.73, -31.29, 31.46

 

CMYK 15 / 0 / 21 / 6

HEX #CCF0BD

RGB 204 240 189

HSL 102.35, 0.63%, 0.84%

LAB 91.16, -20.81, 20.86

 

CMYK 32 / 0 / 45 / 12

HEX #98E17B

RGB 152 225 123

HSL 102.94, 0.63%, 0.68%

LAB 82.89, -41.08, 42.7

 

CMYK 46 / 0 / 4 / 12

HEX #7AE1D7

RGB 122 225 215

HSL 174.17, 0.63%, 0.68%

LAB 83.39, -32.4, -4.44

 

CMYK 0 / 46 / 14 / 12

HEX #E17AC2

RGB 225 122 194

HSL 318.06, 0.63%, 0.68%

LAB 64.82, 49.11, -19.98

 

CMYK 32 / 0 / 45 / 12

HEX #98E17B

RGB 152 225 123

HSL 102.94, 0.63%, 0.68%

LAB 82.89, -41.08, 42.7

 

CMYK 46 / 32 / 0 / 12

HEX #7A99E1

RGB 122 153 225

HSL 221.94, 0.63%, 0.68%

LAB 63.64, 8.19, -39.9

 

CMYK 0 / 46 / 32 / 12

HEX #E17A99

RGB 225 122 153

HSL 341.94, 0.63%, 0.68%

LAB 63.53, 43.29, 1.37

 

CMYK 32 / 0 / 45 / 12

HEX #98E17B

RGB 152 225 123

HSL 102.94, 0.63%, 0.68%

LAB 82.89, -41.08, 42.7

 

CMYK 46 / 0 / 4 / 12

HEX #7AE1D7

RGB 122 225 215

HSL 174.17, 0.63%, 0.68%

LAB 83.39, -32.4, -4.44

 

CMYK 14 / 46 / 0 / 12

HEX #C27AE1

RGB 194 122 225

HSL 281.94, 0.63%, 0.68%

LAB 62.36, 45.48, -41.47

 

CMYK 0 / 46 / 41 / 12

HEX #E17A84

RGB 225 122 132

HSL 354.17, 0.63%, 0.68%

LAB 63, 40.83, 12.61

 

CMYK 32 / 0 / 45 / 12

HEX #98E17B

RGB 152 225 123

HSL 102.94, 0.63%, 0.68%

LAB 82.89, -41.08, 42.7

 

CMYK 46 / 9 / 0 / 12

HEX #7ACCE1

RGB 122 204 225

HSL 192.23, 0.63%, 0.68%

LAB 77.73, -19.56, -18.21

 

CMYK 14 / 46 / 0 / 12

HEX #C27AE1

RGB 194 122 225

HSL 281.94, 0.63%, 0.68%

LAB 62.36, 45.48, -41.47

 

CMYK 0 / 36 / 46 / 12

HEX #E18F7A

RGB 225 143 122

HSL 12.23, 0.63%, 0.68%

LAB 67.32, 28.78, 24.16

 

Description

Color code: HEX #98E17B | qconv.com Color code: HEX #98E17B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 225 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 225 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 45 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 45% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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