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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98DFEE it is the complementary color #672011. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98DFEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98DFEE shade: #9DDFE9, #AEF1FC, #BFFFFF, #D0FFFF and #E1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98DFEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98DFEE shade: #98DFEE, #87CDDB, #76BBC8, #65A9B5 and #5497A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98DFEE shade: #96DEEE, #96C7EE, #96AFEE, #9697EE and #AC96EE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98DFEE shade: #96DEEE, #96C7EE, #96AFEE, #9697EE and #9696EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98DFEE shade matches the following richer shades: #96DEEE and #8CE5F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98DFEE shade: #96DEEE, #A0D8E4, #AAD2DA, #B3CBD0 and #BDC5C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98DFEE shade: #96EECE, #96EEE5, #96DFEE, #96C8EE and #96B0EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98DFEE shade: #4FC9E2, #72D4E8, #96DEEE, #B9E9F4 and #DDF4F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98DFEE shade: #98DFEE, #B696EE and #EED996

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98DFEE shade: #98DFEE, #EE96DF and #DFEE96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98DFEE shade: #98DFEE, #B696EE, #EEA496 and #CEEE96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98DFEE shade: #98DFEE, #D096EE, #EEA496 and #B3EE96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 6 / 0 / 7

HEX #98DFEE

RGB 152 223 238

HSL 190.47, 0.72%, 0.76%

LAB 84.8, -18.43, -14.36

 

Complementary color

CMYK 0 / 69 / 83 / 60

HEX #672011

RGB 103 32 17

HSL 10.47, 0.72%, 0.24%

LAB 23.53, 31.01, 26.74

 

CMYK 33 / 4 / 0 / 9

HEX #9DDFE9

RGB 157 223 233

HSL 187.89, 0.63%, 0.76%

LAB 84.91, -18.29, -11.54

 

CMYK 31 / 4 / 0 / 1

HEX #AEF1FC

RGB 174 241 252

HSL 188.46, 0.93%, 0.84%

LAB 91.21, -18.26, -12.02

 

CMYK 25 / 0 / 0 / 0

HEX #BFFFFF

RGB 191 255 255

HSL 180, 1%, 0.87%

LAB 95.92, -19.77, -6.48

 

CMYK 18 / 0 / 0 / 0

HEX #D0FFFF

RGB 208 255 255

HSL 180, 1%, 0.91%

LAB 96.88, -14.82, -4.95

 

CMYK 12 / 0 / 0 / 0

HEX #E1FFFF

RGB 225 255 255

HSL 180, 1%, 0.94%

LAB 97.93, -9.63, -3.28

 

CMYK 36 / 6 / 0 / 7

HEX #98DFEE

RGB 152 223 238

HSL 190.47, 0.72%, 0.76%

LAB 84.8, -18.43, -14.36

 

CMYK 38 / 6 / 0 / 14

HEX #87CDDB

RGB 135 205 219

HSL 190, 0.54%, 0.69%

LAB 78.42, -18.42, -13.9

 

CMYK 41 / 7 / 0 / 22

HEX #76BBC8

RGB 118 187 200

HSL 189.51, 0.43%, 0.62%

LAB 71.93, -18.39, -13.42

 

CMYK 44 / 7 / 0 / 29

HEX #65A9B5

RGB 101 169 181

HSL 189, 0.35%, 0.55%

LAB 65.34, -18.33, -12.92

 

CMYK 48 / 7 / 0 / 36

HEX #5497A2

RGB 84 151 162

HSL 188.46, 0.32%, 0.48%

LAB 58.63, -18.23, -12.39

 

CMYK 37 / 7 / 0 / 7

HEX #96DEEE

RGB 150 222 238

HSL 190.91, 0.72%, 0.76%

LAB 84.43, -18.44, -14.93

 

CMYK 37 / 16 / 0 / 7

HEX #96C7EE

RGB 150 199 238

HSL 206.59, 0.72%, 0.76%

LAB 78.17, -6.54, -24.4

 

CMYK 37 / 26 / 0 / 7

HEX #96AFEE

RGB 150 175 238

HSL 222.95, 0.72%, 0.76%

LAB 71.77, 6.53, -34.24

 

CMYK 37 / 37 / 0 / 7

HEX #9697EE

RGB 150 151 238

HSL 239.32, 0.72%, 0.76%

LAB 65.59, 20.13, -43.88

 

CMYK 28 / 37 / 0 / 7

HEX #AC96EE

RGB 172 150 238

HSL 255, 0.72%, 0.76%

LAB 67.09, 26.72, -41.39

 

CMYK 37 / 7 / 0 / 7

HEX #96DEEE

RGB 150 222 238

HSL 190.91, 0.72%, 0.76%

LAB 84.43, -18.44, -14.93

 

CMYK 37 / 16 / 0 / 7

HEX #96C7EE

RGB 150 199 238

HSL 206.59, 0.72%, 0.76%

LAB 78.17, -6.54, -24.4

 

CMYK 37 / 26 / 0 / 7

HEX #96AFEE

RGB 150 175 238

HSL 222.95, 0.72%, 0.76%

LAB 71.77, 6.53, -34.24

 

CMYK 37 / 37 / 0 / 7

HEX #9697EE

RGB 150 151 238

HSL 239.32, 0.72%, 0.76%

LAB 65.59, 20.13, -43.88

 

CMYK 37 / 37 / 0 / 7

HEX #9696EE

RGB 150 150 238

HSL 240, 0.72%, 0.76%

LAB 65.33, 20.7, -44.28

 

CMYK 37 / 7 / 0 / 7

HEX #96DEEE

RGB 150 222 238

HSL 190.91, 0.72%, 0.76%

LAB 84.43, -18.44, -14.93

 

CMYK 44 / 8 / 0 / 3

HEX #8CE5F8

RGB 140 229 248

HSL 190.56, 0.89%, 0.76%

LAB 86.2, -21.91, -17.59

 

CMYK 37 / 7 / 0 / 7

HEX #96DEEE

RGB 150 222 238

HSL 190.91, 0.72%, 0.76%

LAB 84.43, -18.44, -14.93

 

CMYK 30 / 5 / 0 / 11

HEX #A0D8E4

RGB 160 216 228

HSL 190.59, 0.56%, 0.76%

LAB 83.01, -15.09, -11.7

 

CMYK 22 / 4 / 0 / 15

HEX #AAD2DA

RGB 170 210 218

HSL 190, 0.39%, 0.76%

LAB 81.68, -11.35, -8.3

 

CMYK 14 / 2 / 0 / 18

HEX #B3CBD0

RGB 179 203 208

HSL 190.34, 0.24%, 0.76%

LAB 80.09, -7.02, -5.22

 

CMYK 5 / 1 / 0 / 22

HEX #BDC5C6

RGB 189 197 198

HSL 186.67, 0.07%, 0.76%

LAB 78.94, -2.55, -1.46

 

CMYK 37 / 0 / 13 / 7

HEX #96EECE

RGB 150 238 206

HSL 158.18, 0.72%, 0.76%

LAB 88.01, -33.46, 7.17

 

CMYK 37 / 0 / 4 / 7

HEX #96EEE5

RGB 150 238 229

HSL 173.86, 0.72%, 0.76%

LAB 88.59, -28.43, -4.02

 

CMYK 37 / 6 / 0 / 7

HEX #96DFEE

RGB 150 223 238

HSL 190.23, 0.72%, 0.76%

LAB 84.71, -18.95, -14.52

 

CMYK 37 / 16 / 0 / 7

HEX #96C8EE

RGB 150 200 238

HSL 205.91, 0.72%, 0.76%

LAB 78.44, -7.07, -23.99

 

CMYK 37 / 26 / 0 / 7

HEX #96B0EE

RGB 150 176 238

HSL 222.27, 0.72%, 0.76%

LAB 72.03, 5.97, -33.83

 

CMYK 65 / 11 / 0 / 11

HEX #4FC9E2

RGB 79 201 226

HSL 190.2, 0.72%, 0.6%

LAB 75.41, -26.17, -22.42

 

CMYK 51 / 9 / 0 / 9

HEX #72D4E8

RGB 114 212 232

HSL 190.17, 0.72%, 0.68%

LAB 79.89, -23.49, -18.73

 

CMYK 37 / 7 / 0 / 7

HEX #96DEEE

RGB 150 222 238

HSL 190.91, 0.72%, 0.76%

LAB 84.43, -18.44, -14.93

 

CMYK 24 / 5 / 0 / 4

HEX #B9E9F4

RGB 185 233 244

HSL 191.19, 0.73%, 0.84%

LAB 89.45, -12.94, -10.39

 

CMYK 11 / 2 / 0 / 2

HEX #DDF4F9

RGB 221 244 249

HSL 190.71, 0.7%, 0.92%

LAB 94.7, -6.52, -4.97

 

CMYK 36 / 6 / 0 / 7

HEX #98DFEE

RGB 152 223 238

HSL 190.47, 0.72%, 0.76%

LAB 84.8, -18.43, -14.36

 

CMYK 24 / 37 / 0 / 7

HEX #B696EE

RGB 182 150 238

HSL 261.82, 0.72%, 0.76%

LAB 67.97, 29.57, -39.96

 

CMYK 0 / 9 / 37 / 7

HEX #EED996

RGB 238 217 150

HSL 45.68, 0.72%, 0.76%

LAB 87, -2.14, 35.66

 

CMYK 36 / 6 / 0 / 7

HEX #98DFEE

RGB 152 223 238

HSL 190.47, 0.72%, 0.76%

LAB 84.8, -18.43, -14.36

 

CMYK 0 / 37 / 6 / 7

HEX #EE96DF

RGB 238 150 223

HSL 310.23, 0.72%, 0.76%

LAB 73.1, 43.63, -23.34

 

CMYK 6 / 0 / 37 / 7

HEX #DFEE96

RGB 223 238 150

HSL 70.23, 0.72%, 0.76%

LAB 91.25, -18.39, 40.96

 

CMYK 36 / 6 / 0 / 7

HEX #98DFEE

RGB 152 223 238

HSL 190.47, 0.72%, 0.76%

LAB 84.8, -18.43, -14.36

 

CMYK 24 / 37 / 0 / 7

HEX #B696EE

RGB 182 150 238

HSL 261.82, 0.72%, 0.76%

LAB 67.97, 29.57, -39.96

 

CMYK 0 / 31 / 37 / 7

HEX #EEA496

RGB 238 164 150

HSL 9.55, 0.72%, 0.76%

LAB 74.15, 25.66, 18.33

 

CMYK 13 / 0 / 37 / 7

HEX #CEEE96

RGB 206 238 150

HSL 81.82, 0.72%, 0.76%

LAB 90.08, -24.69, 39.21

 

CMYK 36 / 6 / 0 / 7

HEX #98DFEE

RGB 152 223 238

HSL 190.47, 0.72%, 0.76%

LAB 84.8, -18.43, -14.36

 

CMYK 13 / 37 / 0 / 7

HEX #D096EE

RGB 208 150 238

HSL 279.55, 0.72%, 0.76%

LAB 70.45, 37.22, -35.9

 

CMYK 0 / 31 / 37 / 7

HEX #EEA496

RGB 238 164 150

HSL 9.55, 0.72%, 0.76%

LAB 74.15, 25.66, 18.33

 

CMYK 25 / 0 / 37 / 7

HEX #B3EE96

RGB 179 238 150

HSL 100.23, 0.72%, 0.76%

LAB 88.42, -34.25, 36.73

 

Description

Color code: HEX #98DFEE | qconv.com Color code: HEX #98DFEE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 223 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 223 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 6 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 6% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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