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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98DFA6 it is the complementary color #672059. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98DFA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98DFA6 shade: #9DDFA1, #AEF1B4, #BFFFC7, #D0FFDA and #E1FFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98DFA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98DFA6 shade: #98DFA6, #87CD93, #76BB80, #65A96D and #54975A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98DFA6 shade: #9AE0A7, #9FE09A, #B2E09A, #C5E09A and #D8E09A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98DFA6 shade: #9AE0A7, #9AE0BA, #9AE0CD, #9ADFE0 and #9ACCE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98DFA6 shade matches the following richer shades: #9AE0A7, #8FEBA1 and #84F59A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98DFA6 shade: #9AE0A7, #A4D5AE, #AFCAB4, #BAC0BB and #C4B5C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98DFA6 shade: #B2E09A, #9FE09A, #9AE0A6, #9AE0B9 and #9AE0CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98DFA6 shade: #5ACC71, #7AD68C, #9AE0A7, #B9EAC3 and #D9F3DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98DFA6 shade: #98DFA6, #9AC5E0 and #E09AA9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98DFA6 shade: #98DFA6, #A69AE0 and #E0A69A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98DFA6 shade: #98DFA6, #9AC5E0, #E09AD3 and #E0B59A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98DFA6 shade: #98DFA6, #9AB0E0, #E09AD3 and #E0CA9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 26 / 13

HEX #98DFA6

RGB 152 223 166

HSL 131.83, 0.53%, 0.74%

LAB 83.02, -33.63, 21.04

 

Complementary color

CMYK 0 / 69 / 14 / 60

HEX #672059

RGB 103 32 89

HSL 311.83, 0.53%, 0.26%

LAB 25.68, 38.68, -18.17

 

CMYK 30 / 0 / 28 / 13

HEX #9DDFA1

RGB 157 223 161

HSL 123.64, 0.51%, 0.75%

LAB 83.19, -32.92, 23.91

 

CMYK 28 / 0 / 25 / 5

HEX #AEF1B4

RGB 174 241 180

HSL 125.37, 0.71%, 0.81%

LAB 89.49, -32.68, 22.9

 

CMYK 25 / 0 / 22 / 0

HEX #BFFFC7

RGB 191 255 199

HSL 127.5, 1%, 0.87%

LAB 94.62, -30.59, 20.43

 

CMYK 18 / 0 / 15 / 0

HEX #D0FFDA

RGB 208 255 218

HSL 132.77, 1%, 0.91%

LAB 95.99, -21.87, 12.79

 

CMYK 12 / 0 / 7 / 0

HEX #E1FFED

RGB 225 255 237

HSL 144, 1%, 0.94%

LAB 97.49, -12.99, 5.32

 

CMYK 32 / 0 / 26 / 13

HEX #98DFA6

RGB 152 223 166

HSL 131.83, 0.53%, 0.74%

LAB 83.02, -33.63, 21.04

 

CMYK 34 / 0 / 28 / 20

HEX #87CD93

RGB 135 205 147

HSL 130.29, 0.41%, 0.67%

LAB 76.63, -33.89, 22.08

 

CMYK 37 / 0 / 32 / 27

HEX #76BB80

RGB 118 187 128

HSL 128.7, 0.34%, 0.6%

LAB 70.14, -34.16, 23.19

 

CMYK 40 / 0 / 36 / 34

HEX #65A96D

RGB 101 169 109

HSL 127.06, 0.28%, 0.53%

LAB 63.55, -34.42, 24.38

 

CMYK 44 / 0 / 40 / 41

HEX #54975A

RGB 84 151 90

HSL 125.37, 0.29%, 0.46%

LAB 56.84, -34.65, 25.66

 

CMYK 31 / 0 / 25 / 12

HEX #9AE0A7

RGB 154 224 167

HSL 131.14, 0.53%, 0.74%

LAB 83.43, -33.3, 21.1

 

CMYK 29 / 0 / 31 / 12

HEX #9FE09A

RGB 159 224 154

HSL 115.71, 0.53%, 0.74%

LAB 83.45, -33.88, 27.91

 

CMYK 21 / 0 / 31 / 12

HEX #B2E09A

RGB 178 224 154

HSL 99.43, 0.53%, 0.74%

LAB 84.54, -27.46, 29.56

 

CMYK 12 / 0 / 31 / 12

HEX #C5E09A

RGB 197 224 154

HSL 83.14, 0.53%, 0.74%

LAB 85.76, -20.68, 31.41

 

CMYK 4 / 0 / 31 / 12

HEX #D8E09A

RGB 216 224 154

HSL 66.86, 0.53%, 0.74%

LAB 87.12, -13.63, 33.45

 

CMYK 31 / 0 / 25 / 12

HEX #9AE0A7

RGB 154 224 167

HSL 131.14, 0.53%, 0.74%

LAB 83.43, -33.3, 21.1

 

CMYK 31 / 0 / 17 / 12

HEX #9AE0BA

RGB 154 224 186

HSL 147.43, 0.53%, 0.74%

LAB 83.82, -29.78, 11.7

 

CMYK 31 / 0 / 8 / 12

HEX #9AE0CD

RGB 154 224 205

HSL 163.71, 0.53%, 0.74%

LAB 84.27, -25.9, 2.32

 

CMYK 31 / 0 / 0 / 12

HEX #9ADFE0

RGB 154 223 224

HSL 180.86, 0.53%, 0.74%

LAB 84.5, -21.2, -7.4

 

CMYK 31 / 9 / 0 / 12

HEX #9ACCE0

RGB 154 204 224

HSL 197.14, 0.53%, 0.74%

LAB 79.29, -11.54, -15.17

 

CMYK 31 / 0 / 25 / 12

HEX #9AE0A7

RGB 154 224 167

HSL 131.14, 0.53%, 0.74%

LAB 83.43, -33.3, 21.1

 

CMYK 39 / 0 / 31 / 8

HEX #8FEBA1

RGB 143 235 161

HSL 131.74, 0.7%, 0.74%

LAB 85.92, -42.62, 27.52

 

CMYK 46 / 0 / 37 / 4

HEX #84F59A

RGB 132 245 154

HSL 131.68, 0.85%, 0.74%

LAB 88.23, -51.09, 34.07

 

CMYK 31 / 0 / 25 / 12

HEX #9AE0A7

RGB 154 224 167

HSL 131.14, 0.53%, 0.74%

LAB 83.43, -33.3, 21.1

 

CMYK 23 / 0 / 18 / 16

HEX #A4D5AE

RGB 164 213 174

HSL 132.24, 0.37%, 0.74%

LAB 81.04, -23.59, 14.17

 

CMYK 13 / 0 / 11 / 21

HEX #AFCAB4

RGB 175 202 180

HSL 131.11, 0.2%, 0.74%

LAB 78.84, -13.3, 7.94

 

CMYK 3 / 0 / 3 / 25

HEX #BAC0BB

RGB 186 192 187

HSL 130, 0.05%, 0.74%

LAB 77.12, -3, 1.78

 

CMYK 0 / 8 / 2 / 23

HEX #C4B5C1

RGB 196 181 193

HSL 312, 0.11%, 0.74%

LAB 75.22, 7.48, -4.15

 

CMYK 21 / 0 / 31 / 12

HEX #B2E09A

RGB 178 224 154

HSL 99.43, 0.53%, 0.74%

LAB 84.54, -27.46, 29.56

 

CMYK 29 / 0 / 31 / 12

HEX #9FE09A

RGB 159 224 154

HSL 115.71, 0.53%, 0.74%

LAB 83.45, -33.88, 27.91

 

CMYK 31 / 0 / 26 / 12

HEX #9AE0A6

RGB 154 224 166

HSL 130.29, 0.53%, 0.74%

LAB 83.41, -33.47, 21.59

 

CMYK 31 / 0 / 17 / 12

HEX #9AE0B9

RGB 154 224 185

HSL 146.57, 0.53%, 0.74%

LAB 83.8, -29.97, 12.19

 

CMYK 31 / 0 / 9 / 12

HEX #9AE0CC

RGB 154 224 204

HSL 162.86, 0.53%, 0.74%

LAB 84.25, -26.11, 2.81

 

CMYK 56 / 0 / 45 / 20

HEX #5ACC71

RGB 90 204 113

HSL 132.11, 0.53%, 0.58%

LAB 73.9, -51.72, 35.74

 

CMYK 43 / 0 / 35 / 16

HEX #7AD68C

RGB 122 214 140

HSL 131.74, 0.53%, 0.66%

LAB 78.53, -43.03, 28.22

 

CMYK 31 / 0 / 25 / 12

HEX #9AE0A7

RGB 154 224 167

HSL 131.14, 0.53%, 0.74%

LAB 83.43, -33.3, 21.1

 

CMYK 21 / 0 / 17 / 8

HEX #B9EAC3

RGB 185 234 195

HSL 132.24, 0.54%, 0.82%

LAB 88.5, -23.21, 13.85

 

CMYK 11 / 0 / 9 / 5

HEX #D9F3DE

RGB 217 243 222

HSL 131.54, 0.52%, 0.9%

LAB 93.51, -12.34, 7.25

 

CMYK 32 / 0 / 26 / 13

HEX #98DFA6

RGB 152 223 166

HSL 131.83, 0.53%, 0.74%

LAB 83.02, -33.63, 21.04

 

CMYK 31 / 12 / 0 / 12

HEX #9AC5E0

RGB 154 197 224

HSL 203.14, 0.53%, 0.74%

LAB 77.39, -7.87, -18.03

 

CMYK 0 / 31 / 25 / 12

HEX #E09AA9

RGB 224 154 169

HSL 347.14, 0.53%, 0.74%

LAB 70.75, 28.25, 2.83

 

CMYK 32 / 0 / 26 / 13

HEX #98DFA6

RGB 152 223 166

HSL 131.83, 0.53%, 0.74%

LAB 83.02, -33.63, 21.04

 

CMYK 26 / 31 / 0 / 12

HEX #A69AE0

RGB 166 154 224

HSL 250.29, 0.53%, 0.74%

LAB 66.98, 19.32, -33.91

 

CMYK 0 / 26 / 31 / 12

HEX #E0A69A

RGB 224 166 154

HSL 10.29, 0.53%, 0.74%

LAB 73.19, 19.75, 14.59

 

CMYK 32 / 0 / 26 / 13

HEX #98DFA6

RGB 152 223 166

HSL 131.83, 0.53%, 0.74%

LAB 83.02, -33.63, 21.04

 

CMYK 31 / 12 / 0 / 12

HEX #9AC5E0

RGB 154 197 224

HSL 203.14, 0.53%, 0.74%

LAB 77.39, -7.87, -18.03

 

CMYK 0 / 31 / 6 / 12

HEX #E09AD3

RGB 224 154 211

HSL 311.14, 0.53%, 0.74%

LAB 72, 34.94, -18.56

 

CMYK 0 / 19 / 31 / 12

HEX #E0B59A

RGB 224 181 154

HSL 23.14, 0.53%, 0.74%

LAB 76.82, 11.72, 19.64

 

CMYK 32 / 0 / 26 / 13

HEX #98DFA6

RGB 152 223 166

HSL 131.83, 0.53%, 0.74%

LAB 83.02, -33.63, 21.04

 

CMYK 31 / 21 / 0 / 12

HEX #9AB0E0

RGB 154 176 224

HSL 221.14, 0.53%, 0.74%

LAB 71.76, 3.49, -26.61

 

CMYK 0 / 31 / 6 / 12

HEX #E09AD3

RGB 224 154 211

HSL 311.14, 0.53%, 0.74%

LAB 72, 34.94, -18.56

 

CMYK 0 / 10 / 31 / 12

HEX #E0CA9A

RGB 224 202 154

HSL 41.14, 0.53%, 0.74%

LAB 82.07, 0.65, 26.81

 

Description

Color code: HEX #98DFA6 | qconv.com Color code: HEX #98DFA6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 223 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 223 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 26 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 26% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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