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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98DF28 it is the complementary color #6720D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98DF28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98DF28 shade: #9DDF23, #AEF136, #BFFF49, #D0FF5C and #E1FF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98DF28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98DF28 shade: #98DF28, #87CD15, #76BB02, #65A900 and #549700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98DF28 shade: #99DF2A, #CADF2A, #DFC42A, #DF932A and #DF622A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98DF28 shade: #99DF2A, #68DF2A, #37DF2A, #2ADF4E and #2ADF7F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98DF28 shade matches the following richer shades: #99DF2A and #9DF316

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98DF28 shade: #99DF2A, #94CB3E, #90B852, #8CA465 and #879079

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98DF28 shade: #DFC42A, #CADF2A, #9ADF2A, #69DF2A and #39DF2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98DF28 shade: #6A9F18, #83C31D, #99DF2A, #AAE54E and #BBEA72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98DF28 shade: #98DF28, #2ADF94 and #DC2ADF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98DF28 shade: #98DF28, #2A9ADF and #DF2A9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98DF28 shade: #98DF28, #2ADF94, #6F2ADF and #DF2A76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98DF28 shade: #98DF28, #2ADFCA, #6F2ADF and #DF2A3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 82 / 13

HEX #98DF28

RGB 152 223 40

HSL 83.28, 0.74%, 0.52%

LAB 81.62, -46.97, 74

 

Complementary color

CMYK 52 / 85 / 0 / 16

HEX #6720D7

RGB 103 32 215

HSL 263.28, 0.74%, 0.48%

LAB 35.64, 66.53, -79.39

 

CMYK 30 / 0 / 84 / 13

HEX #9DDF23

RGB 157 223 35

HSL 81.06, 0.75%, 0.51%

LAB 81.87, -45.32, 75.47

 

CMYK 28 / 0 / 78 / 5

HEX #AEF136

RGB 174 241 54

HSL 81.5, 0.87%, 0.58%

LAB 88.05, -46.02, 76.55

 

CMYK 25 / 0 / 71 / 0

HEX #BFFF49

RGB 191 255 73

HSL 81.1, 1%, 0.64%

LAB 93.05, -44.85, 75.75

 

CMYK 18 / 0 / 64 / 0

HEX #D0FF5C

RGB 208 255 92

HSL 77.3, 1%, 0.68%

LAB 94.19, -37.37, 70.33

 

CMYK 12 / 0 / 56 / 0

HEX #E1FF6F

RGB 225 255 111

HSL 72.5, 1%, 0.72%

LAB 95.44, -29.52, 64.24

 

CMYK 32 / 0 / 82 / 13

HEX #98DF28

RGB 152 223 40

HSL 83.28, 0.74%, 0.52%

LAB 81.62, -46.97, 74

 

CMYK 34 / 0 / 90 / 20

HEX #87CD15

RGB 135 205 21

HSL 82.83, 0.81%, 0.44%

LAB 75.37, -46.15, 72.2

 

CMYK 37 / 0 / 99 / 27

HEX #76BB02

RGB 118 187 2

HSL 82.38, 0.98%, 0.37%

LAB 69.04, -45.11, 69.14

 

CMYK 40 / 0 / 100 / 34

HEX #65A900

RGB 101 169 0

HSL 84.14, 1%, 0.33%

LAB 62.63, -43.74, 64.04

 

CMYK 44 / 0 / 100 / 41

HEX #549700

RGB 84 151 0

HSL 86.62, 1%, 0.3%

LAB 56.11, -42.27, 58.62

 

CMYK 31 / 0 / 81 / 13

HEX #99DF2A

RGB 153 223 42

HSL 83.2, 0.74%, 0.52%

LAB 81.68, -46.53, 73.58

 

CMYK 9 / 0 / 81 / 13

HEX #CADF2A

RGB 202 223 42

HSL 66.96, 0.74%, 0.52%

LAB 84.74, -27.49, 77.44

 

CMYK 0 / 12 / 81 / 13

HEX #DFC42A

RGB 223 196 42

HSL 51.05, 0.74%, 0.52%

LAB 79.23, -5.28, 73.35

 

CMYK 0 / 34 / 81 / 13

HEX #DF932A

RGB 223 147 42

HSL 34.81, 0.74%, 0.52%

LAB 67.07, 20.61, 62.71

 

CMYK 0 / 56 / 81 / 13

HEX #DF622A

RGB 223 98 42

HSL 18.56, 0.74%, 0.52%

LAB 56.67, 45.87, 53.3

 

CMYK 31 / 0 / 81 / 13

HEX #99DF2A

RGB 153 223 42

HSL 83.2, 0.74%, 0.52%

LAB 81.68, -46.53, 73.58

 

CMYK 53 / 0 / 81 / 13

HEX #68DF2A

RGB 104 223 42

HSL 99.45, 0.74%, 0.52%

LAB 79.55, -62.16, 70.85

 

CMYK 75 / 0 / 81 / 13

HEX #37DF2A

RGB 55 223 42

HSL 115.69, 0.74%, 0.52%

LAB 78.32, -72.35, 69.27

 

CMYK 81 / 0 / 65 / 13

HEX #2ADF4E

RGB 42 223 78

HSL 131.93, 0.74%, 0.52%

LAB 78.36, -71.19, 56.96

 

CMYK 81 / 0 / 43 / 13

HEX #2ADF7F

RGB 42 223 127

HSL 148.18, 0.74%, 0.52%

LAB 78.93, -64.35, 34.97

 

CMYK 31 / 0 / 81 / 13

HEX #99DF2A

RGB 153 223 42

HSL 83.2, 0.74%, 0.52%

LAB 81.68, -46.53, 73.58

 

CMYK 35 / 0 / 91 / 5

HEX #9DF316

RGB 157 243 22

HSL 83.35, 0.9%, 0.52%

LAB 87.64, -53.89, 82.55

 

CMYK 31 / 0 / 81 / 13

HEX #99DF2A

RGB 153 223 42

HSL 83.2, 0.74%, 0.52%

LAB 81.68, -46.53, 73.58

 

CMYK 27 / 0 / 69 / 20

HEX #94CB3E

RGB 148 203 62

HSL 83.4, 0.58%, 0.52%

LAB 75.67, -38.68, 61.45

 

CMYK 22 / 0 / 55 / 28

HEX #90B852

RGB 144 184 82

HSL 83.53, 0.42%, 0.52%

LAB 70.05, -29.85, 46.77

 

CMYK 15 / 0 / 38 / 36

HEX #8CA465

RGB 140 164 101

HSL 82.86, 0.26%, 0.52%

LAB 64.21, -19.36, 29.97

 

CMYK 6 / 0 / 16 / 44

HEX #879079

RGB 135 144 121

HSL 83.48, 0.09%, 0.52%

LAB 58.49, -7.62, 11.13

 

CMYK 0 / 12 / 81 / 13

HEX #DFC42A

RGB 223 196 42

HSL 51.05, 0.74%, 0.52%

LAB 79.23, -5.28, 73.35

 

CMYK 9 / 0 / 81 / 13

HEX #CADF2A

RGB 202 223 42

HSL 66.96, 0.74%, 0.52%

LAB 84.74, -27.49, 77.44

 

CMYK 31 / 0 / 81 / 13

HEX #9ADF2A

RGB 154 223 42

HSL 82.87, 0.74%, 0.52%

LAB 81.74, -46.17, 73.64

 

CMYK 53 / 0 / 81 / 13

HEX #69DF2A

RGB 105 223 42

HSL 99.12, 0.74%, 0.52%

LAB 79.58, -61.89, 70.9

 

CMYK 74 / 0 / 81 / 13

HEX #39DF2A

RGB 57 223 42

HSL 115.03, 0.74%, 0.52%

LAB 78.35, -72.06, 69.32

 

CMYK 33 / 0 / 85 / 38

HEX #6A9F18

RGB 106 159 24

HSL 83.56, 0.74%, 0.36%

LAB 59.82, -37.02, 57.8

 

CMYK 33 / 0 / 85 / 24

HEX #83C31D

RGB 131 195 29

HSL 83.13, 0.74%, 0.44%

LAB 72.19, -43.15, 67.9

 

CMYK 31 / 0 / 81 / 13

HEX #99DF2A

RGB 153 223 42

HSL 83.2, 0.74%, 0.52%

LAB 81.68, -46.53, 73.58

 

CMYK 26 / 0 / 66 / 10

HEX #AAE54E

RGB 170 229 78

HSL 83.44, 0.74%, 0.6%

LAB 84.55, -40.93, 64.92

 

CMYK 20 / 0 / 51 / 8

HEX #BBEA72

RGB 187 234 114

HSL 83.5, 0.74%, 0.68%

LAB 87.3, -33.85, 52.83

 

CMYK 32 / 0 / 82 / 13

HEX #98DF28

RGB 152 223 40

HSL 83.28, 0.74%, 0.52%

LAB 81.62, -46.97, 74

 

CMYK 81 / 0 / 34 / 13

HEX #2ADF94

RGB 42 223 148

HSL 155.14, 0.74%, 0.52%

LAB 79.27, -60.36, 24.72

 

CMYK 1 / 81 / 0 / 13

HEX #DC2ADF

RGB 220 42 223

HSL 299.01, 0.74%, 0.52%

LAB 54.24, 83.05, -52.98

 

CMYK 32 / 0 / 82 / 13

HEX #98DF28

RGB 152 223 40

HSL 83.28, 0.74%, 0.52%

LAB 81.62, -46.97, 74

 

CMYK 81 / 31 / 0 / 13

HEX #2A9ADF

RGB 42 154 223

HSL 202.87, 0.74%, 0.52%

LAB 60.72, -6.83, -43.59

 

CMYK 0 / 81 / 31 / 13

HEX #DF2A9A

RGB 223 42 154

HSL 322.87, 0.74%, 0.52%

LAB 51.47, 74.57, -17.22

 

CMYK 32 / 0 / 82 / 13

HEX #98DF28

RGB 152 223 40

HSL 83.28, 0.74%, 0.52%

LAB 81.62, -46.97, 74

 

CMYK 81 / 0 / 34 / 13

HEX #2ADF94

RGB 42 223 148

HSL 155.14, 0.74%, 0.52%

LAB 79.27, -60.36, 24.72

 

CMYK 50 / 81 / 0 / 13

HEX #6F2ADF

RGB 111 42 223

HSL 262.87, 0.74%, 0.52%

LAB 38.49, 65.98, -79.26

 

CMYK 0 / 81 / 47 / 13

HEX #DF2A76

RGB 223 42 118

HSL 334.81, 0.74%, 0.52%

LAB 50.28, 71.09, 2.67

 

CMYK 32 / 0 / 82 / 13

HEX #98DF28

RGB 152 223 40

HSL 83.28, 0.74%, 0.52%

LAB 81.62, -46.97, 74

 

CMYK 81 / 0 / 9 / 13

HEX #2ADFCA

RGB 42 223 202

HSL 173.04, 0.74%, 0.52%

LAB 80.48, -47.5, -2.04

 

CMYK 50 / 81 / 0 / 13

HEX #6F2ADF

RGB 111 42 223

HSL 262.87, 0.74%, 0.52%

LAB 38.49, 65.98, -79.26

 

CMYK 0 / 81 / 72 / 13

HEX #DF2A3F

RGB 223 42 63

HSL 353.04, 0.74%, 0.52%

LAB 49.13, 67.65, 34.44

 

Description

Color code: HEX #98DF28 | qconv.com Color code: HEX #98DF28 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 223 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 223 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 82 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 82% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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