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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98DE3C it is the complementary color #6721C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98DE3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98DE3C shade: #9DDE37, #AEF04A, #BFFF5D, #D0FF70 and #E1FF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98DE3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98DE3C shade: #98DE3C, #87CC29, #76BA16, #65A803 and #549600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98DE3C shade: #97DE3B, #C3DE3B, #DECC3B, #DEA03B and #DE743B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98DE3C shade: #97DE3B, #6BDE3B, #3FDE3B, #3BDE62 and #3BDE8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98DE3C shade matches the following richer shades: #97DE3B and #9AF028

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98DE3C shade: #97DE3B, #95CB4D, #92B960, #90A672 and #8D9385

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98DE3C shade: #DECB3B, #C5DE3B, #9ADE3B, #6EDE3B and #43DE3B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98DE3C shade: #6DA91D, #83CD23, #97DE3B, #AAE45E and #BDEA81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98DE3C shade: #98DE3C, #3BDE9F and #DE3BDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98DE3C shade: #98DE3C, #3B9ADE and #DE3B9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98DE3C shade: #98DE3C, #3BDE9F, #7F3BDE and #DE3B79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98DE3C shade: #98DE3C, #3BDED0, #7F3BDE and #DE3B48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 73 / 13

HEX #98DE3C

RGB 152 222 60

HSL 85.93, 0.71%, 0.55%

LAB 81.43, -45.6, 67.98

 

Complementary color

CMYK 47 / 83 / 0 / 24

HEX #6721C3

RGB 103 33 195

HSL 265.93, 0.71%, 0.45%

LAB 33.8, 61.36, -70.79

 

CMYK 29 / 0 / 75 / 13

HEX #9DDE37

RGB 157 222 55

HSL 83.35, 0.72%, 0.54%

LAB 81.67, -44.07, 69.94

 

CMYK 28 / 0 / 69 / 6

HEX #AEF04A

RGB 174 240 74

HSL 83.86, 0.85%, 0.62%

LAB 87.88, -44.52, 69.92

 

CMYK 25 / 0 / 64 / 0

HEX #BFFF5D

RGB 191 255 93

HSL 83.7, 1%, 0.68%

LAB 93.18, -43.56, 68.57

 

CMYK 18 / 0 / 56 / 0

HEX #D0FF70

RGB 208 255 112

HSL 79.72, 1%, 0.72%

LAB 94.35, -35.84, 62.27

 

CMYK 12 / 0 / 49 / 0

HEX #E1FF83

RGB 225 255 131

HSL 74.52, 1%, 0.76%

LAB 95.65, -27.77, 55.57

 

CMYK 32 / 0 / 73 / 13

HEX #98DE3C

RGB 152 222 60

HSL 85.93, 0.71%, 0.55%

LAB 81.43, -45.6, 67.98

 

CMYK 34 / 0 / 80 / 20

HEX #87CC29

RGB 135 204 41

HSL 85.4, 0.67%, 0.48%

LAB 75.14, -45.05, 67.59

 

CMYK 37 / 0 / 88 / 27

HEX #76BA16

RGB 118 186 22

HSL 84.88, 0.79%, 0.41%

LAB 68.77, -44.29, 66.17

 

CMYK 40 / 0 / 98 / 34

HEX #65A803

RGB 101 168 3

HSL 84.36, 0.96%, 0.34%

LAB 62.32, -43.27, 63.39

 

CMYK 44 / 0 / 100 / 41

HEX #549600

RGB 84 150 0

HSL 86.4, 1%, 0.29%

LAB 55.78, -41.86, 58.37

 

CMYK 32 / 0 / 73 / 13

HEX #97DE3B

RGB 151 222 59

HSL 86.13, 0.71%, 0.55%

LAB 81.37, -46.01, 68.24

 

CMYK 12 / 0 / 73 / 13

HEX #C3DE3B

RGB 195 222 59

HSL 69.94, 0.71%, 0.55%

LAB 84.05, -29.2, 71.75

 

CMYK 0 / 8 / 73 / 13

HEX #DECC3B

RGB 222 204 59

HSL 53.37, 0.71%, 0.55%

LAB 81.31, -9.17, 69.89

 

CMYK 0 / 28 / 73 / 13

HEX #DEA03B

RGB 222 160 59

HSL 37.18, 0.71%, 0.55%

LAB 70.17, 13.86, 59.06

 

CMYK 0 / 48 / 73 / 13

HEX #DE743B

RGB 222 116 59

HSL 20.98, 0.71%, 0.55%

LAB 60.19, 37.19, 48.84

 

CMYK 32 / 0 / 73 / 13

HEX #97DE3B

RGB 151 222 59

HSL 86.13, 0.71%, 0.55%

LAB 81.37, -46.01, 68.24

 

CMYK 52 / 0 / 73 / 13

HEX #6BDE3B

RGB 107 222 59

HSL 102.33, 0.71%, 0.55%

LAB 79.43, -60.02, 65.69

 

CMYK 72 / 0 / 73 / 13

HEX #3FDE3B

RGB 63 222 59

HSL 118.53, 0.71%, 0.55%

LAB 78.24, -69.74, 64.1

 

CMYK 73 / 0 / 56 / 13

HEX #3BDE62

RGB 59 222 98

HSL 134.36, 0.71%, 0.55%

LAB 78.49, -66.38, 48.48

 

CMYK 73 / 0 / 36 / 13

HEX #3BDE8E

RGB 59 222 142

HSL 150.55, 0.71%, 0.55%

LAB 79.11, -59.24, 27.64

 

CMYK 32 / 0 / 73 / 13

HEX #97DE3B

RGB 151 222 59

HSL 86.13, 0.71%, 0.55%

LAB 81.37, -46.01, 68.24

 

CMYK 36 / 0 / 83 / 6

HEX #9AF028

RGB 154 240 40

HSL 85.8, 0.87%, 0.55%

LAB 86.67, -53.24, 78.47

 

CMYK 32 / 0 / 73 / 13

HEX #97DE3B

RGB 151 222 59

HSL 86.13, 0.71%, 0.55%

LAB 81.37, -46.01, 68.24

 

CMYK 27 / 0 / 62 / 20

HEX #95CB4D

RGB 149 203 77

HSL 85.71, 0.55%, 0.55%

LAB 75.85, -37.2, 55.63

 

CMYK 21 / 0 / 48 / 27

HEX #92B960

RGB 146 185 96

HSL 86.29, 0.39%, 0.55%

LAB 70.63, -28.08, 40.72

 

CMYK 13 / 0 / 31 / 35

HEX #90A672

RGB 144 166 114

HSL 85.38, 0.23%, 0.55%

LAB 65.29, -17.01, 24.46

 

CMYK 4 / 0 / 10 / 42

HEX #8D9385

RGB 141 147 133

HSL 85.71, 0.06%, 0.55%

LAB 60.09, -4.86, 6.66

 

CMYK 0 / 9 / 73 / 13

HEX #DECB3B

RGB 222 203 59

HSL 53.01, 0.71%, 0.55%

LAB 81.05, -8.66, 69.64

 

CMYK 11 / 0 / 73 / 13

HEX #C5DE3B

RGB 197 222 59

HSL 69.2, 0.71%, 0.55%

LAB 84.19, -28.39, 71.93

 

CMYK 31 / 0 / 73 / 13

HEX #9ADE3B

RGB 154 222 59

HSL 85.03, 0.71%, 0.55%

LAB 81.53, -44.94, 68.45

 

CMYK 50 / 0 / 73 / 13

HEX #6EDE3B

RGB 110 222 59

HSL 101.23, 0.71%, 0.55%

LAB 79.54, -59.19, 65.83

 

CMYK 70 / 0 / 73 / 13

HEX #43DE3B

RGB 67 222 59

HSL 117.06, 0.71%, 0.55%

LAB 78.32, -69.06, 64.2

 

CMYK 36 / 0 / 83 / 34

HEX #6DA91D

RGB 109 169 29

HSL 85.71, 0.71%, 0.39%

LAB 63.11, -40.08, 59.48

 

CMYK 36 / 0 / 83 / 20

HEX #83CD23

RGB 131 205 35

HSL 86.12, 0.71%, 0.47%

LAB 75.21, -47.14, 69.14

 

CMYK 32 / 0 / 73 / 13

HEX #97DE3B

RGB 151 222 59

HSL 86.13, 0.71%, 0.55%

LAB 81.37, -46.01, 68.24

 

CMYK 25 / 0 / 59 / 11

HEX #AAE45E

RGB 170 228 94

HSL 85.97, 0.71%, 0.63%

LAB 84.4, -39.23, 58.17

 

CMYK 19 / 0 / 45 / 8

HEX #BDEA81

RGB 189 234 129

HSL 85.71, 0.71%, 0.71%

LAB 87.61, -31.51, 46.14

 

CMYK 32 / 0 / 73 / 13

HEX #98DE3C

RGB 152 222 60

HSL 85.93, 0.71%, 0.55%

LAB 81.43, -45.6, 67.98

 

CMYK 73 / 0 / 28 / 13

HEX #3BDE9F

RGB 59 222 159

HSL 156.81, 0.71%, 0.55%

LAB 79.43, -55.76, 19.24

 

CMYK 0 / 73 / 1 / 13

HEX #DE3BDB

RGB 222 59 219

HSL 301.1, 0.71%, 0.55%

LAB 55.86, 78.44, -48.11

 

CMYK 32 / 0 / 73 / 13

HEX #98DE3C

RGB 152 222 60

HSL 85.93, 0.71%, 0.55%

LAB 81.43, -45.6, 67.98

 

CMYK 73 / 31 / 0 / 13

HEX #3B9ADE

RGB 59 154 222

HSL 205.03, 0.71%, 0.55%

LAB 61.06, -5.33, -42.48

 

CMYK 0 / 73 / 31 / 13

HEX #DE3B9A

RGB 222 59 154

HSL 325.03, 0.71%, 0.55%

LAB 52.94, 69.64, -15

 

CMYK 32 / 0 / 73 / 13

HEX #98DE3C

RGB 152 222 60

HSL 85.93, 0.71%, 0.55%

LAB 81.43, -45.6, 67.98

 

CMYK 73 / 0 / 28 / 13

HEX #3BDE9F

RGB 59 222 159

HSL 156.81, 0.71%, 0.55%

LAB 79.43, -55.76, 19.24

 

CMYK 43 / 73 / 0 / 13

HEX #7F3BDE

RGB 127 59 222

HSL 265.03, 0.71%, 0.55%

LAB 42.63, 61.1, -71.82

 

CMYK 0 / 73 / 45 / 13

HEX #DE3B79

RGB 222 59 121

HSL 337.18, 0.71%, 0.55%

LAB 51.88, 66.27, 3.15

 

CMYK 32 / 0 / 73 / 13

HEX #98DE3C

RGB 152 222 60

HSL 85.93, 0.71%, 0.55%

LAB 81.43, -45.6, 67.98

 

CMYK 73 / 0 / 6 / 13

HEX #3BDED0

RGB 59 222 208

HSL 174.85, 0.71%, 0.55%

LAB 80.59, -43.79, -5.05

 

CMYK 43 / 73 / 0 / 13

HEX #7F3BDE

RGB 127 59 222

HSL 265.03, 0.71%, 0.55%

LAB 42.63, 61.1, -71.82

 

CMYK 0 / 73 / 68 / 13

HEX #DE3B48

RGB 222 59 72

HSL 355.21, 0.71%, 0.55%

LAB 50.83, 62.84, 31.15

 

Description

Color code: HEX #98DE3C | qconv.com Color code: HEX #98DE3C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 222 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 222 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 73 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 73% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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