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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98D72A it is the complementary color #6728D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98D72A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98D72A shade: #9DD725, #AEE938, #BFFB4B, #D0FF5E and #E1FF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98D72A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98D72A shade: #98D72A, #87C517, #76B304, #65A100 and #548F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98D72A shade: #97D629, #C6D629, #D6B829, #D68929 and #D65A29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98D72A shade: #97D629, #68D629, #3AD629, #29D647 and #29D676

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98D72A shade matches the following richer shades: #97D629 and #9DEB14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98D72A shade: #97D629, #91C23D, #8CAD52, #869867 and #81847B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98D72A shade: #D6B629, #C8D629, #9AD629, #6BD629 and #3DD629

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98D72A shade: #66911C, #7FB422, #97D629, #A8DD4B and #B9E36E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98D72A shade: #98D72A, #29D688 and #CE29D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98D72A shade: #98D72A, #299AD6 and #D6299A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98D72A shade: #98D72A, #29D688, #6529D6 and #D62977

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98D72A shade: #98D72A, #29D6BC, #6529D6 and #D62943

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 80 / 16

HEX #98D72A

RGB 152 215 42

HSL 81.85, 0.68%, 0.5%

LAB 79.3, -43.49, 71.42

 

Complementary color

CMYK 52 / 81 / 0 / 16

HEX #6728D5

RGB 103 40 213

HSL 261.85, 0.68%, 0.5%

LAB 36.38, 63.29, -77.02

 

CMYK 27 / 0 / 83 / 16

HEX #9DD725

RGB 157 215 37

HSL 79.55, 0.71%, 0.49%

LAB 79.56, -41.81, 73.01

 

CMYK 25 / 0 / 76 / 9

HEX #AEE938

RGB 174 233 56

HSL 80, 0.8%, 0.57%

LAB 85.79, -42.49, 73.86

 

CMYK 24 / 0 / 70 / 2

HEX #BFFB4B

RGB 191 251 75

HSL 80.45, 0.96%, 0.64%

LAB 91.94, -43.01, 73.97

 

CMYK 18 / 0 / 63 / 0

HEX #D0FF5E

RGB 208 255 94

HSL 77.52, 1%, 0.68%

LAB 94.2, -37.23, 69.56

 

CMYK 12 / 0 / 56 / 0

HEX #E1FF71

RGB 225 255 113

HSL 72.68, 1%, 0.72%

LAB 95.46, -29.36, 63.4

 

CMYK 29 / 0 / 80 / 16

HEX #98D72A

RGB 152 215 42

HSL 81.85, 0.68%, 0.5%

LAB 79.3, -43.49, 71.42

 

CMYK 31 / 0 / 88 / 23

HEX #87C517

RGB 135 197 23

HSL 81.38, 0.79%, 0.43%

LAB 72.99, -42.71, 69.88

 

CMYK 34 / 0 / 98 / 30

HEX #76B304

RGB 118 179 4

HSL 80.91, 0.96%, 0.36%

LAB 66.6, -41.7, 66.99

 

CMYK 37 / 0 / 100 / 37

HEX #65A100

RGB 101 161 0

HSL 82.36, 1%, 0.32%

LAB 60.12, -40.38, 62.1

 

CMYK 41 / 0 / 100 / 44

HEX #548F00

RGB 84 143 0

HSL 84.76, 1%, 0.28%

LAB 53.52, -38.94, 56.61

 

CMYK 29 / 0 / 81 / 16

HEX #97D629

RGB 151 214 41

HSL 81.85, 0.68%, 0.5%

LAB 78.94, -43.47, 71.35

 

CMYK 7 / 0 / 81 / 16

HEX #C6D629

RGB 198 214 41

HSL 65.55, 0.68%, 0.5%

LAB 81.98, -24.88, 75.18

 

CMYK 0 / 14 / 81 / 16

HEX #D6B829

RGB 214 184 41

HSL 49.6, 0.68%, 0.5%

LAB 75.29, -3, 69.89

 

CMYK 0 / 36 / 81 / 16

HEX #D68929

RGB 214 137 41

HSL 33.29, 0.68%, 0.5%

LAB 63.63, 22.11, 59.58

 

CMYK 0 / 58 / 81 / 16

HEX #D65A29

RGB 214 90 41

HSL 16.99, 0.68%, 0.5%

LAB 53.78, 46.29, 50.53

 

CMYK 29 / 0 / 81 / 16

HEX #97D629

RGB 151 214 41

HSL 81.85, 0.68%, 0.5%

LAB 78.94, -43.47, 71.35

 

CMYK 51 / 0 / 81 / 16

HEX #68D629

RGB 104 214 41

HSL 98.15, 0.68%, 0.5%

LAB 76.8, -58.97, 68.6

 

CMYK 73 / 0 / 81 / 16

HEX #3AD629

RGB 58 214 41

HSL 114.1, 0.68%, 0.5%

LAB 75.55, -69.23, 66.99

 

CMYK 81 / 0 / 67 / 16

HEX #29D647

RGB 41 214 71

HSL 130.4, 0.68%, 0.5%

LAB 75.46, -69.26, 56.64

 

CMYK 81 / 0 / 45 / 16

HEX #29D676

RGB 41 214 118

HSL 146.71, 0.68%, 0.5%

LAB 75.99, -62.91, 35.68

 

CMYK 29 / 0 / 81 / 16

HEX #97D629

RGB 151 214 41

HSL 81.85, 0.68%, 0.5%

LAB 78.94, -43.47, 71.35

 

CMYK 33 / 0 / 91 / 8

HEX #9DEB14

RGB 157 235 20

HSL 81.77, 0.84%, 0.5%

LAB 85.32, -50.7, 80.93

 

CMYK 29 / 0 / 81 / 16

HEX #97D629

RGB 151 214 41

HSL 81.85, 0.68%, 0.5%

LAB 78.94, -43.47, 71.35

 

CMYK 25 / 0 / 69 / 24

HEX #91C23D

RGB 145 194 61

HSL 82.11, 0.52%, 0.5%

LAB 72.85, -35.84, 58.9

 

CMYK 19 / 0 / 53 / 32

HEX #8CAD52

RGB 140 173 82

HSL 81.76, 0.36%, 0.5%

LAB 66.57, -26.1, 42.62

 

CMYK 12 / 0 / 32 / 40

HEX #869867

RGB 134 152 103

HSL 82.04, 0.19%, 0.5%

LAB 60.34, -15.2, 23.73

 

CMYK 2 / 0 / 7 / 48

HEX #81847B

RGB 129 132 123

HSL 80, 0.04%, 0.5%

LAB 54.66, -2.87, 4.46

 

CMYK 0 / 15 / 81 / 16

HEX #D6B629

RGB 214 182 41

HSL 48.9, 0.68%, 0.5%

LAB 74.77, -1.96, 69.44

 

CMYK 7 / 0 / 81 / 16

HEX #C8D629

RGB 200 214 41

HSL 64.86, 0.68%, 0.5%

LAB 82.13, -24.05, 75.37

 

CMYK 28 / 0 / 81 / 16

HEX #9AD629

RGB 154 214 41

HSL 80.81, 0.68%, 0.5%

LAB 79.11, -42.36, 71.56

 

CMYK 50 / 0 / 81 / 16

HEX #6BD629

RGB 107 214 41

HSL 97.11, 0.68%, 0.5%

LAB 76.91, -58.11, 68.74

 

CMYK 71 / 0 / 81 / 16

HEX #3DD629

RGB 61 214 41

HSL 113.06, 0.68%, 0.5%

LAB 75.6, -68.73, 67.07

 

CMYK 30 / 0 / 81 / 43

HEX #66911C

RGB 102 145 28

HSL 82.05, 0.68%, 0.34%

LAB 55.24, -32.05, 52.49

 

CMYK 29 / 0 / 81 / 29

HEX #7FB422

RGB 127 180 34

HSL 81.78, 0.68%, 0.42%

LAB 67.48, -37.92, 62.42

 

CMYK 29 / 0 / 81 / 16

HEX #97D629

RGB 151 214 41

HSL 81.85, 0.68%, 0.5%

LAB 78.94, -43.47, 71.35

 

CMYK 24 / 0 / 66 / 13

HEX #A8DD4B

RGB 168 221 75

HSL 81.78, 0.68%, 0.58%

LAB 82.13, -38.34, 63.52

 

CMYK 19 / 0 / 52 / 11

HEX #B9E36E

RGB 185 227 110

HSL 81.54, 0.68%, 0.66%

LAB 85.19, -31.75, 52.14

 

CMYK 29 / 0 / 80 / 16

HEX #98D72A

RGB 152 215 42

HSL 81.85, 0.68%, 0.5%

LAB 79.3, -43.49, 71.42

 

CMYK 81 / 0 / 36 / 16

HEX #29D688

RGB 41 214 136

HSL 152.95, 0.68%, 0.5%

LAB 76.28, -59.59, 26.88

 

CMYK 4 / 81 / 0 / 16

HEX #CE29D6

RGB 206 41 214

HSL 297.23, 0.68%, 0.5%

LAB 51.34, 79.32, -52.62

 

CMYK 29 / 0 / 80 / 16

HEX #98D72A

RGB 152 215 42

HSL 81.85, 0.68%, 0.5%

LAB 79.3, -43.49, 71.42

 

CMYK 81 / 28 / 0 / 16

HEX #299AD6

RGB 41 154 214

HSL 200.81, 0.68%, 0.5%

LAB 60.28, -10.13, -39.27

 

CMYK 0 / 81 / 28 / 16

HEX #D6299A

RGB 214 41 154

HSL 320.81, 0.68%, 0.5%

LAB 49.76, 72.74, -19.98

 

CMYK 29 / 0 / 80 / 16

HEX #98D72A

RGB 152 215 42

HSL 81.85, 0.68%, 0.5%

LAB 79.3, -43.49, 71.42

 

CMYK 81 / 0 / 36 / 16

HEX #29D688

RGB 41 214 136

HSL 152.95, 0.68%, 0.5%

LAB 76.28, -59.59, 26.88

 

CMYK 53 / 81 / 0 / 16

HEX #6529D6

RGB 101 41 214

HSL 260.81, 0.68%, 0.5%

LAB 36.38, 62.92, -77.6

 

CMYK 0 / 81 / 44 / 16

HEX #D62977

RGB 214 41 119

HSL 332.95, 0.68%, 0.5%

LAB 48.53, 69.17, -0.69

 

CMYK 29 / 0 / 80 / 16

HEX #98D72A

RGB 152 215 42

HSL 81.85, 0.68%, 0.5%

LAB 79.3, -43.49, 71.42

 

CMYK 81 / 0 / 12 / 16

HEX #29D6BC

RGB 41 214 188

HSL 170.98, 0.68%, 0.5%

LAB 77.4, -47.51, 0.93

 

CMYK 53 / 81 / 0 / 16

HEX #6529D6

RGB 101 41 214

HSL 260.81, 0.68%, 0.5%

LAB 36.38, 62.92, -77.6

 

CMYK 0 / 81 / 69 / 16

HEX #D62943

RGB 214 41 67

HSL 350.98, 0.68%, 0.5%

LAB 47.35, 65.62, 29.5

 

Description

Color code: HEX #98D72A | qconv.com Color code: HEX #98D72A | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 215 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 215 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 80 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 80% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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