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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98D652 it is the complementary color #6729AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98D652. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98D652 shade: #9DD64D, #AEE860, #BFFA73, #D0FF86 and #E1FF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98D652. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98D652 shade: #98D652, #87C43F, #76B22C, #65A019 and #548E06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98D652 shade: #98D651, #BCD651, #D6CD51, #D6A951 and #D68551

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98D652 shade: #98D651, #74D651, #51D653, #51D677 and #51D69A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98D652 shade matches the following richer shades: #98D651, #99E840 and #9AF92F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98D652 shade: #98D651, #97C563, #96B474, #95A285 and #949197

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98D652 shade: #D6CD51, #BCD651, #98D651, #75D651 and #51D651

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98D652 shade: #6FAD29, #84CE30, #98D651, #ACDE73 and #C0E694

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98D652 shade: #98D652, #51D6AA and #D651CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98D652 shade: #98D652, #5198D6 and #D65198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98D652 shade: #98D652, #51D6AA, #8F51D6 and #D6517E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98D652 shade: #98D652, #51D6D2, #8F51D6 and #D65156

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 62 / 16

HEX #98D652

RGB 152 214 82

HSL 88.18, 0.62%, 0.58%

LAB 79.26, -40.59, 57.31

 

Complementary color

CMYK 40 / 76 / 0 / 32

HEX #6729AD

RGB 103 41 173

HSL 268.18, 0.62%, 0.42%

LAB 32.89, 52.88, -59.24

 

CMYK 27 / 0 / 64 / 16

HEX #9DD64D

RGB 157 214 77

HSL 84.96, 0.63%, 0.57%

LAB 79.5, -39.16, 59.73

 

CMYK 25 / 0 / 59 / 9

HEX #AEE860

RGB 174 232 96

HSL 85.59, 0.75%, 0.64%

LAB 85.78, -39.39, 58.93

 

CMYK 24 / 0 / 54 / 2

HEX #BFFA73

RGB 191 250 115

HSL 86.22, 0.93%, 0.72%

LAB 91.99, -39.52, 57.96

 

CMYK 18 / 0 / 47 / 0

HEX #D0FF86

RGB 208 255 134

HSL 83.31, 1%, 0.76%

LAB 94.59, -33.75, 52.64

 

CMYK 12 / 0 / 40 / 0

HEX #E1FF99

RGB 225 255 153

HSL 77.65, 1%, 0.8%

LAB 95.93, -25.46, 45.5

 

CMYK 29 / 0 / 62 / 16

HEX #98D652

RGB 152 214 82

HSL 88.18, 0.62%, 0.58%

LAB 79.26, -40.59, 57.31

 

CMYK 31 / 0 / 68 / 23

HEX #87C43F

RGB 135 196 63

HSL 87.52, 0.53%, 0.51%

LAB 72.89, -40.33, 57.97

 

CMYK 34 / 0 / 75 / 30

HEX #76B22C

RGB 118 178 44

HSL 86.87, 0.6%, 0.44%

LAB 66.42, -39.92, 58.17

 

CMYK 37 / 0 / 84 / 37

HEX #65A019

RGB 101 160 25

HSL 86.22, 0.73%, 0.36%

LAB 59.87, -39.29, 57.49

 

CMYK 41 / 0 / 96 / 44

HEX #548E06

RGB 84 142 6

HSL 85.59, 0.92%, 0.29%

LAB 53.22, -38.36, 55.33

 

CMYK 29 / 0 / 62 / 16

HEX #98D651

RGB 152 214 81

HSL 87.97, 0.62%, 0.58%

LAB 79.25, -40.67, 57.72

 

CMYK 12 / 0 / 62 / 16

HEX #BCD651

RGB 188 214 81

HSL 71.73, 0.62%, 0.58%

LAB 81.5, -26.92, 60.82

 

CMYK 0 / 4 / 62 / 16

HEX #D6CD51

RGB 214 205 81

HSL 55.94, 0.62%, 0.58%

LAB 81.05, -11.87, 60.92

 

CMYK 0 / 21 / 62 / 16

HEX #D6A951

RGB 214 169 81

HSL 39.7, 0.62%, 0.58%

LAB 71.74, 6.87, 50.69

 

CMYK 0 / 38 / 62 / 16

HEX #D68551

RGB 214 133 81

HSL 23.46, 0.62%, 0.58%

LAB 63.07, 26.26, 40.66

 

CMYK 29 / 0 / 62 / 16

HEX #98D651

RGB 152 214 81

HSL 87.97, 0.62%, 0.58%

LAB 79.25, -40.67, 57.72

 

CMYK 46 / 0 / 62 / 16

HEX #74D651

RGB 116 214 81

HSL 104.21, 0.62%, 0.58%

LAB 77.52, -52.63, 55.32

 

CMYK 62 / 0 / 61 / 16

HEX #51D653

RGB 81 214 83

HSL 120.9, 0.62%, 0.58%

LAB 76.36, -61.47, 52.83

 

CMYK 62 / 0 / 44 / 16

HEX #51D677

RGB 81 214 119

HSL 137.14, 0.62%, 0.58%

LAB 76.78, -56.61, 36.36

 

CMYK 62 / 0 / 28 / 16

HEX #51D69A

RGB 81 214 154

HSL 152.93, 0.62%, 0.58%

LAB 77.39, -50.14, 19.11

 

CMYK 29 / 0 / 62 / 16

HEX #98D651

RGB 152 214 81

HSL 87.97, 0.62%, 0.58%

LAB 79.25, -40.67, 57.72

 

CMYK 34 / 0 / 72 / 9

HEX #99E840

RGB 153 232 64

HSL 88.21, 0.79%, 0.58%

LAB 84.41, -49.2, 69.58

 

CMYK 38 / 0 / 81 / 2

HEX #9AF92F

RGB 154 249 47

HSL 88.22, 0.94%, 0.58%

LAB 89.31, -56.55, 79.16

 

CMYK 29 / 0 / 62 / 16

HEX #98D651

RGB 152 214 81

HSL 87.97, 0.62%, 0.58%

LAB 79.25, -40.67, 57.72

 

CMYK 23 / 0 / 50 / 23

HEX #97C563

RGB 151 197 99

HSL 88.16, 0.46%, 0.58%

LAB 74.45, -31.57, 43.97

 

CMYK 17 / 0 / 36 / 29

HEX #96B474

RGB 150 180 116

HSL 88.13, 0.3%, 0.58%

LAB 69.74, -21.57, 29.37

 

CMYK 8 / 0 / 18 / 36

HEX #95A285

RGB 149 162 133

HSL 86.9, 0.13%, 0.58%

LAB 64.9, -10, 13.56

 

CMYK 2 / 4 / 0 / 41

HEX #949197

RGB 148 145 151

HSL 270, 0.03%, 0.58%

LAB 60.59, 2.27, -2.78

 

CMYK 0 / 4 / 62 / 16

HEX #D6CD51

RGB 214 205 81

HSL 55.94, 0.62%, 0.58%

LAB 81.05, -11.87, 60.92

 

CMYK 12 / 0 / 62 / 16

HEX #BCD651

RGB 188 214 81

HSL 71.73, 0.62%, 0.58%

LAB 81.5, -26.92, 60.82

 

CMYK 29 / 0 / 62 / 16

HEX #98D651

RGB 152 214 81

HSL 87.97, 0.62%, 0.58%

LAB 79.25, -40.67, 57.72

 

CMYK 45 / 0 / 62 / 16

HEX #75D651

RGB 117 214 81

HSL 103.76, 0.62%, 0.58%

LAB 77.56, -52.33, 55.38

 

CMYK 62 / 0 / 62 / 16

HEX #51D651

RGB 81 214 81

HSL 120, 0.62%, 0.58%

LAB 76.34, -61.68, 53.67

 

CMYK 36 / 0 / 76 / 32

HEX #6FAD29

RGB 111 173 41

HSL 88.18, 0.62%, 0.42%

LAB 64.5, -40.48, 57.2

 

CMYK 36 / 0 / 77 / 19

HEX #84CE30

RGB 132 206 48

HSL 88.1, 0.62%, 0.5%

LAB 75.61, -46.62, 65.92

 

CMYK 29 / 0 / 62 / 16

HEX #98D651

RGB 152 214 81

HSL 87.97, 0.62%, 0.58%

LAB 79.25, -40.67, 57.72

 

CMYK 23 / 0 / 48 / 13

HEX #ACDE73

RGB 172 222 115

HSL 88.04, 0.62%, 0.66%

LAB 83.05, -33.71, 47.01

 

CMYK 17 / 0 / 36 / 10

HEX #C0E694

RGB 192 230 148

HSL 87.8, 0.62%, 0.74%

LAB 86.97, -26.21, 35.98

 

CMYK 29 / 0 / 62 / 16

HEX #98D652

RGB 152 214 82

HSL 88.18, 0.62%, 0.58%

LAB 79.26, -40.59, 57.31

 

CMYK 62 / 0 / 21 / 16

HEX #51D6AA

RGB 81 214 170

HSL 160.15, 0.62%, 0.58%

LAB 77.72, -46.64, 11.11

 

CMYK 0 / 62 / 4 / 16

HEX #D651CD

RGB 214 81 205

HSL 304.06, 0.62%, 0.58%

LAB 56.67, 66.67, -38.95

 

CMYK 29 / 0 / 62 / 16

HEX #98D652

RGB 152 214 82

HSL 88.18, 0.62%, 0.58%

LAB 79.26, -40.59, 57.31

 

CMYK 62 / 29 / 0 / 16

HEX #5198D6

RGB 81 152 214

HSL 207.97, 0.62%, 0.58%

LAB 60.84, -3.48, -38.33

 

CMYK 0 / 62 / 29 / 16

HEX #D65198

RGB 214 81 152

HSL 327.97, 0.62%, 0.58%

LAB 54.5, 59.03, -11.59

 

CMYK 29 / 0 / 62 / 16

HEX #98D652

RGB 152 214 82

HSL 88.18, 0.62%, 0.58%

LAB 79.26, -40.59, 57.31

 

CMYK 62 / 0 / 21 / 16

HEX #51D6AA

RGB 81 214 170

HSL 160.15, 0.62%, 0.58%

LAB 77.72, -46.64, 11.11

 

CMYK 33 / 62 / 0 / 16

HEX #8F51D6

RGB 143 81 214

HSL 267.97, 0.62%, 0.58%

LAB 47.73, 51.58, -58.9

 

CMYK 0 / 62 / 41 / 16

HEX #D6517E

RGB 214 81 126

HSL 339.7, 0.62%, 0.58%

LAB 53.69, 56.06, 2.61

 

CMYK 29 / 0 / 62 / 16

HEX #98D652

RGB 152 214 82

HSL 88.18, 0.62%, 0.58%

LAB 79.26, -40.59, 57.31

 

CMYK 62 / 0 / 2 / 16

HEX #51D6D2

RGB 81 214 210

HSL 178.2, 0.62%, 0.58%

LAB 78.75, -36.63, -8.78

 

CMYK 33 / 62 / 0 / 16

HEX #8F51D6

RGB 143 81 214

HSL 267.97, 0.62%, 0.58%

LAB 47.73, 51.58, -58.9

 

CMYK 0 / 62 / 60 / 16

HEX #D65156

RGB 214 81 86

HSL 357.74, 0.62%, 0.58%

LAB 52.79, 52.61, 25.1

 

Description

Color code: HEX #98D652 | qconv.com Color code: HEX #98D652 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 214 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 214 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 62 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 62% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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