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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98D62C it is the complementary color #6729D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98D62C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98D62C shade: #9DD627, #AEE83A, #BFFA4D, #D0FF60 and #E1FF73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98D62C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98D62C shade: #98D62C, #87C419, #76B206, #65A000 and #548E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98D62C shade: #99D62E, #C6D62E, #D6B92E, #D68B2E and #D65E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98D62C shade: #99D62E, #6CD62E, #3ED62E, #2ED64B and #2ED679

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98D62C shade matches the following richer shades: #99D62E, #9EEA1A and #A4FE06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98D62C shade: #99D62E, #93C243, #8EAD57, #88996B and #83857F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98D62C shade: #D6B72E, #C8D62E, #9BD62E, #6FD62E and #42D62E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98D62C shade: #69941D, #81B724, #99D62E, #AADD51 and #BAE373

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98D62C shade: #98D62C, #2ED68A and #CD2ED6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98D62C shade: #98D62C, #2E9BD6 and #D62E9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98D62C shade: #98D62C, #2ED68A, #692ED6 and #D62E7A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98D62C shade: #98D62C, #2ED6BD, #692ED6 and #D62E47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 79 / 16

HEX #98D62C

RGB 152 214 44

HSL 81.88, 0.67%, 0.51%

LAB 79.01, -42.98, 70.62

 

Complementary color

CMYK 51 / 81 / 0 / 17

HEX #6729D3

RGB 103 41 211

HSL 261.88, 0.67%, 0.49%

LAB 36.31, 62.4, -75.97

 

CMYK 27 / 0 / 82 / 16

HEX #9DD627

RGB 157 214 39

HSL 79.54, 0.69%, 0.5%

LAB 79.28, -41.31, 72.28

 

CMYK 25 / 0 / 75 / 9

HEX #AEE83A

RGB 174 232 58

HSL 80, 0.79%, 0.57%

LAB 85.51, -41.95, 72.99

 

CMYK 24 / 0 / 69 / 2

HEX #BFFA4D

RGB 191 250 77

HSL 80.46, 0.95%, 0.64%

LAB 91.68, -42.45, 73

 

CMYK 18 / 0 / 62 / 0

HEX #D0FF60

RGB 208 255 96

HSL 77.74, 1%, 0.69%

LAB 94.22, -37.09, 68.79

 

CMYK 12 / 0 / 55 / 0

HEX #E1FF73

RGB 225 255 115

HSL 72.86, 1%, 0.73%

LAB 95.48, -29.2, 62.55

 

CMYK 29 / 0 / 79 / 16

HEX #98D62C

RGB 152 214 44

HSL 81.88, 0.67%, 0.51%

LAB 79.01, -42.98, 70.62

 

CMYK 31 / 0 / 87 / 23

HEX #87C419

RGB 135 196 25

HSL 81.4, 0.77%, 0.43%

LAB 72.69, -42.22, 69.25

 

CMYK 34 / 0 / 97 / 30

HEX #76B206

RGB 118 178 6

HSL 80.93, 0.93%, 0.36%

LAB 66.29, -41.23, 66.51

 

CMYK 37 / 0 / 100 / 37

HEX #65A000

RGB 101 160 0

HSL 82.13, 1%, 0.31%

LAB 59.81, -39.95, 61.85

 

CMYK 41 / 0 / 100 / 44

HEX #548E00

RGB 84 142 0

HSL 84.51, 1%, 0.28%

LAB 53.2, -38.51, 56.36

 

CMYK 29 / 0 / 79 / 16

HEX #99D62E

RGB 153 214 46

HSL 81.79, 0.67%, 0.51%

LAB 79.08, -42.52, 70.14

 

CMYK 7 / 0 / 79 / 16

HEX #C6D62E

RGB 198 214 46

HSL 65.71, 0.67%, 0.51%

LAB 82, -24.71, 73.87

 

CMYK 0 / 14 / 79 / 16

HEX #D6B92E

RGB 214 185 46

HSL 49.64, 0.67%, 0.51%

LAB 75.57, -3.35, 68.62

 

CMYK 0 / 35 / 79 / 16

HEX #D68B2E

RGB 214 139 46

HSL 33.21, 0.67%, 0.51%

LAB 64.13, 21.2, 58.14

 

CMYK 0 / 56 / 79 / 16

HEX #D65E2E

RGB 214 94 46

HSL 17.14, 0.67%, 0.51%

LAB 54.55, 44.55, 48.95

 

CMYK 29 / 0 / 79 / 16

HEX #99D62E

RGB 153 214 46

HSL 81.79, 0.67%, 0.51%

LAB 79.08, -42.52, 70.14

 

CMYK 50 / 0 / 79 / 16

HEX #6CD62E

RGB 108 214 46

HSL 97.86, 0.67%, 0.51%

LAB 76.97, -57.57, 67.42

 

CMYK 71 / 0 / 79 / 16

HEX #3ED62E

RGB 62 214 46

HSL 114.29, 0.67%, 0.51%

LAB 75.65, -68.28, 65.7

 

CMYK 79 / 0 / 65 / 16

HEX #2ED64B

RGB 46 214 75

HSL 130.36, 0.67%, 0.51%

LAB 75.56, -68.26, 55.14

 

CMYK 79 / 0 / 43 / 16

HEX #2ED679

RGB 46 214 121

HSL 146.79, 0.67%, 0.51%

LAB 76.1, -61.85, 34.33

 

CMYK 29 / 0 / 79 / 16

HEX #99D62E

RGB 153 214 46

HSL 81.79, 0.67%, 0.51%

LAB 79.08, -42.52, 70.14

 

CMYK 32 / 0 / 89 / 8

HEX #9EEA1A

RGB 158 234 26

HSL 81.92, 0.83%, 0.51%

LAB 85.09, -49.81, 79.9

 

CMYK 35 / 0 / 98 / 0

HEX #A4FE06

RGB 164 254 6

HSL 81.77, 0.99%, 0.51%

LAB 91.14, -56.08, 86.99

 

CMYK 29 / 0 / 79 / 16

HEX #99D62E

RGB 153 214 46

HSL 81.79, 0.67%, 0.51%

LAB 79.08, -42.52, 70.14

 

CMYK 24 / 0 / 65 / 24

HEX #93C243

RGB 147 194 67

HSL 82.2, 0.51%, 0.51%

LAB 73.02, -34.64, 56.72

 

CMYK 18 / 0 / 50 / 32

HEX #8EAD57

RGB 142 173 87

HSL 81.63, 0.34%, 0.51%

LAB 66.77, -24.78, 40.43

 

CMYK 11 / 0 / 30 / 40

HEX #88996B

RGB 136 153 107

HSL 82.17, 0.18%, 0.51%

LAB 60.85, -14.35, 22.23

 

CMYK 2 / 0 / 5 / 48

HEX #83857F

RGB 131 133 127

HSL 80, 0.02%, 0.51%

LAB 55.21, -1.91, 2.96

 

CMYK 0 / 14 / 79 / 16

HEX #D6B72E

RGB 214 183 46

HSL 48.93, 0.67%, 0.51%

LAB 75.05, -2.31, 68.16

 

CMYK 7 / 0 / 79 / 16

HEX #C8D62E

RGB 200 214 46

HSL 65, 0.67%, 0.51%

LAB 82.15, -23.88, 74.06

 

CMYK 28 / 0 / 79 / 16

HEX #9BD62E

RGB 155 214 46

HSL 81.07, 0.67%, 0.51%

LAB 79.19, -41.78, 70.29

 

CMYK 48 / 0 / 79 / 16

HEX #6FD62E

RGB 111 214 46

HSL 96.79, 0.67%, 0.51%

LAB 77.08, -56.69, 67.57

 

CMYK 69 / 0 / 79 / 16

HEX #42D62E

RGB 66 214 46

HSL 112.86, 0.67%, 0.51%

LAB 75.73, -67.57, 65.81

 

CMYK 29 / 0 / 80 / 42

HEX #69941D

RGB 105 148 29

HSL 81.68, 0.67%, 0.35%

LAB 56.36, -32.2, 53.28

 

CMYK 30 / 0 / 80 / 28

HEX #81B724

RGB 129 183 36

HSL 82.04, 0.67%, 0.43%

LAB 68.51, -38.41, 62.83

 

CMYK 29 / 0 / 79 / 16

HEX #99D62E

RGB 153 214 46

HSL 81.79, 0.67%, 0.51%

LAB 79.08, -42.52, 70.14

 

CMYK 23 / 0 / 63 / 13

HEX #AADD51

RGB 170 221 81

HSL 81.86, 0.67%, 0.59%

LAB 82.3, -37.15, 61.33

 

CMYK 18 / 0 / 49 / 11

HEX #BAE373

RGB 186 227 115

HSL 81.96, 0.67%, 0.67%

LAB 85.31, -30.87, 49.96

 

CMYK 29 / 0 / 79 / 16

HEX #98D62C

RGB 152 214 44

HSL 81.88, 0.67%, 0.51%

LAB 79.01, -42.98, 70.62

 

CMYK 79 / 0 / 36 / 16

HEX #2ED68A

RGB 46 214 138

HSL 152.86, 0.67%, 0.51%

LAB 76.38, -58.67, 25.99

 

CMYK 4 / 79 / 0 / 16

HEX #CD2ED6

RGB 205 46 214

HSL 296.79, 0.67%, 0.51%

LAB 51.6, 77.92, -52.22

 

CMYK 29 / 0 / 79 / 16

HEX #98D62C

RGB 152 214 44

HSL 81.88, 0.67%, 0.51%

LAB 79.01, -42.98, 70.62

 

CMYK 79 / 28 / 0 / 16

HEX #2E9BD6

RGB 46 155 214

HSL 201.07, 0.67%, 0.51%

LAB 60.67, -10.19, -38.65

 

CMYK 0 / 79 / 28 / 16

HEX #D62E9B

RGB 214 46 155

HSL 321.07, 0.67%, 0.51%

LAB 50.24, 71.6, -19.84

 

CMYK 29 / 0 / 79 / 16

HEX #98D62C

RGB 152 214 44

HSL 81.88, 0.67%, 0.51%

LAB 79.01, -42.98, 70.62

 

CMYK 79 / 0 / 36 / 16

HEX #2ED68A

RGB 46 214 138

HSL 152.86, 0.67%, 0.51%

LAB 76.38, -58.67, 25.99

 

CMYK 51 / 79 / 0 / 16

HEX #692ED6

RGB 105 46 214

HSL 261.07, 0.67%, 0.51%

LAB 37.5, 61.43, -75.73

 

CMYK 0 / 79 / 43 / 16

HEX #D62E7A

RGB 214 46 122

HSL 332.86, 0.67%, 0.51%

LAB 49.08, 68.14, -1.72

 

CMYK 29 / 0 / 79 / 16

HEX #98D62C

RGB 152 214 44

HSL 81.88, 0.67%, 0.51%

LAB 79.01, -42.98, 70.62

 

CMYK 79 / 0 / 12 / 16

HEX #2ED6BD

RGB 46 214 189

HSL 171.07, 0.67%, 0.51%

LAB 77.49, -46.79, 0.53

 

CMYK 51 / 79 / 0 / 16

HEX #692ED6

RGB 105 46 214

HSL 261.07, 0.67%, 0.51%

LAB 37.5, 61.43, -75.73

 

CMYK 0 / 79 / 67 / 16

HEX #D62E47

RGB 214 46 71

HSL 351.07, 0.67%, 0.51%

LAB 47.89, 64.48, 27.76

 

Description

Color code: HEX #98D62C | qconv.com Color code: HEX #98D62C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 214 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 214 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 79 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 79% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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