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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98D4ED it is the complementary color #672B12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98D4ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98D4ED shade: #9DD4E8, #AEE6FB, #BFF8FF, #D0FFFF and #E1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98D4ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98D4ED shade: #98D4ED, #87C2DA, #76B0C7, #659EB4 and #548CA1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98D4ED shade: #97D3ED, #97BCED, #97A5ED, #A097ED and #B797ED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98D4ED shade: #97D3ED, #97BCED, #97A5ED and #9797ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98D4ED shade matches the following richer shades: #97D3ED and #8DD8F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98D4ED shade: #97D3ED, #A1CFE3, #ABCBD9, #B5C7CF and #BFC3C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98D4ED shade: #97EDD7, #97EBED, #97D4ED, #97BEED and #97A7ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98D4ED shade: #51B6E0, #74C5E6, #97D3ED, #BAE2F3 and #DDF1F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98D4ED shade: #98D4ED, #C097ED and #EDE397

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98D4ED shade: #98D4ED, #ED97D4 and #D4ED97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98D4ED shade: #98D4ED, #C097ED, #EDAF97 and #C3ED97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98D4ED shade: #98D4ED, #DA97ED, #EDAF97 and #AAED97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 11 / 0 / 7

HEX #98D4ED

RGB 152 212 237

HSL 197.65, 0.7%, 0.76%

LAB 81.77, -13.07, -18.39

 

Complementary color

CMYK 0 / 58 / 83 / 60

HEX #672B12

RGB 103 43 18

HSL 17.65, 0.7%, 0.24%

LAB 25.73, 25.3, 28.39

 

CMYK 32 / 9 / 0 / 9

HEX #9DD4E8

RGB 157 212 232

HSL 196, 0.62%, 0.76%

LAB 81.88, -12.93, -15.54

 

CMYK 31 / 8 / 0 / 2

HEX #AEE6FB

RGB 174 230 251

HSL 196.36, 0.91%, 0.83%

LAB 88.24, -12.96, -15.94

 

CMYK 25 / 3 / 0 / 0

HEX #BFF8FF

RGB 191 248 255

HSL 186.56, 1%, 0.87%

LAB 94.07, -16.32, -9.22

 

CMYK 18 / 0 / 0 / 0

HEX #D0FFFF

RGB 208 255 255

HSL 180, 1%, 0.91%

LAB 96.88, -14.82, -4.95

 

CMYK 12 / 0 / 0 / 0

HEX #E1FFFF

RGB 225 255 255

HSL 180, 1%, 0.94%

LAB 97.93, -9.63, -3.28

 

CMYK 36 / 11 / 0 / 7

HEX #98D4ED

RGB 152 212 237

HSL 197.65, 0.7%, 0.76%

LAB 81.77, -13.07, -18.39

 

CMYK 38 / 11 / 0 / 15

HEX #87C2DA

RGB 135 194 218

HSL 197.35, 0.53%, 0.69%

LAB 75.32, -12.99, -18.02

 

CMYK 41 / 12 / 0 / 22

HEX #76B0C7

RGB 118 176 199

HSL 197.04, 0.42%, 0.62%

LAB 68.77, -12.89, -17.64

 

CMYK 44 / 12 / 0 / 29

HEX #659EB4

RGB 101 158 180

HSL 196.71, 0.34%, 0.55%

LAB 62.1, -12.75, -17.26

 

CMYK 48 / 13 / 0 / 37

HEX #548CA1

RGB 84 140 161

HSL 196.36, 0.31%, 0.48%

LAB 55.29, -12.56, -16.86

 

CMYK 36 / 11 / 0 / 7

HEX #97D3ED

RGB 151 211 237

HSL 198.14, 0.7%, 0.76%

LAB 81.45, -12.82, -18.89

 

CMYK 36 / 21 / 0 / 7

HEX #97BCED

RGB 151 188 237

HSL 214.19, 0.7%, 0.76%

LAB 75.24, -0.62, -28.34

 

CMYK 36 / 30 / 0 / 7

HEX #97A5ED

RGB 151 165 237

HSL 230.23, 0.7%, 0.76%

LAB 69.19, 12.15, -37.7

 

CMYK 32 / 36 / 0 / 7

HEX #A097ED

RGB 160 151 237

HSL 246.28, 0.7%, 0.76%

LAB 66.31, 22.56, -42.15

 

CMYK 23 / 36 / 0 / 7

HEX #B797ED

RGB 183 151 237

HSL 262.33, 0.7%, 0.76%

LAB 68.25, 29.07, -38.96

 

CMYK 36 / 11 / 0 / 7

HEX #97D3ED

RGB 151 211 237

HSL 198.14, 0.7%, 0.76%

LAB 81.45, -12.82, -18.89

 

CMYK 36 / 21 / 0 / 7

HEX #97BCED

RGB 151 188 237

HSL 214.19, 0.7%, 0.76%

LAB 75.24, -0.62, -28.34

 

CMYK 36 / 30 / 0 / 7

HEX #97A5ED

RGB 151 165 237

HSL 230.23, 0.7%, 0.76%

LAB 69.19, 12.15, -37.7

 

CMYK 36 / 36 / 0 / 7

HEX #9797ED

RGB 151 151 237

HSL 240, 0.7%, 0.76%

LAB 65.61, 20.13, -43.28

 

CMYK 36 / 11 / 0 / 7

HEX #97D3ED

RGB 151 211 237

HSL 198.14, 0.7%, 0.76%

LAB 81.45, -12.82, -18.89

 

CMYK 43 / 13 / 0 / 3

HEX #8DD8F7

RGB 141 216 247

HSL 197.55, 0.87%, 0.76%

LAB 82.64, -15.38, -22.44

 

CMYK 36 / 11 / 0 / 7

HEX #97D3ED

RGB 151 211 237

HSL 198.14, 0.7%, 0.76%

LAB 81.45, -12.82, -18.89

 

CMYK 29 / 9 / 0 / 11

HEX #A1CFE3

RGB 161 207 227

HSL 198.18, 0.54%, 0.76%

LAB 80.6, -10.4, -14.77

 

CMYK 21 / 6 / 0 / 15

HEX #ABCBD9

RGB 171 203 217

HSL 198.26, 0.38%, 0.76%

LAB 79.83, -7.62, -10.5

 

CMYK 13 / 4 / 0 / 19

HEX #B5C7CF

RGB 181 199 207

HSL 198.46, 0.21%, 0.76%

LAB 79.14, -4.48, -6.08

 

CMYK 3 / 1 / 0 / 23

HEX #BFC3C5

RGB 191 195 197

HSL 200, 0.05%, 0.76%

LAB 78.54, -1, -1.49

 

CMYK 36 / 0 / 9 / 7

HEX #97EDD7

RGB 151 237 215

HSL 164.65, 0.7%, 0.76%

LAB 87.99, -30.81, 2.45

 

CMYK 36 / 1 / 0 / 7

HEX #97EBED

RGB 151 235 237

HSL 181.4, 0.7%, 0.76%

LAB 88.02, -24.86, -9.04

 

CMYK 36 / 11 / 0 / 7

HEX #97D4ED

RGB 151 212 237

HSL 197.44, 0.7%, 0.76%

LAB 81.72, -13.34, -18.48

 

CMYK 36 / 20 / 0 / 7

HEX #97BEED

RGB 151 190 237

HSL 212.79, 0.7%, 0.76%

LAB 75.77, -1.7, -27.52

 

CMYK 36 / 30 / 0 / 7

HEX #97A7ED

RGB 151 167 237

HSL 228.84, 0.7%, 0.76%

LAB 69.7, 11.02, -36.89

 

CMYK 64 / 19 / 0 / 12

HEX #51B6E0

RGB 81 182 224

HSL 197.62, 0.7%, 0.6%

LAB 69.89, -16.74, -29.79

 

CMYK 50 / 14 / 0 / 10

HEX #74C5E6

RGB 116 197 230

HSL 197.37, 0.7%, 0.68%

LAB 75.67, -15.97, -24.06

 

CMYK 36 / 11 / 0 / 7

HEX #97D3ED

RGB 151 211 237

HSL 198.14, 0.7%, 0.76%

LAB 81.45, -12.82, -18.89

 

CMYK 23 / 7 / 0 / 5

HEX #BAE2F3

RGB 186 226 243

HSL 197.89, 0.7%, 0.84%

LAB 87.63, -9.3, -12.57

 

CMYK 11 / 3 / 0 / 2

HEX #DDF1F9

RGB 221 241 249

HSL 197.14, 0.7%, 0.92%

LAB 93.94, -5, -6.1

 

CMYK 36 / 11 / 0 / 7

HEX #98D4ED

RGB 152 212 237

HSL 197.65, 0.7%, 0.76%

LAB 81.77, -13.07, -18.39

 

CMYK 19 / 36 / 0 / 7

HEX #C097ED

RGB 192 151 237

HSL 268.6, 0.7%, 0.76%

LAB 69.08, 31.7, -37.61

 

CMYK 0 / 4 / 36 / 7

HEX #EDE397

RGB 237 227 151

HSL 53.02, 0.7%, 0.76%

LAB 89.48, -7.49, 38.37

 

CMYK 36 / 11 / 0 / 7

HEX #98D4ED

RGB 152 212 237

HSL 197.65, 0.7%, 0.76%

LAB 81.77, -13.07, -18.39

 

CMYK 0 / 36 / 11 / 7

HEX #ED97D4

RGB 237 151 212

HSL 317.44, 0.7%, 0.76%

LAB 72.82, 40.95, -17.73

 

CMYK 11 / 0 / 36 / 7

HEX #D4ED97

RGB 212 237 151

HSL 77.44, 0.7%, 0.76%

LAB 90.23, -21.89, 38.99

 

CMYK 36 / 11 / 0 / 7

HEX #98D4ED

RGB 152 212 237

HSL 197.65, 0.7%, 0.76%

LAB 81.77, -13.07, -18.39

 

CMYK 19 / 36 / 0 / 7

HEX #C097ED

RGB 192 151 237

HSL 268.6, 0.7%, 0.76%

LAB 69.08, 31.7, -37.61

 

CMYK 0 / 26 / 36 / 7

HEX #EDAF97

RGB 237 175 151

HSL 16.74, 0.7%, 0.76%

LAB 76.62, 19.56, 21.19

 

CMYK 18 / 0 / 36 / 7

HEX #C3ED97

RGB 195 237 151

HSL 89.3, 0.7%, 0.76%

LAB 89.11, -28.06, 37.32

 

CMYK 36 / 11 / 0 / 7

HEX #98D4ED

RGB 152 212 237

HSL 197.65, 0.7%, 0.76%

LAB 81.77, -13.07, -18.39

 

CMYK 8 / 36 / 0 / 7

HEX #DA97ED

RGB 218 151 237

HSL 286.74, 0.7%, 0.76%

LAB 71.66, 39.49, -33.41

 

CMYK 0 / 26 / 36 / 7

HEX #EDAF97

RGB 237 175 151

HSL 16.74, 0.7%, 0.76%

LAB 76.62, 19.56, 21.19

 

CMYK 28 / 0 / 36 / 7

HEX #AAED97

RGB 170 237 151

HSL 106.74, 0.7%, 0.76%

LAB 87.65, -36.68, 35.13

 

Description

Color code: HEX #98D4ED | qconv.com Color code: HEX #98D4ED | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 212 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 212 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 11 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 11% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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