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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98BCE8 it is the complementary color #674317. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98BCE8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98BCE8 shade: #9DBCE3, #AECEF6, #BFE0FF, #D0F2FF and #E1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98BCE8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98BCE8 shade: #98BCE8, #87AAD5, #7698C2, #6586AF and #54749C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98BCE8 shade: #97BBE7, #97A6E7, #9E97E7, #B497E7 and #CA97E7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98BCE8 shade: #97BBE7, #97A6E7 and #9797E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98BCE8 shade matches the following richer shades: #97BBE7, #8DBAF2 and #82B9FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98BCE8 shade: #97BBE7, #A1BCDD, #ACBDD3, #B6BEC8 and #C0BFBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98BCE8 shade: #97E6E7, #97D1E7, #97BBE7, #97A6E7 and #9E97E7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98BCE8 shade: #548FD8, #75A5E0, #97BBE7, #B9D1EF and #DAE7F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98BCE8 shade: #98BCE8, #D397E7 and #DBE797

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98BCE8 shade: #98BCE8, #E797BB and #BBE797

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98BCE8 shade: #98BCE8, #D397E7, #E7C397 and #ABE797

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98BCE8 shade: #98BCE8, #E797E3, #E7C397 and #97E79B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 19 / 0 / 9

HEX #98BCE8

RGB 152 188 232

HSL 213, 0.63%, 0.75%

LAB 75.12, -1.63, -25.82

 

Complementary color

CMYK 0 / 35 / 78 / 60

HEX #674317

RGB 103 67 23

HSL 33, 0.63%, 0.25%

LAB 31.72, 11.2, 31.84

 

CMYK 31 / 17 / 0 / 11

HEX #9DBCE3

RGB 157 188 227

HSL 213.43, 0.56%, 0.75%

LAB 75.25, -1.47, -22.88

 

CMYK 29 / 16 / 0 / 4

HEX #AECEF6

RGB 174 206 246

HSL 213.33, 0.8%, 0.82%

LAB 81.73, -1.67, -23.13

 

CMYK 25 / 12 / 0 / 0

HEX #BFE0FF

RGB 191 224 255

HSL 209.06, 1%, 0.87%

LAB 87.78, -4.13, -18.63

 

CMYK 18 / 5 / 0 / 0

HEX #D0F2FF

RGB 208 242 255

HSL 196.6, 1%, 0.91%

LAB 93.51, -8.32, -9.94

 

CMYK 12 / 0 / 0 / 0

HEX #E1FFFF

RGB 225 255 255

HSL 180, 1%, 0.94%

LAB 97.93, -9.63, -3.28

 

CMYK 34 / 19 / 0 / 9

HEX #98BCE8

RGB 152 188 232

HSL 213, 0.63%, 0.75%

LAB 75.12, -1.63, -25.82

 

CMYK 37 / 20 / 0 / 16

HEX #87AAD5

RGB 135 170 213

HSL 213.08, 0.48%, 0.68%

LAB 68.54, -1.36, -25.62

 

CMYK 39 / 22 / 0 / 24

HEX #7698C2

RGB 118 152 194

HSL 213.16, 0.38%, 0.61%

LAB 61.83, -1.06, -25.45

 

CMYK 42 / 23 / 0 / 31

HEX #6586AF

RGB 101 134 175

HSL 213.24, 0.32%, 0.54%

LAB 54.98, -0.69, -25.3

 

CMYK 46 / 26 / 0 / 39

HEX #54749C

RGB 84 116 156

HSL 213.33, 0.3%, 0.47%

LAB 47.98, -0.25, -25.19

 

CMYK 35 / 19 / 0 / 9

HEX #97BBE7

RGB 151 187 231

HSL 213, 0.63%, 0.75%

LAB 74.76, -1.61, -25.84

 

CMYK 35 / 28 / 0 / 9

HEX #97A6E7

RGB 151 166 231

HSL 228.75, 0.63%, 0.75%

LAB 69.2, 10.01, -34.4

 

CMYK 32 / 35 / 0 / 9

HEX #9E97E7

RGB 158 151 231

HSL 245.25, 0.63%, 0.75%

LAB 65.88, 20.47, -39.52

 

CMYK 22 / 35 / 0 / 9

HEX #B497E7

RGB 180 151 231

HSL 261.75, 0.63%, 0.75%

LAB 67.73, 26.8, -36.5

 

CMYK 13 / 35 / 0 / 9

HEX #CA97E7

RGB 202 151 231

HSL 278.25, 0.63%, 0.75%

LAB 69.8, 33.41, -33.13

 

CMYK 35 / 19 / 0 / 9

HEX #97BBE7

RGB 151 187 231

HSL 213, 0.63%, 0.75%

LAB 74.76, -1.61, -25.84

 

CMYK 35 / 28 / 0 / 9

HEX #97A6E7

RGB 151 166 231

HSL 228.75, 0.63%, 0.75%

LAB 69.2, 10.01, -34.4

 

CMYK 35 / 35 / 0 / 9

HEX #9797E7

RGB 151 151 231

HSL 240, 0.63%, 0.75%

LAB 65.34, 18.54, -40.4

 

CMYK 35 / 19 / 0 / 9

HEX #97BBE7

RGB 151 187 231

HSL 213, 0.63%, 0.75%

LAB 74.76, -1.61, -25.84

 

CMYK 42 / 23 / 0 / 5

HEX #8DBAF2

RGB 141 186 242

HSL 213.27, 0.8%, 0.75%

LAB 74.31, -0.82, -32.52

 

CMYK 48 / 27 / 0 / 1

HEX #82B9FC

RGB 130 185 252

HSL 212.95, 0.95%, 0.75%

LAB 73.85, -0.13, -38.67

 

CMYK 35 / 19 / 0 / 9

HEX #97BBE7

RGB 151 187 231

HSL 213, 0.63%, 0.75%

LAB 74.76, -1.61, -25.84

 

CMYK 27 / 15 / 0 / 13

HEX #A1BCDD

RGB 161 188 221

HSL 213, 0.47%, 0.75%

LAB 75.3, -1.75, -19.53

 

CMYK 18 / 10 / 0 / 17

HEX #ACBDD3

RGB 172 189 211

HSL 213.85, 0.31%, 0.75%

LAB 75.99, -1.2, -13

 

CMYK 9 / 5 / 0 / 22

HEX #B6BEC8

RGB 182 190 200

HSL 213.33, 0.14%, 0.75%

LAB 76.64, -0.8, -5.99

 

CMYK 0 / 1 / 1 / 25

HEX #C0BFBE

RGB 192 191 190

HSL 30, 0.02%, 0.75%

LAB 77.39, 0.17, 0.62

 

CMYK 35 / 0 / 0 / 9

HEX #97E6E7

RGB 151 230 231

HSL 180.75, 0.63%, 0.75%

LAB 86.48, -23.83, -8.18

 

CMYK 35 / 10 / 0 / 9

HEX #97D1E7

RGB 151 209 231

HSL 196.5, 0.63%, 0.75%

LAB 80.71, -13.27, -16.8

 

CMYK 35 / 19 / 0 / 9

HEX #97BBE7

RGB 151 187 231

HSL 213, 0.63%, 0.75%

LAB 74.76, -1.61, -25.84

 

CMYK 35 / 28 / 0 / 9

HEX #97A6E7

RGB 151 166 231

HSL 228.75, 0.63%, 0.75%

LAB 69.2, 10.01, -34.4

 

CMYK 32 / 35 / 0 / 9

HEX #9E97E7

RGB 158 151 231

HSL 245.25, 0.63%, 0.75%

LAB 65.88, 20.47, -39.52

 

CMYK 61 / 34 / 0 / 15

HEX #548FD8

RGB 84 143 216

HSL 213.18, 0.63%, 0.59%

LAB 58.5, 2.94, -43.11

 

CMYK 48 / 26 / 0 / 12

HEX #75A5E0

RGB 117 165 224

HSL 213.08, 0.63%, 0.67%

LAB 66.58, -0.14, -34.79

 

CMYK 35 / 19 / 0 / 9

HEX #97BBE7

RGB 151 187 231

HSL 213, 0.63%, 0.75%

LAB 74.76, -1.61, -25.84

 

CMYK 23 / 13 / 0 / 6

HEX #B9D1EF

RGB 185 209 239

HSL 213.33, 0.63%, 0.83%

LAB 82.99, -1.65, -17.42

 

CMYK 12 / 6 / 0 / 3

HEX #DAE7F7

RGB 218 231 247

HSL 213.1, 0.64%, 0.91%

LAB 91.13, -1.22, -9.23

 

CMYK 34 / 19 / 0 / 9

HEX #98BCE8

RGB 152 188 232

HSL 213, 0.63%, 0.75%

LAB 75.12, -1.63, -25.82

 

CMYK 9 / 35 / 0 / 9

HEX #D397E7

RGB 211 151 231

HSL 285, 0.63%, 0.75%

LAB 70.7, 36.16, -31.66

 

CMYK 5 / 0 / 35 / 9

HEX #DBE797

RGB 219 231 151

HSL 69, 0.63%, 0.75%

LAB 89.13, -16.34, 37.66

 

CMYK 34 / 19 / 0 / 9

HEX #98BCE8

RGB 152 188 232

HSL 213, 0.63%, 0.75%

LAB 75.12, -1.63, -25.82

 

CMYK 0 / 35 / 19 / 9

HEX #E797BB

RGB 231 151 187

HSL 333, 0.63%, 0.75%

LAB 71.36, 34.98, -6.18

 

CMYK 19 / 0 / 35 / 9

HEX #BBE797

RGB 187 231 151

HSL 93, 0.63%, 0.75%

LAB 86.97, -28.06, 34.42

 

CMYK 34 / 19 / 0 / 9

HEX #98BCE8

RGB 152 188 232

HSL 213, 0.63%, 0.75%

LAB 75.12, -1.63, -25.82

 

CMYK 9 / 35 / 0 / 9

HEX #D397E7

RGB 211 151 231

HSL 285, 0.63%, 0.75%

LAB 70.7, 36.16, -31.66

 

CMYK 0 / 16 / 35 / 9

HEX #E7C397

RGB 231 195 151

HSL 33, 0.63%, 0.75%

LAB 80.88, 6.65, 26.89

 

CMYK 26 / 0 / 35 / 9

HEX #ABE797

RGB 171 231 151

HSL 105, 0.63%, 0.75%

LAB 86.03, -33.59, 33

 

CMYK 34 / 19 / 0 / 9

HEX #98BCE8

RGB 152 188 232

HSL 213, 0.63%, 0.75%

LAB 75.12, -1.63, -25.82

 

CMYK 0 / 35 / 2 / 9

HEX #E797E3

RGB 231 151 227

HSL 303, 0.63%, 0.75%

LAB 72.67, 41.61, -26.26

 

CMYK 0 / 16 / 35 / 9

HEX #E7C397

RGB 231 195 151

HSL 33, 0.63%, 0.75%

LAB 80.88, 6.65, 26.89

 

CMYK 35 / 0 / 33 / 9

HEX #97E79B

RGB 151 231 155

HSL 123, 0.63%, 0.75%

LAB 85.05, -39.44, 29.47

 

Description

Color code: HEX #98BCE8 | qconv.com Color code: HEX #98BCE8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 188 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 188 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 19 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 19% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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