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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98B109 it is the complementary color #674EF6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98B109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98B109 shade: #9DB104, #AEC317, #BFD52A, #D0E73D and #E1F950

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98B109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98B109 shade: #98B109, #879F00, #768D00, #657B00 and #546900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98B109 shade: #96AE09, #AE9A09, #AE6E09, #AE4109 and #AE1509

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98B109 shade: #96AE09, #69AE09, #3DAE09, #10AE09 and #09AE2F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98B109 shade matches the following richer shades: #96AE09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98B109 shade: #96AE09, #8BA018, #819127, #778236 and #6C7345

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98B109 shade: #AE6C09, #AE9809, #98AE09, #6CAE09 and #40AE09

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98B109 shade: #526005, #748707, #96AE09, #B7D60B and #D2F317

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98B109 shade: #98B109, #09AE40 and #8209AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98B109 shade: #98B109, #0998AE and #AE0998

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98B109 shade: #98B109, #09AE40, #1F09AE and #AE0977

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98B109 shade: #98B109, #09AE72, #1F09AE and #AE0946

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 95 / 31

HEX #98B109

RGB 152 177 9

HSL 68.93, 0.9%, 0.36%

LAB 68.12, -27.08, 68.49

 

Complementary color

CMYK 58 / 68 / 0 / 4

HEX #674EF6

RGB 103 78 246

HSL 248.93, 0.9%, 0.64%

LAB 45.62, 54.57, -80.6

 

CMYK 11 / 0 / 98 / 31

HEX #9DB104

RGB 157 177 4

HSL 66.94, 0.96%, 0.35%

LAB 68.48, -25.02, 69.51

 

CMYK 11 / 0 / 88 / 24

HEX #AEC317

RGB 174 195 23

HSL 67.33, 0.79%, 0.43%

LAB 74.88, -26.24, 72.45

 

CMYK 10 / 0 / 80 / 16

HEX #BFD52A

RGB 191 213 42

HSL 67.72, 0.67%, 0.5%

LAB 81.2, -27.26, 74.05

 

CMYK 10 / 0 / 74 / 9

HEX #D0E73D

RGB 208 231 61

HSL 68.12, 0.78%, 0.57%

LAB 87.44, -28.1, 74.64

 

CMYK 10 / 0 / 68 / 2

HEX #E1F950

RGB 225 249 80

HSL 68.52, 0.93%, 0.65%

LAB 93.6, -28.8, 74.57

 

CMYK 14 / 0 / 95 / 31

HEX #98B109

RGB 152 177 9

HSL 68.93, 0.9%, 0.36%

LAB 68.12, -27.08, 68.49

 

CMYK 15 / 0 / 100 / 38

HEX #879F00

RGB 135 159 0

HSL 69.06, 1%, 0.31%

LAB 61.61, -25.72, 64.15

 

CMYK 16 / 0 / 100 / 45

HEX #768D00

RGB 118 141 0

HSL 69.79, 1%, 0.28%

LAB 54.97, -24.22, 58.62

 

CMYK 18 / 0 / 100 / 52

HEX #657B00

RGB 101 123 0

HSL 70.73, 1%, 0.24%

LAB 48.18, -22.69, 52.96

 

CMYK 20 / 0 / 100 / 59

HEX #546900

RGB 84 105 0

HSL 72, 1%, 0.21%

LAB 41.2, -21.14, 47.15

 

CMYK 14 / 0 / 95 / 32

HEX #96AE09

RGB 150 174 9

HSL 68.73, 0.9%, 0.36%

LAB 67.11, -26.47, 67.64

 

CMYK 0 / 11 / 95 / 32

HEX #AE9A09

RGB 174 154 9

HSL 52.73, 0.9%, 0.36%

LAB 63.45, -5.62, 65.71

 

CMYK 0 / 37 / 95 / 32

HEX #AE6E09

RGB 174 110 9

HSL 36.73, 0.9%, 0.36%

LAB 52.03, 18.71, 57.32

 

CMYK 0 / 63 / 95 / 32

HEX #AE4109

RGB 174 65 9

HSL 20.36, 0.9%, 0.36%

LAB 42.46, 42.39, 50.74

 

CMYK 0 / 88 / 95 / 32

HEX #AE1509

RGB 174 21 9

HSL 4.36, 0.9%, 0.36%

LAB 37.03, 57.34, 47.35

 

CMYK 14 / 0 / 95 / 32

HEX #96AE09

RGB 150 174 9

HSL 68.73, 0.9%, 0.36%

LAB 67.11, -26.47, 67.64

 

CMYK 40 / 0 / 95 / 32

HEX #69AE09

RGB 105 174 9

HSL 85.09, 0.9%, 0.36%

LAB 64.4, -44.22, 64.34

 

CMYK 65 / 0 / 95 / 32

HEX #3DAE09

RGB 61 174 9

HSL 101.09, 0.9%, 0.36%

LAB 62.75, -57.11, 62.31

 

CMYK 91 / 0 / 95 / 32

HEX #10AE09

RGB 16 174 9

HSL 117.45, 0.9%, 0.36%

LAB 62, -63.63, 61.39

 

CMYK 95 / 0 / 73 / 32

HEX #09AE2F

RGB 9 174 47

HSL 133.82, 0.9%, 0.36%

LAB 62.11, -62, 51.78

 

CMYK 14 / 0 / 95 / 32

HEX #96AE09

RGB 150 174 9

HSL 68.73, 0.9%, 0.36%

LAB 67.11, -26.47, 67.64

 

CMYK 14 / 0 / 95 / 32

HEX #96AE09

RGB 150 174 9

HSL 68.73, 0.9%, 0.36%

LAB 67.11, -26.47, 67.64

 

CMYK 13 / 0 / 85 / 37

HEX #8BA018

RGB 139 160 24

HSL 69.26, 0.74%, 0.36%

LAB 62.25, -23.99, 60.73

 

CMYK 11 / 0 / 73 / 43

HEX #819127

RGB 129 145 39

HSL 69.06, 0.58%, 0.36%

LAB 57.14, -20.13, 51.16

 

CMYK 8 / 0 / 58 / 49

HEX #778236

RGB 119 130 54

HSL 68.68, 0.41%, 0.36%

LAB 52.01, -15.6, 39

 

CMYK 6 / 0 / 40 / 55

HEX #6C7345

RGB 108 115 69

HSL 69.13, 0.25%, 0.36%

LAB 46.82, -10.6, 24.57

 

CMYK 0 / 38 / 95 / 32

HEX #AE6C09

RGB 174 108 9

HSL 36, 0.9%, 0.36%

LAB 51.55, 19.83, 56.98

 

CMYK 0 / 13 / 95 / 32

HEX #AE9809

RGB 174 152 9

HSL 52, 0.9%, 0.36%

LAB 62.91, -4.54, 65.3

 

CMYK 13 / 0 / 95 / 32

HEX #98AE09

RGB 152 174 9

HSL 68, 0.9%, 0.36%

LAB 67.25, -25.62, 67.81

 

CMYK 38 / 0 / 95 / 32

HEX #6CAE09

RGB 108 174 9

HSL 84, 0.9%, 0.36%

LAB 64.55, -43.15, 64.52

 

CMYK 63 / 0 / 95 / 32

HEX #40AE09

RGB 64 174 9

HSL 100, 0.9%, 0.36%

LAB 62.83, -56.42, 62.41

 

CMYK 15 / 0 / 95 / 62

HEX #526005

RGB 82 96 5

HSL 69.23, 0.9%, 0.2%

LAB 38.15, -17.14, 43.36

 

CMYK 14 / 0 / 95 / 47

HEX #748707

RGB 116 135 7

HSL 68.91, 0.9%, 0.28%

LAB 53.01, -21.93, 55.84

 

CMYK 14 / 0 / 95 / 32

HEX #96AE09

RGB 150 174 9

HSL 68.73, 0.9%, 0.36%

LAB 67.11, -26.47, 67.64

 

CMYK 14 / 0 / 95 / 16

HEX #B7D60B

RGB 183 214 11

HSL 69.16, 0.9%, 0.44%

LAB 80.84, -31.7, 79.06

 

CMYK 14 / 0 / 91 / 5

HEX #D2F317

RGB 210 243 23

HSL 69, 0.9%, 0.52%

LAB 90.72, -33.99, 86.17

 

CMYK 14 / 0 / 95 / 31

HEX #98B109

RGB 152 177 9

HSL 68.93, 0.9%, 0.36%

LAB 68.12, -27.08, 68.49

 

CMYK 95 / 0 / 63 / 32

HEX #09AE40

RGB 9 174 64

HSL 140, 0.9%, 0.36%

LAB 62.25, -60.23, 44.91

 

CMYK 25 / 95 / 0 / 32

HEX #8209AE

RGB 130 9 174

HSL 284, 0.9%, 0.36%

LAB 33.98, 65.98, -57.9

 

CMYK 14 / 0 / 95 / 31

HEX #98B109

RGB 152 177 9

HSL 68.93, 0.9%, 0.36%

LAB 68.12, -27.08, 68.49

 

CMYK 95 / 13 / 0 / 32

HEX #0998AE

RGB 9 152 174

HSL 188, 0.9%, 0.36%

LAB 57.63, -25.1, -20.9

 

CMYK 0 / 95 / 13 / 32

HEX #AE0998

RGB 174 9 152

HSL 308, 0.9%, 0.36%

LAB 40.35, 69.7, -33.99

 

CMYK 14 / 0 / 95 / 31

HEX #98B109

RGB 152 177 9

HSL 68.93, 0.9%, 0.36%

LAB 68.12, -27.08, 68.49

 

CMYK 95 / 0 / 63 / 32

HEX #09AE40

RGB 9 174 64

HSL 140, 0.9%, 0.36%

LAB 62.25, -60.23, 44.91

 

CMYK 82 / 95 / 0 / 32

HEX #1F09AE

RGB 31 9 174

HSL 248, 0.9%, 0.36%

LAB 22.1, 57.64, -77.9

 

CMYK 0 / 95 / 32 / 32

HEX #AE0977

RGB 174 9 119

HSL 320, 0.9%, 0.36%

LAB 38.77, 65.63, -16.11

 

CMYK 14 / 0 / 95 / 31

HEX #98B109

RGB 152 177 9

HSL 68.93, 0.9%, 0.36%

LAB 68.12, -27.08, 68.49

 

CMYK 95 / 0 / 34 / 32

HEX #09AE72

RGB 9 174 114

HSL 158.18, 0.9%, 0.36%

LAB 62.97, -51.72, 20.51

 

CMYK 82 / 95 / 0 / 32

HEX #1F09AE

RGB 31 9 174

HSL 248, 0.9%, 0.36%

LAB 22.1, 57.64, -77.9

 

CMYK 0 / 95 / 60 / 32

HEX #AE0946

RGB 174 9 70

HSL 337.82, 0.9%, 0.36%

LAB 37.18, 61.36, 12.85

 

Description

Color code: HEX #98B109 | qconv.com Color code: HEX #98B109 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 177 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 177 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 95 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 95% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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