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Color name
HEX #98A717

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98A717 it is the complementary color #6758E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98A717. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98A717 shade: #9DA712, #AEB925, #BFCB38, #D0DD4B and #E1EF5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98A717. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98A717 shade: #98A717, #879504, #768300, #657100 and #545F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98A717 shade: #97A617, #A68E17, #A66817, #A64117 and #A61A17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98A717 shade: #97A617, #70A617, #4AA617, #23A617 and #17A631

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98A717 shade matches the following richer shades: #97A617 and #A3B507

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98A717 shade: #97A617, #8B9726, #7F8835, #737844 and #676954

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98A717 shade: #A66817, #A68E17, #98A617, #71A617 and #4BA617

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98A717 shade: #555D0D, #768212, #97A617, #B8CA1C and #CFE22D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98A717 shade: #98A717, #17A642 and #7B17A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98A717 shade: #98A717, #1798A6 and #A61798

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98A717 shade: #98A717, #17A642, #2517A6 and #A6177B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98A717 shade: #98A717, #17A66D, #2517A6 and #A61750

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 86 / 35

HEX #98A717

RGB 152 167 23

HSL 66.25, 0.76%, 0.37%

LAB 65.26, -21.89, 63.88

 

Complementary color

CMYK 56 / 62 / 0 / 9

HEX #6758E8

RGB 103 88 232

HSL 246.25, 0.76%, 0.63%

LAB 46.56, 44.81, -71.18

 

CMYK 6 / 0 / 89 / 35

HEX #9DA712

RGB 157 167 18

HSL 64.03, 0.81%, 0.36%

LAB 65.63, -19.83, 65.35

 

CMYK 6 / 0 / 80 / 27

HEX #AEB925

RGB 174 185 37

HSL 64.46, 0.67%, 0.44%

LAB 72.11, -20.95, 66.92

 

CMYK 6 / 0 / 72 / 20

HEX #BFCB38

RGB 191 203 56

HSL 64.9, 0.59%, 0.51%

LAB 78.5, -21.86, 67.36

 

CMYK 6 / 0 / 66 / 13

HEX #D0DD4B

RGB 208 221 75

HSL 65.34, 0.68%, 0.58%

LAB 84.81, -22.61, 67.13

 

CMYK 6 / 0 / 61 / 6

HEX #E1EF5E

RGB 225 239 94

HSL 65.79, 0.82%, 0.65%

LAB 91.03, -23.23, 66.5

 

CMYK 9 / 0 / 86 / 35

HEX #98A717

RGB 152 167 23

HSL 66.25, 0.76%, 0.37%

LAB 65.26, -21.89, 63.88

 

CMYK 9 / 0 / 97 / 42

HEX #879504

RGB 135 149 4

HSL 65.79, 0.95%, 0.3%

LAB 58.65, -20.66, 61.32

 

CMYK 10 / 0 / 100 / 49

HEX #768300

RGB 118 131 0

HSL 65.95, 1%, 0.26%

LAB 51.93, -19.13, 56.35

 

CMYK 11 / 0 / 100 / 56

HEX #657100

RGB 101 113 0

HSL 66.37, 1%, 0.22%

LAB 45.05, -17.49, 50.62

 

CMYK 12 / 0 / 100 / 63

HEX #545F00

RGB 84 95 0

HSL 66.95, 1%, 0.19%

LAB 37.97, -15.81, 44.73

 

CMYK 9 / 0 / 86 / 35

HEX #97A617

RGB 151 166 23

HSL 66.29, 0.76%, 0.37%

LAB 64.89, -21.82, 63.55

 

CMYK 0 / 14 / 86 / 35

HEX #A68E17

RGB 166 142 23

HSL 49.93, 0.76%, 0.37%

LAB 59.45, -2.5, 59.56

 

CMYK 0 / 37 / 86 / 35

HEX #A66817

RGB 166 104 23

HSL 33.99, 0.76%, 0.37%

LAB 49.58, 18.78, 51.35

 

CMYK 0 / 61 / 86 / 35

HEX #A64117

RGB 166 65 23

HSL 17.62, 0.76%, 0.37%

LAB 41.14, 39.63, 44.2

 

CMYK 0 / 84 / 86 / 35

HEX #A61A17

RGB 166 26 23

HSL 1.26, 0.76%, 0.37%

LAB 35.81, 54.21, 39.59

 

CMYK 9 / 0 / 86 / 35

HEX #97A617

RGB 151 166 23

HSL 66.29, 0.76%, 0.37%

LAB 64.89, -21.82, 63.55

 

CMYK 33 / 0 / 86 / 35

HEX #70A617

RGB 112 166 23

HSL 82.66, 0.76%, 0.37%

LAB 62.32, -37.87, 60.34

 

CMYK 55 / 0 / 86 / 35

HEX #4AA617

RGB 74 166 23

HSL 98.6, 0.76%, 0.37%

LAB 60.6, -50.59, 58.17

 

CMYK 79 / 0 / 86 / 35

HEX #23A617

RGB 35 166 23

HSL 114.97, 0.76%, 0.37%

LAB 59.61, -58.83, 56.91

 

CMYK 86 / 0 / 70 / 35

HEX #17A631

RGB 23 166 49

HSL 130.91, 0.76%, 0.37%

LAB 59.6, -58.41, 48.42

 

CMYK 9 / 0 / 86 / 35

HEX #97A617

RGB 151 166 23

HSL 66.29, 0.76%, 0.37%

LAB 64.89, -21.82, 63.55

 

CMYK 10 / 0 / 96 / 29

HEX #A3B507

RGB 163 181 7

HSL 66.21, 0.93%, 0.37%

LAB 70.07, -24.37, 70.57

 

CMYK 9 / 0 / 86 / 35

HEX #97A617

RGB 151 166 23

HSL 66.29, 0.76%, 0.37%

LAB 64.89, -21.82, 63.55

 

CMYK 8 / 0 / 75 / 41

HEX #8B9726

RGB 139 151 38

HSL 66.37, 0.6%, 0.37%

LAB 59.67, -18.89, 54.24

 

CMYK 7 / 0 / 61 / 47

HEX #7F8835

RGB 127 136 53

HSL 66.51, 0.44%, 0.37%

LAB 54.43, -15.37, 42.35

 

CMYK 4 / 0 / 43 / 53

HEX #737844

RGB 115 120 68

HSL 65.77, 0.28%, 0.37%

LAB 48.88, -10.47, 27.87

 

CMYK 2 / 0 / 20 / 59

HEX #676954

RGB 103 105 84

HSL 65.71, 0.11%, 0.37%

LAB 43.69, -4.77, 11.58

 

CMYK 0 / 37 / 86 / 35

HEX #A66817

RGB 166 104 23

HSL 33.99, 0.76%, 0.37%

LAB 49.58, 18.78, 51.35

 

CMYK 0 / 14 / 86 / 35

HEX #A68E17

RGB 166 142 23

HSL 49.93, 0.76%, 0.37%

LAB 59.45, -2.5, 59.56

 

CMYK 8 / 0 / 86 / 35

HEX #98A617

RGB 152 166 23

HSL 65.87, 0.76%, 0.37%

LAB 64.97, -21.39, 63.64

 

CMYK 32 / 0 / 86 / 35

HEX #71A617

RGB 113 166 23

HSL 82.24, 0.76%, 0.37%

LAB 62.38, -37.49, 60.41

 

CMYK 55 / 0 / 86 / 35

HEX #4BA617

RGB 75 166 23

HSL 98.18, 0.76%, 0.37%

LAB 60.63, -50.3, 58.21

 

CMYK 9 / 0 / 86 / 64

HEX #555D0D

RGB 85 93 13

HSL 66, 0.75%, 0.21%

LAB 37.46, -13.78, 40.64

 

CMYK 9 / 0 / 86 / 49

HEX #768212

RGB 118 130 18

HSL 66.43, 0.76%, 0.29%

LAB 51.68, -18.18, 52.58

 

CMYK 9 / 0 / 86 / 35

HEX #97A617

RGB 151 166 23

HSL 66.29, 0.76%, 0.37%

LAB 64.89, -21.82, 63.55

 

CMYK 9 / 0 / 86 / 21

HEX #B8CA1C

RGB 184 202 28

HSL 66.21, 0.76%, 0.45%

LAB 77.59, -25.31, 74.02

 

CMYK 8 / 0 / 80 / 11

HEX #CFE22D

RGB 207 226 45

HSL 66.3, 0.76%, 0.53%

LAB 85.93, -26.77, 77.86

 

CMYK 9 / 0 / 86 / 35

HEX #98A717

RGB 152 167 23

HSL 66.25, 0.76%, 0.37%

LAB 65.26, -21.89, 63.88

 

CMYK 86 / 0 / 60 / 35

HEX #17A642

RGB 23 166 66

HSL 138.04, 0.76%, 0.37%

LAB 59.75, -56.47, 41.16

 

CMYK 26 / 86 / 0 / 35

HEX #7B17A6

RGB 123 23 166

HSL 281.96, 0.76%, 0.37%

LAB 33.09, 60.76, -54.59

 

CMYK 9 / 0 / 86 / 35

HEX #98A717

RGB 152 167 23

HSL 66.25, 0.76%, 0.37%

LAB 65.26, -21.89, 63.88

 

CMYK 86 / 8 / 0 / 35

HEX #1798A6

RGB 23 152 166

HSL 185.87, 0.76%, 0.37%

LAB 57.46, -27.04, -16.6

 

CMYK 0 / 86 / 8 / 35

HEX #A61798

RGB 166 23 152

HSL 305.87, 0.76%, 0.37%

LAB 39.56, 66.12, -35.33

 

CMYK 9 / 0 / 86 / 35

HEX #98A717

RGB 152 167 23

HSL 66.25, 0.76%, 0.37%

LAB 65.26, -21.89, 63.88

 

CMYK 86 / 0 / 60 / 35

HEX #17A642

RGB 23 166 66

HSL 138.04, 0.76%, 0.37%

LAB 59.75, -56.47, 41.16

 

CMYK 78 / 86 / 0 / 35

HEX #2517A6

RGB 37 23 166

HSL 245.87, 0.76%, 0.37%

LAB 22.86, 51.19, -71.79

 

CMYK 0 / 86 / 26 / 35

HEX #A6177B

RGB 166 23 123

HSL 318.04, 0.76%, 0.37%

LAB 38.11, 62.2, -19.76

 

CMYK 9 / 0 / 86 / 35

HEX #98A717

RGB 152 167 23

HSL 66.25, 0.76%, 0.37%

LAB 65.26, -21.89, 63.88

 

CMYK 86 / 0 / 34 / 35

HEX #17A66D

RGB 23 166 109

HSL 156.08, 0.76%, 0.37%

LAB 60.39, -48.94, 19.75

 

CMYK 78 / 86 / 0 / 35

HEX #2517A6

RGB 37 23 166

HSL 245.87, 0.76%, 0.37%

LAB 22.86, 51.19, -71.79

 

CMYK 0 / 86 / 52 / 35

HEX #A61750

RGB 166 23 80

HSL 336.08, 0.76%, 0.37%

LAB 36.55, 57.82, 5.26

 

Description

Color code: HEX #98A717 | qconv.com Color code: HEX #98A717 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 167 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 167 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 86 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 86% 35% C M Y K

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Provide designers and agencies with accurate color values.

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