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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98A628 it is the complementary color #6759D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98A628. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98A628 shade: #9DA623, #AEB836, #BFCA49, #D0DC5C and #E1EE6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98A628. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98A628 shade: #98A628, #879415, #768202, #657000 and #545E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98A628 shade: #96A428, #A49028, #A46F28, #A44D28 and #A42C28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98A628 shade: #96A428, #75A428, #53A428, #32A428 and #28A43F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98A628 shade matches the following richer shades: #96A428, #A3B517 and #B0C507

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98A628 shade: #96A428, #8A9438, #7D8349, #707359 and #63626A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98A628 shade: #A46E28, #A48F28, #98A428, #77A428 and #55A428

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98A628 shade: #5A6218, #788320, #96A428, #B5C530 and #C4D34B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98A628 shade: #98A628, #28A44D and #7F28A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98A628 shade: #98A628, #2898A4 and #A42898

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98A628 shade: #98A628, #28A44D, #3428A4 and #A4287F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98A628 shade: #98A628, #28A472, #3428A4 and #A4285A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 76 / 35

HEX #98A628

RGB 152 166 40

HSL 66.67, 0.61%, 0.4%

LAB 65.04, -20.77, 58.97

 

Complementary color

CMYK 52 / 59 / 0 / 16

HEX #6759D7

RGB 103 89 215

HSL 246.67, 0.61%, 0.6%

LAB 45.54, 39.05, -63.19

 

CMYK 5 / 0 / 79 / 35

HEX #9DA623

RGB 157 166 35

HSL 64.12, 0.65%, 0.39%

LAB 65.41, -18.81, 61.03

 

CMYK 5 / 0 / 71 / 28

HEX #AEB836

RGB 174 184 54

HSL 64.62, 0.55%, 0.47%

LAB 71.92, -19.71, 61.25

 

CMYK 5 / 0 / 64 / 21

HEX #BFCA49

RGB 191 202 73

HSL 65.12, 0.55%, 0.54%

LAB 78.34, -20.43, 60.82

 

CMYK 5 / 0 / 58 / 14

HEX #D0DC5C

RGB 208 220 92

HSL 65.63, 0.65%, 0.61%

LAB 84.67, -21.01, 60.04

 

CMYK 5 / 0 / 53 / 7

HEX #E1EE6F

RGB 225 238 111

HSL 66.14, 0.79%, 0.68%

LAB 90.92, -21.48, 59.07

 

CMYK 8 / 0 / 76 / 35

HEX #98A628

RGB 152 166 40

HSL 66.67, 0.61%, 0.4%

LAB 65.04, -20.77, 58.97

 

CMYK 9 / 0 / 86 / 42

HEX #879415

RGB 135 148 21

HSL 66.14, 0.75%, 0.33%

LAB 58.4, -19.79, 58.07

 

CMYK 9 / 0 / 98 / 49

HEX #768202

RGB 118 130 2

HSL 65.63, 0.97%, 0.26%

LAB 51.63, -18.56, 55.75

 

CMYK 10 / 0 / 100 / 56

HEX #657000

RGB 101 112 0

HSL 65.89, 1%, 0.22%

LAB 44.74, -16.96, 50.39

 

CMYK 11 / 0 / 100 / 63

HEX #545E00

RGB 84 94 0

HSL 66.38, 1%, 0.18%

LAB 37.64, -15.26, 44.49

 

CMYK 9 / 0 / 76 / 36

HEX #96A428

RGB 150 164 40

HSL 66.77, 0.61%, 0.4%

LAB 64.31, -20.62, 58.23

 

CMYK 0 / 12 / 76 / 36

HEX #A49028

RGB 164 144 40

HSL 50.32, 0.61%, 0.4%

LAB 59.88, -3.9, 54.48

 

CMYK 0 / 32 / 76 / 36

HEX #A46F28

RGB 164 111 40

HSL 34.35, 0.61%, 0.4%

LAB 51.17, 14.55, 46.01

 

CMYK 0 / 53 / 76 / 36

HEX #A44D28

RGB 164 77 40

HSL 17.9, 0.61%, 0.4%

LAB 43.29, 33.4, 37.93

 

CMYK 0 / 73 / 76 / 36

HEX #A42C28

RGB 164 44 40

HSL 1.94, 0.61%, 0.4%

LAB 37.57, 48.56, 31.73

 

CMYK 9 / 0 / 76 / 36

HEX #96A428

RGB 150 164 40

HSL 66.77, 0.61%, 0.4%

LAB 64.31, -20.62, 58.23

 

CMYK 29 / 0 / 76 / 36

HEX #75A428

RGB 117 164 40

HSL 82.74, 0.61%, 0.4%

LAB 62.07, -34.27, 55.31

 

CMYK 49 / 0 / 76 / 36

HEX #53A428

RGB 83 164 40

HSL 99.19, 0.61%, 0.4%

LAB 60.38, -46.25, 53.08

 

CMYK 70 / 0 / 76 / 36

HEX #32A428

RGB 50 164 40

HSL 115.16, 0.61%, 0.4%

LAB 59.33, -54.64, 51.69

 

CMYK 76 / 0 / 62 / 36

HEX #28A43F

RGB 40 164 63

HSL 131.13, 0.61%, 0.4%

LAB 59.31, -54.11, 42.11

 

CMYK 9 / 0 / 76 / 36

HEX #96A428

RGB 150 164 40

HSL 66.77, 0.61%, 0.4%

LAB 64.31, -20.62, 58.23

 

CMYK 10 / 0 / 87 / 29

HEX #A3B517

RGB 163 181 23

HSL 66.84, 0.77%, 0.4%

LAB 70.1, -24.09, 68.22

 

CMYK 11 / 0 / 96 / 23

HEX #B0C507

RGB 176 197 7

HSL 66.63, 0.93%, 0.4%

LAB 75.56, -26.61, 75.18

 

CMYK 9 / 0 / 76 / 36

HEX #96A428

RGB 150 164 40

HSL 66.77, 0.61%, 0.4%

LAB 64.31, -20.62, 58.23

 

CMYK 7 / 0 / 62 / 42

HEX #8A9438

RGB 138 148 56

HSL 66.52, 0.45%, 0.4%

LAB 58.85, -16.65, 46.07

 

CMYK 5 / 0 / 44 / 49

HEX #7D8349

RGB 125 131 73

HSL 66.21, 0.28%, 0.4%

LAB 53.03, -11.61, 30.52

 

CMYK 3 / 0 / 23 / 55

HEX #707359

RGB 112 115 89

HSL 66.92, 0.13%, 0.4%

LAB 47.53, -5.96, 14.04

 

CMYK 7 / 8 / 0 / 58

HEX #63626A

RGB 99 98 106

HSL 247.5, 0.04%, 0.4%

LAB 41.89, 2.11, -4.39

 

CMYK 0 / 33 / 76 / 36

HEX #A46E28

RGB 164 110 40

HSL 33.87, 0.61%, 0.4%

LAB 50.92, 15.12, 45.76

 

CMYK 0 / 13 / 76 / 36

HEX #A48F28

RGB 164 143 40

HSL 49.84, 0.61%, 0.4%

LAB 59.61, -3.35, 54.22

 

CMYK 7 / 0 / 76 / 36

HEX #98A428

RGB 152 164 40

HSL 65.81, 0.61%, 0.4%

LAB 64.47, -19.76, 58.43

 

CMYK 27 / 0 / 76 / 36

HEX #77A428

RGB 119 164 40

HSL 81.77, 0.61%, 0.4%

LAB 62.19, -33.49, 55.47

 

CMYK 48 / 0 / 76 / 36

HEX #55A428

RGB 85 164 40

HSL 98.23, 0.61%, 0.4%

LAB 60.46, -45.63, 53.19

 

CMYK 8 / 0 / 76 / 62

HEX #5A6218

RGB 90 98 24

HSL 66.49, 0.61%, 0.24%

LAB 39.54, -13.63, 38.75

 

CMYK 8 / 0 / 76 / 49

HEX #788320

RGB 120 131 32

HSL 66.67, 0.61%, 0.32%

LAB 52.21, -17.22, 48.76

 

CMYK 9 / 0 / 76 / 36

HEX #96A428

RGB 150 164 40

HSL 66.77, 0.61%, 0.4%

LAB 64.31, -20.62, 58.23

 

CMYK 8 / 0 / 76 / 23

HEX #B5C530

RGB 181 197 48

HSL 66.44, 0.61%, 0.48%

LAB 76.05, -23.47, 67.41

 

CMYK 7 / 0 / 64 / 17

HEX #C4D34B

RGB 196 211 75

HSL 66.62, 0.61%, 0.56%

LAB 81.2, -22.65, 63.12

 

CMYK 8 / 0 / 76 / 35

HEX #98A628

RGB 152 166 40

HSL 66.67, 0.61%, 0.4%

LAB 65.04, -20.77, 58.97

 

CMYK 76 / 0 / 53 / 36

HEX #28A44D

RGB 40 164 77

HSL 137.9, 0.61%, 0.4%

LAB 59.47, -52.18, 35.53

 

CMYK 23 / 76 / 0 / 36

HEX #7F28A4

RGB 127 40 164

HSL 282.1, 0.61%, 0.4%

LAB 35.42, 55.65, -49.58

 

CMYK 8 / 0 / 76 / 35

HEX #98A628

RGB 152 166 40

HSL 66.67, 0.61%, 0.4%

LAB 65.04, -20.77, 58.97

 

CMYK 76 / 7 / 0 / 36

HEX #2898A4

RGB 40 152 164

HSL 185.81, 0.61%, 0.4%

LAB 57.64, -26.08, -15.15

 

CMYK 0 / 76 / 7 / 36

HEX #A42898

RGB 164 40 152

HSL 305.81, 0.61%, 0.4%

LAB 40.7, 61.37, -33.55

 

CMYK 8 / 0 / 76 / 35

HEX #98A628

RGB 152 166 40

HSL 66.67, 0.61%, 0.4%

LAB 65.04, -20.77, 58.97

 

CMYK 76 / 0 / 53 / 36

HEX #28A44D

RGB 40 164 77

HSL 137.9, 0.61%, 0.4%

LAB 59.47, -52.18, 35.53

 

CMYK 68 / 76 / 0 / 36

HEX #3428A4

RGB 52 40 164

HSL 245.81, 0.61%, 0.4%

LAB 26.53, 43.53, -64.46

 

CMYK 0 / 76 / 23 / 36

HEX #A4287F

RGB 164 40 127

HSL 317.9, 0.61%, 0.4%

LAB 39.48, 57.74, -20.15

 

CMYK 8 / 0 / 76 / 35

HEX #98A628

RGB 152 166 40

HSL 66.67, 0.61%, 0.4%

LAB 65.04, -20.77, 58.97

 

CMYK 76 / 0 / 30 / 36

HEX #28A472

RGB 40 164 114

HSL 155.81, 0.61%, 0.4%

LAB 60.08, -45.2, 16.63

 

CMYK 68 / 76 / 0 / 36

HEX #3428A4

RGB 52 40 164

HSL 245.81, 0.61%, 0.4%

LAB 26.53, 43.53, -64.46

 

CMYK 0 / 76 / 45 / 36

HEX #A4285A

RGB 164 40 90

HSL 335.81, 0.61%, 0.4%

LAB 38.11, 53.45, 1.03

 

Description

Color code: HEX #98A628 | qconv.com Color code: HEX #98A628 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 166 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 166 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 76 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 76% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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