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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98A2DACE it is the complementary color #675D25CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98A2DACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98A2DACE shade: #9DA2D5CE, #AEB4E8CE, #BFC6FBCE, #D0D8FFCE and #E1EAFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98A2DACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98A2DACE shade: #98A2DACE, #8790C7CE, #767EB4CE, #656CA1CE and #545A8ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98A2DACE shade: #9AA4DB, #A19ADB, #B39ADB, #C49ADB and #D69ADB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98A2DACE shade: #9AA4DB and #9A9ADB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98A2DACE shade matches the following richer shades: #9AA4DB, #8F9CE6, #8494F1 and #788CFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98A2DACE shade: #9AA4DB, #A5ABCF, #B0B3C4, #BBBBB9 and #C6C3AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98A2DACE shade: #9AC7DB, #9AB6DB, #9AA5DB, #A09ADB and #B29ADB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98A2DACE shade: #5D6DC5, #7B88D0, #9AA4DB, #B8BFE5 and #D6DAF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98A2DACE shade: #98A2DA, #DB9AD8 and #BEDB9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98A2DACE shade: #98A2DA, #DB9AA5 and #A5DB9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98A2DACE shade: #98A2DA, #DB9AD8, #DBD09A and #9ADB9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98A2DACE shade: #98A2DA, #DB9AC5, #DBD09A and #9ADBAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 21 / 0 / 12

HEX #98A2DACE

RGBA 152 162 218 0.81

HSLA 230.91, 0.47%, 0.73%, 0.81

LABA 67.71, 9.22, -29.56, 0.81

 

Complementary color

CMYK 0 / 8 / 52 / 48

HEX #675D25CE

RGBA 103 93 37 0.81

HSLA 50.91, 0.47%, 0.27%, 0.81

LABA 39.32, -3.66, 32.87, 0.81

 

CMYK 21 / 19 / 0 / 13

HEX #9DA2D5CE

RGBA 157 162 213 0.81

HSLA 234.64, 0.4%, 0.73%, 0.81

LABA 67.88, 9.46, -26.5, 0.81

 

CMYK 20 / 18 / 0 / 7

HEX #AEB4E8CE

RGBA 174 180 232 0.81

HSLA 233.79, 0.56%, 0.8%, 0.81

LABA 74.49, 9.08, -26.65, 0.81

 

CMYK 19 / 17 / 0 / 1

HEX #BFC6FBCE

RGBA 191 198 251 0.81

HSLA 233, 0.88%, 0.87%, 0.81

LABA 80.98, 8.74, -26.83, 0.81

 

CMYK 15 / 12 / 0 / 0

HEX #D0D8FFCE

RGBA 208 216 255 0.81

HSLA 229.79, 1%, 0.91%, 0.81

LABA 86.87, 5.14, -19.89, 0.81

 

CMYK 10 / 7 / 0 / 0

HEX #E1EAFFCE

RGBA 225 234 255 0.81

HSLA 222, 1%, 0.94%, 0.81

LABA 92.61, 1.03, -11.16, 0.81

 

CMYK 25 / 21 / 0 / 12

HEX #98A2DACE

RGBA 152 162 218 0.81

HSLA 230.91, 0.47%, 0.73%, 0.81

LABA 67.71, 9.22, -29.56, 0.81

 

CMYK 26 / 22 / 0 / 18

HEX #8790C7CE

RGBA 135 144 199 0.81

HSLA 231.56, 0.36%, 0.65%, 0.81

LABA 60.98, 9.67, -29.48, 0.81

 

CMYK 28 / 24 / 0 / 24

HEX #767EB4CE

RGBA 118 126 180 0.81

HSLA 232.26, 0.29%, 0.58%, 0.81

LABA 54.1, 10.19, -29.45, 0.81

 

CMYK 30 / 27 / 0 / 30

HEX #656CA1CE

RGBA 101 108 161 0.81

HSLA 233, 0.24%, 0.51%, 0.81

LABA 47.06, 10.8, -29.46, 0.81

 

CMYK 33 / 30 / 0 / 36

HEX #545A8ECE

RGBA 84 90 142 0.81

HSLA 233.79, 0.26%, 0.44%, 0.81

LABA 39.83, 11.53, -29.54, 0.81

 

CMYK 30 / 25 / 0 / 14

HEX #9AA4DB

RGB 154 164 219

HSL 230.77, 0.47%, 0.73%

LAB 68.41, 8.92, -29.01

 

CMYK 26 / 30 / 0 / 14

HEX #A19ADB

RGB 161 154 219

HSL 246.46, 0.47%, 0.73%

LAB 66.37, 16.63, -32.12

 

CMYK 18 / 30 / 0 / 14

HEX #B39ADB

RGB 179 154 219

HSL 263.08, 0.47%, 0.73%

LAB 67.88, 22.08, -29.66

 

CMYK 11 / 30 / 0 / 14

HEX #C49ADB

RGB 196 154 219

HSL 278.77, 0.47%, 0.73%

LAB 69.44, 27.4, -27.13

 

CMYK 2 / 30 / 0 / 14

HEX #D69ADB

RGB 214 154 219

HSL 295.38, 0.47%, 0.73%

LAB 71.23, 33.14, -24.23

 

CMYK 30 / 25 / 0 / 14

HEX #9AA4DB

RGB 154 164 219

HSL 230.77, 0.47%, 0.73%

LAB 68.41, 8.92, -29.01

 

CMYK 30 / 30 / 0 / 14

HEX #9A9ADB

RGB 154 154 219

HSL 240, 0.47%, 0.73%

LAB 65.82, 14.58, -33.01

 

CMYK 30 / 25 / 0 / 14

HEX #9AA4DB

RGB 154 164 219

HSL 230.77, 0.47%, 0.73%

LAB 68.41, 8.92, -29.01

 

CMYK 38 / 32 / 0 / 10

HEX #8F9CE6

RGB 143 156 230

HSL 231.03, 0.64%, 0.73%

LAB 66, 13.25, -38.86

 

CMYK 45 / 39 / 0 / 5

HEX #8494F1

RGB 132 148 241

HSL 231.19, 0.8%, 0.73%

LAB 63.7, 18.16, -48.58

 

CMYK 52 / 44 / 0 / 1

HEX #788CFC

RGB 120 140 252

HSL 230.91, 0.96%, 0.73%

LAB 61.46, 23.45, -58.23

 

CMYK 30 / 25 / 0 / 14

HEX #9AA4DB

RGB 154 164 219

HSL 230.77, 0.47%, 0.73%

LAB 68.41, 8.92, -29.01

 

CMYK 20 / 17 / 0 / 19

HEX #A5ABCF

RGB 165 171 207

HSL 231.43, 0.3%, 0.73%

LAB 70.62, 5.5, -18.97

 

CMYK 10 / 9 / 0 / 23

HEX #B0B3C4

RGB 176 179 196

HSL 231, 0.14%, 0.73%

LAB 73.19, 2.31, -8.98

 

CMYK 0 / 0 / 1 / 27

HEX #BBBBB9

RGB 187 187 185

HSL 60, 0.01%, 0.73%

LAB 75.83, -0.37, 1

 

CMYK 0 / 2 / 12 / 22

HEX #C6C3AE

RGB 198 195 174

HSL 52.5, 0.17%, 0.73%

LAB 78.52, -2.58, 10.93

 

CMYK 30 / 9 / 0 / 14

HEX #9AC7DB

RGB 154 199 219

HSL 198.46, 0.47%, 0.73%

LAB 77.78, -10.12, -14.76

 

CMYK 30 / 17 / 0 / 14

HEX #9AB6DB

RGB 154 182 219

HSL 214.15, 0.47%, 0.73%

LAB 73.18, -1.04, -21.71

 

CMYK 30 / 25 / 0 / 14

HEX #9AA5DB

RGB 154 165 219

HSL 229.85, 0.47%, 0.73%

LAB 68.67, 8.36, -28.61

 

CMYK 27 / 30 / 0 / 14

HEX #A09ADB

RGB 160 154 219

HSL 245.54, 0.47%, 0.73%

LAB 66.29, 16.34, -32.25

 

CMYK 19 / 30 / 0 / 14

HEX #B29ADB

RGB 178 154 219

HSL 262.15, 0.47%, 0.73%

LAB 67.79, 21.78, -29.81

 

CMYK 53 / 45 / 0 / 23

HEX #5D6DC5

RGB 93 109 197

HSL 230.77, 0.47%, 0.57%

LAB 48.63, 19.12, -47.95

 

CMYK 41 / 35 / 0 / 18

HEX #7B88D0

RGB 123 136 208

HSL 230.82, 0.47%, 0.65%

LAB 58.39, 13.46, -38.64

 

CMYK 30 / 25 / 0 / 14

HEX #9AA4DB

RGB 154 164 219

HSL 230.77, 0.47%, 0.73%

LAB 68.41, 8.92, -29.01

 

CMYK 20 / 17 / 0 / 10

HEX #B8BFE5

RGB 184 191 229

HSL 230.67, 0.46%, 0.81%

LAB 77.94, 5.44, -19.71

 

CMYK 11 / 9 / 0 / 6

HEX #D6DAF0

RGB 214 218 240

HSL 230.77, 0.46%, 0.89%

LAB 87.35, 2.86, -11.21

 

CMYK 30 / 26 / 0 / 15

HEX #98A2DA

RGB 152 162 218

HSL 230.91, 0.47%, 0.73%

LAB 67.71, 9.22, -29.56

 

CMYK 0 / 30 / 1 / 14

HEX #DB9AD8

RGB 219 154 216

HSL 302.77, 0.47%, 0.73%

LAB 71.64, 34.2, -21.91

 

CMYK 13 / 0 / 30 / 14

HEX #BEDB9A

RGB 190 219 154

HSL 86.77, 0.47%, 0.73%

LAB 83.94, -20.78, 28.88

 

CMYK 30 / 26 / 0 / 15

HEX #98A2DA

RGB 152 162 218

HSL 230.91, 0.47%, 0.73%

LAB 67.71, 9.22, -29.56

 

CMYK 0 / 30 / 25 / 14

HEX #DB9AA5

RGB 219 154 165

HSL 349.85, 0.47%, 0.73%

LAB 70.1, 25.84, 4.04

 

CMYK 25 / 0 / 30 / 14

HEX #A5DB9A

RGB 165 219 154

HSL 109.85, 0.47%, 0.73%

LAB 82.38, -29.54, 26.51

 

CMYK 30 / 26 / 0 / 15

HEX #98A2DA

RGB 152 162 218

HSL 230.91, 0.47%, 0.73%

LAB 67.71, 9.22, -29.56

 

CMYK 0 / 30 / 1 / 14

HEX #DB9AD8

RGB 219 154 216

HSL 302.77, 0.47%, 0.73%

LAB 71.64, 34.2, -21.91

 

CMYK 0 / 5 / 30 / 14

HEX #DBD09A

RGB 219 208 154

HSL 49.85, 0.47%, 0.73%

LAB 83.18, -4.38, 28.24

 

CMYK 30 / 0 / 29 / 14

HEX #9ADB9C

RGB 154 219 156

HSL 121.85, 0.47%, 0.73%

LAB 81.8, -32.85, 24.59

 

CMYK 30 / 26 / 0 / 15

HEX #98A2DA

RGB 152 162 218

HSL 230.91, 0.47%, 0.73%

LAB 67.71, 9.22, -29.56

 

CMYK 0 / 30 / 10 / 14

HEX #DB9AC5

RGB 219 154 197

HSL 320.31, 0.47%, 0.73%

LAB 71.01, 30.85, -12.38

 

CMYK 0 / 5 / 30 / 14

HEX #DBD09A

RGB 219 208 154

HSL 49.85, 0.47%, 0.73%

LAB 83.18, -4.38, 28.24

 

CMYK 30 / 0 / 20 / 14

HEX #9ADBAF

RGB 154 219 175

HSL 139.38, 0.47%, 0.73%

LAB 82.18, -29.5, 15.16

 

Description

Color code: HEX #98A2DACE | qconv.com Color code: HEX #98A2DACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 162 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 162 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 21 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 21% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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