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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98A02C it is the complementary color #675FD3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98A02C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98A02C shade: #9DA027, #AEB23A, #BFC44D, #D0D660 and #E1E873

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98A02C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98A02C shade: #98A02C, #878E19, #767C06, #656A00 and #545800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98A02C shade: #98A02C, #A0892C, #A0692C, #A04A2C and #A02C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98A02C shade: #98A02C, #79A02C, #59A02C, #3AA02C and #2CA03D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98A02C shade matches the following richer shades: #98A02C, #A6B11B and #B5C10B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98A02C shade: #98A02C, #8A903C, #7C7F4D, #6D6F5D and #5F5E6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98A02C shade: #A06A2C, #A0892C, #98A02C, #79A02C and #5AA02C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98A02C shade: #5B5F1A, #798023, #98A02C, #B7C135 and #C6CF50

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98A02C shade: #98A02C, #2CA04B and #792CA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98A02C shade: #98A02C, #2C98A0 and #A02C98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98A02C shade: #98A02C, #2CA04B, #342CA0 and #A02C81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98A02C shade: #98A02C, #2CA06E, #342CA0 and #A02C5E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 73 / 37

HEX #98A02C

RGB 152 160 44

HSL 64.14, 0.57%, 0.4%

LAB 63.34, -17.52, 55.96

 

Complementary color

CMYK 51 / 55 / 0 / 17

HEX #675FD3

RGB 103 95 211

HSL 244.14, 0.57%, 0.6%

LAB 46.67, 34.24, -59.08

 

CMYK 2 / 0 / 76 / 37

HEX #9DA027

RGB 157 160 39

HSL 61.49, 0.61%, 0.39%

LAB 63.72, -15.57, 58.21

 

CMYK 2 / 0 / 67 / 30

HEX #AEB23A

RGB 174 178 58

HSL 62, 0.51%, 0.46%

LAB 70.28, -16.46, 58.08

 

CMYK 3 / 0 / 61 / 23

HEX #BFC44D

RGB 191 196 77

HSL 62.52, 0.5%, 0.54%

LAB 76.73, -17.18, 57.43

 

CMYK 3 / 0 / 55 / 16

HEX #D0D660

RGB 208 214 96

HSL 63.05, 0.59%, 0.61%

LAB 83.1, -17.76, 56.51

 

CMYK 3 / 0 / 50 / 9

HEX #E1E873

RGB 225 232 115

HSL 63.59, 0.72%, 0.68%

LAB 89.37, -18.24, 55.46

 

CMYK 5 / 0 / 73 / 37

HEX #98A02C

RGB 152 160 44

HSL 64.14, 0.57%, 0.4%

LAB 63.34, -17.52, 55.96

 

CMYK 5 / 0 / 82 / 44

HEX #878E19

RGB 135 142 25

HSL 63.59, 0.7%, 0.33%

LAB 56.65, -16.55, 55.52

 

CMYK 5 / 0 / 95 / 51

HEX #767C06

RGB 118 124 6

HSL 63.05, 0.91%, 0.25%

LAB 49.83, -15.31, 53.61

 

CMYK 5 / 0 / 100 / 58

HEX #656A00

RGB 101 106 0

HSL 62.83, 1%, 0.21%

LAB 42.88, -13.7, 49.01

 

CMYK 5 / 0 / 100 / 65

HEX #545800

RGB 84 88 0

HSL 62.73, 1%, 0.17%

LAB 35.72, -11.91, 43.06

 

CMYK 5 / 0 / 73 / 37

HEX #98A02C

RGB 152 160 44

HSL 64.14, 0.57%, 0.4%

LAB 63.34, -17.52, 55.96

 

CMYK 0 / 14 / 73 / 37

HEX #A0892C

RGB 160 137 44

HSL 48.1, 0.57%, 0.4%

LAB 57.6, -1.68, 50.57

 

CMYK 0 / 34 / 73 / 37

HEX #A0692C

RGB 160 105 44

HSL 31.55, 0.57%, 0.4%

LAB 49.2, 16.37, 41.98

 

CMYK 0 / 54 / 73 / 37

HEX #A04A2C

RGB 160 74 44

HSL 15.52, 0.57%, 0.4%

LAB 42.08, 33.56, 34.28

 

CMYK 0 / 73 / 73 / 37

HEX #A02C2C

RGB 160 44 44

HSL 0, 0.57%, 0.4%

LAB 36.85, 47.43, 28.31

 

CMYK 5 / 0 / 73 / 37

HEX #98A02C

RGB 152 160 44

HSL 64.14, 0.57%, 0.4%

LAB 63.34, -17.52, 55.96

 

CMYK 24 / 0 / 73 / 37

HEX #79A02C

RGB 121 160 44

HSL 80.17, 0.57%, 0.4%

LAB 61.12, -30.58, 53.03

 

CMYK 44 / 0 / 73 / 37

HEX #59A02C

RGB 89 160 44

HSL 96.72, 0.57%, 0.4%

LAB 59.39, -42.43, 50.72

 

CMYK 64 / 0 / 73 / 37

HEX #3AA02C

RGB 58 160 44

HSL 112.76, 0.57%, 0.4%

LAB 58.25, -51.22, 49.19

 

CMYK 73 / 0 / 62 / 37

HEX #2CA03D

RGB 44 160 61

HSL 128.79, 0.57%, 0.4%

LAB 58.05, -52.31, 41.62

 

CMYK 5 / 0 / 73 / 37

HEX #98A02C

RGB 152 160 44

HSL 64.14, 0.57%, 0.4%

LAB 63.34, -17.52, 55.96

 

CMYK 6 / 0 / 85 / 31

HEX #A6B11B

RGB 166 177 27

HSL 64.4, 0.74%, 0.4%

LAB 69.21, -20.72, 66.72

 

CMYK 6 / 0 / 94 / 24

HEX #B5C10B

RGB 181 193 11

HSL 63.96, 0.89%, 0.4%

LAB 74.82, -22.51, 74.36

 

CMYK 5 / 0 / 73 / 37

HEX #98A02C

RGB 152 160 44

HSL 64.14, 0.57%, 0.4%

LAB 63.34, -17.52, 55.96

 

CMYK 4 / 0 / 58 / 44

HEX #8A903C

RGB 138 144 60

HSL 64.29, 0.41%, 0.4%

LAB 57.73, -14.23, 42.97

 

CMYK 2 / 0 / 39 / 50

HEX #7C7F4D

RGB 124 127 77

HSL 63.6, 0.25%, 0.4%

LAB 51.84, -9.36, 26.81

 

CMYK 2 / 0 / 16 / 56

HEX #6D6F5D

RGB 109 111 93

HSL 66.67, 0.09%, 0.4%

LAB 46.19, -4.22, 9.78

 

CMYK 14 / 15 / 0 / 57

HEX #5F5E6E

RGB 95 94 110

HSL 243.75, 0.08%, 0.4%

LAB 40.51, 3.96, -8.92

 

CMYK 0 / 34 / 73 / 37

HEX #A06A2C

RGB 160 106 44

HSL 32.07, 0.57%, 0.4%

LAB 49.45, 15.8, 42.24

 

CMYK 0 / 14 / 73 / 37

HEX #A0892C

RGB 160 137 44

HSL 48.1, 0.57%, 0.4%

LAB 57.6, -1.68, 50.57

 

CMYK 5 / 0 / 73 / 37

HEX #98A02C

RGB 152 160 44

HSL 64.14, 0.57%, 0.4%

LAB 63.34, -17.52, 55.96

 

CMYK 24 / 0 / 73 / 37

HEX #79A02C

RGB 121 160 44

HSL 80.17, 0.57%, 0.4%

LAB 61.12, -30.58, 53.03

 

CMYK 44 / 0 / 73 / 37

HEX #5AA02C

RGB 90 160 44

HSL 96.21, 0.57%, 0.4%

LAB 59.43, -42.09, 50.78

 

CMYK 4 / 0 / 73 / 63

HEX #5B5F1A

RGB 91 95 26

HSL 63.48, 0.57%, 0.24%

LAB 38.7, -11.35, 37.1

 

CMYK 5 / 0 / 73 / 50

HEX #798023

RGB 121 128 35

HSL 64.52, 0.57%, 0.32%

LAB 51.41, -15.02, 46.87

 

CMYK 5 / 0 / 73 / 37

HEX #98A02C

RGB 152 160 44

HSL 64.14, 0.57%, 0.4%

LAB 63.34, -17.52, 55.96

 

CMYK 5 / 0 / 73 / 24

HEX #B7C135

RGB 183 193 53

HSL 64.29, 0.57%, 0.48%

LAB 75.12, -20.44, 64.94

 

CMYK 4 / 0 / 61 / 19

HEX #C6CF50

RGB 198 207 80

HSL 64.25, 0.57%, 0.56%

LAB 80.3, -19.55, 60.16

 

CMYK 5 / 0 / 73 / 37

HEX #98A02C

RGB 152 160 44

HSL 64.14, 0.57%, 0.4%

LAB 63.34, -17.52, 55.96

 

CMYK 73 / 0 / 53 / 37

HEX #2CA04B

RGB 44 160 75

HSL 136.03, 0.57%, 0.4%

LAB 58.21, -50.4, 35.01

 

CMYK 24 / 73 / 0 / 37

HEX #792CA0

RGB 121 44 160

HSL 279.83, 0.57%, 0.4%

LAB 34.81, 51.97, -48.19

 

CMYK 5 / 0 / 73 / 37

HEX #98A02C

RGB 152 160 44

HSL 64.14, 0.57%, 0.4%

LAB 63.34, -17.52, 55.96

 

CMYK 73 / 5 / 0 / 37

HEX #2C98A0

RGB 44 152 160

HSL 184.14, 0.57%, 0.4%

LAB 57.59, -26.84, -12.95

 

CMYK 0 / 73 / 5 / 37

HEX #A02C98

RGB 160 44 152

HSL 304.14, 0.57%, 0.4%

LAB 40.48, 59.14, -33.94

 

CMYK 5 / 0 / 73 / 37

HEX #98A02C

RGB 152 160 44

HSL 64.14, 0.57%, 0.4%

LAB 63.34, -17.52, 55.96

 

CMYK 73 / 0 / 53 / 37

HEX #2CA04B

RGB 44 160 75

HSL 136.03, 0.57%, 0.4%

LAB 58.21, -50.4, 35.01

 

CMYK 68 / 73 / 0 / 37

HEX #342CA0

RGB 52 44 160

HSL 244.14, 0.57%, 0.4%

LAB 26.93, 39.96, -61.37

 

CMYK 0 / 73 / 19 / 37

HEX #A02C81

RGB 160 44 129

HSL 316.03, 0.57%, 0.4%

LAB 39.34, 55.64, -21.66

 

CMYK 5 / 0 / 73 / 37

HEX #98A02C

RGB 152 160 44

HSL 64.14, 0.57%, 0.4%

LAB 63.34, -17.52, 55.96

 

CMYK 73 / 0 / 31 / 37

HEX #2CA06E

RGB 44 160 110

HSL 154.14, 0.57%, 0.4%

LAB 58.79, -43.88, 17.07

 

CMYK 68 / 73 / 0 / 37

HEX #342CA0

RGB 52 44 160

HSL 244.14, 0.57%, 0.4%

LAB 26.93, 39.96, -61.37

 

CMYK 0 / 73 / 41 / 37

HEX #A02C5E

RGB 160 44 94

HSL 334.14, 0.57%, 0.4%

LAB 37.99, 51.28, -1.77

 

Description

Color code: HEX #98A02C | qconv.com Color code: HEX #98A02C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 160 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 160 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 73 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 73% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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