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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #989C98 it is the complementary color #676367. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #989C98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #989C98 shade: #9D9C93, #AEAEA6, #BFC0B9, #D0D2CC and #E1E4DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #989C98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #989C98 shade: #989C98, #878A85, #767872, #65665F and #54544C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #989C98 shade: #979B97, #989B97, #999B97, #9A9B97 and #9B9B97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #989C98 shade: #979B97, #979B98, #979B99, #979B9A and #979B9B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #989C98 shade matches the following richer shades: #979B97, #86AC86, #76BC76, #65CD65 and #55DD55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #989C98 shade: #979B97, #A78BA7, #B87AB8, #C86AC8 and #D959D9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #989C98 shade: #999B97, #989B97, #979B97, #979B98 and #979B99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #989C98 shade: #6E726E, #828782, #979B97, #ACAFAC and #C1C3C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #989C98 shade: #989C98, #979A9B and #9B9799

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #989C98 shade: #989C98, #97979B and #9B9797

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #989C98 shade: #989C98, #979A9B, #9B979B and #9B9897

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #989C98 shade: #989C98, #97999B, #9B979B and #9B9997

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 3 / 39

HEX #989C98

RGB 152 156 152

HSL 120, 0.02%, 0.6%

LAB 63.93, -2.21, 1.58

 

Complementary color

CMYK 0 / 4 / 0 / 60

HEX #676367

RGB 103 99 103

HSL 300, 0.02%, 0.4%

LAB 42.44, 2.4, -1.7

 

CMYK 0 / 1 / 6 / 38

HEX #9D9C93

RGB 157 156 147

HSL 54, 0.05%, 0.6%

LAB 64.2, -1.31, 4.83

 

CMYK 0 / 0 / 5 / 32

HEX #AEAEA6

RGB 174 174 166

HSL 60, 0.05%, 0.67%

LAB 70.89, -1.47, 4.09

 

CMYK 1 / 0 / 4 / 25

HEX #BFC0B9

RGB 191 192 185

HSL 68.57, 0.05%, 0.74%

LAB 77.45, -1.62, 3.39

 

CMYK 1 / 0 / 3 / 18

HEX #D0D2CC

RGB 208 210 204

HSL 80, 0.06%, 0.81%

LAB 83.89, -1.76, 2.72

 

CMYK 1 / 0 / 2 / 11

HEX #E1E4DF

RGB 225 228 223

HSL 96, 0.08%, 0.88%

LAB 90.24, -1.9, 2.07

 

CMYK 3 / 0 / 3 / 39

HEX #989C98

RGB 152 156 152

HSL 120, 0.02%, 0.6%

LAB 63.93, -2.21, 1.58

 

CMYK 2 / 0 / 4 / 46

HEX #878A85

RGB 135 138 133

HSL 96, 0.02%, 0.53%

LAB 57.1, -2.08, 2.28

 

CMYK 2 / 0 / 5 / 53

HEX #767872

RGB 118 120 114

HSL 80, 0.03%, 0.46%

LAB 50.1, -1.95, 3.02

 

CMYK 1 / 0 / 7 / 60

HEX #65665F

RGB 101 102 95

HSL 68.57, 0.04%, 0.39%

LAB 42.91, -1.8, 3.81

 

CMYK 0 / 0 / 10 / 67

HEX #54544C

RGB 84 84 76

HSL 60, 0.05%, 0.31%

LAB 35.49, -1.64, 4.68

 

CMYK 3 / 0 / 3 / 39

HEX #979B97

RGB 151 155 151

HSL 120, 0.02%, 0.6%

LAB 63.55, -2.21, 1.58

 

CMYK 2 / 0 / 3 / 39

HEX #989B97

RGB 152 155 151

HSL 105, 0.02%, 0.6%

LAB 63.63, -1.85, 1.71

 

CMYK 1 / 0 / 3 / 39

HEX #999B97

RGB 153 155 151

HSL 90, 0.02%, 0.6%

LAB 63.71, -1.48, 1.83

 

CMYK 1 / 0 / 3 / 39

HEX #9A9B97

RGB 154 155 151

HSL 75, 0.02%, 0.6%

LAB 63.79, -1.12, 1.96

 

CMYK 0 / 0 / 3 / 39

HEX #9B9B97

RGB 155 155 151

HSL 60, 0.02%, 0.6%

LAB 63.87, -0.76, 2.09

 

CMYK 3 / 0 / 3 / 39

HEX #979B97

RGB 151 155 151

HSL 120, 0.02%, 0.6%

LAB 63.55, -2.21, 1.58

 

CMYK 3 / 0 / 2 / 39

HEX #979B98

RGB 151 155 152

HSL 135, 0.02%, 0.6%

LAB 63.58, -2.02, 1.06

 

CMYK 3 / 0 / 1 / 39

HEX #979B99

RGB 151 155 153

HSL 150, 0.02%, 0.6%

LAB 63.61, -1.82, 0.54

 

CMYK 3 / 0 / 1 / 39

HEX #979B9A

RGB 151 155 154

HSL 165, 0.02%, 0.6%

LAB 63.64, -1.63, 0.01

 

CMYK 3 / 0 / 0 / 39

HEX #979B9B

RGB 151 155 155

HSL 180, 0.02%, 0.6%

LAB 63.66, -1.43, -0.51

 

CMYK 3 / 0 / 3 / 39

HEX #979B97

RGB 151 155 151

HSL 120, 0.02%, 0.6%

LAB 63.55, -2.21, 1.58

 

CMYK 22 / 0 / 22 / 33

HEX #86AC86

RGB 134 172 134

HSL 120, 0.19%, 0.6%

LAB 66.74, -20.49, 15.42

 

CMYK 37 / 0 / 37 / 26

HEX #76BC76

RGB 118 188 118

HSL 120, 0.34%, 0.6%

LAB 70.26, -36.29, 28.65

 

CMYK 51 / 0 / 51 / 20

HEX #65CD65

RGB 101 205 101

HSL 120, 0.51%, 0.6%

LAB 74.43, -51.05, 42.41

 

CMYK 62 / 0 / 62 / 13

HEX #55DD55

RGB 85 221 85

HSL 120, 0.67%, 0.6%

LAB 78.64, -62.85, 54.57

 

CMYK 3 / 0 / 3 / 39

HEX #979B97

RGB 151 155 151

HSL 120, 0.02%, 0.6%

LAB 63.55, -2.21, 1.58

 

CMYK 0 / 17 / 0 / 35

HEX #A78BA7

RGB 167 139 167

HSL 300, 0.14%, 0.6%

LAB 61.19, 15.62, -10.8

 

CMYK 0 / 34 / 0 / 28

HEX #B87AB8

RGB 184 122 184

HSL 300, 0.3%, 0.6%

LAB 59.5, 34.25, -22.89

 

CMYK 0 / 47 / 0 / 22

HEX #C86AC8

RGB 200 106 200

HSL 300, 0.46%, 0.6%

LAB 58.75, 50.61, -33

 

CMYK 0 / 59 / 0 / 15

HEX #D959D9

RGB 217 89 217

HSL 300, 0.63%, 0.6%

LAB 58.89, 66.07, -42.24

 

CMYK 1 / 0 / 3 / 39

HEX #999B97

RGB 153 155 151

HSL 90, 0.02%, 0.6%

LAB 63.71, -1.48, 1.83

 

CMYK 2 / 0 / 3 / 39

HEX #989B97

RGB 152 155 151

HSL 105, 0.02%, 0.6%

LAB 63.63, -1.85, 1.71

 

CMYK 3 / 0 / 3 / 39

HEX #979B97

RGB 151 155 151

HSL 120, 0.02%, 0.6%

LAB 63.55, -2.21, 1.58

 

CMYK 3 / 0 / 2 / 39

HEX #979B98

RGB 151 155 152

HSL 135, 0.02%, 0.6%

LAB 63.58, -2.02, 1.06

 

CMYK 3 / 0 / 1 / 39

HEX #979B99

RGB 151 155 153

HSL 150, 0.02%, 0.6%

LAB 63.61, -1.82, 0.54

 

CMYK 4 / 0 / 4 / 55

HEX #6E726E

RGB 110 114 110

HSL 120, 0.02%, 0.44%

LAB 47.59, -2.34, 1.68

 

CMYK 4 / 0 / 4 / 47

HEX #828782

RGB 130 135 130

HSL 120, 0.02%, 0.52%

LAB 55.77, -2.83, 2.04

 

CMYK 3 / 0 / 3 / 39

HEX #979B97

RGB 151 155 151

HSL 120, 0.02%, 0.6%

LAB 63.55, -2.21, 1.58

 

CMYK 2 / 0 / 2 / 31

HEX #ACAFAC

RGB 172 175 172

HSL 120, 0.02%, 0.68%

LAB 71.15, -1.62, 1.16

 

CMYK 1 / 0 / 1 / 24

HEX #C1C3C1

RGB 193 195 193

HSL 120, 0.02%, 0.76%

LAB 78.59, -1.06, 0.75

 

CMYK 3 / 0 / 3 / 39

HEX #989C98

RGB 152 156 152

HSL 120, 0.02%, 0.6%

LAB 63.93, -2.21, 1.58

 

CMYK 3 / 1 / 0 / 39

HEX #979A9B

RGB 151 154 155

HSL 195, 0.02%, 0.6%

LAB 63.39, -0.88, -0.91

 

CMYK 0 / 3 / 1 / 39

HEX #9B9799

RGB 155 151 153

HSL 330, 0.02%, 0.6%

LAB 62.85, 1.84, -0.54

 

CMYK 3 / 0 / 3 / 39

HEX #989C98

RGB 152 156 152

HSL 120, 0.02%, 0.6%

LAB 63.93, -2.21, 1.58

 

CMYK 3 / 3 / 0 / 39

HEX #97979B

RGB 151 151 155

HSL 240, 0.02%, 0.6%

LAB 62.57, 0.78, -2.1

 

CMYK 0 / 3 / 3 / 39

HEX #9B9797

RGB 155 151 151

HSL 0, 0.02%, 0.6%

LAB 62.79, 1.46, 0.51

 

CMYK 3 / 0 / 3 / 39

HEX #989C98

RGB 152 156 152

HSL 120, 0.02%, 0.6%

LAB 63.93, -2.21, 1.58

 

CMYK 3 / 1 / 0 / 39

HEX #979A9B

RGB 151 154 155

HSL 195, 0.02%, 0.6%

LAB 63.39, -0.88, -0.91

 

CMYK 0 / 3 / 0 / 39

HEX #9B979B

RGB 155 151 155

HSL 300, 0.02%, 0.6%

LAB 62.9, 2.22, -1.59

 

CMYK 0 / 2 / 3 / 39

HEX #9B9897

RGB 155 152 151

HSL 15, 0.02%, 0.6%

LAB 63.06, 0.91, 0.9

 

CMYK 3 / 0 / 3 / 39

HEX #989C98

RGB 152 156 152

HSL 120, 0.02%, 0.6%

LAB 63.93, -2.21, 1.58

 

CMYK 3 / 1 / 0 / 39

HEX #97999B

RGB 151 153 155

HSL 210, 0.02%, 0.6%

LAB 63.12, -0.33, -1.31

HEX #97999B

CMYK 0 / 3 / 0 / 39

HEX #9B979B

RGB 155 151 155

HSL 300, 0.02%, 0.6%

LAB 62.9, 2.22, -1.59

HEX #9B979B

CMYK 0 / 1 / 3 / 39

HEX #9B9997

RGB 155 153 151

HSL 30, 0.02%, 0.6%

LAB 63.33, 0.35, 1.3

HEX #9B9997

Description

Color code: HEX #989C98 | qconv.com Color code: HEX #989C98 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 156 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 156 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 3 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 3% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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