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Color name
HEX #989B0E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #989B0E it is the complementary color #6764F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #989B0E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #989B0E shade: #9D9B09, #AEAD1C, #BFBF2F, #D0D142 and #E1E355

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #989B0E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #989B0E shade: #989B0E, #878900, #767700, #656500 and #545300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #989B0E shade: #979A0E, #9A770E, #9A520E, #9A2C0E and #9A0E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #989B0E shade: #979A0E, #719A0E, #4C9A0E, #269A0E and #0E9A1C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #989B0E shade matches the following richer shades: #979A0E and #A4A801

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #989B0E shade: #979A0E, #8A8C1C, #7D7F2A, #707137 and #636445

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #989B0E shade: #9A520E, #9A770E, #989A0E, #729A0E and #4D9A0E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #989B0E shade: #4D4E07, #72740B, #979A0E, #BCC012 and #E1E515

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #989B0E shade: #989B0E, #0E9A2D and #640E9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #989B0E shade: #989B0E, #0E989A and #9A0E98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #989B0E shade: #989B0E, #0E9A2D, #110E9A and #9A0E7C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #989B0E shade: #989B0E, #0E9A56, #110E9A and #9A0E52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 91 / 39

HEX #989B0E

RGB 152 155 14

HSL 61.28, 0.83%, 0.33%

LAB 61.78, -15.99, 62.82

 

Complementary color

CMYK 57 / 59 / 0 / 5

HEX #6764F1

RGB 103 100 241

HSL 241.28, 0.83%, 0.67%

LAB 49.92, 40.57, -70.79

 

CMYK 0 / 1 / 94 / 38

HEX #9D9B09

RGB 157 155 9

HSL 59.19, 0.89%, 0.33%

LAB 62.19, -13.83, 64.08

 

CMYK 0 / 1 / 84 / 32

HEX #AEAD1C

RGB 174 173 28

HSL 59.59, 0.72%, 0.4%

LAB 68.73, -15.19, 66.34

 

CMYK 0 / 0 / 75 / 25

HEX #BFBF2F

RGB 191 191 47

HSL 60, 0.61%, 0.47%

LAB 75.17, -16.31, 67.2

 

CMYK 0 / 0 / 68 / 18

HEX #D0D142

RGB 208 209 66

HSL 60.42, 0.61%, 0.54%

LAB 81.51, -17.24, 67.19

 

CMYK 1 / 0 / 63 / 11

HEX #E1E355

RGB 225 227 85

HSL 60.85, 0.72%, 0.61%

LAB 87.78, -18.01, 66.69

 

CMYK 2 / 0 / 91 / 39

HEX #989B0E

RGB 152 155 14

HSL 61.28, 0.83%, 0.33%

LAB 61.78, -15.99, 62.82

 

CMYK 1 / 0 / 100 / 46

HEX #878900

RGB 135 137 0

HSL 60.88, 1%, 0.27%

LAB 55.12, -14.5, 59.33

 

CMYK 1 / 0 / 100 / 53

HEX #767700

RGB 118 119 0

HSL 60.5, 1%, 0.23%

LAB 48.32, -12.74, 53.68

 

CMYK 0 / 0 / 100 / 60

HEX #656500

RGB 101 101 0

HSL 60, 1%, 0.2%

LAB 41.33, -10.92, 47.88

 

CMYK 0 / 1 / 100 / 67

HEX #545300

RGB 84 83 0

HSL 59.29, 1%, 0.16%

LAB 34.13, -9.03, 41.9

 

CMYK 2 / 0 / 91 / 40

HEX #979A0E

RGB 151 154 14

HSL 61.29, 0.83%, 0.33%

LAB 61.41, -15.92, 62.5

 

CMYK 0 / 23 / 91 / 40

HEX #9A770E

RGB 154 119 14

HSL 45, 0.83%, 0.33%

LAB 51.94, 4.54, 55.17

 

CMYK 0 / 47 / 91 / 40

HEX #9A520E

RGB 154 82 14

HSL 29.14, 0.83%, 0.33%

LAB 42.67, 25.61, 47.97

 

CMYK 0 / 71 / 91 / 40

HEX #9A2C0E

RGB 154 44 14

HSL 12.86, 0.83%, 0.33%

LAB 35.41, 44.39, 42.44

 

CMYK 0 / 91 / 91 / 40

HEX #9A0E0E

RGB 154 14 14

HSL 0, 0.83%, 0.33%

LAB 32.29, 53.12, 40.12

 

CMYK 2 / 0 / 91 / 40

HEX #979A0E

RGB 151 154 14

HSL 61.29, 0.83%, 0.33%

LAB 61.41, -15.92, 62.5

 

CMYK 27 / 0 / 91 / 40

HEX #719A0E

RGB 113 154 14

HSL 77.57, 0.83%, 0.33%

LAB 58.65, -32.3, 59.12

 

CMYK 51 / 0 / 91 / 40

HEX #4C9A0E

RGB 76 154 14

HSL 93.43, 0.83%, 0.33%

LAB 56.76, -45.76, 56.77

 

CMYK 75 / 0 / 91 / 40

HEX #269A0E

RGB 38 154 14

HSL 109.71, 0.83%, 0.33%

LAB 55.64, -54.97, 55.37

 

CMYK 91 / 0 / 82 / 40

HEX #0E9A1C

RGB 14 154 28

HSL 126, 0.83%, 0.33%

LAB 55.37, -57.16, 51.6

 

CMYK 2 / 0 / 91 / 40

HEX #979A0E

RGB 151 154 14

HSL 61.29, 0.83%, 0.33%

LAB 61.41, -15.92, 62.5

 

CMYK 2 / 0 / 99 / 34

HEX #A4A801

RGB 164 168 1

HSL 61.44, 0.99%, 0.33%

LAB 66.44, -17.53, 68.6

 

CMYK 2 / 0 / 91 / 40

HEX #979A0E

RGB 151 154 14

HSL 61.29, 0.83%, 0.33%

LAB 61.41, -15.92, 62.5

 

CMYK 1 / 0 / 80 / 45

HEX #8A8C1C

RGB 138 140 28

HSL 61.07, 0.67%, 0.33%

LAB 56.33, -14.03, 54.45

 

CMYK 2 / 0 / 67 / 50

HEX #7D7F2A

RGB 125 127 42

HSL 61.41, 0.5%, 0.33%

LAB 51.5, -12.24, 44.17

 

CMYK 1 / 0 / 51 / 56

HEX #707137

RGB 112 113 55

HSL 61.03, 0.35%, 0.33%

LAB 46.35, -9.33, 31.77

 

CMYK 1 / 0 / 31 / 61

HEX #636445

RGB 99 100 69

HSL 61.94, 0.18%, 0.33%

LAB 41.53, -5.96, 17.51

 

CMYK 0 / 47 / 91 / 40

HEX #9A520E

RGB 154 82 14

HSL 29.14, 0.83%, 0.33%

LAB 42.67, 25.61, 47.97

 

CMYK 0 / 23 / 91 / 40

HEX #9A770E

RGB 154 119 14

HSL 45, 0.83%, 0.33%

LAB 51.94, 4.54, 55.17

 

CMYK 1 / 0 / 91 / 40

HEX #989A0E

RGB 152 154 14

HSL 60.86, 0.83%, 0.33%

LAB 61.5, -15.47, 62.6

 

CMYK 26 / 0 / 91 / 40

HEX #729A0E

RGB 114 154 14

HSL 77.14, 0.83%, 0.33%

LAB 58.71, -31.89, 59.19

 

CMYK 50 / 0 / 91 / 40

HEX #4D9A0E

RGB 77 154 14

HSL 93, 0.83%, 0.33%

LAB 56.8, -45.44, 56.82

 

CMYK 1 / 0 / 91 / 69

HEX #4D4E07

RGB 77 78 7

HSL 60.85, 0.84%, 0.17%

LAB 31.9, -9.36, 37.43

 

CMYK 2 / 0 / 91 / 55

HEX #72740B

RGB 114 116 11

HSL 61.14, 0.83%, 0.25%

LAB 47.1, -12.74, 50.29

 

CMYK 2 / 0 / 91 / 40

HEX #979A0E

RGB 151 154 14

HSL 61.29, 0.83%, 0.33%

LAB 61.41, -15.92, 62.5

 

CMYK 2 / 0 / 91 / 25

HEX #BCC012

RGB 188 192 18

HSL 61.38, 0.83%, 0.41%

LAB 75.1, -18.92, 73.9

 

CMYK 2 / 0 / 91 / 10

HEX #E1E515

RGB 225 229 21

HSL 61.15, 0.83%, 0.49%

LAB 88.02, -21.33, 84.79

 

CMYK 2 / 0 / 91 / 39

HEX #989B0E

RGB 152 155 14

HSL 61.28, 0.83%, 0.33%

LAB 61.78, -15.99, 62.82

 

CMYK 91 / 0 / 71 / 40

HEX #0E9A2D

RGB 14 154 45

HSL 133.29, 0.83%, 0.33%

LAB 55.48, -55.8, 45.66

 

CMYK 35 / 91 / 0 / 40

HEX #640E9A

RGB 100 14 154

HSL 276.86, 0.83%, 0.33%

LAB 27.73, 56.98, -56.2

 

CMYK 2 / 0 / 91 / 39

HEX #989B0E

RGB 152 155 14

HSL 61.28, 0.83%, 0.33%

LAB 61.78, -15.99, 62.82

 

CMYK 91 / 1 / 0 / 40

HEX #0E989A

RGB 14 152 154

HSL 180.86, 0.83%, 0.33%

LAB 56.96, -31.44, -10.51

 

CMYK 0 / 91 / 1 / 40

HEX #9A0E98

RGB 154 14 152

HSL 300.86, 0.83%, 0.33%

LAB 36.84, 65.37, -39.79

 

CMYK 2 / 0 / 91 / 39

HEX #989B0E

RGB 152 155 14

HSL 61.28, 0.83%, 0.33%

LAB 61.78, -15.99, 62.82

 

CMYK 91 / 0 / 71 / 40

HEX #0E9A2D

RGB 14 154 45

HSL 133.29, 0.83%, 0.33%

LAB 55.48, -55.8, 45.66

 

CMYK 89 / 91 / 0 / 40

HEX #110E9A

RGB 17 14 154

HSL 241.29, 0.83%, 0.33%

LAB 19.08, 50.28, -70.77

 

CMYK 0 / 91 / 19 / 40

HEX #9A0E7C

RGB 154 14 124

HSL 312.86, 0.83%, 0.33%

LAB 35.28, 61.35, -24.96

 

CMYK 2 / 0 / 91 / 39

HEX #989B0E

RGB 152 155 14

HSL 61.28, 0.83%, 0.33%

LAB 61.78, -15.99, 62.82

 

CMYK 91 / 0 / 44 / 40

HEX #0E9A56

RGB 14 154 86

HSL 150.86, 0.83%, 0.33%

LAB 55.96, -49.85, 26.34

 

CMYK 89 / 91 / 0 / 40

HEX #110E9A

RGB 17 14 154

HSL 241.29, 0.83%, 0.33%

LAB 19.08, 50.28, -70.77

 

CMYK 0 / 91 / 47 / 40

HEX #9A0E52

RGB 154 14 82

HSL 330.86, 0.83%, 0.33%

LAB 33.55, 56.67, -0.7

 

Description

Color code: HEX #989B0E | qconv.com Color code: HEX #989B0E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 155 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 155 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 91 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 91% 39% C M Y K

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Provide designers and agencies with accurate color values.

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