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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9890CD3F it is the complementary color #676F323F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9890CD3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9890CD3F shade: #9D90C83F, #AEA2DB3F, #BFB4EE3F, #D0C6FF3F and #E1D8FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9890CD3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9890CD3F shade: #9890CD3F, #877EBA3F, #766CA73F, #655A943F and #5448813F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9890CD3F shade: #978ECC, #A78ECC, #B88ECC, #C98ECC and #CC8EBF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9890CD3F shade: #978ECC and #8E8ECC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9890CD3F shade matches the following richer shades: #978ECC, #8D81DA, #8374E7 and #7967F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9890CD3F shade: #978ECC, #A09CBF, #AAA9B2, #B4B6A5 and #BDC398

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9890CD3F shade: #8EA8CC, #8E98CC, #968ECC, #A68ECC and #B78ECC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9890CD3F shade: #6255B3, #7C72C0, #978ECC, #B1ABD9 and #CBC7E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9890CD3F shade: #9890CD, #CC8EB9 and #A0CC8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9890CD3F shade: #9890CD, #CC968E and #8ECC96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9890CD3F shade: #9890CD, #CC8EB9, #C5CC8E and #8ECCA2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9890CD3F shade: #9890CD, #CC8EA6, #C5CC8E and #8ECCB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 7 / 0 / 5

HEX #9890CD3F

RGBA 152 144 205 0.25

HSLA 247.87, 0.38%, 0.68%, 0.25

LABA 62.53, 16.23, -30.33, 0.25

 

Complementary color

CMYK 2 / 0 / 14 / 14

HEX #676F323F

RGBA 103 111 50 0.25

HSLA 67.87, 0.38%, 0.32%, 0.25

LABA 44.92, -12.77, 32.52, 0.25

 

CMYK 5 / 7 / 0 / 5

HEX #9D90C83F

RGBA 157 144 200 0.25

HSLA 253.93, 0.34%, 0.67%, 0.25

LABA 62.75, 16.56, -27.17, 0.25

 

CMYK 5 / 7 / 0 / 4

HEX #AEA2DB3F

RGBA 174 162 219 0.25

HSLA 252.63, 0.44%, 0.75%, 0.25

LABA 69.44, 16.06, -27.3, 0.25

 

CMYK 5 / 6 / 0 / 2

HEX #BFB4EE3F

RGBA 191 180 238 0.25

HSLA 251.38, 0.63%, 0.82%, 0.25

LABA 76, 15.6, -27.47, 0.25

 

CMYK 5 / 6 / 0 / 0

HEX #D0C6FF3F

RGBA 208 198 255 0.25

HSLA 250.53, 1%, 0.89%, 0.25

LABA 82.39, 14.74, -26.7, 0.25

 

CMYK 3 / 4 / 0 / 0

HEX #E1D8FF3F

RGBA 225 216 255 0.25

HSLA 253.85, 1%, 0.92%, 0.25

LABA 88.13, 10.42, -17.86, 0.25

 

CMYK 6 / 7 / 0 / 5

HEX #9890CD3F

RGBA 152 144 205 0.25

HSLA 247.87, 0.38%, 0.68%, 0.25

LABA 62.53, 16.23, -30.33, 0.25

 

CMYK 7 / 8 / 0 / 7

HEX #877EBA3F

RGBA 135 126 186 0.25

HSLA 249, 0.3%, 0.61%, 0.25

LABA 55.7, 16.82, -30.29, 0.25

 

CMYK 7 / 9 / 0 / 9

HEX #766CA73F

RGBA 118 108 167 0.25

HSLA 250.17, 0.25%, 0.54%, 0.25

LABA 48.72, 17.48, -30.29, 0.25

 

CMYK 8 / 10 / 0 / 10

HEX #655A943F

RGBA 101 90 148 0.25

HSLA 251.38, 0.24%, 0.47%, 0.25

LABA 41.56, 18.25, -30.35, 0.25

 

CMYK 9 / 11 / 0 / 12

HEX #5448813F

RGBA 84 72 129 0.25

HSLA 252.63, 0.28%, 0.39%, 0.25

LABA 34.2, 19.16, -30.47, 0.25

 

CMYK 26 / 30 / 0 / 20

HEX #978ECC

RGB 151 142 204

HSL 248.71, 0.38%, 0.68%

LAB 61.9, 16.83, -30.76

 

CMYK 18 / 30 / 0 / 20

HEX #A78ECC

RGB 167 142 204

HSL 264.19, 0.38%, 0.68%

LAB 63.28, 21.74, -28.52

 

CMYK 10 / 30 / 0 / 20

HEX #B88ECC

RGB 184 142 204

HSL 280.65, 0.38%, 0.68%

LAB 64.88, 27.13, -25.91

 

CMYK 1 / 30 / 0 / 20

HEX #C98ECC

RGB 201 142 204

HSL 297.1, 0.38%, 0.68%

LAB 66.61, 32.62, -23.11

 

CMYK 0 / 30 / 6 / 20

HEX #CC8EBF

RGB 204 142 191

HSL 312.58, 0.38%, 0.68%

LAB 66.48, 31.22, -16.02

 

CMYK 26 / 30 / 0 / 20

HEX #978ECC

RGB 151 142 204

HSL 248.71, 0.38%, 0.68%

LAB 61.9, 16.83, -30.76

 

CMYK 30 / 30 / 0 / 20

HEX #8E8ECC

RGB 142 142 204

HSL 240, 0.38%, 0.68%

LAB 61.18, 14.16, -31.93

 

CMYK 26 / 30 / 0 / 20

HEX #978ECC

RGB 151 142 204

HSL 248.71, 0.38%, 0.68%

LAB 61.9, 16.83, -30.76

 

CMYK 35 / 41 / 0 / 15

HEX #8D81DA

RGB 141 129 218

HSL 248.09, 0.55%, 0.68%

LAB 58.44, 25.12, -44.08

 

CMYK 43 / 50 / 0 / 9

HEX #8374E7

RGB 131 116 231

HSL 247.83, 0.71%, 0.68%

LAB 55.16, 33.82, -56.63

 

CMYK 50 / 58 / 0 / 4

HEX #7967F4

RGB 121 103 244

HSL 247.66, 0.87%, 0.68%

LAB 52.17, 43.01, -68.74

 

CMYK 26 / 30 / 0 / 20

HEX #978ECC

RGB 151 142 204

HSL 248.71, 0.38%, 0.68%

LAB 61.9, 16.83, -30.76

 

CMYK 16 / 18 / 0 / 25

HEX #A09CBF

RGB 160 156 191

HSL 246.86, 0.21%, 0.68%

LAB 65.76, 8.65, -17.51

 

CMYK 4 / 5 / 0 / 30

HEX #AAA9B2

RGB 170 169 178

HSL 246.67, 0.06%, 0.68%

LAB 69.57, 2.09, -4.5

 

CMYK 1 / 0 / 9 / 29

HEX #B4B6A5

RGB 180 182 165

HSL 67.06, 0.1%, 0.68%

LAB 73.46, -3.76, 8.41

 

CMYK 3 / 0 / 22 / 24

HEX #BDC398

RGB 189 195 152

HSL 68.37, 0.26%, 0.68%

LAB 77.35, -9.33, 20.97

 

CMYK 30 / 18 / 0 / 20

HEX #8EA8CC

RGB 142 168 204

HSL 214.84, 0.38%, 0.68%

LAB 68.11, -0.57, -21.28

 

CMYK 30 / 25 / 0 / 20

HEX #8E98CC

RGB 142 152 204

HSL 230.32, 0.38%, 0.68%

LAB 63.81, 8.42, -27.86

 

CMYK 26 / 30 / 0 / 20

HEX #968ECC

RGB 150 142 204

HSL 247.74, 0.38%, 0.68%

LAB 61.82, 16.53, -30.89

 

CMYK 19 / 30 / 0 / 20

HEX #A68ECC

RGB 166 142 204

HSL 263.23, 0.38%, 0.68%

LAB 63.19, 21.43, -28.66

 

CMYK 10 / 30 / 0 / 20

HEX #B78ECC

RGB 183 142 204

HSL 279.68, 0.38%, 0.68%

LAB 64.78, 26.81, -26.07

 

CMYK 45 / 53 / 0 / 30

HEX #6255B3

RGB 98 85 179

HSL 248.3, 0.38%, 0.52%

LAB 41.76, 29.5, -48.45

 

CMYK 35 / 41 / 0 / 25

HEX #7C72C0

RGB 124 114 192

HSL 247.69, 0.38%, 0.6%

LAB 51.98, 22.33, -39.62

 

CMYK 26 / 30 / 0 / 20

HEX #978ECC

RGB 151 142 204

HSL 248.71, 0.38%, 0.68%

LAB 61.9, 16.83, -30.76

 

CMYK 18 / 21 / 0 / 15

HEX #B1ABD9

RGB 177 171 217

HSL 247.83, 0.38%, 0.76%

LAB 71.88, 11.53, -22.44

 

CMYK 12 / 13 / 0 / 10

HEX #CBC7E6

RGB 203 199 230

HSL 247.74, 0.38%, 0.84%

LAB 81.43, 7.36, -14.84

 

CMYK 26 / 30 / 0 / 20

HEX #9890CD

RGB 152 144 205

HSL 247.87, 0.38%, 0.68%

LAB 62.53, 16.23, -30.33

 

CMYK 0 / 30 / 9 / 20

HEX #CC8EB9

RGB 204 142 185

HSL 318.39, 0.38%, 0.68%

LAB 66.28, 30.17, -12.96

 

CMYK 22 / 0 / 30 / 20

HEX #A0CC8E

RGB 160 204 142

HSL 102.58, 0.38%, 0.68%

LAB 77.65, -25.94, 26.32

 

CMYK 26 / 30 / 0 / 20

HEX #9890CD

RGB 152 144 205

HSL 247.87, 0.38%, 0.68%

LAB 62.53, 16.23, -30.33

 

CMYK 0 / 26 / 30 / 20

HEX #CC968E

RGB 204 150 142

HSL 7.74, 0.38%, 0.68%

LAB 66.98, 19.17, 12.19

 

CMYK 30 / 0 / 26 / 20

HEX #8ECC96

RGB 142 204 150

HSL 127.74, 0.38%, 0.68%

LAB 76.76, -30.68, 20.74

 

CMYK 26 / 30 / 0 / 20

HEX #9890CD

RGB 152 144 205

HSL 247.87, 0.38%, 0.68%

LAB 62.53, 16.23, -30.33

 

CMYK 0 / 30 / 9 / 20

HEX #CC8EB9

RGB 204 142 185

HSL 318.39, 0.38%, 0.68%

LAB 66.28, 30.17, -12.96

 

CMYK 3 / 0 / 30 / 20

HEX #C5CC8E

RGB 197 204 142

HSL 66.77, 0.38%, 0.68%

LAB 80.18, -12.31, 30.17

 

CMYK 30 / 0 / 21 / 20

HEX #8ECCA2

RGB 142 204 162

HSL 139.35, 0.38%, 0.68%

LAB 77.01, -28.5, 14.7

 

CMYK 26 / 30 / 0 / 20

HEX #9890CD

RGB 152 144 205

HSL 247.87, 0.38%, 0.68%

LAB 62.53, 16.23, -30.33

 

CMYK 0 / 30 / 19 / 20

HEX #CC8EA6

RGB 204 142 166

HSL 336.77, 0.38%, 0.68%

LAB 65.7, 27.04, -3.13

 

CMYK 3 / 0 / 30 / 20

HEX #C5CC8E

RGB 197 204 142

HSL 66.77, 0.38%, 0.68%

LAB 80.18, -12.31, 30.17

 

CMYK 30 / 0 / 11 / 20

HEX #8ECCB5

RGB 142 204 181

HSL 157.74, 0.38%, 0.68%

LAB 77.44, -24.71, 5.14

 

Description

Color code: HEX #9890CD3F | qconv.com Color code: HEX #9890CD3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 144 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 144 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 7 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 7% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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