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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #987EEACE it is the complementary color #678115CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #987EEACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #987EEACE shade: #9D7EE5CE, #AE90F8CE, #BFA2FFCE, #D0B4FFCE and #E1C6FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #987EEACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #987EEACE shade: #987EEACE, #876CD7CE, #765AC4CE, #6548B1CE and #54369ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #987EEACE shade: #9980EA, #B680EA, #D380EA, #EA80E5 and #EA80C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #987EEACE shade: #9980EA and #8080EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #987EEACE shade matches the following richer shades: #9980EA and #9374F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #987EEACE shade: #9980EA, #A08CDE, #A698D2, #ACA4C6 and #B2B0BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #987EEACE shade: #80A0EA, #8083EA, #9980EA, #B580EA and #D180EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #987EEACE shade: #6139DF, #7D5CE5, #9980EA, #B6A3F0 and #D2C7F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #987EEACE shade: #987EEA, #EA80BC and #92EA80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #987EEACE shade: #987EEA, #EA9980 and #80EA99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #987EEACE shade: #987EEA, #EA80BC, #D1EA80 and #80EAAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #987EEACE shade: #987EEA, #EA809C, #D1EA80 and #80EACE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 37 / 0 / 7

HEX #987EEACE

RGBA 152 126 234 0.81

HSLA 254.44, 0.72%, 0.71%, 0.81

LABA 59.47, 33.97, -51.32, 0.81

 

Complementary color

CMYK 16 / 0 / 68 / 40

HEX #678115CE

RGBA 103 129 21 0.81

HSLA 74.44, 0.72%, 0.29%, 0.81

LABA 50.26, -24.22, 50.1, 0.81

 

CMYK 25 / 36 / 0 / 8

HEX #9D7EE5CE

RGBA 157 126 229 0.81

HSLA 258.06, 0.66%, 0.7%, 0.81

LABA 59.66, 33.99, -48.21, 0.81

 

CMYK 24 / 34 / 0 / 2

HEX #AE90F8CE

RGBA 174 144 248 0.81

HSLA 257.31, 0.88%, 0.77%, 0.81

LABA 66.31, 33.1, -48.1, 0.81

 

CMYK 20 / 30 / 0 / 0

HEX #BFA2FFCE

RGBA 191 162 255 0.81

HSLA 258.71, 1%, 0.82%, 0.81

LABA 72.32, 29.44, -42.36, 0.81

 

CMYK 15 / 24 / 0 / 0

HEX #D0B4FFCE

RGBA 208 180 255 0.81

HSLA 262.4, 1%, 0.85%, 0.81

LABA 78.04, 24.5, -33.38, 0.81

 

CMYK 10 / 18 / 0 / 0

HEX #E1C6FFCE

RGBA 225 198 255 0.81

HSLA 268.42, 1%, 0.89%, 0.81

LABA 83.77, 19.99, -24.47, 0.81

 

CMYK 28 / 37 / 0 / 7

HEX #987EEACE

RGBA 152 126 234 0.81

HSLA 254.44, 0.72%, 0.71%, 0.81

LABA 59.47, 33.97, -51.32, 0.81

 

CMYK 30 / 40 / 0 / 13

HEX #876CD7CE

RGBA 135 108 215 0.81

HSLA 255.14, 0.57%, 0.63%, 0.81

LABA 52.71, 35.02, -51.51, 0.81

 

CMYK 32 / 44 / 0 / 19

HEX #765AC4CE

RGBA 118 90 196 0.81

HSLA 255.85, 0.47%, 0.56%, 0.81

LABA 45.84, 36.16, -51.73, 0.81

 

CMYK 35 / 48 / 0 / 25

HEX #6548B1CE

RGBA 101 72 177 0.81

HSLA 256.57, 0.42%, 0.49%, 0.81

LABA 38.86, 37.42, -51.94, 0.81

 

CMYK 38 / 53 / 0 / 31

HEX #54369ECE

RGBA 84 54 158 0.81

HSLA 257.31, 0.49%, 0.42%, 0.81

LABA 31.79, 38.76, -52.1, 0.81

 

CMYK 35 / 45 / 0 / 8

HEX #9980EA

RGB 153 128 234

HSL 254.15, 0.72%, 0.71%

LAB 60.03, 33.09, -50.43

 

CMYK 22 / 45 / 0 / 8

HEX #B680EA

RGB 182 128 234

HSL 270.57, 0.72%, 0.71%

LAB 62.78, 40.85, -45.9

 

CMYK 10 / 45 / 0 / 8

HEX #D380EA

RGB 211 128 234

HSL 286.98, 0.72%, 0.71%

LAB 65.93, 48.97, -40.74

 

CMYK 0 / 45 / 2 / 8

HEX #EA80E5

RGB 234 128 229

HSL 302.83, 0.72%, 0.71%

LAB 68.45, 54.64, -33.83

 

CMYK 0 / 45 / 15 / 8

HEX #EA80C8

RGB 234 128 200

HSL 319.25, 0.72%, 0.71%

LAB 67.35, 49.86, -19.4

 

CMYK 35 / 45 / 0 / 8

HEX #9980EA

RGB 153 128 234

HSL 254.15, 0.72%, 0.71%

LAB 60.03, 33.09, -50.43

 

CMYK 45 / 45 / 0 / 8

HEX #8080EA

RGB 128 128 234

HSL 240, 0.72%, 0.71%

LAB 58.01, 26.92, -53.77

 

CMYK 35 / 45 / 0 / 8

HEX #9980EA

RGB 153 128 234

HSL 254.15, 0.72%, 0.71%

LAB 60.03, 33.09, -50.43

 

CMYK 40 / 53 / 0 / 4

HEX #9374F6

RGB 147 116 246

HSL 254.31, 0.88%, 0.71%

LAB 57.41, 41.65, -61.29

 

CMYK 35 / 45 / 0 / 8

HEX #9980EA

RGB 153 128 234

HSL 254.15, 0.72%, 0.71%

LAB 60.03, 33.09, -50.43

 

CMYK 28 / 37 / 0 / 13

HEX #A08CDE

RGB 160 140 222

HSL 254.63, 0.55%, 0.71%

LAB 62.93, 25.06, -39.15

 

CMYK 21 / 28 / 0 / 18

HEX #A698D2

RGB 166 152 210

HSL 254.48, 0.39%, 0.71%

LAB 65.92, 17.14, -27.8

 

CMYK 13 / 17 / 0 / 22

HEX #ACA4C6

RGB 172 164 198

HSL 254.12, 0.23%, 0.71%

LAB 69.04, 9.64, -16.34

 

CMYK 4 / 5 / 0 / 27

HEX #B2B0BA

RGB 178 176 186

HSL 252, 0.07%, 0.71%

LAB 72.27, 2.62, -4.85

 

CMYK 45 / 32 / 0 / 8

HEX #80A0EA

RGB 128 160 234

HSL 221.89, 0.72%, 0.71%

LAB 66.27, 8.24, -40.72

 

CMYK 45 / 44 / 0 / 8

HEX #8083EA

RGB 128 131 234

HSL 238.3, 0.72%, 0.71%

LAB 58.75, 25.15, -52.58

 

CMYK 35 / 45 / 0 / 8

HEX #9980EA

RGB 153 128 234

HSL 254.15, 0.72%, 0.71%

LAB 60.03, 33.09, -50.43

 

CMYK 23 / 45 / 0 / 8

HEX #B580EA

RGB 181 128 234

HSL 270, 0.72%, 0.71%

LAB 62.68, 40.58, -46.07

 

CMYK 11 / 45 / 0 / 8

HEX #D180EA

RGB 209 128 234

HSL 285.85, 0.72%, 0.71%

LAB 65.7, 48.41, -41.11

 

CMYK 57 / 74 / 0 / 13

HEX #6139DF

RGB 97 57 223

HSL 254.46, 0.72%, 0.55%

LAB 39.23, 57.89, -78.08

 

CMYK 45 / 60 / 0 / 10

HEX #7D5CE5

RGB 125 92 229

HSL 254.45, 0.72%, 0.63%

LAB 49.1, 45.76, -65.29

 

CMYK 35 / 45 / 0 / 8

HEX #9980EA

RGB 153 128 234

HSL 254.15, 0.72%, 0.71%

LAB 60.03, 33.09, -50.43

 

CMYK 24 / 32 / 0 / 6

HEX #B6A3F0

RGB 182 163 240

HSL 254.81, 0.72%, 0.79%

LAB 71.17, 22.78, -36.07

 

CMYK 15 / 19 / 0 / 4

HEX #D2C7F6

RGB 210 199 246

HSL 254.04, 0.72%, 0.87%

LAB 82.49, 12.9, -21.74

 

CMYK 35 / 46 / 0 / 8

HEX #987EEA

RGB 152 126 234

HSL 254.44, 0.72%, 0.71%

LAB 59.47, 33.97, -51.32

 

CMYK 0 / 45 / 20 / 8

HEX #EA80BC

RGB 234 128 188

HSL 326.04, 0.72%, 0.71%

LAB 66.95, 48.05, -13.28

 

CMYK 38 / 0 / 45 / 8

HEX #92EA80

RGB 146 234 128

HSL 109.81, 0.72%, 0.71%

LAB 85.26, -46.26, 43.18

 

CMYK 35 / 46 / 0 / 8

HEX #987EEA

RGB 152 126 234

HSL 254.44, 0.72%, 0.71%

LAB 59.47, 33.97, -51.32

 

CMYK 0 / 35 / 45 / 8

HEX #EA9980

RGB 234 153 128

HSL 14.15, 0.72%, 0.71%

LAB 70.76, 27.57, 25.65

 

CMYK 45 / 0 / 35 / 8

HEX #80EA99

RGB 128 234 153

HSL 134.15, 0.72%, 0.71%

LAB 84.86, -47.74, 30.06

 

CMYK 35 / 46 / 0 / 8

HEX #987EEA

RGB 152 126 234

HSL 254.44, 0.72%, 0.71%

LAB 59.47, 33.97, -51.32

 

CMYK 0 / 45 / 20 / 8

HEX #EA80BC

RGB 234 128 188

HSL 326.04, 0.72%, 0.71%

LAB 66.95, 48.05, -13.28

 

CMYK 11 / 0 / 45 / 8

HEX #D1EA80

RGB 209 234 128

HSL 74.15, 0.72%, 0.71%

LAB 88.9, -24.17, 48.51

 

CMYK 45 / 0 / 26 / 8

HEX #80EAAE

RGB 128 234 174

HSL 146.04, 0.72%, 0.71%

LAB 85.25, -43.94, 19.79

 

CMYK 35 / 46 / 0 / 8

HEX #987EEA

RGB 152 126 234

HSL 254.44, 0.72%, 0.71%

LAB 59.47, 33.97, -51.32

 

CMYK 0 / 45 / 33 / 8

HEX #EA809C

RGB 234 128 156

HSL 344.15, 0.72%, 0.71%

LAB 66.01, 43.73, 3.4

 

CMYK 11 / 0 / 45 / 8

HEX #D1EA80

RGB 209 234 128

HSL 74.15, 0.72%, 0.71%

LAB 88.9, -24.17, 48.51

 

CMYK 45 / 0 / 12 / 8

HEX #80EACE

RGB 128 234 206

HSL 164.15, 0.72%, 0.71%

LAB 85.95, -37.26, 4.08

 

Description

Color code: HEX #987EEACE | qconv.com Color code: HEX #987EEACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 126 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 126 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 37 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 37% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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