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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98742D it is the complementary color #678BD2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98742D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98742D shade: #9D7428, #AE863B, #BF984E, #D0AA61 and #E1BC74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98742D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98742D shade: #98742D, #87621A, #765007, #653E00 and #542C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98742D shade: #99752E, #99582E, #993B2E and #992E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98742D shade: #99752E, #99922E, #83992E, #66992E and #49992E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98742D shade matches the following richer shades: #99752E, #A97A1E and #B9800E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98742D shade: #99752E, #89703E, #796A4E, #69655E and #59606E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98742D shade: #993A2E, #99572E, #99742E, #99902E and #85992E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98742D shade: #5A441B, #795D24, #99752E, #B98D37 and #CAA14F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98742D shade: #98742D, #3E992E and #492E99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98742D shade: #98742D, #2E9974 and #742E99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98742D shade: #98742D, #3E992E, #2E5399 and #892E99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98742D shade: #98742D, #2E993E, #2E5399 and #992E89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 70 / 40

HEX #98742D

RGB 152 116 45

HSL 39.81, 0.54%, 0.39%

LAB 51.1, 6.51, 43.21

 

Complementary color

CMYK 51 / 34 / 0 / 18

HEX #678BD2

RGB 103 139 210

HSL 219.81, 0.54%, 0.61%

LAB 58.04, 7.34, -40.4

 

CMYK 0 / 26 / 75 / 38

HEX #9D7428

RGB 157 116 40

HSL 38.97, 0.59%, 0.39%

LAB 51.62, 8.53, 46.19

 

CMYK 0 / 23 / 66 / 32

HEX #AE863B

RGB 174 134 59

HSL 39.13, 0.49%, 0.46%

LAB 58.38, 7.14, 45.13

 

CMYK 0 / 20 / 59 / 25

HEX #BF984E

RGB 191 152 78

HSL 39.29, 0.47%, 0.53%

LAB 65.03, 5.99, 43.84

 

CMYK 0 / 18 / 53 / 18

HEX #D0AA61

RGB 208 170 97

HSL 39.46, 0.54%, 0.6%

LAB 71.57, 5.02, 42.51

 

CMYK 0 / 16 / 48 / 12

HEX #E1BC74

RGB 225 188 116

HSL 39.63, 0.64%, 0.67%

LAB 78.01, 4.2, 41.2

 

CMYK 0 / 24 / 70 / 40

HEX #98742D

RGB 152 116 45

HSL 39.81, 0.54%, 0.39%

LAB 51.1, 6.51, 43.21

 

CMYK 0 / 27 / 81 / 47

HEX #87621A

RGB 135 98 26

HSL 39.63, 0.68%, 0.32%

LAB 44.18, 8.06, 43.99

 

CMYK 0 / 32 / 94 / 54

HEX #765007

RGB 118 80 7

HSL 39.46, 0.89%, 0.25%

LAB 37.12, 10.01, 43.56

 

CMYK 0 / 39 / 100 / 60

HEX #653E00

RGB 101 62 0

HSL 36.83, 1%, 0.2%

LAB 29.94, 12.45, 39.82

 

CMYK 0 / 48 / 100 / 67

HEX #542C00

RGB 84 44 0

HSL 31.43, 1%, 0.16%

LAB 22.61, 15.24, 32.23

 

CMYK 0 / 24 / 70 / 40

HEX #99752E

RGB 153 117 46

HSL 39.81, 0.54%, 0.39%

LAB 51.49, 6.46, 43.19

 

CMYK 0 / 42 / 70 / 40

HEX #99582E

RGB 153 88 46

HSL 23.55, 0.54%, 0.39%

LAB 44.16, 23.06, 35.22

 

CMYK 0 / 61 / 70 / 40

HEX #993B2E

RGB 153 59 46

HSL 7.29, 0.54%, 0.39%

LAB 38.02, 38.53, 28.16

 

CMYK 0 / 70 / 70 / 40

HEX #992E2E

RGB 153 46 46

HSL 0, 0.54%, 0.39%

LAB 35.84, 44.39, 25.56

 

CMYK 0 / 24 / 70 / 40

HEX #99752E

RGB 153 117 46

HSL 39.81, 0.54%, 0.39%

LAB 51.49, 6.46, 43.19

 

CMYK 0 / 5 / 70 / 40

HEX #99922E

RGB 153 146 46

HSL 56.07, 0.54%, 0.39%

LAB 59.46, -9.63, 51.39

 

CMYK 14 / 0 / 70 / 40

HEX #83992E

RGB 131 153 46

HSL 72.34, 0.54%, 0.39%

LAB 59.71, -22.91, 51.06

 

CMYK 33 / 0 / 70 / 40

HEX #66992E

RGB 102 153 46

HSL 88.6, 0.54%, 0.39%

LAB 57.85, -34.61, 48.57

 

CMYK 52 / 0 / 70 / 40

HEX #49992E

RGB 73 153 46

HSL 104.86, 0.54%, 0.39%

LAB 56.48, -44.45, 46.71

 

CMYK 0 / 24 / 70 / 40

HEX #99752E

RGB 153 117 46

HSL 39.81, 0.54%, 0.39%

LAB 51.49, 6.46, 43.19

 

CMYK 0 / 28 / 82 / 34

HEX #A97A1E

RGB 169 122 30

HSL 39.71, 0.7%, 0.39%

LAB 54.5, 10.19, 53.34

 

CMYK 0 / 31 / 92 / 27

HEX #B9800E

RGB 185 128 14

HSL 40, 0.86%, 0.39%

LAB 57.83, 13.68, 61.22

 

CMYK 0 / 24 / 70 / 40

HEX #99752E

RGB 153 117 46

HSL 39.81, 0.54%, 0.39%

LAB 51.49, 6.46, 43.19

 

CMYK 0 / 18 / 55 / 46

HEX #89703E

RGB 137 112 62

HSL 40, 0.38%, 0.39%

LAB 48.58, 3.25, 31.25

 

CMYK 0 / 12 / 36 / 53

HEX #796A4E

RGB 121 106 78

HSL 39.07, 0.22%, 0.39%

LAB 45.53, 1.43, 17.92

 

CMYK 0 / 4 / 10 / 59

HEX #69655E

RGB 105 101 94

HSL 38.18, 0.06%, 0.39%

LAB 42.94, 0.21, 4.52

 

CMYK 19 / 13 / 0 / 57

HEX #59606E

RGB 89 96 110

HSL 220, 0.11%, 0.39%

LAB 40.6, 0.57, -8.85

 

CMYK 0 / 62 / 70 / 40

HEX #993A2E

RGB 153 58 46

HSL 6.73, 0.54%, 0.39%

LAB 37.83, 39.01, 27.94

 

CMYK 0 / 43 / 70 / 40

HEX #99572E

RGB 153 87 46

HSL 22.99, 0.54%, 0.39%

LAB 43.92, 23.63, 34.96

 

CMYK 0 / 24 / 70 / 40

HEX #99742E

RGB 153 116 46

HSL 39.25, 0.54%, 0.39%

LAB 51.22, 7.03, 42.9

 

CMYK 0 / 6 / 70 / 40

HEX #99902E

RGB 153 144 46

HSL 54.95, 0.54%, 0.39%

LAB 58.9, -8.55, 50.82

 

CMYK 13 / 0 / 70 / 40

HEX #85992E

RGB 133 153 46

HSL 71.21, 0.54%, 0.39%

LAB 59.86, -22.05, 51.26

 

CMYK 0 / 24 / 70 / 65

HEX #5A441B

RGB 90 68 27

HSL 39.05, 0.54%, 0.23%

LAB 30.37, 4.41, 27.82

 

CMYK 0 / 23 / 70 / 53

HEX #795D24

RGB 121 93 36

HSL 40.24, 0.54%, 0.31%

LAB 41.25, 4.89, 36.03

 

CMYK 0 / 24 / 70 / 40

HEX #99752E

RGB 153 117 46

HSL 39.81, 0.54%, 0.39%

LAB 51.49, 6.46, 43.19

 

CMYK 0 / 24 / 70 / 27

HEX #B98D37

RGB 185 141 55

HSL 39.69, 0.54%, 0.47%

LAB 61.34, 7.9, 50.49

 

CMYK 0 / 20 / 61 / 21

HEX #CAA14F

RGB 202 161 79

HSL 40, 0.54%, 0.55%

LAB 68.47, 5.91, 47.61

 

CMYK 0 / 24 / 70 / 40

HEX #98742D

RGB 152 116 45

HSL 39.81, 0.54%, 0.39%

LAB 51.1, 6.51, 43.21

 

CMYK 59 / 0 / 70 / 40

HEX #3E992E

RGB 62 153 46

HSL 111.03, 0.54%, 0.39%

LAB 56.09, -47.5, 46.18

 

CMYK 52 / 70 / 0 / 40

HEX #492E99

RGB 73 46 153

HSL 255.14, 0.54%, 0.39%

LAB 28.57, 39.74, -54.36

 

CMYK 0 / 24 / 70 / 40

HEX #98742D

RGB 152 116 45

HSL 39.81, 0.54%, 0.39%

LAB 51.1, 6.51, 43.21

 

CMYK 70 / 0 / 24 / 40

HEX #2E9974

RGB 46 153 116

HSL 159.25, 0.54%, 0.39%

LAB 56.71, -39.23, 10.82

 

CMYK 24 / 70 / 0 / 40

HEX #742E99

RGB 116 46 153

HSL 279.25, 0.54%, 0.39%

LAB 33.91, 48.47, -45.43

 

CMYK 0 / 24 / 70 / 40

HEX #98742D

RGB 152 116 45

HSL 39.81, 0.54%, 0.39%

LAB 51.1, 6.51, 43.21

 

CMYK 59 / 0 / 70 / 40

HEX #3E992E

RGB 62 153 46

HSL 111.03, 0.54%, 0.39%

LAB 56.09, -47.5, 46.18

 

CMYK 70 / 46 / 0 / 40

HEX #2E5399

RGB 46 83 153

HSL 219.25, 0.54%, 0.39%

LAB 36.11, 11.18, -42.23

 

CMYK 10 / 70 / 0 / 40

HEX #892E99

RGB 137 46 153

HSL 291.03, 0.54%, 0.39%

LAB 37.06, 53.23, -40.21

 

CMYK 0 / 24 / 70 / 40

HEX #98742D

RGB 152 116 45

HSL 39.81, 0.54%, 0.39%

LAB 51.1, 6.51, 43.21

 

CMYK 70 / 0 / 59 / 40

HEX #2E993E

RGB 46 153 62

HSL 128.97, 0.54%, 0.39%

LAB 55.8, -49.32, 38.55

 

CMYK 70 / 46 / 0 / 40

HEX #2E5399

RGB 46 83 153

HSL 219.25, 0.54%, 0.39%

LAB 36.11, 11.18, -42.23

 

CMYK 0 / 70 / 10 / 40

HEX #992E89

RGB 153 46 137

HSL 308.97, 0.54%, 0.39%

LAB 38.78, 54.31, -27.56

 

Description

Color code: HEX #98742D | qconv.com Color code: HEX #98742D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 116 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 116 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 70 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 70% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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