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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #986B38 it is the complementary color #6794C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #986B38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #986B38 shade: #9D6B33, #AE7D46, #BF8F59, #D0A16C and #E1B37F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #986B38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #986B38 shade: #986B38, #875925, #764712, #653500 and #542300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #986B38 shade: #996C38, #995238 and #993838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #986B38 shade: #996C38, #998638, #929938, #789938 and #5E9938

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #986B38 shade matches the following richer shades: #996C38, #AA6D28, #BA6E17 and #CB6F06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #986B38 shade: #996C38, #886B49, #77695A, #66686B and #55677C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #986B38 shade: #99383A, #995138, #996A38, #998438 and #949938

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #986B38 shade: #5C4122, #7B562D, #996C38, #B78144 and #C49560

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #986B38 shade: #986B38, #549938 and #443899

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #986B38 shade: #986B38, #38996A and #6A3899

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #986B38 shade: #986B38, #549938, #386799 and #7D3899

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #986B38 shade: #986B38, #38993A, #386799 and #993897

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 63 / 40

HEX #986B38

RGB 152 107 56

HSL 31.88, 0.46%, 0.41%

LAB 48.85, 12.4, 35.22

 

Complementary color

CMYK 48 / 26 / 0 / 22

HEX #6794C7

RGB 103 148 199

HSL 211.88, 0.46%, 0.59%

LAB 60.06, -1.22, -31.06

 

CMYK 0 / 32 / 68 / 38

HEX #9D6B33

RGB 157 107 51

HSL 31.7, 0.51%, 0.41%

LAB 49.4, 14.3, 38.61

 

CMYK 0 / 28 / 60 / 32

HEX #AE7D46

RGB 174 125 70

HSL 31.73, 0.43%, 0.48%

LAB 56.2, 12.95, 37.09

 

CMYK 0 / 25 / 53 / 25

HEX #BF8F59

RGB 191 143 89

HSL 31.76, 0.44%, 0.55%

LAB 62.88, 11.82, 35.6

 

CMYK 0 / 23 / 48 / 18

HEX #D0A16C

RGB 208 161 108

HSL 31.8, 0.52%, 0.62%

LAB 69.46, 10.86, 34.18

 

CMYK 0 / 20 / 44 / 12

HEX #E1B37F

RGB 225 179 127

HSL 31.84, 0.62%, 0.69%

LAB 75.93, 10.04, 32.86

 

CMYK 0 / 30 / 63 / 40

HEX #986B38

RGB 152 107 56

HSL 31.88, 0.46%, 0.41%

LAB 48.85, 12.4, 35.22

 

CMYK 0 / 34 / 73 / 47

HEX #875925

RGB 135 89 37

HSL 31.84, 0.57%, 0.34%

LAB 41.89, 13.89, 36.73

 

CMYK 0 / 40 / 85 / 54

HEX #764712

RGB 118 71 18

HSL 31.8, 0.74%, 0.27%

LAB 34.81, 15.74, 37.85

 

CMYK 0 / 48 / 100 / 60

HEX #653500

RGB 101 53 0

HSL 31.49, 1%, 0.2%

LAB 27.61, 17.96, 37.94

 

CMYK 0 / 58 / 100 / 67

HEX #542300

RGB 84 35 0

HSL 25, 1%, 0.16%

LAB 20.39, 20.72, 29.84

 

CMYK 0 / 29 / 63 / 40

HEX #996C38

RGB 153 108 56

HSL 32.16, 0.46%, 0.41%

LAB 49.23, 12.27, 35.69

 

CMYK 0 / 46 / 63 / 40

HEX #995238

RGB 153 82 56

HSL 16.08, 0.46%, 0.41%

LAB 42.9, 27.09, 28.17

 

CMYK 0 / 63 / 63 / 40

HEX #993838

RGB 153 56 56

HSL 0, 0.46%, 0.41%

LAB 37.64, 40.59, 21.61

 

CMYK 0 / 29 / 63 / 40

HEX #996C38

RGB 153 108 56

HSL 32.16, 0.46%, 0.41%

LAB 49.23, 12.27, 35.69

 

CMYK 0 / 12 / 63 / 40

HEX #998638

RGB 153 134 56

HSL 48.25, 0.46%, 0.41%

LAB 56.2, -2.46, 43.54

 

CMYK 5 / 0 / 63 / 40

HEX #929938

RGB 146 153 56

HSL 64.33, 0.46%, 0.41%

LAB 60.94, -15.78, 48.5

 

CMYK 22 / 0 / 63 / 40

HEX #789938

RGB 120 153 56

HSL 80.41, 0.46%, 0.41%

LAB 59.03, -26.76, 45.88

 

CMYK 39 / 0 / 63 / 40

HEX #5E9938

RGB 94 153 56

HSL 96.49, 0.46%, 0.41%

LAB 57.51, -36.69, 43.78

 

CMYK 0 / 29 / 63 / 40

HEX #996C38

RGB 153 108 56

HSL 32.16, 0.46%, 0.41%

LAB 49.23, 12.27, 35.69

 

CMYK 0 / 36 / 76 / 33

HEX #AA6D28

RGB 170 109 40

HSL 31.85, 0.62%, 0.41%

LAB 51.42, 18.36, 46.51

 

CMYK 0 / 41 / 88 / 27

HEX #BA6E17

RGB 186 110 23

HSL 32.02, 0.78%, 0.41%

LAB 53.66, 24.25, 55.78

 

CMYK 0 / 45 / 97 / 20

HEX #CB6F06

RGB 203 111 6

HSL 31.98, 0.94%, 0.41%

LAB 56.17, 30.67, 62.57

 

CMYK 0 / 29 / 63 / 40

HEX #996C38

RGB 153 108 56

HSL 32.16, 0.46%, 0.41%

LAB 49.23, 12.27, 35.69

 

CMYK 0 / 21 / 46 / 47

HEX #886B49

RGB 136 107 73

HSL 32.38, 0.3%, 0.41%

LAB 47.28, 6.82, 23.42

 

CMYK 0 / 12 / 24 / 53

HEX #77695A

RGB 119 105 90

HSL 31.03, 0.14%, 0.41%

LAB 45.31, 2.93, 10.46

 

CMYK 5 / 3 / 0 / 58

HEX #66686B

RGB 102 104 107

HSL 216, 0.02%, 0.41%

LAB 43.93, -0.13, -1.96

 

CMYK 31 / 17 / 0 / 51

HEX #55677C

RGB 85 103 124

HSL 212.31, 0.19%, 0.41%

LAB 42.89, -1.4, -13.92

 

CMYK 0 / 63 / 62 / 40

HEX #99383A

RGB 153 56 58

HSL 358.76, 0.46%, 0.41%

LAB 37.67, 40.73, 20.41

 

CMYK 0 / 47 / 63 / 40

HEX #995138

RGB 153 81 56

HSL 15.46, 0.46%, 0.41%

LAB 42.68, 27.65, 27.89

 

CMYK 0 / 31 / 63 / 40

HEX #996A38

RGB 153 106 56

HSL 30.93, 0.46%, 0.41%

LAB 48.72, 13.42, 35.09

 

CMYK 0 / 14 / 63 / 40

HEX #998438

RGB 153 132 56

HSL 47.01, 0.46%, 0.41%

LAB 55.64, -1.35, 42.93

 

CMYK 3 / 0 / 63 / 40

HEX #949938

RGB 148 153 56

HSL 63.09, 0.46%, 0.41%

LAB 61.1, -14.92, 48.72

 

CMYK 0 / 29 / 63 / 64

HEX #5C4122

RGB 92 65 34

HSL 32.07, 0.46%, 0.25%

LAB 29.84, 7.85, 23.3

 

CMYK 0 / 30 / 63 / 52

HEX #7B562D

RGB 123 86 45

HSL 31.54, 0.46%, 0.33%

LAB 39.67, 10.65, 29.58

 

CMYK 0 / 29 / 63 / 40

HEX #996C38

RGB 153 108 56

HSL 32.16, 0.46%, 0.41%

LAB 49.23, 12.27, 35.69

 

CMYK 0 / 30 / 63 / 28

HEX #B78144

RGB 183 129 68

HSL 31.83, 0.46%, 0.49%

LAB 58.21, 14.48, 40.75

 

CMYK 0 / 24 / 51 / 23

HEX #C49560

RGB 196 149 96

HSL 31.8, 0.46%, 0.57%

LAB 65.02, 11.26, 34.67

 

CMYK 0 / 30 / 63 / 40

HEX #986B38

RGB 152 107 56

HSL 31.88, 0.46%, 0.41%

LAB 48.85, 12.4, 35.22

 

CMYK 45 / 0 / 63 / 40

HEX #549938

RGB 84 153 56

HSL 102.68, 0.46%, 0.41%

LAB 57.03, -40.09, 43.11

 

CMYK 56 / 63 / 0 / 40

HEX #443899

RGB 68 56 153

HSL 247.42, 0.46%, 0.41%

LAB 30.3, 32.88, -51.55

 

CMYK 0 / 30 / 63 / 40

HEX #986B38

RGB 152 107 56

HSL 31.88, 0.46%, 0.41%

LAB 48.85, 12.4, 35.22

 

CMYK 63 / 0 / 31 / 40

HEX #38996A

RGB 56 153 106

HSL 150.93, 0.46%, 0.41%

LAB 56.75, -39.67, 16.53

 

CMYK 31 / 63 / 0 / 40

HEX #6A3899

RGB 106 56 153

HSL 270.93, 0.46%, 0.41%

LAB 34.38, 41.17, -44.75

 

CMYK 0 / 30 / 63 / 40

HEX #986B38

RGB 152 107 56

HSL 31.88, 0.46%, 0.41%

LAB 48.85, 12.4, 35.22

 

CMYK 45 / 0 / 63 / 40

HEX #549938

RGB 84 153 56

HSL 102.68, 0.46%, 0.41%

LAB 57.03, -40.09, 43.11

 

CMYK 63 / 33 / 0 / 40

HEX #386799

RGB 56 103 153

HSL 210.93, 0.46%, 0.41%

LAB 42.52, 0.18, -32.03

 

CMYK 18 / 63 / 0 / 40

HEX #7D3899

RGB 125 56 153

HSL 282.68, 0.46%, 0.41%

LAB 36.91, 45.83, -40.56

 

CMYK 0 / 30 / 63 / 40

HEX #986B38

RGB 152 107 56

HSL 31.88, 0.46%, 0.41%

LAB 48.85, 12.4, 35.22

 

CMYK 63 / 0 / 62 / 40

HEX #38993A

RGB 56 153 58

HSL 121.24, 0.46%, 0.41%

LAB 56.02, -47.71, 40.77

 

CMYK 63 / 33 / 0 / 40

HEX #386799

RGB 56 103 153

HSL 210.93, 0.46%, 0.41%

LAB 42.52, 0.18, -32.03

 

CMYK 0 / 63 / 1 / 40

HEX #993897

RGB 153 56 151

HSL 301.24, 0.46%, 0.41%

LAB 40.95, 52.59, -32.67

 

Description

Color code: HEX #986B38 | qconv.com Color code: HEX #986B38 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 107 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 107 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 63 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 63% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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