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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98653E it is the complementary color #679AC1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98653E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98653E shade: #9D6539, #AE774C, #BF895F, #D09B72 and #E1AD85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98653E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98653E shade: #98653E, #87532B, #764118, #652F05 and #541D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98653E shade: #98653E, #984D3E and #983E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98653E shade: #98653E, #987D3E, #98963E, #82983E and #6A983E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98653E shade matches the following richer shades: #98653E, #A9632D, #BB601B and #CC5E0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98653E shade: #98653E, #87674F, #756A61, #646C72 and #536E83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98653E shade: #983E47, #984D3E, #98653E, #987D3E and #98953E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98653E shade: #5D3E26, #7B5232, #98653E, #B5794A and #C18E68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98653E shade: #98653E, #5F983E and #413E98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98653E shade: #98653E, #3E9865 and #653E98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98653E shade: #98653E, #5F983E, #3E7198 and #773E98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98653E shade: #98653E, #44983E, #3E7198 and #923E98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 59 / 40

HEX #98653E

RGB 152 101 62

HSL 26, 0.42%, 0.42%

LAB 47.41, 16.32, 30.22

 

Complementary color

CMYK 47 / 20 / 0 / 24

HEX #679AC1

RGB 103 154 193

HSL 206, 0.42%, 0.58%

LAB 61.52, -6.37, -25.43

 

CMYK 0 / 36 / 64 / 38

HEX #9D6539

RGB 157 101 57

HSL 26.4, 0.47%, 0.42%

LAB 47.97, 18.14, 33.8

 

CMYK 0 / 32 / 56 / 32

HEX #AE774C

RGB 174 119 76

HSL 26.33, 0.39%, 0.49%

LAB 54.78, 16.8, 32.14

 

CMYK 0 / 28 / 50 / 25

HEX #BF895F

RGB 191 137 95

HSL 26.25, 0.43%, 0.56%

LAB 61.48, 15.68, 30.6

 

CMYK 0 / 25 / 45 / 18

HEX #D09B72

RGB 208 155 114

HSL 26.17, 0.5%, 0.63%

LAB 68.07, 14.71, 29.18

 

CMYK 0 / 23 / 41 / 12

HEX #E1AD85

RGB 225 173 133

HSL 26.09, 0.61%, 0.7%

LAB 74.56, 13.88, 27.87

 

CMYK 0 / 34 / 59 / 40

HEX #98653E

RGB 152 101 62

HSL 26, 0.42%, 0.42%

LAB 47.41, 16.32, 30.22

 

CMYK 0 / 39 / 68 / 47

HEX #87532B

RGB 135 83 43

HSL 26.09, 0.52%, 0.35%

LAB 40.43, 17.78, 31.96

 

CMYK 0 / 45 / 80 / 54

HEX #764118

RGB 118 65 24

HSL 26.17, 0.66%, 0.28%

LAB 33.35, 19.56, 33.68

 

CMYK 0 / 53 / 95 / 60

HEX #652F05

RGB 101 47 5

HSL 26.25, 0.91%, 0.21%

LAB 26.19, 21.68, 34.65

 

CMYK 0 / 65 / 100 / 67

HEX #541D00

RGB 84 29 0

HSL 20.71, 1%, 0.16%

LAB 19.07, 24.12, 28.34

 

CMYK 0 / 34 / 59 / 40

HEX #98653E

RGB 152 101 62

HSL 26, 0.42%, 0.42%

LAB 47.41, 16.32, 30.22

 

CMYK 0 / 49 / 59 / 40

HEX #984D3E

RGB 152 77 62

HSL 10, 0.42%, 0.42%

LAB 41.74, 29.9, 23.15

 

CMYK 0 / 59 / 59 / 40

HEX #983E3E

RGB 152 62 62

HSL 0, 0.42%, 0.42%

LAB 38.67, 37.76, 19.19

 

CMYK 0 / 34 / 59 / 40

HEX #98653E

RGB 152 101 62

HSL 26, 0.42%, 0.42%

LAB 47.41, 16.32, 30.22

 

CMYK 0 / 18 / 59 / 40

HEX #987D3E

RGB 152 125 62

HSL 42, 0.42%, 0.42%

LAB 53.7, 2.58, 37.71

 

CMYK 0 / 1 / 59 / 40

HEX #98963E

RGB 152 150 62

HSL 58.67, 0.42%, 0.42%

LAB 60.64, -11.15, 45.59

 

CMYK 14 / 0 / 59 / 40

HEX #82983E

RGB 130 152 62

HSL 74.67, 0.42%, 0.42%

LAB 59.48, -21.62, 43.82

 

CMYK 30 / 0 / 59 / 40

HEX #6A983E

RGB 106 152 62

HSL 90.67, 0.42%, 0.42%

LAB 57.91, -31.23, 41.62

 

CMYK 0 / 34 / 59 / 40

HEX #98653E

RGB 152 101 62

HSL 26, 0.42%, 0.42%

LAB 47.41, 16.32, 30.22

 

CMYK 0 / 41 / 73 / 34

HEX #A9632D

RGB 169 99 45

HSL 26.13, 0.58%, 0.42%

LAB 48.94, 23.76, 41.58

 

CMYK 0 / 49 / 86 / 27

HEX #BB601B

RGB 187 96 27

HSL 25.88, 0.75%, 0.42%

LAB 50.7, 32.33, 52.05

 

CMYK 0 / 54 / 95 / 20

HEX #CC5E0A

RGB 204 94 10

HSL 25.98, 0.91%, 0.42%

LAB 52.8, 39.89, 59.67

 

CMYK 0 / 34 / 59 / 40

HEX #98653E

RGB 152 101 62

HSL 26, 0.42%, 0.42%

LAB 47.41, 16.32, 30.22

 

CMYK 0 / 24 / 41 / 47

HEX #87674F

RGB 135 103 79

HSL 25.71, 0.26%, 0.42%

LAB 46.2, 9.43, 18.48

HEX #87674F

CMYK 0 / 9 / 17 / 54

HEX #756A61

RGB 117 106 97

HSL 27, 0.09%, 0.42%

LAB 45.57, 2.68, 6.61

HEX #756A61

CMYK 12 / 5 / 0 / 55

HEX #646C72

RGB 100 108 114

HSL 205.71, 0.07%, 0.42%

LAB 45.15, -1.7, -4.39

HEX #646C72

CMYK 37 / 16 / 0 / 49

HEX #536E83

RGB 83 110 131

HSL 206.25, 0.22%, 0.42%

LAB 45.12, -4.27, -14.75

HEX #536E83

CMYK 0 / 59 / 53 / 40

HEX #983E47

RGB 152 62 71

HSL 354, 0.42%, 0.42%

LAB 38.86, 38.52, 13.82

 

CMYK 0 / 49 / 59 / 40

HEX #984D3E

RGB 152 77 62

HSL 10, 0.42%, 0.42%

LAB 41.74, 29.9, 23.15

 

CMYK 0 / 34 / 59 / 40

HEX #98653E

RGB 152 101 62

HSL 26, 0.42%, 0.42%

LAB 47.41, 16.32, 30.22

 

CMYK 0 / 18 / 59 / 40

HEX #987D3E

RGB 152 125 62

HSL 42, 0.42%, 0.42%

LAB 53.7, 2.58, 37.71

 

CMYK 0 / 2 / 59 / 40

HEX #98953E

RGB 152 149 62

HSL 58, 0.42%, 0.42%

LAB 60.35, -10.62, 45.28

 

CMYK 0 / 33 / 59 / 64

HEX #5D3E26

RGB 93 62 38

HSL 26.18, 0.42%, 0.26%

LAB 29.19, 10.59, 20.12

 

CMYK 0 / 33 / 59 / 52

HEX #7B5232

RGB 123 82 50

HSL 26.3, 0.42%, 0.34%

LAB 38.68, 13.46, 25.55

 

CMYK 0 / 34 / 59 / 40

HEX #98653E

RGB 152 101 62

HSL 26, 0.42%, 0.42%

LAB 47.41, 16.32, 30.22

 

CMYK 0 / 33 / 59 / 29

HEX #B5794A

RGB 181 121 74

HSL 26.36, 0.42%, 0.5%

LAB 56.08, 18.52, 35.02

 

CMYK 0 / 26 / 46 / 24

HEX #C18E68

RGB 193 142 104

HSL 25.62, 0.42%, 0.58%

LAB 63.08, 14.64, 27.79

 

CMYK 0 / 34 / 59 / 40

HEX #98653E

RGB 152 101 62

HSL 26, 0.42%, 0.42%

LAB 47.41, 16.32, 30.22

 

CMYK 38 / 0 / 59 / 40

HEX #5F983E

RGB 95 152 62

HSL 98, 0.42%, 0.42%

LAB 57.31, -35.27, 40.77

 

CMYK 57 / 59 / 0 / 40

HEX #413E98

RGB 65 62 152

HSL 242, 0.42%, 0.42%

LAB 31.43, 28.17, -49.11

 

CMYK 0 / 34 / 59 / 40

HEX #98653E

RGB 152 101 62

HSL 26, 0.42%, 0.42%

LAB 47.41, 16.32, 30.22

 

CMYK 59 / 0 / 34 / 40

HEX #3E9865

RGB 62 152 101

HSL 146, 0.42%, 0.42%

LAB 56.51, -38.98, 19.02

 

CMYK 34 / 59 / 0 / 40

HEX #653E98

RGB 101 62 152

HSL 266, 0.42%, 0.42%

LAB 34.96, 36.34, -43.24

 

CMYK 0 / 34 / 59 / 40

HEX #98653E

RGB 152 101 62

HSL 26, 0.42%, 0.42%

LAB 47.41, 16.32, 30.22

 

CMYK 38 / 0 / 59 / 40

HEX #5F983E

RGB 95 152 62

HSL 98, 0.42%, 0.42%

LAB 57.31, -35.27, 40.77

 

CMYK 59 / 26 / 0 / 40

HEX #3E7198

RGB 62 113 152

HSL 206, 0.42%, 0.42%

LAB 45.77, -5, -26.34

 

CMYK 22 / 59 / 0 / 40

HEX #773E98

RGB 119 62 152

HSL 278, 0.42%, 0.42%

LAB 37.18, 40.97, -39.57

 

CMYK 0 / 34 / 59 / 40

HEX #98653E

RGB 152 101 62

HSL 26, 0.42%, 0.42%

LAB 47.41, 16.32, 30.22

 

CMYK 55 / 0 / 59 / 40

HEX #44983E

RGB 68 152 62

HSL 116, 0.42%, 0.42%

LAB 56.12, -43.81, 39.09

 

CMYK 59 / 26 / 0 / 40

HEX #3E7198

RGB 62 113 152

HSL 206, 0.42%, 0.42%

LAB 45.77, -5, -26.34

 

CMYK 4 / 59 / 0 / 40

HEX #923E98

RGB 146 62 152

HSL 296, 0.42%, 0.42%

LAB 40.93, 48.2, -33.37

 

Description

Color code: HEX #98653E | qconv.com Color code: HEX #98653E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 101 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 101 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 59 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 59% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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