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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #986378 it is the complementary color #679C87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #986378. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #986378 shade: #9D6373, #AE7586, #BF8799, #D099AC and #E1ABBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #986378. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #986378 shade: #986378, #875165, #763F52, #652D3F and #541B2C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #986378 shade: #976378, #976369 and #976363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #986378 shade: #976378, #976386, #976394, #8C6397 and #7E6397

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #986378 shade matches the following richer shades: #976378, #AB4E73, #C03A6F, #D4266B and #E81267

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #986378 shade: #976378, #83777C, #6F8B80, #5B9F84 and #46B488

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #986378 shade: #976394, #976386, #976378, #97636A and #976A63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #986378 shade: #654250, #7E5264, #976378, #A97B8D and #B994A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #986378 shade: #986378, #978D63 and #638D97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #986378 shade: #986378, #789763 and #637897

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #986378 shade: #986378, #978D63, #639782 and #636D97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #986378 shade: #986378, #929763, #639782 and #686397

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 21 / 40

HEX #986378

RGB 152 99 120

HSL 336.23, 0.21%, 0.49%

LAB 48.2, 24.57, -2.89

 

Complementary color

CMYK 34 / 0 / 13 / 39

HEX #679C87

RGB 103 156 135

HSL 156.23, 0.21%, 0.51%

LAB 60.26, -22.37, 5.44

 

CMYK 0 / 37 / 27 / 38

HEX #9D6373

RGB 157 99 115

HSL 343.45, 0.23%, 0.5%

LAB 48.67, 25.71, 0.86

 

CMYK 0 / 33 / 23 / 32

HEX #AE7586

RGB 174 117 134

HSL 342.11, 0.26%, 0.57%

LAB 55.53, 24.87, -0.12

 

CMYK 0 / 29 / 20 / 25

HEX #BF8799

RGB 191 135 153

HSL 340.71, 0.3%, 0.64%

LAB 62.26, 24.11, -0.99

 

CMYK 0 / 26 / 17 / 18

HEX #D099AC

RGB 208 153 172

HSL 339.27, 0.37%, 0.71%

LAB 68.87, 23.42, -1.78

 

CMYK 0 / 24 / 15 / 12

HEX #E1ABBF

RGB 225 171 191

HSL 337.78, 0.47%, 0.78%

LAB 75.39, 22.8, -2.51

 

CMYK 0 / 35 / 21 / 40

HEX #986378

RGB 152 99 120

HSL 336.23, 0.21%, 0.49%

LAB 48.2, 24.57, -2.89

 

CMYK 0 / 40 / 25 / 47

HEX #875165

RGB 135 81 101

HSL 337.78, 0.25%, 0.42%

LAB 41.18, 25.44, -1.92

 

CMYK 0 / 47 / 31 / 54

HEX #763F52

RGB 118 63 82

HSL 339.27, 0.3%, 0.35%

LAB 34.02, 26.38, -0.76

 

CMYK 0 / 55 / 38 / 60

HEX #652D3F

RGB 101 45 63

HSL 340.71, 0.38%, 0.29%

LAB 26.74, 27.35, 0.72

 

CMYK 0 / 68 / 48 / 67

HEX #541B2C

RGB 84 27 44

HSL 342.11, 0.51%, 0.22%

LAB 19.44, 28.18, 2.8

 

CMYK 0 / 34 / 21 / 41

HEX #976378

RGB 151 99 120

HSL 335.77, 0.21%, 0.49%

LAB 48.08, 24.19, -3.08

 

CMYK 0 / 34 / 30 / 41

HEX #976369

RGB 151 99 105

HSL 353.08, 0.21%, 0.49%

LAB 47.65, 21.9, 5.29

 

CMYK 0 / 34 / 34 / 41

HEX #976363

RGB 151 99 99

HSL 0, 0.21%, 0.49%

LAB 47.5, 21.07, 8.67

 

CMYK 0 / 34 / 21 / 41

HEX #976378

RGB 151 99 120

HSL 335.77, 0.21%, 0.49%

LAB 48.08, 24.19, -3.08

 

CMYK 0 / 34 / 11 / 41

HEX #976386

RGB 151 99 134

HSL 319.62, 0.21%, 0.49%

LAB 48.54, 26.59, -10.77

 

CMYK 0 / 34 / 2 / 41

HEX #976394

RGB 151 99 148

HSL 303.46, 0.21%, 0.49%

LAB 49.06, 29.2, -18.31

 

CMYK 7 / 34 / 0 / 41

HEX #8C6397

RGB 140 99 151

HSL 287.31, 0.21%, 0.49%

LAB 47.92, 26.08, -21.94

 

CMYK 17 / 34 / 0 / 41

HEX #7E6397

RGB 126 99 151

HSL 271.15, 0.21%, 0.49%

LAB 46.44, 21.43, -24.35

 

CMYK 0 / 34 / 21 / 41

HEX #976378

RGB 151 99 120

HSL 335.77, 0.21%, 0.49%

LAB 48.08, 24.19, -3.08

 

CMYK 0 / 54 / 33 / 33

HEX #AB4E73

RGB 171 78 115

HSL 336.13, 0.37%, 0.49%

LAB 46.1, 42.14, -2.67

 

CMYK 0 / 70 / 42 / 25

HEX #C03A6F

RGB 192 58 111

HSL 336.27, 0.54%, 0.49%

LAB 46.15, 57.18, 0.25

 

CMYK 0 / 82 / 50 / 17

HEX #D4266B

RGB 212 38 107

HSL 336.21, 0.7%, 0.49%

LAB 47.55, 68.37, 5.2

 

CMYK 0 / 92 / 56 / 9

HEX #E81267

RGB 232 18 103

HSL 336.17, 0.86%, 0.49%

LAB 50.18, 76.33, 11.92

 

CMYK 0 / 34 / 21 / 41

HEX #976378

RGB 151 99 120

HSL 335.77, 0.21%, 0.49%

LAB 48.08, 24.19, -3.08

 

CMYK 0 / 9 / 5 / 49

HEX #83777C

RGB 131 119 124

HSL 335, 0.05%, 0.49%

LAB 51.24, 5.56, -1.07

 

CMYK 20 / 0 / 8 / 45

HEX #6F8B80

RGB 111 139 128

HSL 156.43, 0.11%, 0.49%

LAB 55.49, -12.3, 2.6

 

CMYK 43 / 0 / 17 / 38

HEX #5B9F84

RGB 91 159 132

HSL 156.18, 0.27%, 0.49%

LAB 60.5, -28.08, 7.4

 

CMYK 61 / 0 / 24 / 29

HEX #46B488

RGB 70 180 136

HSL 156, 0.44%, 0.49%

LAB 66.31, -41.89, 13.29

 

CMYK 0 / 34 / 2 / 41

HEX #976394

RGB 151 99 148

HSL 303.46, 0.21%, 0.49%

LAB 49.06, 29.2, -18.31

 

CMYK 0 / 34 / 11 / 41

HEX #976386

RGB 151 99 134

HSL 319.62, 0.21%, 0.49%

LAB 48.54, 26.59, -10.77

 

CMYK 0 / 34 / 21 / 41

HEX #976378

RGB 151 99 120

HSL 335.77, 0.21%, 0.49%

LAB 48.08, 24.19, -3.08

 

CMYK 0 / 34 / 30 / 41

HEX #97636A

RGB 151 99 106

HSL 351.92, 0.21%, 0.49%

LAB 47.68, 22.05, 4.73

 

CMYK 0 / 30 / 34 / 41

HEX #976A63

RGB 151 106 99

HSL 8.08, 0.21%, 0.49%

LAB 49.24, 17.03, 11.12

 

CMYK 0 / 35 / 21 / 60

HEX #654250

RGB 101 66 80

HSL 336, 0.21%, 0.33%

LAB 32.35, 17.46, -2.2

 

CMYK 0 / 35 / 21 / 51

HEX #7E5264

RGB 126 82 100

HSL 335.45, 0.21%, 0.41%

LAB 40.23, 21.19, -2.83

 

CMYK 0 / 34 / 21 / 41

HEX #976378

RGB 151 99 120

HSL 335.77, 0.21%, 0.49%

LAB 48.08, 24.19, -3.08

 

CMYK 0 / 27 / 17 / 34

HEX #A97B8D

RGB 169 123 141

HSL 336.52, 0.21%, 0.57%

LAB 56.61, 20.72, -2.66

 

CMYK 0 / 20 / 12 / 27

HEX #B994A2

RGB 185 148 162

HSL 337.3, 0.21%, 0.65%

LAB 65.04, 16.15, -2.07

 

CMYK 0 / 35 / 21 / 40

HEX #986378

RGB 152 99 120

HSL 336.23, 0.21%, 0.49%

LAB 48.2, 24.57, -2.89

 

CMYK 0 / 7 / 34 / 41

HEX #978D63

RGB 151 141 99

HSL 48.46, 0.21%, 0.49%

LAB 58.54, -2.9, 23.79

 

CMYK 34 / 7 / 0 / 41

HEX #638D97

RGB 99 141 151

HSL 191.54, 0.21%, 0.49%

LAB 56.02, -11.79, -9.93

 

CMYK 0 / 35 / 21 / 40

HEX #986378

RGB 152 99 120

HSL 336.23, 0.21%, 0.49%

LAB 48.2, 24.57, -2.89

 

CMYK 21 / 0 / 34 / 41

HEX #789763

RGB 120 151 99

HSL 95.77, 0.21%, 0.49%

LAB 59, -20.69, 23.97

 

CMYK 34 / 21 / 0 / 41

HEX #637897

RGB 99 120 151

HSL 215.77, 0.21%, 0.49%

LAB 49.88, 0.19, -19.24

 

CMYK 0 / 35 / 21 / 40

HEX #986378

RGB 152 99 120

HSL 336.23, 0.21%, 0.49%

LAB 48.2, 24.57, -2.89

 

CMYK 0 / 7 / 34 / 41

HEX #978D63

RGB 151 141 99

HSL 48.46, 0.21%, 0.49%

LAB 58.54, -2.9, 23.79

 

CMYK 34 / 0 / 14 / 41

HEX #639782

RGB 99 151 130

HSL 155.77, 0.21%, 0.49%

LAB 58.41, -22.16, 5.59

 

CMYK 34 / 28 / 0 / 41

HEX #636D97

RGB 99 109 151

HSL 228.46, 0.21%, 0.49%

LAB 46.74, 6.78, -24.07

 

CMYK 0 / 35 / 21 / 40

HEX #986378

RGB 152 99 120

HSL 336.23, 0.21%, 0.49%

LAB 48.2, 24.57, -2.89

 

CMYK 3 / 0 / 34 / 41

HEX #929763

RGB 146 151 99

HSL 65.77, 0.21%, 0.49%

LAB 60.91, -10.41, 26.84

 

CMYK 34 / 0 / 14 / 41

HEX #639782

RGB 99 151 130

HSL 155.77, 0.21%, 0.49%

LAB 58.41, -22.16, 5.59

 

CMYK 31 / 34 / 0 / 41

HEX #686397

RGB 104 99 151

HSL 245.77, 0.21%, 0.49%

LAB 44.38, 14.42, -27.71

 

Description

Color code: HEX #986378 | qconv.com Color code: HEX #986378 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 99 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 99 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 21 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 21% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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