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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #985F66 it is the complementary color #67A099. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #985F66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #985F66 shade: #9D5F61, #AE7174, #BF8387, #D0959A and #E1A7AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #985F66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #985F66 shade: #985F66, #874D53, #763B40, #65292D and #54171A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #985F66 shade: #975E65 and #975E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #985F66 shade: #975E65, #975E74, #975E84, #975E93 and #8B5E97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #985F66 shade matches the following richer shades: #975E65, #AA4A56, #BE3747, #D22338 and #E60F29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #985F66 shade: #975E65, #837274, #6F8683, #5B9A92 and #47ADA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #985F66 shade: #975E84, #975E75, #975E66, #97665E and #97755E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #985F66 shade: #643E43, #7D4E54, #975E65, #A9757C and #B98F94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #985F66 shade: #985F66, #93975E and #5E7C97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #985F66 shade: #985F66, #66975E and #5E6697

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #985F66 shade: #985F66, #93975E, #5E978F and #625E97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #985F66 shade: #985F66, #82975E, #5E978F and #735E97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 33 / 40

HEX #985F66

RGB 152 95 102

HSL 352.63, 0.23%, 0.48%

LAB 46.74, 24.17, 5.8

 

Complementary color

CMYK 36 / 0 / 4 / 37

HEX #67A099

RGB 103 160 153

HSL 172.63, 0.23%, 0.52%

LAB 61.93, -20.27, -2.28

 

CMYK 0 / 39 / 38 / 38

HEX #9D5F61

RGB 157 95 97

HSL 358.06, 0.25%, 0.49%

LAB 47.26, 25.5, 9.64

 

CMYK 0 / 35 / 33 / 32

HEX #AE7174

RGB 174 113 116

HSL 357.05, 0.27%, 0.56%

LAB 54.1, 24.54, 8.35

 

CMYK 0 / 31 / 29 / 25

HEX #BF8387

RGB 191 131 135

HSL 356, 0.32%, 0.63%

LAB 60.83, 23.67, 7.23

 

CMYK 0 / 28 / 26 / 18

HEX #D0959A

RGB 208 149 154

HSL 354.92, 0.39%, 0.7%

LAB 67.46, 22.9, 6.22

 

CMYK 0 / 26 / 23 / 12

HEX #E1A7AD

RGB 225 167 173

HSL 353.79, 0.49%, 0.77%

LAB 73.97, 22.2, 5.3

 

CMYK 0 / 38 / 33 / 40

HEX #985F66

RGB 152 95 102

HSL 352.63, 0.23%, 0.48%

LAB 46.74, 24.17, 5.8

 

CMYK 0 / 43 / 39 / 47

HEX #874D53

RGB 135 77 83

HSL 353.79, 0.27%, 0.42%

LAB 39.72, 25.18, 7.13

 

CMYK 0 / 50 / 46 / 54

HEX #763B40

RGB 118 59 64

HSL 354.92, 0.33%, 0.35%

LAB 32.59, 26.29, 8.77

 

CMYK 0 / 59 / 55 / 60

HEX #65292D

RGB 101 41 45

HSL 356, 0.42%, 0.28%

LAB 25.39, 27.46, 10.89

 

CMYK 0 / 73 / 69 / 67

HEX #54171A

RGB 84 23 26

HSL 357.05, 0.57%, 0.21%

LAB 18.24, 28.46, 13.86

 

CMYK 0 / 38 / 33 / 41

HEX #975E65

RGB 151 94 101

HSL 352.63, 0.23%, 0.48%

LAB 46.34, 24.21, 5.83

 

CMYK 0 / 38 / 38 / 41

HEX #975E5E

RGB 151 94 94

HSL 0, 0.23%, 0.48%

LAB 46.17, 23.29, 9.8

 

CMYK 0 / 38 / 33 / 41

HEX #975E65

RGB 151 94 101

HSL 352.63, 0.23%, 0.48%

LAB 46.34, 24.21, 5.83

 

CMYK 0 / 38 / 23 / 41

HEX #975E74

RGB 151 94 116

HSL 336.84, 0.23%, 0.48%

LAB 46.77, 26.42, -2.61

 

CMYK 0 / 38 / 13 / 41

HEX #975E84

RGB 151 94 132

HSL 320, 0.23%, 0.48%

LAB 47.3, 29.08, -11.44

 

CMYK 0 / 38 / 3 / 41

HEX #975E93

RGB 151 94 147

HSL 304.21, 0.23%, 0.48%

LAB 47.87, 31.85, -19.54

 

CMYK 8 / 38 / 0 / 41

HEX #8B5E97

RGB 139 94 151

HSL 287.37, 0.23%, 0.48%

LAB 46.62, 28.66, -23.96

 

CMYK 0 / 38 / 33 / 41

HEX #975E65

RGB 151 94 101

HSL 352.63, 0.23%, 0.48%

LAB 46.34, 24.21, 5.83

 

CMYK 0 / 56 / 49 / 33

HEX #AA4A56

RGB 170 74 86

HSL 352.5, 0.39%, 0.48%

LAB 44.4, 40.52, 12.6

 

CMYK 0 / 71 / 63 / 25

HEX #BE3747

RGB 190 55 71

HSL 352.89, 0.55%, 0.48%

LAB 44.43, 54.43, 22.42

 

CMYK 0 / 83 / 73 / 18

HEX #D22338

RGB 210 35 56

HSL 352.8, 0.71%, 0.48%

LAB 45.89, 65.49, 34.13

 

CMYK 0 / 93 / 82 / 10

HEX #E60F29

RGB 230 15 41

HSL 352.74, 0.88%, 0.48%

LAB 48.67, 73.41, 46.76

 

CMYK 0 / 38 / 33 / 41

HEX #975E65

RGB 151 94 101

HSL 352.63, 0.23%, 0.48%

LAB 46.34, 24.21, 5.83

 

CMYK 0 / 13 / 11 / 49

HEX #837274

RGB 131 114 116

HSL 352.94, 0.07%, 0.48%

LAB 49.64, 6.98, 1.33

 

CMYK 17 / 0 / 2 / 47

HEX #6F8683

RGB 111 134 131

HSL 172.17, 0.09%, 0.48%

LAB 54.1, -8.89, -1.15

 

CMYK 41 / 0 / 5 / 40

HEX #5B9A92

RGB 91 154 146

HSL 172.38, 0.26%, 0.48%

LAB 59.35, -22.24, -2.18

 

CMYK 59 / 0 / 7 / 32

HEX #47ADA1

RGB 71 173 161

HSL 172.94, 0.42%, 0.48%

LAB 64.8, -32.37, -2.69

 

CMYK 0 / 38 / 13 / 41

HEX #975E84

RGB 151 94 132

HSL 320, 0.23%, 0.48%

LAB 47.3, 29.08, -11.44

 

CMYK 0 / 38 / 23 / 41

HEX #975E75

RGB 151 94 117

HSL 335.79, 0.23%, 0.48%

LAB 46.8, 26.58, -3.17

 

CMYK 0 / 38 / 32 / 41

HEX #975E66

RGB 151 94 102

HSL 351.58, 0.23%, 0.48%

LAB 46.37, 24.35, 5.26

 

CMYK 0 / 32 / 38 / 41

HEX #97665E

RGB 151 102 94

HSL 8.42, 0.23%, 0.48%

LAB 48.12, 18.68, 12.53

 

CMYK 0 / 23 / 38 / 41

HEX #97755E

RGB 151 117 94

HSL 24.21, 0.23%, 0.48%

LAB 51.96, 10.02, 17.8

 

CMYK 0 / 38 / 33 / 61

HEX #643E43

RGB 100 62 67

HSL 352.11, 0.23%, 0.32%

LAB 30.78, 17.39, 3.9

 

CMYK 0 / 38 / 33 / 51

HEX #7D4E54

RGB 125 78 84

HSL 352.34, 0.23%, 0.4%

LAB 38.64, 20.67, 4.78

 

CMYK 0 / 38 / 33 / 41

HEX #975E65

RGB 151 94 101

HSL 352.63, 0.23%, 0.48%

LAB 46.34, 24.21, 5.83

 

CMYK 0 / 31 / 27 / 34

HEX #A9757C

RGB 169 117 124

HSL 351.92, 0.23%, 0.56%

LAB 54.67, 21.45, 4.41

 

CMYK 0 / 23 / 20 / 27

HEX #B98F94

RGB 185 143 148

HSL 352.86, 0.23%, 0.64%

LAB 63.42, 16.64, 3.47

 

CMYK 0 / 38 / 33 / 40

HEX #985F66

RGB 152 95 102

HSL 352.63, 0.23%, 0.48%

LAB 46.74, 24.17, 5.8

 

CMYK 3 / 0 / 38 / 41

HEX #93975E

RGB 147 151 94

HSL 64.21, 0.23%, 0.48%

LAB 60.91, -10.63, 29.56

 

CMYK 38 / 18 / 0 / 41

HEX #5E7C97

RGB 94 124 151

HSL 208.42, 0.23%, 0.48%

LAB 50.72, -3.63, -17.98

 

CMYK 0 / 38 / 33 / 40

HEX #985F66

RGB 152 95 102

HSL 352.63, 0.23%, 0.48%

LAB 46.74, 24.17, 5.8

 

CMYK 32 / 0 / 38 / 41

HEX #66975E

RGB 102 151 94

HSL 111.58, 0.23%, 0.48%

LAB 57.81, -28.05, 24.94

 

CMYK 38 / 32 / 0 / 41

HEX #5E6697

RGB 94 102 151

HSL 231.58, 0.23%, 0.48%

LAB 44.4, 9.58, -27.74

 

CMYK 0 / 38 / 33 / 40

HEX #985F66

RGB 152 95 102

HSL 352.63, 0.23%, 0.48%

LAB 46.74, 24.17, 5.8

 

CMYK 3 / 0 / 38 / 41

HEX #93975E

RGB 147 151 94

HSL 64.21, 0.23%, 0.48%

LAB 60.91, -10.63, 29.56

 

CMYK 38 / 0 / 5 / 41

HEX #5E978F

RGB 94 151 143

HSL 171.58, 0.23%, 0.48%

LAB 58.5, -20.6, -1.7

 

CMYK 35 / 38 / 0 / 41

HEX #625E97

RGB 98 94 151

HSL 244.21, 0.23%, 0.48%

LAB 42.52, 15.71, -30.66

 

CMYK 0 / 38 / 33 / 40

HEX #985F66

RGB 152 95 102

HSL 352.63, 0.23%, 0.48%

LAB 46.74, 24.17, 5.8

 

CMYK 14 / 0 / 38 / 41

HEX #82975E

RGB 130 151 94

HSL 82.11, 0.23%, 0.48%

LAB 59.61, -17.53, 27.62

 

CMYK 38 / 0 / 5 / 41

HEX #5E978F

RGB 94 151 143

HSL 171.58, 0.23%, 0.48%

LAB 58.5, -20.6, -1.7

 

CMYK 24 / 38 / 0 / 41

HEX #735E97

RGB 115 94 151

HSL 262.11, 0.23%, 0.48%

LAB 44.07, 20.91, -28.12

 

Description

Color code: HEX #985F66 | qconv.com Color code: HEX #985F66 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 95 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 95 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 33 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 33% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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