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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #985B53 it is the complementary color #67A4AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #985B53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #985B53 shade: #9D5B4E, #AE6D61, #BF7F74, #D09187 and #E1A39A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #985B53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #985B53 shade: #985B53, #874940, #76372D, #65251A and #541307

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #985B53 shade: #975B53 and #975353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #985B53 shade: #975B53, #976E53, #978053, #979253 and #8A9753

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #985B53 shade matches the following richer shades: #975B53, #AA4D40, #BD3E2D, #D02F1A and #E32107

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #985B53 shade: #975B53, #846A66, #717879, #5E878C and #4B959F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #985B53 shade: #975371, #97535F, #975A53, #976C53 and #977E53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #985B53 shade: #623B36, #7D4B45, #975B53, #AC7068 and #BB8983

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #985B53 shade: #985B53, #839753 and #536897

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #985B53 shade: #985B53, #53975A and #5A5397

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #985B53 shade: #985B53, #839753, #539197 and #685397

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #985B53 shade: #985B53, #6E9753, #539197 and #7C5397

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 45 / 40

HEX #985B53

RGB 152 91 83

HSL 6.96, 0.29%, 0.46%

LAB 45.33, 24.09, 15.29

 

Complementary color

CMYK 40 / 5 / 0 / 33

HEX #67A4AC

RGB 103 164 172

HSL 186.96, 0.29%, 0.54%

LAB 63.68, -17.58, -10.37

 

CMYK 0 / 42 / 50 / 38

HEX #9D5B4E

RGB 157 91 78

HSL 9.87, 0.34%, 0.46%

LAB 45.91, 25.62, 19.17

 

CMYK 0 / 37 / 44 / 32

HEX #AE6D61

RGB 174 109 97

HSL 9.35, 0.32%, 0.53%

LAB 52.73, 24.46, 17.55

 

CMYK 0 / 34 / 39 / 25

HEX #BF7F74

RGB 191 127 116

HSL 8.8, 0.37%, 0.6%

LAB 59.45, 23.45, 16.14

 

CMYK 0 / 30 / 35 / 18

HEX #D09187

RGB 208 145 135

HSL 8.22, 0.44%, 0.67%

LAB 66.07, 22.55, 14.89

 

CMYK 0 / 28 / 32 / 12

HEX #E1A39A

RGB 225 163 154

HSL 7.61, 0.54%, 0.74%

LAB 72.58, 21.75, 13.76

 

CMYK 0 / 40 / 45 / 40

HEX #985B53

RGB 152 91 83

HSL 6.96, 0.29%, 0.46%

LAB 45.33, 24.09, 15.29

 

CMYK 0 / 46 / 53 / 47

HEX #874940

RGB 135 73 64

HSL 7.61, 0.36%, 0.39%

LAB 38.35, 25.31, 17.04

 

CMYK 0 / 53 / 62 / 54

HEX #76372D

RGB 118 55 45

HSL 8.22, 0.45%, 0.32%

LAB 31.29, 26.68, 19.17

 

CMYK 0 / 63 / 74 / 60

HEX #65251A

RGB 101 37 26

HSL 8.8, 0.59%, 0.25%

LAB 24.21, 28.13, 21.88

 

CMYK 0 / 77 / 92 / 67

HEX #541307

RGB 84 19 7

HSL 9.35, 0.85%, 0.18%

LAB 17.3, 29.32, 23.38

 

CMYK 0 / 40 / 45 / 41

HEX #975B53

RGB 151 91 83

HSL 7.06, 0.29%, 0.46%

LAB 45.2, 23.68, 15.09

 

CMYK 0 / 45 / 45 / 41

HEX #975353

RGB 151 83 83

HSL 0, 0.29%, 0.46%

LAB 43.35, 28.2, 12.54

 

CMYK 0 / 40 / 45 / 41

HEX #975B53

RGB 151 91 83

HSL 7.06, 0.29%, 0.46%

LAB 45.2, 23.68, 15.09

 

CMYK 0 / 27 / 45 / 41

HEX #976E53

RGB 151 110 83

HSL 23.82, 0.29%, 0.46%

LAB 49.92, 12.74, 21.43

 

CMYK 0 / 15 / 45 / 41

HEX #978053

RGB 151 128 83

HSL 39.71, 0.29%, 0.46%

LAB 54.7, 2.45, 27.66

 

CMYK 0 / 3 / 45 / 41

HEX #979253

RGB 151 146 83

HSL 55.59, 0.29%, 0.46%

LAB 59.67, -7.52, 33.93

 

CMYK 9 / 0 / 45 / 41

HEX #8A9753

RGB 138 151 83

HSL 71.47, 0.29%, 0.46%

LAB 60.03, -15.66, 34.15

 

CMYK 0 / 40 / 45 / 41

HEX #975B53

RGB 151 91 83

HSL 7.06, 0.29%, 0.46%

LAB 45.2, 23.68, 15.09

 

CMYK 0 / 55 / 62 / 33

HEX #AA4D40

RGB 170 77 64

HSL 7.36, 0.45%, 0.46%

LAB 44.55, 37.17, 26.1

 

CMYK 0 / 67 / 76 / 26

HEX #BD3E2D

RGB 189 62 45

HSL 7.08, 0.62%, 0.46%

LAB 44.88, 50, 38.19

 

CMYK 0 / 77 / 88 / 18

HEX #D02F1A

RGB 208 47 26

HSL 6.92, 0.78%, 0.46%

LAB 46.34, 60.87, 50.34

 

CMYK 0 / 85 / 97 / 11

HEX #E32107

RGB 227 33 7

HSL 7.09, 0.94%, 0.46%

LAB 48.8, 69.46, 60.17

 

CMYK 0 / 40 / 45 / 41

HEX #975B53

RGB 151 91 83

HSL 7.06, 0.29%, 0.46%

LAB 45.2, 23.68, 15.09

 

CMYK 0 / 20 / 23 / 48

HEX #846A66

RGB 132 106 102

HSL 8, 0.13%, 0.46%

LAB 47.2, 9.67, 6.15

 

CMYK 7 / 1 / 0 / 53

HEX #717879

RGB 113 120 121

HSL 187.5, 0.03%, 0.46%

LAB 49.89, -2.41, -1.46

 

CMYK 33 / 4 / 0 / 45

HEX #5E878C

RGB 94 135 140

HSL 186.52, 0.2%, 0.46%

LAB 53.6, -12.8, -7.23

 

CMYK 53 / 6 / 0 / 38

HEX #4B959F

RGB 75 149 159

HSL 187.14, 0.36%, 0.46%

LAB 57.55, -20.11, -12.34

 

CMYK 0 / 45 / 25 / 41

HEX #975371

RGB 151 83 113

HSL 333.53, 0.29%, 0.46%

LAB 44.17, 32.15, -4.63

 

CMYK 0 / 45 / 37 / 41

HEX #97535F

RGB 151 83 95

HSL 349.41, 0.29%, 0.46%

LAB 43.64, 29.63, 5.61

 

CMYK 0 / 40 / 45 / 41

HEX #975A53

RGB 151 90 83

HSL 6.18, 0.29%, 0.46%

LAB 44.96, 24.25, 14.76

 

CMYK 0 / 28 / 45 / 41

HEX #976C53

RGB 151 108 83

HSL 22.06, 0.29%, 0.46%

LAB 49.41, 13.89, 20.75

 

CMYK 0 / 17 / 45 / 41

HEX #977E53

RGB 151 126 83

HSL 37.94, 0.29%, 0.46%

LAB 54.16, 3.58, 26.96

 

CMYK 0 / 40 / 45 / 62

HEX #623B36

RGB 98 59 54

HSL 6.82, 0.29%, 0.3%

LAB 29.39, 16.57, 10.34

 

CMYK 0 / 40 / 45 / 51

HEX #7D4B45

RGB 125 75 69

HSL 6.43, 0.29%, 0.38%

LAB 37.52, 20.47, 12.57

 

CMYK 0 / 40 / 45 / 41

HEX #975B53

RGB 151 91 83

HSL 7.06, 0.29%, 0.46%

LAB 45.2, 23.68, 15.09

 

CMYK 0 / 35 / 40 / 33

HEX #AC7068

RGB 172 112 104

HSL 7.06, 0.29%, 0.54%

LAB 53.34, 22.78, 14.26

 

CMYK 0 / 27 / 30 / 27

HEX #BB8983

RGB 187 137 131

HSL 6.43, 0.29%, 0.62%

LAB 61.74, 18.25, 10.73

 

CMYK 0 / 40 / 45 / 40

HEX #985B53

RGB 152 91 83

HSL 6.96, 0.29%, 0.46%

LAB 45.33, 24.09, 15.29

 

CMYK 13 / 0 / 45 / 41

HEX #839753

RGB 131 151 83

HSL 77.65, 0.29%, 0.46%

LAB 59.51, -18.54, 33.38

 

CMYK 45 / 31 / 0 / 41

HEX #536897

RGB 83 104 151

HSL 221.47, 0.29%, 0.46%

LAB 44.2, 5.24, -28.11

 

CMYK 0 / 40 / 45 / 40

HEX #985B53

RGB 152 91 83

HSL 6.96, 0.29%, 0.46%

LAB 45.33, 24.09, 15.29

 

CMYK 45 / 0 / 40 / 41

HEX #53975A

RGB 83 151 90

HSL 126.18, 0.29%, 0.46%

LAB 56.79, -34.95, 25.59

 

CMYK 40 / 45 / 0 / 41

HEX #5A5397

RGB 90 83 151

HSL 246.18, 0.29%, 0.46%

LAB 38.89, 20.33, -36.43

 

CMYK 0 / 40 / 45 / 40

HEX #985B53

RGB 152 91 83

HSL 6.96, 0.29%, 0.46%

LAB 45.33, 24.09, 15.29

 

CMYK 13 / 0 / 45 / 41

HEX #839753

RGB 131 151 83

HSL 77.65, 0.29%, 0.46%

LAB 59.51, -18.54, 33.38

 

CMYK 45 / 4 / 0 / 41

HEX #539197

RGB 83 145 151

HSL 185.29, 0.29%, 0.46%

LAB 56.41, -18.34, -9.44

 

CMYK 31 / 45 / 0 / 41

HEX #685397

RGB 104 83 151

HSL 258.53, 0.29%, 0.46%

LAB 40.19, 24.29, -34.29

 

CMYK 0 / 40 / 45 / 40

HEX #985B53

RGB 152 91 83

HSL 6.96, 0.29%, 0.46%

LAB 45.33, 24.09, 15.29

 

CMYK 27 / 0 / 45 / 41

HEX #6E9753

RGB 110 151 83

HSL 96.18, 0.29%, 0.46%

LAB 58.11, -26.77, 31.32

 

CMYK 45 / 4 / 0 / 41

HEX #539197

RGB 83 145 151

HSL 185.29, 0.29%, 0.46%

LAB 56.41, -18.34, -9.44

 

CMYK 18 / 45 / 0 / 41

HEX #7C5397

RGB 124 83 151

HSL 276.18, 0.29%, 0.46%

LAB 42.32, 30.3, -30.79

 

Description

Color code: HEX #985B53 | qconv.com Color code: HEX #985B53 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 91 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 91 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 45 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 45% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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