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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98595F it is the complementary color #67A6A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98595F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98595F shade: #9D595A, #AE6B6D, #BF7D80, #D08F93 and #E1A1A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98595F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98595F shade: #98595F, #87474C, #763539, #652326 and #541113

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98595F shade: #97595F and #975959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98595F shade: #97595F, #97596F, #975980, #975991 and #8C5997

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98595F shade matches the following richer shades: #97595F, #AA454F, #BE323F, #D11F30 and #E50B20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98595F shade: #97595F, #846C6E, #707F7E, #5D938E and #49A69D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98595F shade: #975980, #975970, #97595F, #976359 and #977459

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98595F shade: #633A3E, #7D494E, #97595F, #AA6F74 and #BA898D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98595F shade: #98595F, #919759 and #597897

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98595F shade: #98595F, #5F9759 and #595F97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98595F shade: #98595F, #919759, #599791 and #5F5997

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98595F shade: #98595F, #7E9759, #599791 and #725997

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 38 / 40

HEX #98595F

RGB 152 89 95

HSL 354.29, 0.26%, 0.47%

LAB 45.15, 26.66, 7.77

 

Complementary color

CMYK 38 / 0 / 4 / 35

HEX #67A6A0

RGB 103 166 160

HSL 174.29, 0.26%, 0.53%

LAB 63.91, -21.65, -3.3

 

CMYK 0 / 43 / 43 / 38

HEX #9D595A

RGB 157 89 90

HSL 359.12, 0.28%, 0.48%

LAB 45.7, 28.03, 11.68

 

CMYK 0 / 39 / 37 / 32

HEX #AE6B6D

RGB 174 107 109

HSL 358.21, 0.29%, 0.55%

LAB 52.53, 26.99, 10.24

 

CMYK 0 / 35 / 33 / 25

HEX #BF7D80

RGB 191 125 128

HSL 357.27, 0.34%, 0.62%

LAB 59.25, 26.04, 8.99

 

CMYK 0 / 31 / 29 / 18

HEX #D08F93

RGB 208 143 147

HSL 356.31, 0.41%, 0.69%

LAB 65.87, 25.2, 7.88

 

CMYK 0 / 28 / 26 / 12

HEX #E1A1A6

RGB 225 161 166

HSL 355.31, 0.52%, 0.76%

LAB 72.4, 24.43, 6.88

 

CMYK 0 / 41 / 38 / 40

HEX #98595F

RGB 152 89 95

HSL 354.29, 0.26%, 0.47%

LAB 45.15, 26.66, 7.77

 

CMYK 0 / 47 / 44 / 47

HEX #87474C

RGB 135 71 76

HSL 355.31, 0.31%, 0.4%

LAB 38.16, 27.74, 9.31

 

CMYK 0 / 55 / 52 / 54

HEX #763539

RGB 118 53 57

HSL 356.31, 0.38%, 0.34%

LAB 31.1, 28.89, 11.23

 

CMYK 0 / 65 / 62 / 60

HEX #652326

RGB 101 35 38

HSL 357.27, 0.49%, 0.27%

LAB 24.03, 30.01, 13.78

 

CMYK 0 / 80 / 77 / 67

HEX #541113

RGB 84 17 19

HSL 358.21, 0.66%, 0.2%

LAB 17.14, 30.68, 17.3

 

CMYK 0 / 41 / 37 / 41

HEX #97595F

RGB 151 89 95

HSL 354.19, 0.26%, 0.47%

LAB 45.01, 26.26, 7.56

 

CMYK 0 / 41 / 41 / 41

HEX #975959

RGB 151 89 89

HSL 0, 0.26%, 0.47%

LAB 44.86, 25.52, 11

 

CMYK 0 / 41 / 37 / 41

HEX #97595F

RGB 151 89 95

HSL 354.19, 0.26%, 0.47%

LAB 45.01, 26.26, 7.56

 

CMYK 0 / 41 / 26 / 41

HEX #97596F

RGB 151 89 111

HSL 338.71, 0.26%, 0.47%

LAB 45.46, 28.49, -1.51

 

CMYK 0 / 41 / 15 / 41

HEX #975980

RGB 151 89 128

HSL 322.26, 0.26%, 0.47%

LAB 46.02, 31.21, -10.97

 

CMYK 0 / 41 / 4 / 41

HEX #975991

RGB 151 89 145

HSL 305.81, 0.26%, 0.47%

LAB 46.67, 34.27, -20.19

 

CMYK 7 / 41 / 0 / 41

HEX #8C5997

RGB 140 89 151

HSL 289.35, 0.26%, 0.47%

LAB 45.57, 31.87, -25.57

 

CMYK 0 / 41 / 37 / 41

HEX #97595F

RGB 151 89 95

HSL 354.19, 0.26%, 0.47%

LAB 45.01, 26.26, 7.56

 

CMYK 0 / 59 / 54 / 33

HEX #AA454F

RGB 170 69 79

HSL 354.06, 0.42%, 0.47%

LAB 43.31, 42.32, 15.41

 

CMYK 0 / 74 / 67 / 25

HEX #BE323F

RGB 190 50 63

HSL 354.43, 0.58%, 0.47%

LAB 43.64, 55.76, 26.3

 

CMYK 0 / 85 / 77 / 18

HEX #D11F30

RGB 209 31 48

HSL 354.27, 0.74%, 0.47%

LAB 45.29, 65.8, 38.08

 

CMYK 0 / 95 / 86 / 10

HEX #E50B20

RGB 229 11 32

HSL 354.22, 0.91%, 0.47%

LAB 48.26, 73.34, 50.9

 

CMYK 0 / 41 / 37 / 41

HEX #97595F

RGB 151 89 95

HSL 354.19, 0.26%, 0.47%

LAB 45.01, 26.26, 7.56

 

CMYK 0 / 18 / 17 / 48

HEX #846C6E

RGB 132 108 110

HSL 355, 0.1%, 0.47%

LAB 47.95, 9.83, 2.45

 

CMYK 12 / 0 / 1 / 50

HEX #707F7E

RGB 112 127 126

HSL 176, 0.06%, 0.47%

LAB 51.98, -5.7, -1.33

 

CMYK 37 / 0 / 3 / 42

HEX #5D938E

RGB 93 147 142

HSL 174.44, 0.23%, 0.47%

LAB 57.22, -19.05, -3.03

 

CMYK 56 / 0 / 5 / 35

HEX #49A69D

RGB 73 166 157

HSL 174.19, 0.39%, 0.47%

LAB 62.61, -29.68, -3.68

 

CMYK 0 / 41 / 15 / 41

HEX #975980

RGB 151 89 128

HSL 322.26, 0.26%, 0.47%

LAB 46.02, 31.21, -10.97

 

CMYK 0 / 41 / 26 / 41

HEX #975970

RGB 151 89 112

HSL 337.74, 0.26%, 0.47%

LAB 45.49, 28.64, -2.08

 

CMYK 0 / 41 / 37 / 41

HEX #97595F

RGB 151 89 95

HSL 354.19, 0.26%, 0.47%

LAB 45.01, 26.26, 7.56

 

CMYK 0 / 34 / 41 / 41

HEX #976359

RGB 151 99 89

HSL 9.68, 0.26%, 0.47%

LAB 47.27, 19.79, 14.32

 

CMYK 0 / 23 / 41 / 41

HEX #977459

RGB 151 116 89

HSL 26.13, 0.26%, 0.47%

LAB 51.6, 9.98, 20.2

 

CMYK 0 / 41 / 37 / 61

HEX #633A3E

RGB 99 58 62

HSL 354.15, 0.26%, 0.31%

LAB 29.48, 18.7, 5.28

 

CMYK 0 / 42 / 38 / 51

HEX #7D494E

RGB 125 73 78

HSL 354.23, 0.26%, 0.39%

LAB 37.25, 22.78, 6.57

 

CMYK 0 / 41 / 37 / 41

HEX #97595F

RGB 151 89 95

HSL 354.19, 0.26%, 0.47%

LAB 45.01, 26.26, 7.56

 

CMYK 0 / 35 / 32 / 33

HEX #AA6F74

RGB 170 111 116

HSL 354.92, 0.26%, 0.55%

LAB 53.14, 24.1, 6.92

 

CMYK 0 / 26 / 24 / 27

HEX #BA898D

RGB 186 137 141

HSL 355.1, 0.26%, 0.63%

LAB 61.87, 19.29, 5.22

 

CMYK 0 / 41 / 38 / 40

HEX #98595F

RGB 152 89 95

HSL 354.29, 0.26%, 0.47%

LAB 45.15, 26.66, 7.77

 

CMYK 4 / 0 / 41 / 41

HEX #919759

RGB 145 151 89

HSL 65.81, 0.26%, 0.47%

LAB 60.67, -12.06, 31.9

 

CMYK 41 / 21 / 0 / 41

HEX #597897

RGB 89 120 151

HSL 210, 0.26%, 0.47%

LAB 49.24, -2.73, -20.27

 

CMYK 0 / 41 / 38 / 40

HEX #98595F

RGB 152 89 95

HSL 354.29, 0.26%, 0.47%

LAB 45.15, 26.66, 7.77

 

CMYK 37 / 0 / 41 / 41

HEX #5F9759

RGB 95 151 89

HSL 114.19, 0.26%, 0.47%

LAB 57.35, -31.25, 26.98

 

CMYK 41 / 37 / 0 / 41

HEX #595F97

RGB 89 95 151

HSL 234.19, 0.26%, 0.47%

LAB 42.07, 12.5, -31.42

 

CMYK 0 / 41 / 38 / 40

HEX #98595F

RGB 152 89 95

HSL 354.29, 0.26%, 0.47%

LAB 45.15, 26.66, 7.77

 

CMYK 4 / 0 / 41 / 41

HEX #919759

RGB 145 151 89

HSL 65.81, 0.26%, 0.47%

LAB 60.67, -12.06, 31.9

 

CMYK 41 / 0 / 4 / 41

HEX #599791

RGB 89 151 145

HSL 174.19, 0.26%, 0.47%

LAB 58.32, -21.49, -3.14

 

CMYK 37 / 41 / 0 / 41

HEX #5F5997

RGB 95 89 151

HSL 245.81, 0.26%, 0.47%

LAB 40.92, 17.96, -33.2

 

CMYK 0 / 41 / 38 / 40

HEX #98595F

RGB 152 89 95

HSL 354.29, 0.26%, 0.47%

LAB 45.15, 26.66, 7.77

 

CMYK 17 / 0 / 41 / 41

HEX #7E9759

RGB 126 151 89

HSL 84.19, 0.26%, 0.47%

LAB 59.24, -19.79, 29.78

 

CMYK 41 / 0 / 4 / 41

HEX #599791

RGB 89 151 145

HSL 174.19, 0.26%, 0.47%

LAB 58.32, -21.49, -3.14

 

CMYK 25 / 41 / 0 / 41

HEX #725997

RGB 114 89 151

HSL 264.19, 0.26%, 0.47%

LAB 42.7, 23.63, -30.27

 

Description

Color code: HEX #98595F | qconv.com Color code: HEX #98595F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 89 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 89 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 38 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 38% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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