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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #985052 it is the complementary color #67AFAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #985052. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #985052 shade: #9D504D, #AE6260, #BF7473, #D08686 and #E19899

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #985052. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #985052 shade: #985052, #873E3F, #762C2C, #651A19 and #540806

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #985052 shade: #964F51 and #964F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #985052 shade: #964F51, #964F64, #964F78, #964F8B and #8F4F96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #985052 shade matches the following richer shades: #964F51, #A93D40, #BB2A2E, #CE171D and #E1050B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #985052 shade: #964F51, #846263, #717474, #5F8786 and #4C9997

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #985052 shade: #964F77, #964F65, #964F52, #96604F and #96734F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #985052 shade: #603334, #7B4143, #964F51, #AC6264 and #BB7D7F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #985052 shade: #985052, #8A964F and #4F6E96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #985052 shade: #985052, #52964F and #4F5296

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #985052 shade: #985052, #8A964F, #4F9694 and #5B4F96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #985052 shade: #985052, #75964F, #4F9694 and #704F96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 46 / 40

HEX #985052

RGB 152 80 82

HSL 358.33, 0.31%, 0.45%

LAB 42.8, 30.15, 12.41

 

Complementary color

CMYK 41 / 0 / 1 / 31

HEX #67AFAD

RGB 103 175 173

HSL 178.33, 0.31%, 0.55%

LAB 66.95, -23, -6.07

 

CMYK 0 / 49 / 51 / 38

HEX #9D504D

RGB 157 80 77

HSL 2.25, 0.34%, 0.46%

LAB 43.42, 31.61, 16.44

 

CMYK 0 / 44 / 45 / 32

HEX #AE6260

RGB 174 98 96

HSL 1.54, 0.33%, 0.53%

LAB 50.19, 30.44, 14.66

 

CMYK 0 / 39 / 40 / 25

HEX #BF7473

RGB 191 116 115

HSL 0.79, 0.37%, 0.6%

LAB 56.88, 29.37, 13.16

 

CMYK 0 / 36 / 36 / 18

HEX #D08686

RGB 208 134 134

HSL 0, 0.44%, 0.67%

LAB 63.49, 28.4, 11.84

 

CMYK 0 / 32 / 32 / 12

HEX #E19899

RGB 225 152 153

HSL 359.18, 0.55%, 0.74%

LAB 70.01, 27.52, 10.67

 

CMYK 0 / 47 / 46 / 40

HEX #985052

RGB 152 80 82

HSL 358.33, 0.31%, 0.45%

LAB 42.8, 30.15, 12.41

 

CMYK 0 / 54 / 53 / 47

HEX #873E3F

RGB 135 62 63

HSL 359.18, 0.37%, 0.39%

LAB 35.9, 31.33, 14.37

 

CMYK 0 / 63 / 63 / 54

HEX #762C2C

RGB 118 44 44

HSL 0, 0.46%, 0.32%

LAB 28.99, 32.49, 16.87

 

CMYK 0 / 74 / 75 / 60

HEX #651A19

RGB 101 26 25

HSL 0.79, 0.6%, 0.25%

LAB 22.22, 33.38, 20.2

 

CMYK 0 / 90 / 93 / 67

HEX #540806

RGB 84 8 6

HSL 1.54, 0.87%, 0.18%

LAB 15.86, 33.28, 22.01

 

CMYK 0 / 47 / 46 / 41

HEX #964F51

RGB 150 79 81

HSL 358.31, 0.31%, 0.45%

LAB 42.26, 29.8, 12.24

 

CMYK 0 / 47 / 47 / 41

HEX #964F4F

RGB 150 79 79

HSL 0, 0.31%, 0.45%

LAB 42.22, 29.59, 13.41

 

CMYK 0 / 47 / 46 / 41

HEX #964F51

RGB 150 79 81

HSL 358.31, 0.31%, 0.45%

LAB 42.26, 29.8, 12.24

 

CMYK 0 / 47 / 33 / 41

HEX #964F64

RGB 150 79 100

HSL 342.25, 0.31%, 0.45%

LAB 42.76, 32.12, 1.25

 

CMYK 0 / 47 / 20 / 41

HEX #964F78

RGB 150 79 120

HSL 325.35, 0.31%, 0.45%

LAB 43.41, 35.07, -10.06

 

CMYK 0 / 47 / 7 / 41

HEX #964F8B

RGB 150 79 139

HSL 309.3, 0.31%, 0.45%

LAB 44.15, 38.31, -20.48

 

CMYK 5 / 47 / 0 / 41

HEX #8F4F96

RGB 143 79 150

HSL 294.08, 0.31%, 0.45%

LAB 43.7, 38.2, -27.86

 

CMYK 0 / 47 / 46 / 41

HEX #964F51

RGB 150 79 81

HSL 358.31, 0.31%, 0.45%

LAB 42.26, 29.8, 12.24

 

CMYK 0 / 64 / 62 / 34

HEX #A93D40

RGB 169 61 64

HSL 358.33, 0.47%, 0.45%

LAB 41.44, 44.53, 22.11

 

CMYK 0 / 78 / 75 / 27

HEX #BB2A2E

RGB 187 42 46

HSL 358.34, 0.63%, 0.45%

LAB 41.87, 56.68, 34.24

 

CMYK 0 / 89 / 86 / 19

HEX #CE171D

RGB 206 23 29

HSL 358.03, 0.8%, 0.45%

LAB 43.98, 65.97, 46.86

 

CMYK 0 / 98 / 95 / 12

HEX #E1050B

RGB 225 5 11

HSL 358.36, 0.96%, 0.45%

LAB 47.16, 72.55, 58.04

 

CMYK 0 / 47 / 46 / 41

HEX #964F51

RGB 150 79 81

HSL 358.31, 0.31%, 0.45%

LAB 42.26, 29.8, 12.24

 

CMYK 0 / 26 / 25 / 48

HEX #846263

RGB 132 98 99

HSL 358.24, 0.15%, 0.45%

LAB 45, 13.92, 4.81

 

CMYK 3 / 0 / 0 / 55

HEX #717474

RGB 113 116 116

HSL 180, 0.01%, 0.45%

LAB 48.59, -1.13, -0.4

 

CMYK 30 / 0 / 1 / 47

HEX #5F8786

RGB 95 135 134

HSL 178.5, 0.17%, 0.45%

LAB 53.47, -14, -3.93

 

CMYK 50 / 0 / 1 / 40

HEX #4C9997

RGB 76 153 151

HSL 178.44, 0.34%, 0.45%

LAB 58.56, -24.19, -6.27

 

CMYK 0 / 47 / 21 / 41

HEX #964F77

RGB 150 79 119

HSL 326.2, 0.31%, 0.45%

LAB 43.37, 34.91, -9.51

 

CMYK 0 / 47 / 33 / 41

HEX #964F65

RGB 150 79 101

HSL 341.41, 0.31%, 0.45%

LAB 42.79, 32.26, 0.68

 

CMYK 0 / 47 / 45 / 41

HEX #964F52

RGB 150 79 82

HSL 357.46, 0.31%, 0.45%

LAB 42.29, 29.91, 11.66

 

CMYK 0 / 36 / 47 / 41

HEX #96604F

RGB 150 96 79

HSL 14.37, 0.31%, 0.45%

LAB 46.2, 19.95, 18.8

 

CMYK 0 / 23 / 47 / 41

HEX #96734F

RGB 150 115 79

HSL 30.42, 0.31%, 0.45%

LAB 51.05, 8.99, 25.17

 

CMYK 0 / 47 / 46 / 62

HEX #603334

RGB 96 51 52

HSL 358.67, 0.31%, 0.29%

LAB 27.02, 20.35, 8.34

 

CMYK 0 / 47 / 46 / 52

HEX #7B4143

RGB 123 65 67

HSL 357.93, 0.31%, 0.37%

LAB 34.8, 25.24, 10.03

 

CMYK 0 / 47 / 46 / 41

HEX #964F51

RGB 150 79 81

HSL 358.31, 0.31%, 0.45%

LAB 42.26, 29.8, 12.24

 

CMYK 0 / 43 / 42 / 33

HEX #AC6264

RGB 172 98 100

HSL 358.38, 0.31%, 0.53%

LAB 50.01, 30.1, 11.99

 

CMYK 0 / 33 / 32 / 27

HEX #BB7D7F

RGB 187 125 127

HSL 358.06, 0.31%, 0.61%

LAB 58.76, 24.37, 8.79

 

CMYK 0 / 47 / 46 / 40

HEX #985052

RGB 152 80 82

HSL 358.33, 0.31%, 0.45%

LAB 42.8, 30.15, 12.41

 

CMYK 8 / 0 / 47 / 41

HEX #8A964F

RGB 138 150 79

HSL 70.14, 0.31%, 0.45%

LAB 59.69, -15.58, 35.8

 

CMYK 47 / 27 / 0 / 41

HEX #4F6E96

RGB 79 110 150

HSL 213.8, 0.31%, 0.45%

LAB 45.66, 0.2, -25.27

 

CMYK 0 / 47 / 46 / 40

HEX #985052

RGB 152 80 82

HSL 358.33, 0.31%, 0.45%

LAB 42.8, 30.15, 12.41

 

CMYK 45 / 0 / 47 / 41

HEX #52964F

RGB 82 150 79

HSL 117.46, 0.31%, 0.45%

LAB 56.26, -36.55, 30.79

 

CMYK 47 / 45 / 0 / 41

HEX #4F5296

RGB 79 82 150

HSL 237.46, 0.31%, 0.45%

LAB 37.66, 17.76, -37.83

 

CMYK 0 / 47 / 46 / 40

HEX #985052

RGB 152 80 82

HSL 358.33, 0.31%, 0.45%

LAB 42.8, 30.15, 12.41

 

CMYK 8 / 0 / 47 / 41

HEX #8A964F

RGB 138 150 79

HSL 70.14, 0.31%, 0.45%

LAB 59.69, -15.58, 35.8

 

CMYK 47 / 0 / 1 / 41

HEX #4F9694

RGB 79 150 148

HSL 178.31, 0.31%, 0.45%

LAB 57.67, -22.76, -5.87

 

CMYK 39 / 47 / 0 / 41

HEX #5B4F96

RGB 91 79 150

HSL 250.14, 0.31%, 0.45%

LAB 37.87, 22.83, -37.43

 

CMYK 0 / 47 / 46 / 40

HEX #985052

RGB 152 80 82

HSL 358.33, 0.31%, 0.45%

LAB 42.8, 30.15, 12.41

 

CMYK 22 / 0 / 47 / 41

HEX #75964F

RGB 117 150 79

HSL 87.89, 0.31%, 0.45%

LAB 58.19, -24.11, 33.62

 

CMYK 47 / 0 / 1 / 41

HEX #4F9694

RGB 79 150 148

HSL 178.31, 0.31%, 0.45%

LAB 57.67, -22.76, -5.87

 

CMYK 25 / 47 / 0 / 41

HEX #704F96

RGB 112 79 150

HSL 267.89, 0.31%, 0.45%

LAB 39.98, 28.81, -33.96

 

Description

Color code: HEX #985052 | qconv.com Color code: HEX #985052 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 80 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 80 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 46 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 46% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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